【由利】GARNET CROW part11【七】
April 1, 20082ch musicjg1001 postsmimizunAdded on July 12, 2026
1
名無しのエリー ｜ 2008/04/01 04:34 ｜ ID:M0/984780
This is a thread for chatting mainly about GARNET CROW.
Let’s talk about all kinds of things, and have fun doing it.
2
名無しのエリー ｜ 2008/04/01 04:36 ｜ ID:M0/984780
Previous threads
【Yuri】 Garnet Crow 【Nana】
http://music2.2ch.net/test/read.cgi/musicj/1050524388
【Yuri】 Garnet Crow II 【Nana】
http://music2.2ch.net/test/read.cgi/musicj/1050524388/
【Yuri】GARNET CROW 03【Nana】
http://music5.2ch.net/test/read.cgi/musicj/1122031082/
【Yuri】GARNET CROW 03 part2【Nana】
http://music8.2ch.net/test/read.cgi/musicj/1166779350/
【Yuri】GARNET CROW part5【Nana】
http://music8.2ch.net/test/read.cgi/musicj/1176893626/
【Yuri】GARNET CROW part6【Nana】
http://music8.2ch.net/test/read.cgi/musicj/1191322341/
【Yuri】GARNET CROW part"7"【Nana】
http://music8.2ch.net/test/read.cgi/musicj/1200241988/
【Yuri】GARNET CROW part8【Nana】
http://music8.2ch.net/test/read.cgi/musicj/1203660376/
【Yuri】GARNET CROW part9【Nana】
http://music8.2ch.net/test/read.cgi/musicj/1205851574/
【Yuri】GARNET CROW part ten【Nana】
http://music8.2ch.net/test/read.cgi/musicj/1206516774/
3
名無しのエリー ｜ 2008/04/01 04:37 ｜ ID:M0/984780
★ 6th album 『LOCKS』 released to great acclaim on March 12, 2008!
【Tracklist】
01 - 最後の離島
02 - 涙のイエスタデー (album ver.)
03 - 世界はまわると言うけれど
04 - もう一度 笑って
05 - この手を伸ばせば (album ver.)
06 - doubt
07 - 風とRAINBOW
08 - ふたり
09 - Mr.Holiday
10 - The First Cry
11 - Love is a Bird
[CD+DVD] First press A (Ninnaji Live DVD ver.) GZCA-5124 / ￥3,500 (tax included)
[CD+DVD] First press B (video clip ver.) GZCA-5125 / ￥3,500 (tax included)
[CD] Regular edition GZCA-5126 / ￥3,059 (tax included)
※ The jacket is different for all three versions.
4
名無しのエリー ｜ 2008/04/01 04:38 ｜ ID:M0/984780
PAATOS/Kallocain
鬼束ちひろ/インソムニア
hyde/ROENTGEN
the brilliant green/the brilliant green
Pain Of salvation/The Perfect Element Part �T
GRAPEVINE/From a small town
ACIDMAN/equal
Nick Drake/ピンク・ムーン
Sean North/Story Neverend
柴田淳/ひとり
Do As Infinity/BREAK OF DOWN
rumania montevideo/rumaniamania
the cranberries/everybody else is doing it,so why can't we?
スピッツ/ハチミツ
熊木杏里/殺風景
椎名林檎/無罪モラトリアム
new→Radiohead/OK コンピューター
new→THE BACK HORN/人間プログラム
new→Cloudberry Jam/雰囲気づくり
new→Bjork/Vespertine
new→Evanescence/フォールン
Feel free to make corrections or additions.
5
名無しのエリー ｜ 2008/04/01 05:10 ｜ ID:M0/984780
|| ○Trolls and idiots hate being ignored most of all. Trolls and idiots are always waiting for someone to react.
|| ○Put a redirect link in duplicate threads and leave them alone. If you find them annoying, just leave them alone as-is.
|| ○Ignored trolls and idiots will try to bait you into replying through provocation or sockpuppetry.
|| If you take the bait and reply, you’ve already lost.
|| ○Counterattacking is nourishment for trolls and idiots, and the thing they enjoy most.
|| Don’t feed trolls and idiots.
|| ○Let them thrash around alone until they die out. ∧___∧
|| Once the trash piles up, deletion is the best option. ＼ （■∈■）
|| ⊂ ⊂ |
||＿＿＿ ∧ ∧＿＿∧ ∧＿＿ ∧ ∧＿ |￣￣￣￣|
(； ∧ ∧__(； ∧ ∧_(； ∧ ∧ ￣￣￣
〜（＿(； ∧ ∧＿(； ∧∧＿(； ∧∧
〜（＿(； ,,)〜（＿(； ,,)〜（＿(； ,,) ｳﾞｪｲ!!
〜（＿__ﾉ 〜（＿__ﾉ 〜（＿__ﾉ
6
名無しのエリー ｜ 2008/04/01 05:11 ｜ ID:M0/984780
◆ Trolls are currently hanging around, so replies are extremely hard to read.
To let everyone use the thread comfortably, using the ignore function is strongly recommended.
◆ There’s a high chance someone will try to destroy the thread by filling its capacity, so after that happens,
if someone can start a new thread, anyone is free to do so in the form of carrying on from the previous thread.
Those posting in this thread from a phone,
choose whichever of these menus you like and use it.
�@ http://i2ch.net/x/-NWG.ll9!mail=sage&size=1/i
�A http://s.s2ch.net/test/-6--.OOb!FROM=&mail=sage&NG_NAME=&NG_MAIL=&NG_DATE=&NG_MESSAGE=/
�B http://orz.2ch.io/p/ihmrci/
When registering NG words, use the “Settings” section at the bottom of the page.
If you want to register multiple words,
you can put a half-width 『|』 between each word.
Example: 「○○|××」
※ With �@, registering a favorite thread lets you set NG words for each thread.
To add NG words,
【Settings → Set NG → classic menu → Register → Favorite threads → Edit → Delete the thread with NG settings → Return to the page saying “○○ is already in your favorites...” and refresh the page through your phone browser menu, etc.】
That completes the setup.
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※ �B cannot set NG words.
7
名無しのエリー ｜ 2008/04/01 06:13 ｜ ID:u0QqLhDV0
http://life9.2ch.net/test/read.cgi/model/1187761512/701-800
8
名無しのエリー ｜ 2008/04/01 18:21 ｜ ID:0UVwpKR70
>1
Thanks for your work.
9
名無しのエリー ｜ 2008/04/01 18:31 ｜ ID:OutxiTl5O
>1
Thanks for your work.
Let’s decide whether to use this or the Japanese music lounge depending on how we handle the trolls.
10
1 ｜ 2008/04/01 20:24 ｜ ID:M0/984780
I’ve submitted a deletion request this time.
If the trolling happens again, I’ll report it and request restrictions.
Also, people who join in and troll along with them may get caught up in it too.
11
名無しのエリー ｜ 2008/04/01 21:00 ｜ ID:+MXCyMUA0
Apparently things like scripts that try to fill up the thread’s capacity are fairly easy to get restricted.
(´･ω･｀) Hope things work out for the better.
