▲ガーネットクロウの画像ない？▲

They appeared in a commercial during Conan. They’re a four-member band with two men and two women, and both girls are incredibly cute!! I can’t find them no matter how hard I look. Can someone help?

Trade me your soul and I’ll tell you the address...

They’re almost too cute in the commercial.

>1 Have you visited GIZA’s website?

http://www.giza.co.jp/garnetcrow/basic/index.html

Those idiots at Being are so annoying. They all put on this act of “we’re just making pure music.”

>>4 I looked, but there aren’t any large images. Do they have screenshots from the promotional video or anything?

>>4 What is GIZA?

>>8 Why not check the URL in post 5?

I like the one who isn’t the vocalist better.

Huh?

>>10 You mean the keyboardist?

The guitarist.

They really are cute. But their marketing is exactly like ZARD’s, which is a little exasperating. If they’ve got the talent, let’s see them perform a song on Hey! Hey! Hey!

Have they been on television?

Artists under GIZO●. Trash.

A.

Why?

You’ve all just been fooled by Being’s image magic.

They probably aren’t all that different.

By the way, the vocalist always seems to sing slightly sharp...

“flying” is the best.

They were in a magazine. They’re really cute.

You won’t know unless you see them in person.

I watched CDTV. The vocalist’s makeup was a little heavy.

I’ve only seen them on Music Station once. The vocalist was singing while playing drums.

Death sentence for everyone at Being.

↑ Carry that out in your imagination.

>>1, go die!

Anime and game otaku.

↑ A 2ch otaku.

That ugly woman with the same hairstyle as Mai Kuraki is disgusting.

http://www.namco.co.jp/home/cs/ps/talesofeternia/song01.html For game otaku only.

So they’ve been on television after all. I’d like to see pictures too.

GIZA: hang them all.

The plagiarism is too blatant. I’m furious.

They haven’t been on television, though... I do see the commercials all the time... Everyone is just criticizing them... It feels like Being’s first popular act in a while. Their debut song, “Hashiri Tsuzukete Itsumademo,” was genuinely good. Their recent songs, though... I don’t like that kind of hit-oriented pop feeling.

>>37 They were on Music Station before. It was when they first became popular with that Conan song.

Why are Being and GIZA so disliked?

They really were on? Really?? Did anyone record a tape of it?

GIZA singers hardly ever appear on television, do they?

Hey, doesn’t anyone have anything to say about the vocalist’s disgusting singing style? (Laughs.)

You should also make fun of the fact that the “favorite musicians” section only lists foreigners. (Laughs.)

Flipper’s Guitar were Japanese, if I remember correctly.

Wasn’t the one singing while playing drums Montevideo from Romania?

I want to know the answer to the question asked in post 39.

There’s nothing more untrustworthy, and nothing funnier, than the profiles of GIZA artists.

GIZA artists’ music videos always look cheap, no matter when you watch them.

People who listen to Being and GIZA get publicly punished on 2ch.

How stupid.

Montevideo was on Music Station too? That’s more surprising.

>>49 So why?

These people will eventually become inactive in practice too, just like all the other artists under GIZA in the past...

http://www.j-navi.pos.to/link/1125d.html

If you’re going to slander people, don’t come back here.

Being is the best!!!

Everyone has different tastes.

Post 49 seems to be treating Being and GIZA as separate things.

Isn’t one person desperately slandering them over and over?

>58 They just copied what post 39 said. Don’t treat us like idiots!

I’m number 1. Still no pictures?

If you’re going to slander me, give me the money!!!

Speaking of which, where are the pictures?

http://www17.freeweb.ne.jp/art/garnetcw/jgm2.jpg

There was footage of them talking at a game expo. They absolutely refused to look at the camera and spoke with this haughty attitude. It left quite an impression.

If they’re going to expose themselves to the public, maybe they’ll appear on television.

Age.

Why are Being and GIZA so disliked?

Bump the picture post.

There aren’t any pictures anywhere.

>>26, >>38 Listen, like >>45 said, the people who appeared on Music Station were Montevideo from Romania. The vocalist was playing drums, wasn’t she? Don’t make such a confident mistake. GARNET CROW has not appeared on a terrestrial music program yet.

Since they appeared at a game expo, there’s a possibility they’ve been on television too, right?

>>65 Tell us where that footage is.

Please bump this.

>73 The pictures probably haven’t leaked, right? At Namco’s booth at this year’s autumn game expo (apparently because they sang a game theme song), they showed interview footage. The host even said something like, “This is the first time the public has been able to see footage of GARNET CROW! It’s extremely rare!” Apparently their base of operations is Osaka. From the interview, they seemed like people who “don’t like appearing on television.” They haven’t even appeared on local television, which might mean it isn’t that they lack offers; perhaps they’re refusing to appear. I’m not sure, though. Their CD sales are pretty questionable too...

>73 Did you buy the magazine with the two GARNET CROW women on the cover? I forgot the name, but they used quite a few pages for them.

I heard they originally performed as an indie band. Then they must have played live shows and things, right? Has nobody seen them?