12
名無しのエリー ｜ 2008/04/02 00:02 ｜ ID:e1G90PYO0
／:::::::／ ﾞi､`ｰ ､＿::::::::::::::::::::ヽ､ ヽ
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/l __,､ /::::::::::/ U .、 i ﾞ.X __,,,､-､ ヽ:::::::::::::::＼ ､_l ￣ .兀
＼/ .l __ ,､--‐'"´ .l /:::::::::/ ー‐‐---l ∨-" .＿_ ﾋﾆl:::::::,-､:::::::＼|
'´ | /:::::::::::l _,,､-=ﾆﾆ"ﾞl, __l ／●／ l .l／| |:::::::::::/| ＿i＿
‐┼‐ | /::::::::::::l_l ／●／ l,"'`ゝ､ヾ二.,､-' | | |::::::::/__| `.土 ´
‐┼‐ | |:::::::::::::l"l ￣__/_ノ ｀ﾞ''''" U l/ .ﾉ:::／＼ 大
＿＿ | |:::::iｰt-l `'"´ ,、 ,､ ├''"／ / ＿
＿|＿ | |::::::l ヽl __,,,､-,‐、ヽ、 |／`ｰ､,,__"''i （ﾉ .）
|＿ | |:::::::ﾞヽ.人 l |ゝ‐`'"`i､ | .l `/
.＞'ー--t--ゝ、 .| |,､--‐‐､| | / / ナ┬
/ .l ／ ヽ l .|,-t‐t'T'l / ./ `メ､
･ .l ／ ＼ `'''""´ ／ ./
13
名無しのエリー ｜ 2008/04/02 00:04 ｜ ID:e1G90PYO0
|┃
|┃三 ,ｨ, (fー--─‐- ､、
|┃. ,ｲ/〃 ヾ= 、
|┃ N ｛ ＼ 本日のひとこと
|┃ ﾄ.l ヽ l
ｶﾞﾗｯ.|┃ ､ゝ丶 ,..ｨ从 |
|┃ ＼`.、_ _,. _彡'ﾉﾘ__,.ゝ、 | ／￣￣￣￣￣￣￣￣￣￣￣￣￣￣
|┃三 ｀ゞf‐＞ｎ;ﾊ二r^ｧｎj＜ y=ﾚヽ ＜ 今日、ゆりっぺに中出ししてくるぞ！
|┃. |fjl、 ｀￣ﾘj＾ヾ) ￣´ ﾉ ﾚ ﾘ | ゆりっぺにはナマ中出し以外はありえん！
|┃三 ヾl.`ｰ- べｌ,- ｀ ｰ-‐' ,ン ＼＿＿＿＿＿＿＿＿＿＿＿＿＿
|┃ l r─‐-､ /:|
|┃三 ﾄ､ ｀二¨´ ,.ｲ |
|┃ _亅::ヽ、 .／ i :ﾄ､
|┃ -‐''｢ F′:: `:ー '´ ,.' ﾌ ＞ｰ､ >>ゴッドハンド古井ゴールドフィンガー
|┃ ﾄ､ヾ;､..__ , '_,.／ ／l
|┃
|┃三 ,ｨ, (fー--─‐- ､、
|┃. ,ｲ/〃 ヾ= 、
|┃ N ｛ ＼ 本日のひとこと
|┃ ﾄ.l ヽ l
ｶﾞﾗｯ.|┃ ､ゝ丶 ,..ｨ从 |
|┃ ＼`.、_ _,. _彡'ﾉﾘ__,.ゝ、 | ／￣￣￣￣￣￣￣￣￣￣￣￣￣￣
|┃三 ｀ゞf‐＞ｎ;ﾊ二r^ｧｎj＜ y=ﾚヽ ＜ 今日、ゆっりぺに中出ししてくるぞ！
|┃. |fjl、 ｀￣ﾘj＾ヾ) ￣´ ﾉ ﾚ ﾘ | ゆりっぺにはナマ中出し以外はありえん！
|┃三 ヾl.`ｰ- べｌ,- ｀ ｰ-‐' ,ン ＼＿＿＿＿＿＿＿＿＿＿＿＿＿
|┃ l r─‐-､ /:|
|┃三 ﾄ､ ｀二¨´ ,.ｲ |
|┃ _亅::ヽ、 .／ i :ﾄ､
|┃ -‐''｢ F′:: `:ー '´ ,.' ﾌ ＞ｰ､ >>ゴッドハンド古井ゴールドフィンガー
|┃ ﾄ､ヾ;､..__ , '_,.／ ／l
14
名無しのエリー ｜ 2008/04/02 00:05 ｜ ID:e1G90PYO0
|┃
|┃三 ,ｨ, (fー--─‐- ､、
|┃. ,ｲ/〃 ヾ= 、
|┃ N ｛ ＼ 本日のひとこと
|┃ ﾄ.l ヽ l
ｶﾞﾗｯ.|┃ ､ゝ丶 ,..ｨ从 |
|┃ ＼`.、_ _,. _彡'ﾉﾘ__,.ゝ、 | ／￣￣￣￣￣￣￣￣￣￣￣￣￣￣
|┃三 ｀ゞf‐＞ｎ;ﾊ二r^ｧｎj＜ y=ﾚヽ ＜ 今日、ゆりっぺに中出ししてくるぞ！
|┃. |fjl、 ｀￣ﾘj＾ヾ) ￣´ ﾉ ﾚ ﾘ | ゆりっぺにはナマ中出し以外はありえん！
|┃三 ヾl.`ｰ- べｌ,- ｀ ｰ-‐' ,ン ＼＿＿＿＿＿＿＿＿＿＿＿＿＿
|┃ l r─‐-､ /:|
|┃三 ﾄ､ ｀二¨´ ,.ｲ |
|┃ _亅::ヽ、 .／ i :ﾄ､
|┃ -‐''｢ F′:: `:ー '´ ,.' ﾌ ＞ｰ､ >>ゴッドハンド古井ゴールドフィンガー
|┃ ﾄ､ヾ;､..__ , '_,.／ ／l
|┃
|┃三 ,ｨ, (fー--─‐- ､、
|┃. ,ｲ/〃 ヾ= 、
|┃ N ｛ ＼ 本日のひとこと
|┃ ﾄ.l ヽ l
ｶﾞﾗｯ.|┃ ､ゝ丶 ,..ｨ从 |
|┃ ＼`.、_ _,. _彡'ﾉﾘ__,.ゝ、 | ／￣￣￣￣￣￣￣￣￣￣￣￣￣￣
|┃三 ｀ゞf‐＞ｎ;ﾊ二r^ｧｎj＜ y=ﾚヽ ＜ 今日、ゆっりぺに中出ししてくるぞ！
|┃. |fjl、 ｀￣ﾘj＾ヾ) ￣´ ﾉ ﾚ ﾘ | ゆりっぺにはナマ中出し以外はありえん！
|┃三 ヾl.`ｰ- べｌ,- ｀ ｰ-‐' ,ン ＼＿＿＿＿＿＿＿＿＿＿＿＿＿
|┃ l r─‐-､ /:|
|┃三 ﾄ､ ｀二¨´ ,.ｲ |
|┃ _亅::ヽ、 .／ i :ﾄ､
|┃ -‐''｢ F′:: `:ー '´ ,.' ﾌ ＞ｰ､ >>ゴッドハンド古井ゴールドフィンガー
|┃ ﾄ､ヾ;､..__ , '_,.／ ／l
15
名無しのエリー ｜ 2008/04/02 00:07 ｜ ID:e1G90PYO0
12 Name: 名無しのエリー [sage] Posted: 2008/03/26 (Wed) 19:17:19 ID:ccgzsBXI0
So, we found out in the previous thread that Mochi doesn’t do phrasing either.
His “You really worked hard here~” was just following Ossan’s phrase, huh＾＾
Mochi can’t compete with Shimeji.
13 Name: 名無しのエリー [sage] Posted: 2008/03/26 (Wed) 19:27:30 ID:5rijbV1t0
I performed the phrase Ossan came up with, putting my own heartfelt touch on it, lol.
14 Name: 名無しのエリー [sage] Posted: 2008/03/26 (Wed) 19:45:57 ID:ccgzsBXI0
I haven’t heard it, so I can’t say, but Mochi’s solo is guitar pop, right?
Even so, it’s strange that Ossan handles the phrasing when he’s working with Gane.
There should be a lot of overlap. Does he think Ossan can make better ones than he can, does Ossan keep rejecting them, or does he really just have no intention of participating in the production side...?
15 Name: 名無しのエリー [sage] Posted: 2008/03/26 (Wed) 20:50:41 ID:2MbXD7RmO
Ossan has it rough too, lol. Even though he knows AZUKI doesn’t do phrasing,
it turns out Mochi, who worked hard as a studio musician, doesn’t do it either, lol.
>1
If you stretch this “otsu”...
16 Name: 名無しのエリー [sage] Posted: 2008/03/26 (Wed) 22:12:49 ID:5rijbV1t0
Sound phrasing is Ossan’s job, but the singing parts are Yurippe’s.
AZUKI-san handles the phrasing of the words.
16
名無しのエリー ｜ 2008/04/02 00:07 ｜ ID:e1G90PYO0
12 Name: 名無しのエリー [sage] Posted: 2008/03/26 (Wed) 19:17:19 ID:ccgzsBXI0
So, we found out in the previous thread that Mochi doesn’t do phrasing either.
His “You really worked hard here~” was just following Ossan’s phrase, huh＾＾
Mochi can’t compete with Shimeji.
13 Name: 名無しのエリー [sage] Posted: 2008/03/26 (Wed) 19:27:30 ID:5rijbV1t0
I performed the phrase Ossan came up with, putting my own heartfelt touch on it, lol.
14 Name: 名無しのエリー [sage] Posted: 2008/03/26 (Wed) 19:45:57 ID:ccgzsBXI0
I haven’t heard it, so I can’t say, but Mochi’s solo is guitar pop, right?
Even so, it’s strange that Ossan handles the phrasing when he’s working with Gane.
There should be a lot of overlap. Does he think Ossan can make better ones than he can, does Ossan keep rejecting them, or does he really just have no intention of participating in the production side...?
15 Name: 名無しのエリー [sage] Posted: 2008/03/26 (Wed) 20:50:41 ID:2MbXD7RmO
Ossan has it rough too, lol. Even though he knows AZUKI doesn’t do phrasing,
it turns out Mochi, who worked hard as a studio musician, doesn’t do it either, lol.
>1
If you stretch this “otsu”...
16 Name: 名無しのエリー [sage] Posted: 2008/03/26 (Wed) 22:12:49 ID:5rijbV1t0
Sound phrasing is Ossan’s job, but the singing parts are Yurippe’s.
AZUKI-san handles the phrasing of the words.
17
名無しのエリー ｜ 2008/04/02 00:08 ｜ ID:e1G90PYO0
12 Name: 名無しのエリー [sage] Posted: 2008/03/26 (Wed) 19:17:19 ID:ccgzsBXI0
So, we found out in the previous thread that Mochi doesn’t do phrasing either.
His “You really worked hard here~” was just following Ossan’s phrase, huh＾＾
Mochi can’t compete with Shimeji.
13 Name: 名無しのエリー [sage] Posted: 2008/03/26 (Wed) 19:27:30 ID:5rijbV1t0
I performed the phrase Ossan came up with, putting my own heartfelt touch on it, lol.
14 Name: 名無しのエリー [sage] Posted: 2008/03/26 (Wed) 19:45:57 ID:ccgzsBXI0
I haven’t heard it, so I can’t say, but Mochi’s solo is guitar pop, right?
Even so, it’s strange that Ossan handles the phrasing when he’s working with Gane.
There should be a lot of overlap. Does he think Ossan can make better ones than he can, does Ossan keep rejecting them, or does he really just have no intention of participating in the production side...?
15 Name: 名無しのエリー [sage] Posted: 2008/03/26 (Wed) 20:50:41 ID:2MbXD7RmO
Ossan has it rough too, lol. Even though he knows AZUKI doesn’t do phrasing,
it turns out Mochi, who worked hard as a studio musician, doesn’t do it either, lol.
>1
If you stretch this “otsu”...
16 Name: 名無しのエリー [sage] Posted: 2008/03/26 (Wed) 22:12:49 ID:5rijbV1t0
Sound phrasing is Ossan’s job, but the singing parts are Yurippe’s.
AZUKI-san handles the phrasing of the words.
18
名無しのエリー ｜ 2008/04/02 00:09 ｜ ID:e1G90PYO0
12 Name: 名無しのエリー [sage] Posted: 2008/03/26 (Wed) 19:17:19 ID:ccgzsBXI0
So, we found out in the previous thread that Mochi doesn’t do phrasing either.
His “You really worked hard here~” was just following Ossan’s phrase, huh＾＾
Mochi can’t compete with Shimeji.
13 Name: 名無しのエリー [sage] Posted: 2008/03/26 (Wed) 19:27:30 ID:5rijbV1t0
I performed the phrase Ossan came up with, putting my own heartfelt touch on it, lol.
14 Name: 名無しのエリー [sage] Posted: 2008/03/26 (Wed) 19:45:57 ID:ccgzsBXI0
I haven’t heard it, so I can’t say, but Mochi’s solo is guitar pop, right?
Even so, it’s strange that Ossan handles the phrasing when he’s working with Gane.
There should be a lot of overlap. Does he think Ossan can make better ones than he can, does Ossan keep rejecting them, or does he really just have no intention of participating in the production side...?
15 Name: 名無しのエリー [sage] Posted: 2008/03/26 (Wed) 20:50:41 ID:2MbXD7RmO
Ossan has it rough too, lol. Even though he knows AZUKI doesn’t do phrasing,
it turns out Mochi, who worked hard as a studio musician, doesn’t do it either, lol.
>1
If you stretch this “otsu”...
16 Name: 名無しのエリー [sage] Posted: 2008/03/26 (Wed) 22:12:49 ID:5rijbV1t0
Sound phrasing is Ossan’s job, but the singing parts are Yurippe’s.
AZUKI-san handles the phrasing of the words.
19
名無しのエリー ｜ 2008/04/02 00:10 ｜ ID:e1G90PYO0
12 Name: 名無しのエリー [sage] Posted: 2008/03/26 (Wed) 19:17:19 ID:ccgzsBXI0
So, we found out in the previous thread that Mochi doesn’t do phrasing either.
His “You really worked hard here~” was just following Ossan’s phrase, huh＾＾
Mochi can’t compete with Shimeji.
13 Name: 名無しのエリー [sage] Posted: 2008/03/26 (Wed) 19:27:30 ID:5rijbV1t0
I performed the phrase Ossan came up with, putting my own heartfelt touch on it, lol.
14 Name: 名無しのエリー [sage] Posted: 2008/03/26 (Wed) 19:45:57 ID:ccgzsBXI0
I haven’t heard it, so I can’t say, but Mochi’s solo is guitar pop, right?
Even so, it’s strange that Ossan handles the phrasing when he’s working with Gane.
There should be a lot of overlap. Does he think Ossan can make better ones than he can, does Ossan keep rejecting them, or does he really just have no intention of participating in the production side...?
15 Name: 名無しのエリー [sage] Posted: 2008/03/26 (Wed) 20:50:41 ID:2MbXD7RmO
Ossan has it rough too, lol. Even though he knows AZUKI doesn’t do phrasing,
it turns out Mochi, who worked hard as a studio musician, doesn’t do it either, lol.
>1
If you stretch this “otsu”...
16 Name: 名無しのエリー [sage] Posted: 2008/03/26 (Wed) 22:12:49 ID:5rijbV1t0
Sound phrasing is Ossan’s job, but the singing parts are Yurippe’s.
AZUKI-san handles the phrasing of the words.
20
名無しのエリー ｜ 2008/04/02 00:16 ｜ ID:e1G90PYO0
12 Name: 名無しのエリー [sage] Posted: 2008/03/26 (Wed) 19:17:19 ID:ccgzsBXI0
So, we found out in the previous thread that Mochi doesn’t do phrasing either.
His “You really worked hard here~” was just following Ossan’s phrase, huh＾＾
Mochi can’t compete with Shimeji.
13 Name: 名無しのエリー [sage] Posted: 2008/03/26 (Wed) 19:27:30 ID:5rijbV1t0
I performed the phrase Ossan came up with, putting my own heartfelt touch on it, lol.
14 Name: 名無しのエリー [sage] Posted: 2008/03/26 (Wed) 19:45:57 ID:ccgzsBXI0
I haven’t heard it, so I can’t say, but Mochi’s solo is guitar pop, right?
Even so, it’s strange that Ossan handles the phrasing when he’s working with Gane.
There should be a lot of overlap. Does he think Ossan can make better ones than he can, does Ossan keep rejecting them, or does he really just have no intention of participating in the production side...?
15 Name: 名無しのエリー [sage] Posted: 2008/03/26 (Wed) 20:50:41 ID:2MbXD7RmO
Ossan has it rough too, lol. Even though he knows AZUKI doesn’t do phrasing,
it turns out Mochi, who worked hard as a studio musician, doesn’t do it either, lol.
>1
If you stretch this “otsu”...
16 Name: 名無しのエリー [sage] Posted: 2008/03/26 (Wed) 22:12:49 ID:5rijbV1t0
Sound phrasing is Ossan’s job, but the singing parts are Yurippe’s.
AZUKI-san handles the phrasing of the words.