>I heard they originally performed as an indie band. >So they must have played live shows and things, right? >Has nobody seen them? The claim that they “performed as an indie band” is a lie. They are a “manufactured band”—in plain terms, a “planned project.” Just like Chika Yoshida. That’s exactly the kind of thing Being does. ♪

>>76 I live in the countryside, so it isn’t sold anywhere around me. And it seems to have been published a while ago already. I wonder if someone has uploaded it somewhere.

>>78 Here we go again.

Without pictures, I can’t masturbate...

You can often see GARNET CROW around Mimura.

>82 Interesting. (Laughs.)

Because GIZA has to retouch the pictures first, they basically never leak.

Garage Indies Zapping Association. That’s GIZA for short. (Laughs.)

Where can I see the magazine pictures?

I’ve never seen them play live, even though I live in Osaka. I haven’t seen Chika Yoshida either. GARNET CROW is one of the better recent Being acts, but is the company selling them by fabricating their history again? Doing that damages the artists’ reputations too. As for the magazine pictures, you should probably be able to find them in Being-related magazines, UNDOWN, or on the JGM website.

Being is all about artists like ZARD who have no physical presence—no public appearances.

By the way, Mai Kuraki is going to appear on a commercial TV program next year.

>>87 Where?

Are there any pictures of me?

GIZA GIZA ♥

Ah, what an incredibly high-level thread this is. No one can keep up. 2ch really lives up to its reputation. Who knew such a sophisticated thread could exist? And the level of the people posting here is truly remarkable too. With standards this high, it’s only natural that there are so many replies. I sincerely think post 1 is highly skilled, and the people who can follow this topic are impressive too. They’re worthy of admiration. I’m going to learn from everyone and work hard to become a sophisticated person. Then I’ll become an impressive reply craftsman who can keep up with all of you. I’m still a beginner, but just wait three months and see. I’ll become a reply craftsman who astonishes everyone. Until then, please keep up this high standard too. I’m truly happy to have come to 2ch. I’m such a fortunate person.

Is post 93 subtly mocking GARNET, or are they being serious?

Post 93 is copypasta.

What exactly is the purpose of post 93?

Bump.

Until recently, I always thought GARNET CROW and Montevideo from Romania were the same band. Is it because both debuted through Conan...? Or because Being keeps producing similar bands...?

Why are Being’s female vocalists’ promotional photos always so hazy? Damn it.

Age.

I selfishly want to turn this place into a town square. Anyone can stay here: people who want to talk about music, people who want to shoot the breeze, shut-ins, even copy-and-paste troublemakers and people impersonating me. Of course, unlike a real town square, the voices of people muttering in the corners will be heard at the same volume as everyone else’s. If that bothers you, develop the skill of pretending not to hear it. You need at least that much skill to play in a town square. There’s no need for everyone to participate in the same conversation. People who speak with an appealing voice will naturally attract attention. Those who can’t keep up with that rhythm should find companions and have a different conversation at the same time. There will always be someone you get along with—or it’s fine to talk to yourself. So please enjoy yourselves. I just want to chat with someone.

The official story is that they released a single, or perhaps a mini-album, on an indie label, and then made their major debut because it became a huge hit.

Does anyone know anything about their indie-label period?

No one?

That’s because they never had an indie-label career in the first place. It was just a story for appearances.

Surely they wouldn’t tell a lie that would be so easy to expose.

All those GIZA acts released indie-label material only after their major-debut plans had already been decided. Normally, once a major debut is confirmed, you don’t let someone release an indie work afterward, because there will inevitably be copyright disputes. And that indie label was surely called Garage Indies Zapping Association. The abbreviation is conveniently GIZA. It’s enough to make you laugh.

Ah, GARNET CROW’s label was called TENT HOUSE. But that was also part of the GIZA group.

Regarding >>107’s claim that “all those GIZA acts released indie material only after their major-debut plans were decided”: How do they decide that someone is going to debut? It costs money, after all. Do they only choose people who are genuinely talented?

Regarding >>107’s claim that “all those GIZA acts released indie material only after their major-debut plans were decided”: How do they decide that someone is going to debut? It costs money, after all. Do they only choose people who are genuinely talented?

Wasn’t GARNET CROW originally assembled from the staff and musicians behind other Being artists? http://www.being.co.jp/bmf/news/garnetcrow/index.html In reality, they probably scout promising talent from places like this: http://www.being.co.jp/shinkokai/index.html

I believed that fake origin story all this time. Damn it. Was Mai Kuraki the same?

The songs matter more than the backstory, don’t they?

Exactly. Look at Utada.

>1 Saying both girls are super cute is a lie. http://garnetcrow.com/

Just looking at the photos, both of them seem pretty cute to me.

>>78 >“Their indie-label career” is a lie. >Just like Chika Yoshida. >That’s what Being always does. ♪ On the Nippon TV program “Chekira!”, hosted by Kozue Suzuki, there was a feature on “locally rooted artists.” It introduced Chika Yoshida by saying: “She lives in Kyoto and mainly performs live. She was discovered while performing by a riverside, and that became the opportunity for her debut.” That was just the other day. Did no one see it?

Japan really does value a good backstory, doesn’t it?

>117 Does performing by a riverside count as an indie-label career?

Chika Yoshida’s official website doesn’t say anything about her background. Maybe she actually lives in Tokyo and only goes to Kyoto for work. http://chika-yoshida.com/