21
名無しのエリー ｜ 2008/04/02 00:19 ｜ ID:e1G90PYO0
|
|
{ ! _,, -ｪｪｭ､ |
ｨ彡三ﾐヽ ｀ヽ ,ｨﾊミﾐミﾐﾐﾐﾐﾐﾐヽ､|
彡'⌒ヾﾐヽ ｀ー /ililﾊilﾐilミliliミliliﾐliliﾐ|
ヾ､ /iiiｉｲ!ヾヾﾐ､ﾐﾆ=ー-ﾐ|
＿ ｀ー―' i!ﾊ:.:.＼＼_::::::::::::::／:.| このスレは
彡三ミﾐヽ i! ヽ:.:.:.:冫': : :::／,,∠|
彡' ヾ､ ＿ノ i!:::￣二ー:: : ::::ｿ ・ ,| 竹井ヲタに
｀ー ' {ﾍラ' ・_＞ｼ;ﾃﾂ"''''"|
,ｨ彡三ﾆﾐヽ ＿_ノ ヽﾍ｀" 彡' 〈 | 監視されて
彡' ｀￣ ｀＼ ｰ-=ｪっ |
＿ ＿＿ ノ {ﾐ;ヽ､ ⌒ | います
,ｨ彡' ￣ ヾミﾐミﾄ-- ' |
ﾐ三彡' ／⌒ /￣￣ | : ::::::::::|
ｨﾆﾆ=- ' / i ｀ー-（二つ
,ｨ彡' { ﾐi （二⊃
// ／ l ﾐii ト､二)
彡' ＿＿,ノ | ﾐｿ :..｀ﾄ-'
／ | ﾐ{ :.:.:..:|
ノ / ヾ＼i､ :.:.:.:.:|
ｨﾆ=-- '" / ヾヾiiヽ､ :.:.:.::::|
／ ／ ｀/￣￣7ﾊヾヾ : .:.:.|
ノ ＿／ / / |:. :.:.:.:.:.:.:|
22
名無しのエリー ｜ 2008/04/02 00:21 ｜ ID:e1G90PYO0
|
|
{ ! _,, -ｪｪｭ､ |
ｨ彡三ﾐヽ ｀ヽ ,ｨﾊミﾐミﾐﾐﾐﾐﾐﾐヽ､|
彡'⌒ヾﾐヽ ｀ー /ililﾊilﾐilミliliミliliﾐliliﾐ|
ヾ､ /iiiｉｲ!ヾヾﾐ､ﾐﾆ=ー-ﾐ|
＿ ｀ー―' i!ﾊ:.:.＼＼_::::::::::::::／:.| このスレは
彡三ミﾐヽ i! ヽ:.:.:.:冫': : :::／,,∠|
彡' ヾ､ ＿ノ i!:::￣二ー:: : ::::ｿ ・ ,| 竹井ヲタに
｀ー ' {ﾍラ' ・_＞ｼ;ﾃﾂ"''''"|
,ｨ彡三ﾆﾐヽ ＿_ノ ヽﾍ｀" 彡' 〈 | 監視されて
彡' ｀￣ ｀＼ ｰ-=ｪっ |
＿ ＿＿ ノ {ﾐ;ヽ､ ⌒ | います
,ｨ彡' ￣ ヾミﾐミﾄ-- ' |
ﾐ三彡' ／⌒ /￣￣ | : ::::::::::|
ｨﾆﾆ=- ' / i ｀ー-（二つ
,ｨ彡' { ﾐi （二⊃
// ／ l ﾐii ト､二)
彡' ＿＿,ノ | ﾐｿ :..｀ﾄ-'
／ | ﾐ{ :.:.:..:|
ノ / ヾ＼i､ :.:.:.:.:|
ｨﾆ=-- '" / ヾヾiiヽ､ :.:.:.::::|
／ ／ ｀/￣￣7ﾊヾヾ : .:.:.|
ノ ＿／ / / |:. :.:.:.:.:.:.:|
23
名無しのエリー ｜ 2008/04/02 00:23 ｜ ID:e1G90PYO0
|
|
{ ! _,, -ｪｪｭ､ |
ｨ彡三ﾐヽ ｀ヽ ,ｨﾊミﾐミﾐﾐﾐﾐﾐﾐヽ､|
彡'⌒ヾﾐヽ ｀ー /ililﾊilﾐilミliliミliliﾐliliﾐ|
ヾ､ /iiiｉｲ!ヾヾﾐ､ﾐﾆ=ー-ﾐ|
＿ ｀ー―' i!ﾊ:.:.＼＼_::::::::::::::／:.| このスレは
彡三ミﾐヽ i! ヽ:.:.:.:冫': : :::／,,∠|
彡' ヾ､ ＿ノ i!:::￣二ー:: : ::::ｿ ・ ,| 竹井ヲタに
｀ー ' {ﾍラ' ・_＞ｼ;ﾃﾂ"''''"|
,ｨ彡三ﾆﾐヽ ＿_ノ ヽﾍ｀" 彡' 〈 | 監視されて
彡' ｀￣ ｀＼ ｰ-=ｪっ |
＿ ＿＿ ノ {ﾐ;ヽ､ ⌒ | います
,ｨ彡' ￣ ヾミﾐﾐﾄ-- ' |
ﾐ三彡' ／⌒ /￣￣ | : ::::::::::|
ｨﾆﾆ=- ' / i ｀ー-（二つ
,ｨ彡' { ﾐi （二⊃
// ／ l ﾐii ト､二)
彡' ＿＿,ノ | ﾐｿ :..｀ﾄ-'
／ | ﾐ{ :.:.:..:|
ノ / ヾ＼i､ :.:.:.:.:|
ｨﾆ=-- '" / ヾヾiiヽ､ :.:.:.::::|
／ ／ ｀/￣￣7ﾊヾヾ : .:.:.|
ノ ＿／ / / |:. :.:.:.:.:.:.:|
24
名無しのエリー ｜ 2008/04/02 00:31 ｜ ID:e1G90PYO0
Y-Yurippe...
＿_,,,,、 .,、
／'ﾞ´,_/'″ . ｀＼
: ./ i./ ,,..、 ヽ
. / /． ｌ, ,! ｀,
.| .,..‐.､│ .| ﾋﾞｸﾋﾞｸｯ
（´゛ ,/ llヽ |
ヽ -./ .， lliヽ .|
/'",i" ﾞ;、 ｌ'ｉi,''く .ヽ
/ ...│ ﾞl, ｌﾞﾞt, ''ii_ :.!
ﾋﾞｸﾋﾞｸｯ : /.._ / ヽ ＼＼.｀ﾞ~''''''"/
.|-ﾞノ/ : ゝ .､ ` .｀''←┬゛
lﾞ /.ｒ ゛ .ﾞﾋ, .ヽ, ￣ﾞ|
. | ./ ｌ ”'､ .ﾞゝ........ん
l / ヽ .`' ｀､、 .,i゛
.l| ! ''''v, ﾞ''ｰ ．l、
|lﾞ .il、 .l .ヽ .¬---イ
.llﾞ, ./ ! ,!
.!!...!! ,,ﾞ''''ｰ .|
l.",! .ﾘ |
l":| .〜''' ,. │
l; :! .|'" ...ノ,ﾞ./ │
l: l｢ ! .￣ﾞﾞ / !
.| .| ! ,i│ |
:! .l. ｝ ,i'./ |
:! .| :| . / .|
:! | ;! " .|
:! ! │ │
:!:| ,! i ,!
25
名無しのエリー ｜ 2008/04/02 00:34 ｜ ID:e1G90PYO0
Y-Yurippe...
＿_,,,,、 .,、
／'ﾞ´,_/'″ . ｀＼
: ./ i./ ,,..、 ヽ
. / /． ｌ, ,! ｀,
.| .,..‐.､│ .| ﾋﾞｸﾋﾞｸｯ
（´゛ ,/ llヽ |
ヽ -./ .， lliヽ .|
/'",i" ﾞ;、 ｌ'ｉi,''く .ヽ
/ ...│ ﾞl, ｌﾞﾞt, ''ii_ :.!
ﾋﾞｸﾋﾞｸｯ : /.._ / ヽ ＼＼.｀ﾞ~''''''"/
.|-ﾞノ/ : ゝ .､ ` .｀''←┬゛
lﾞ /.ｒ ゛ .ﾞﾋ, .ヽ, ￣ﾞ|
. | ./ ｌ ”'､ .ﾞゝ........ん
l / ヽ .`' ｀､、 .,i゛
.l| ! ''''v, ﾞ''ｰ ．l、
|lﾞ .il、 .l .ヽ .¬---イ
.llﾞ, ./ ! ,!
.!!...!! ,,ﾞ''''ｰ .|
l.",! .ﾘ |
l":| .〜''' ,. │
l; :! .|'" ...ノ,ﾞ./ │
l: l｢ ! .￣ﾞﾞ / !
.| .| ! ,i│ |
:! .l. ｝ ,i'./ |
:! .| :| . / .|
:! | ;! " .|
:! ! │ │
:!:| ,! i ,!
26
名無しのエリー ｜ 2008/04/02 00:41 ｜ ID:e1G90PYO0
Y-Yurippe...
＿_,,,,、 .,、
／'ﾞ´,_/'″ . ｀＼
: ./ i./ ,,..、 ヽ
. / /． ｌ, ,! ｀,
.| .,..‐.､│ .| ﾋﾞｸﾋﾞｸｯ
（´゛ ,/ llヽ |
ヽ -./ .， lliヽ .|
/'",i" ﾞ;、 ｌ'ｉi,''く .ヽ
/ ...│ ﾞl, ｌﾞﾞt, ''ii_ :.!
ﾋﾞｸﾋﾞｸｯ : /.._ / ヽ ＼＼.｀ﾞ~''''''"/
.|-ﾞノ/ : ゝ .､ ` .｀''←┬゛
lﾞ /.ｒ ゛ .ﾞﾋ, .ヽ, .￣ﾞ|
. | ./ ｌ ”'､ .ﾞゝ........ん
l / ヽ .`' ｀､、 .,i゛
.l| ! ''''v, ﾞ''ｰ ．l、
|lﾞ .il、 .l .ヽ .¬---イ
.llﾞ, ./ ! ,!
.!!...!! ,,ﾞ''''ｰ .|
l.",! .ﾘ |
l":| .〜''' ,. │
l; :! .|'" ...ノ,ﾞ./ │
l: l｢ ! .￣ﾞﾞ / !
.| .| ! ,i│ |
:! .l. ｝ ,i'./ |
:! .| :| . / .|
:! | ;! " .|
:! ! │ │
:!:| ,! i ,!
27
名無しのエリー ｜ 2008/04/02 00:42 ｜ ID:e1G90PYO0
Y-Yurippe...
＿_,,,,、 .,、
／'ﾞ´,_/'″ . ｀＼
: ./ i./ ,,..、 ヽ
. / /． ｌ, ,! ｀,
.| .,..‐.､│ .| ﾋﾞｸﾋﾞｸｯ
（´゛ ,/ llヽ |
ヽ -./ .， lliヽ .|
/'",i" ﾞ;、 ｌ'ｉi,''く .ヽ
/ ...│ ﾞl, ｌﾞﾞt, ''ii_ :.!
ﾋﾞｸﾋﾞｸｯ : /.._ / ヽ ＼＼.｀ﾞ~''''''"/
.|-ﾞノ/ : ゝ .､ ` .｀''←┬゛
lﾞ /.ｒ ゛ .ﾞﾋ, .ヽ, .￣ﾞ|
. | ./ ｌ ”'､ .ﾞゝ........ん
l / ヽ .`' ｀､、 .,i゛
.l| ! ''''v, ﾞ''ｰ ．l、
|lﾞ .il、 .l .ヽ .¬---イ
.llﾞ, ./ ! ,!
.!!...!! ,,ﾞ''''ｰ .|
l.",! .ﾘ |
l":| .〜''' ,. │
l; :! .|'" ...ノ,ﾞ./ │
l: l｢ ! .￣ﾞﾞ / !
.| .| ! ,i│ |
:! .l. ｝ ,i'./ |
:! .| :| . / .|
:! | ;! " .|
:! ! │ │
:!:| ,! i ,!
28
名無しのエリー ｜ 2008/04/02 14:48 ｜ ID:GCJcAelfO
I came back because the album was released, but where did the Nana thread on the entertainment board go?
It was my place to relax *(
And Yukio isn’t around either. Did my wife (∫ﾟДﾟ∫ Rana disappear too?
Is this Yuri-ota person the one running the self-promotion thread? (´･ε･`)
29
名無しのエリー ｜ 2008/04/02 18:50 ｜ ID:X5qKUU/WO
Well, as you can see, newbie handles and nostalgia freaks are running wild here (´･ω･｀)
The Gane thread has changed, along with the music.
30
名無しのエリー ｜ 2008/04/02 19:49 ｜ ID:5+yxBztkO
I became a fan recently, and I’d like some recommendations.
The songs on recent ringtone sites didn’t grab me at first.
I tried buying the single “Kimi wo Kazaru~” and liked it.
It’s a beautiful song.
31
名無しのエリー ｜ 2008/04/02 19:52 ｜ ID:GCJcAelfO
↑ My ID is Bz.
I’m GC.
32
名無しのエリー ｜ 2008/04/02 20:00 ｜ ID:BjbqeDie0
Nana never seems to age.
She’s about to overtake Yurippe in my mind...
She’s young physically too, lol.
In the off-shot from “Mou Ichido Waratte,” I’m curious about her doing a heel drop against the window frame.
33
名無しのエリー ｜ 2008/04/02 20:25 ｜ ID:GCJcAelfO
Nana-taso has an absolutely killer figure.
Yurippe has no curves.
I used to jerk off a lot to Nana-taso’s alluring body.
34
名無しのエリー ｜ 2008/04/02 21:46 ｜ ID:58E+dpft0
Nana is beautiful, while Yurippe is ordinary plus a little extra, I think.
But Yurippe in that lace-trimmed blouse and pale pinkish frilly skirt—maybe it was at Premium—was god-tier.
I nearly died of moe.
35
名無しのエリー ｜ 2008/04/02 21:50 ｜ ID:58E+dpft0
>30
How much have you checked out since becoming a fan?
If you want the quickest way to get a feel for her appeal, renting the best-of is still the way to go.
It covers their work pretty thoroughly, so it’s highly recommended as an entry point to Gane CROW.
If you like relaxed, embracing ballads like “Kimi Kaz,” the guitar-led stuff they’re doing now might be rough for you.
If you have the chance, you should try their fourth album too.
36
名無しのエリー ｜ 2008/04/02 22:38 ｜ ID:5+yxBztkO
>35
Oh, thanks for the reply.
I can’t look at a PC right now, so I’ve only been able to gather information on my phone.
I looked at reviews and searched for things I might like.
Their career is longer than I expected and their style seems to have changed, so I gave them a try.
That was helpful—thanks!
37
名無しのエリー ｜ 2008/04/02 23:36 ｜ ID:e1G90PYO0
|┃
|┃三 ,ｨ, (fー--─‐- ､、
|┃. ,ｲ/〃 ヾ= 、
|┃ N ｛ ＼ 本日のひとこと
|┃ ﾄ.l ヽ l
ｶﾞﾗｯ.|┃ ､ゝ丶 ,..ｨ从 |
|┃ ＼`.、_ _,. _彡'ﾉﾘ__,.ゝ、 | ／￣￣￣￣￣￣￣￣￣￣￣￣￣￣
|┃三 ｀ゞf‐＞ｎ;ﾊ二r^ｧｎj＜ y=ﾚヽ ＜ 今日、ゆりっぺに中出ししてくるぞ！
|┃. |fjl、 ｀￣ﾘj＾ヾ) ￣´ ﾉ ﾚ ﾘ | ゆりっぺにはナマ中出し以外はありえん！
|┃三 ヾl.`ｰ- べｌ,- ｀ ｰ-‐' ,ン ＼＿＿＿＿＿＿＿＿＿＿＿＿＿
|┃ l r─‐-､ /:|
|┃三 ﾄ､ ｀二¨´ ,.ｲ |
|┃ _亅::ヽ、 .／ i :ﾄ､
|┃ -‐''｢ F′:: `:ー '´ ,.' ﾌ ＞ｰ､ >>ゴッドハンド古井ゴールドフィンガー
|┃ ﾄ､ヾ;､..__ , '_,.／ ／l
|┃
|┃三 ,ｨ, (fー--─‐- ､、
|┃. ,ｲ/〃 ヾ= 、
|┃ N ｛ ＼ 本日のひとこと
|┃ ﾄ.l ヽ l
ｶﾞﾗｯ.|┃ ､ゝ丶 ,..ｨ从 |
|┃ ＼`.、_ _,. _彡'ﾉﾘ__,.ゝ、 | ／￣￣￣￣￣￣￣￣￣￣￣￣￣￣
|┃三 ｀ゞf‐＞ｎ;ﾊ二r^ｧｎj＜ y=ﾚヽ ＜ 今日、ゆっりぺに中出ししてくるぞ！
|┃. |fjl、 ｀￣ﾘj＾ヾ) ￣´ ﾉ ﾚ ﾘ | ゆりっぺにはナマ中出し以外はありえん！
|┃三 ヾl.`ｰ- べｌ,- ｀ ｰ-‐' ,ン ＼＿＿＿＿＿＿＿＿＿＿＿＿＿
|┃ l r─‐-､ /:|
|┃三 ﾄ､ ｀二¨´ ,.ｲ |
|┃ _亅::ヽ、 .／ i :ﾄ､
|┃ -‐''｢ F′:: `:ー '´ .' ﾌ ＞ｰ､ >>ゴッドハンド古井ゴールドフィンガー
|┃ ﾄ､ヾ;､..__ , '_,.／ ／l
38
名無しのエリー ｜ 2008/04/02 23:41 ｜ ID:e1G90PYO0
|┃
|┃三 ,ｨ, (fー--─‐- ､、
|┃. ,ｲ/〃 ヾ= 、
|┃ N ｛ ＼ 本日のひとこと
|┃ ﾄ.l ヽ l
ｶﾞﾗｯ.|┃ ､ゝ丶 ,..ｨ从 |
|┃ ＼`.、_ _,. _彡'ﾉﾘ__,.ゝ、 | ／￣￣￣￣￣￣￣￣￣￣￣￣￣￣
|┃三 ｀ゞf‐＞ｎ;ﾊ二r^ｧｎj＜ y=ﾚヽ ＜ 今日、ゆりっぺに中出ししてくるぞ！
|┃. |fjl、 ｀￣ﾘj＾ヾ) ￣´ ﾉ ﾚ ﾘ | ゆりっぺにはナマ中出し以外はありえん！
|┃三 ヾl.`ｰ- べｌ,- ｀ ｰ-‐' ,ン ＼＿＿＿＿＿＿＿＿＿＿＿＿＿
|┃ l r─‐-､ /:|
|┃三 ﾄ､ ｀二¨´ ,.ｲ |
|┃ _亅::ヽ、 .／ i :ﾄ､
|┃ -‐''｢ F′:: `:ー '´ .' ﾌ ＞ｰ､ >>ゴッドハンド古井ゴールドフィンガー
|┃ ﾄ､ヾ;､..__ , '_,.／ ／l
|┃
|┃三 ,ｨ, (fー--─‐- ､、
|┃. ,ｲ/〃 ヾ= 、
|┃ N ｛ ＼ 本日のひとこと
|┃ ﾄ.l ヽ l
ｶﾞﾗｯ.|┃ ､ゝ丶 ,..ｨ从 |
|┃ ＼`.、_ _,. _彡'ﾉﾘ__,.ゝ、 | ／￣￣￣￣￣￣￣￣￣￣￣￣￣￣
|┃三 ｀ゞf‐＞ｎ;ﾊ二r^ｧｎj＜ y=ﾚヽ ＜ 今日、ゆっりぺに中出ししてくるぞ！
|┃. |fjl、 ｀￣ﾘj＾ヾ) ￣´ ﾉ ﾚ ﾘ | ゆりっぺにはナマ中出し以外はありえん！
|┃三 ヾl.`ｰ- べｌ,- ｀ ｰ-‐' ,ン ＼＿＿＿＿＿＿＿＿＿＿＿＿＿
|┃ l r─‐-､ /:|
|┃三 ﾄ､ ｀二¨´ ,.ｲ |
|┃ _亅::ヽ、 .／ i :ﾄ､
|┃ -‐''｢ F′:: `:ー '´ .' ﾌ ＞ｰ､ >>ゴッドハンド古井ゴールドフィンガー
|┃ ﾄ､ヾ;､..__ , '_,.／ ／l
39
名無しのエリー ｜ 2008/04/02 23:43 ｜ ID:e1G90PYO0
|┃
|┃三 ,ｨ, (fー--─‐- ､、
|┃. ,ｲ/〃 ヾ= 、
|┃ N ｛ ＼ 本日のひとこと
|┃ ﾄ.l ヽ l
ｶﾞﾗｯ.|┃ ､ゝ丶 ,..ｨ从 |
|┃ ＼`.、_ _,. _彡'ﾉﾘ__,.ゝ、 | ／￣￣￣￣￣￣￣￣￣￣￣￣￣￣
|┃三 ｀ゞf‐＞ｎ;ﾊ二r^ｧｎj＜ y=ﾚヽ ＜ 今日、ゆりっぺに中出ししてくるぞ！
|┃. |fjl、 ｀￣ﾘj＾ヾ) ￣´ ﾉ ﾚ ﾘ | ゆりっぺにはナマ中出し以外はありえん！
|┃三 ヾl.`ｰ- べｌ,- ｀ ｰ-‐' ,ン ＼＿＿＿＿＿＿＿＿＿＿＿＿＿
|┃ l r─‐-､ /:|
|┃三 ﾄ､ ｀二¨´ ,.ｲ |
|┃ _亅::ヽ、 .／ i :ﾄ､
|┃ -‐''｢ F′:: `:ー '´ .' ﾌ ＞ｰ､ >>ゴッドハンド古井ゴールドフィンガー
|┃ ﾄ､ヾ;､..__ , '_,.／ ／l
|┃
|┃三 ,ｨ, (fー--─‐- ､、
|┃. ,ｲ/〃 ヾ= 、
|┃ N ｛ ＼ 本日のひとこと
|┃ ﾄ.l ヽ l
ｶﾞﾗｯ.|┃ ､ゝ丶 ,..ｨ从 |
|┃ ＼`.、_ _,. _彡'ﾉﾘ__,.ゝ、 | ／￣￣￣￣￣￣￣￣￣￣￣￣￣￣
|┃三 ｀ゞf‐＞ｎ;ﾊ二r^ｧｎj＜ y=ﾚヽ ＜ 今日、ゆっりぺに中出ししてくるぞ！
|┃. |fjl、 ｀￣ﾘj＾ヾ) ￣´ ﾉ ﾚ ﾘ | ゆりっぺにはナマ中出し以外はありえん！
|┃三 ヾl.`ｰ- べｌ,- ｀ ｰ-‐' ,ン ＼＿＿＿＿＿＿＿＿＿＿＿＿＿
|┃ l r─‐-､ /:|
|┃三 ﾄ､ ｀二¨´ ,.ｲ |
|┃ _亅::ヽ、 .／ i :ﾄ､
|┃ -‐''｢ F′:: `:ー '´ .' ﾌ ＞ｰ､ >>ゴッドハンド古井ゴールドフィンガー
|┃ ﾄ､ヾ;､..__ , '_,.／ ／l
40
名無しのエリー ｜ 2008/04/02 23:44 ｜ ID:e1G90PYO0
|┃
|┃三 ,ｨ, (fー--─‐- ､、
|┃. ,ｲ/〃 ヾ= 、
|┃ N ｛ ＼ 本日のひとこと
|┃ ﾄ.l ヽ l
ｶﾞﾗｯ.|┃ ､ゝ丶 ,..ｨ从 |
|┃ ＼`.、_ _,. _彡'ﾉﾘ__,.ゝ、 | ／￣￣￣￣￣￣￣￣￣￣￣￣￣￣
|┃三 ｀ゞf‐＞ｎ;ﾊ二r^ｧｎj＜ y=ﾚヽ ＜ 今日、ゆりっぺに中出ししてくるぞ！
|┃. |fjl、 ｀￣ﾘj＾ヾ) ￣´ ﾉ ﾚ ﾘ | ゆりっぺにはナマ中出し以外はありえん！
|┃三 ヾl.`ｰ- べｌ,- ｀ ｰ-‐' ,ン ＼＿＿＿＿＿＿＿＿＿＿＿＿＿
|┃ l r─‐-､ /:|
|┃三 ﾄ､ ｀二¨´ ,.ｲ |
|┃ _亅::ヽ、 .／ i :ﾄ､
|┃ -‐''｢ F′:: `:ー '´ .' ﾌ ＞ｰ､ >>ゴッドハンド古井ゴールドフィンガー
|┃ ﾄ､ヾ;､..__ , '_,.／ ／l
|┃
|┃三 ,ｨ, (fー--─‐- ､、
|┃. ,ｲ/〃 ヾ= 、
|┃ N ｛ ＼ 本日のひとこと
|┃ ﾄ.l ヽ l
ｶﾞﾗｯ.|┃ ､ゝ丶 ,..ｨ从 |
|┃ ＼`.、_ _,. _彡'ﾉﾘ__,.ゝ、 | ／￣￣￣￣￣￣￣￣￣￣￣￣￣￣
|┃三 ｀ゞf‐＞ｎ;ﾊ二r^ｧｎj＜ y=ﾚヽ ＜ 今日、ゆっりぺに中出ししてくるぞ！
|┃. |fjl、 ｀￣ﾘj＾ヾ) ￣´ ﾉ ﾚ ﾘ | ゆりっぺにはナマ中出し以外はありえん！
|┃三 ヾl.`ｰ- べｌ,- ｀ ｰ-‐' ,ン ＼＿＿＿＿＿＿＿＿＿＿＿＿＿
|┃ l r─‐-､ /:|
|┃三 ﾄ､ ｀二¨´ ,.ｲ |
|┃ _亅::ヽ、 .／ i :ﾄ､
|┃ -‐''｢ F′:: `:ー '´ .' ﾌ ＞ｰ､ >>ゴッドハンド古井ゴールドフィンガー
|┃ ﾄ､ヾ;､..__ , '_,.／ ／l
41
名無しのエリー ｜ 2008/04/02 23:48 ｜ ID:e1G90PYO0
|┃
|┃三 ,ｨ, (fー--─‐- ､、
|┃. ,ｲ/〃 ヾ= 、
|┃ N ｛ ＼ 本日のひとこと
|┃ ﾄ.l ヽ l
ｶﾞﾗｯ.|┃ ､ゝ丶 ,..ｨ从 |
|┃ ＼`.、_ _,. _彡'ﾉﾘ__,.ゝ、 | ／￣￣￣￣￣￣￣￣￣￣￣￣￣￣
|┃三 ｀ゞf‐＞ｎ;ﾊ二r^ｧｎj＜ y=ﾚヽ ＜ 今日、ゆりっぺに中出ししてくるぞ！
|┃. |fjl、 ｀￣ﾘj＾ヾ) ￣´ ﾉ ﾚ ﾘ | ゆりっぺにはナマ中出し以外はありえん！
|┃三 ヾl.`ｰ- べｌ,- ｀ ｰ-‐' ,ン ＼＿＿＿＿＿＿＿＿＿＿＿＿＿
|┃ l r─‐-､ /:|
|┃三 ﾄ､ ｀二¨´ ,.ｲ |
|┃ _亅::ヽ、 .／ i :ﾄ､
|┃ -‐''｢ F′:: `:ー '´ ,.' ﾌ ＞ｰ､ >>ゴッドハンド古井ゴールドフィンガー
|┃ ﾄ､ヾ;､..__ , '_,.／ ／l
|┃
|┃三 ,ｨ, (fー--─‐- ､、
|┃. ,ｲ/〃 ヾ= 、
|┃ N ｛ ＼ 本日のひとこと
|┃ ﾄ.l ヽ l
ｶﾞﾗｯ.|┃ ､ゝ丶 ,..ｨ从 |
|┃ ＼`.、_ _,. _彡'ﾉﾘ__,.ゝ、 | ／￣￣￣￣￣￣￣￣￣￣￣￣￣￣
|┃三 ｀ゞf‐＞ｎ;ﾊ二r^ｧｎj＜ y=ﾚヽ ＜ 今日、ゆっりぺに中出ししてくるぞ！
|┃. |fjl、 ｀￣ﾘj＾ヾ) ￣´ ﾉ ﾚ ﾘ | ゆりっぺにはナマ中出し以外はありえん！
|┃三 ヾl.`ｰ- べｌ,- ｀ ｰ-‐' ,ン ＼＿＿＿＿＿＿＿＿＿＿＿＿＿
|┃ l r─‐-､ /:|
|┃三 ﾄ､ ｀二¨´ ,.ｲ |
|┃ _亅::ヽ、 .／ i :ﾄ､
|┃ -‐''｢ F′:: `:ー '´ ,.' ﾌ ＞ｰ､ >>ゴッドハンド古井ゴールドフィンガー
|┃ ﾄ､ヾ;､..__ , '_,.／ ／l
42
名無しのエリー ｜ 2008/04/02 23:54 ｜ ID:e1G90PYO0
_ ,,,,、 _ ,,,,、
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lllll゜lllllllllllll!!!l .lllll ﾞ!llli, .,llll｢.lllllllllllll!!!! lllll′ '!llli,、
lllll、 __lllll lllll ,,,, '!llli, llll| _,lllll lllll ,,,, '!llli,
llllllll,illl!!!llllliiiii､ .ﾞlllliiillll′ '!ﾞﾞ′llllllll,iill!!!lllllliiii､ .'!llliiilll!′ '!ﾞﾞ′
'!!!!ﾞﾞ!!llllll!!ﾞﾞﾞﾞ｀ 'ﾞ!!!ﾞ° .'!!!!ﾞﾞ!!llllll!!ﾞﾞﾞﾞ｀ 'ﾞ!!!ﾞ°
＿、 ,,,,, ＿_ ,,,,,
illlll,、 liiiiiiiiiillllll． ,,,,,,,,,,,llllll,,,,,,,,,、 .lllll,, liiiiiiiiiillllll． ,,,,,,,,,,,llllll,,,,,,,,,、
'lllllllllllllllllllllii,, .'ﾞﾞﾞ,lilll!lﾞ,,,_ .ﾞﾞﾞﾞﾞllllllllllﾞﾞﾞﾞﾞﾞﾞ° lllllllllllllllllllllii,, ﾞﾞﾞ,liill!ll,,,,、 .ﾞﾞﾞﾞﾞllllllllllﾞﾞﾞﾞﾞﾞﾞ′
,,illllllﾞ° .ﾞlllll、 ,,,iillll!!!!!!!!llli, illllﾞlllllli､ ,,illllllﾞ° .ﾞlllll、 ,,,iillll!!!!!!!!llli, illllﾞlllllli､
l!l!lllll| .,,,,,,iilll!°.'l!!ﾞﾞ゜ .,,illl!′ .ﾞ!lllllllll″ '!ll!lllll ,,,,,,illll!′.ﾞ!!!ﾞ° ,,,illl! ﾞ!!llllllll″
lllll .'!!!!!ﾞﾞ゜ 'liiiillll!!!ﾞ゜ 'llll!!ﾞ .lllll .'!!!!!ﾞﾞ゜ 'liiiillll!!!ﾞ゜ 'llll!!ﾞ
_ ,,,,、 _ ,,,,、
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lllll゜lllllllllllll!!!l .lllll ﾞ!llli, .,llll｢.lllllllllllll!!!! lllll′ '!llli,、
lllll、 __lllll lllll ,,,, '!llli, llll| _,lllll lllll ,,,, '!llli,
llllllll,illl!!!llllliiiii､ .ﾞlllliiillll′ '!ﾞﾞ′llllllll,iill!!!lllllliiii､ .'!llliiilll!′ '!ﾞﾞ′
'!!!!ﾞﾞ!!llllll!!ﾞﾞﾞﾞ｀ 'ﾞ!!!ﾞ° .'!!!!ﾞﾞ!!llllll!!ﾞﾞﾞﾞ｀ 'ﾞ!!!ﾞ°
＿、 ,,,,, ＿_
43
名無しのエリー ｜ 2008/04/03 01:01 ｜ ID:paiIwpZw0
Ugly guy (lol).
44
名無しのエリー ｜ 2008/04/03 08:50 ｜ ID:6ho/ZbTv0
>34
A red bolero with a black knee-length dress is illegal too.
That teasing glimpse during the “alluring...” part of “Kaze to RAINBOW” at the fan event was adorable. The restrained way she did it was GJ!
Speaking of the fan event, Yurippe playing the recorder was cute too.
45
名無しのエリー ｜ 2008/04/03 10:02 ｜ ID:WetEWYaL0
Nana could pass as either a beautiful woman or a beautiful man; she has this ageless, gender-ambiguous vibe.
Yurippe feels like a cute, delicate young lady for her age.
46
名無しのエリー ｜ 2008/04/03 11:28 ｜ ID:T4kN4G0lO
Yurippe at her strongest is the red T-shirt and denim in the MÄR Heaven PV, I think.
47
名無しのエリー ｜ 2008/04/03 17:26 ｜ ID:WwTGbVRvO
Yurippe in a black hoodie and ponytail is hard to beat too. Around the early days or the fourth album, maybe.
Yurippe isn’t exactly stunningly beautiful, so fairly eye-catching clothes do make her stand out, but the simple look brings out a more natural cuteness and suits her better.
48
名無しのエリー ｜ 2008/04/04 01:01 ｜ ID:7V219cpd0
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49
名無しのエリー ｜ 2008/04/04 01:05 ｜ ID:7V219cpd0
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50
名無しのエリー ｜ 2008/04/04 01:06 ｜ ID:7V219cpd0
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51
名無しのエリー ｜ 2008/04/04 01:17 ｜ ID:7V219cpd0
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52
名無しのエリー ｜ 2008/04/04 01:19 ｜ ID:7V219cpd0
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53
名無しのエリー ｜ 2008/04/04 01:40 ｜ ID:7V219cpd0
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54
名無しのエリー ｜ 2008/04/04 01:44 ｜ ID:7V219cpd0
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55
名無しのエリー ｜ 2008/04/04 01:57 ｜ ID:7V219cpd0
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56
名無しのエリー ｜ 2008/04/04 02:04 ｜ ID:7V219cpd0
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57
名無しのエリー ｜ 2008/04/04 02:06 ｜ ID:7V219cpd0
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58
名無しのエリー ｜ 2008/04/04 02:07 ｜ ID:7V219cpd0
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l !ヽ._ ﾉ ,‘,,-,,', .!ﾉ それは期待できますね。
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59
名無しのエリー ｜ 2008/04/04 02:09 ｜ ID:7V219cpd0
! ! i -＜＿＿＿＿＿＿_,｀ゝ
! .l/ 〈. -=・=- -=・=-}-､
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l !ヽ._ ﾉ ,‘,,-,,', .!ﾉ それは期待できますね。
! .! i.ヽ. ,'"-===-'; |
.l. ! /＼ ＼;; ｀''';;;'''´;／
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l !ヽ._ ﾉ ,‘,,-,,', .!ﾉ それは期待できますね。
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60
名無しのエリー ｜ 2008/04/04 13:46 ｜ ID:hAP18gi90
不細工男（笑）
キモオタ荒らし（爆笑）
◆ Keeping it mellow is recommended. A too-hostile atmosphere is (・A・)not cool.
◆ Trolling, attacking fixed handles, etc. are forbidden—just ignore it.
◆ Beginners, old-timers, and fixed handles are all welcome.
◆ Don’t bother or bash other artists or threads.
◆ Finally... There will still be "lovely music" in this world.
Previous thread
【Yuri】GARNET CROW part ten【Nana】
http://music8.2ch.net/test/read.cgi/musicj/1206516774/
61
名無しのエリー ｜ 2008/04/04 18:32 ｜ ID:ZL8N4BQZ0
>59
Don’t troll just because you lost the argument. Even if you do that, everyone still won’t accept you.
62
名無しのエリー ｜ 2008/04/04 18:53 ｜ ID:YWcxcy0AO
I did submit a deletion request, but... hmm (´･ω･｀)
63
名無しのエリー ｜ 2008/04/04 19:40 ｜ ID:wKa5p+XYO
Go ahead and get yourself restricted. Even if you use a proxy, the proxy’s provider can be cut off from the internet, and the user’s remote host and IP can end up exposed on hacker sites, leaving them with an orz life.
Even without a proxy, getting restricted means your IP can be dug up, so what an idiot—then the provider gets contacted too.
64
名無しのエリー ｜ 2008/04/04 22:03 ｜ ID:7V219cpd0
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65
名無しのエリー ｜ 2008/04/04 23:17 ｜ ID:63wHaRknO
X○, lol.
66
名無しのエリー ｜ 2008/04/04 23:25 ｜ ID:qEJoG1vm0
I reported it in 【Solo thread】 Script/Copy-paste Report Thread 104 [All Boards]
http://qb5.2ch.net/test/read.cgi/sec2chd/1207061970/
67
名無しのエリー ｜ 2008/04/04 23:38 ｜ ID:YWcxcy0AO
>65
What happened?
68
名無しのエリー ｜ 2008/04/04 23:45 ｜ ID:44to41ck0
1. The singles are poorly made.
2. The album originals are poorly made too, as if matching those singles.
3. There’s no killer track.
>4. Nakamura sings with too much force.
>5. It lacks the dark, profound, genre-transcending, solitary musical identity they once had.
>6. The melodies are extremely safe, with no sense of challenge or avant-garde spirit.
>7. Both the vocal melodies and singing are monotonous and too neatly packaged.
>8. The songs have become formulaic in a bad way, and are lower quality than their classic work.
9. The three different release formats.
That’s X○’s assessment, but I think the points mentioned are things you could say about the fifth album.
I find it strange that, formally speaking, the fifth got that rating while the sixth was panned.
The over-singing was more pronounced in the previous album’s guitar-led style, if anything.
69
名無しのエリー ｜ 2008/04/04 23:49 ｜ ID:44to41ck0
>66
Nice work.
70
名無しのエリー ｜ 2008/04/05 00:04 ｜ ID:e9LZDmM8O
>68
X○ really likes words like “solitary,” “dark,” and “quality,” doesn’t he?
71
名無しのエリー ｜ 2008/04/05 00:15 ｜ ID:yFagypWO0
For now, he’s happy with post-rock, prog, or anything with a slightly fantastical, grand world to it.
At a glance he seems fussy and particular about music, but that’s not really true. He’s very easy to understand.
Those are the truly formulaic genres, though＾＾
72
名無しのエリー ｜ 2008/04/05 00:16 ｜ ID:yFagypWO0
I’ll say upfront that I’m not trying to complain about X○’s opinion or anything.
73
名無しのエリー ｜ 2008/04/05 00:29 ｜ ID:Tr0C3bIlO
X○ built them up and then dropped them, so the otaku went berserk, nya.
>66
You have to say “otsu” to that one.
I’m looking forward to the restrictions, lol. wktk www
74
名無しのエリー ｜ 2008/04/05 00:53 ｜ ID:KBN0H4JLO
X○ seems to like Resonance Records.
With post-rock, he can cover things up with thick guitars, the spacious resonance of synths and effects, and atmosphere, so his rating never drops.
He can really dig into pop and rock, though.
75
名無しのエリー ｜ 2008/04/05 01:01 ｜ ID:KBN0H4JLO
Still... writing eight whole points in a review really shows how invested he is, for better or worse.
He seems to be unbelievably disappointed, lol.
76
名無しのエリー ｜ 2008/04/05 01:44 ｜ ID:zrPk5h/t0
X○ was probably mixed in with the people spamming negative posts in the main thread right after the new album came out.
>71: Those are the truly formulaic genres, though
The first time I listened to German prog, I thought, “What have I been happily listening to all this time...orz.”
I thought I was listening to innovative new artists, but there were people who had already been doing it over 30 years earlier...
It was a shock.
Sorry for going off-topic.
77
名無しのエリー ｜ 2008/04/05 02:15 ｜ ID:ibPopggX0
X○ is funny: the genre changed from J-pop to rock, but prog quietly disappeared.
If anything, since it’s a concept album, LOCKS should be the one that fits the requirements for prog best.
The instrumental “Saigo no Ritou” is popular too, and I think it’s pretty proggy—like Genesis with a 12-string guitar.
It doesn’t have the double-time shifts of “Spiral,” but the album has plenty of key changes.
It’s concept-album enough that LOCKS could be added to Wikipedia’s list.
That’s the prog nerd in me talking.
78
名無しのエリー ｜ 2008/04/05 09:37 ｜ ID:Yq2YfIDv0
>68
The guitar in the previous album didn’t bother me that much,
but the piano and synths gave it a distinctive character.
79
名無しのエリー ｜ 2008/04/05 09:46 ｜ ID:Yq2YfIDv0
>77
I can’t agree that LOCKS is a concept album.
I think the songs are pretty varied in style, and I don’t feel any unity in the lyrics.
80
名無しのエリー ｜ 2008/04/05 12:51 ｜ ID:vIel8M620
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81
名無しのエリー ｜ 2008/04/05 15:16 ｜ ID:yFagypWO0
X○ praised it so much it became creepy. What was that about the intro to “Mizu no Nai...” being on par with the intro of famous overseas prog? lol
Oh yeah, he called “Nogare no Machi” prog metal too, lol.
I can kind of understand the synth strings in the interlude of “Maboroshi.”
But their actual musical roots are about as far from prog as you can get, lol.
>78
Really? I did feel some individuality in Anywhere, Rusty Rail, and “Himawari no Iro,” though.
82
名無しのエリー ｜ 2008/04/05 15:21 ｜ ID:STmYjHab0
I only noticed the guitar in “Haru Matsu Hana” on Towa Bare.
I didn’t think the guitar was pushed too hard in the other songs.
Maybe because the melodies and overall arrangements were so fantastical.
83
名無しのエリー ｜ 2008/04/05 18:37 ｜ ID:e9LZDmM8O
X○ was already done for when he gave the first album 100 points, lol.
84
名無しのエリー ｜ 2008/04/05 19:01 ｜ ID:bD1oePfy0
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あか子のほうが歯ごたえあるわ！
力なきものは見るのも汚らわしい！！
85
名無しのエリー ｜ 2008/04/05 19:02 ｜ ID:bD1oePfy0
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86
名無しのエリー ｜ 2008/04/05 19:02 ｜ ID:bD1oePfy0
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87
名無しのエリー ｜ 2008/04/05 19:03 ｜ ID:bD1oePfy0
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（二ヽ{ニ ilー-' ､ フシ ヽ ）
| |`ー-"､￣ -ｪ=ノﾄ`二ﾆ=i!
＼＼| | `,ﾆ彡=､''`＝ー''|
＼＼|/ ､ ,, ヾ- ）_ノ
| |ヽ､i ー-K_￣
_|___| `ミﾐﾐﾉﾉ,,`⌒i!
|＿| `F i!
/ ＼ `ｰ"
88
名無しのエリー ｜ 2008/04/05 19:04 ｜ ID:bD1oePfy0
￣￣￣＿,, -=ュ
r ''' -ｰ9､,ﾆ{
/ , ､ -ｰｔ`=' r=-､
（ ／ ーT ,`ー-il ニ}(￣つ
l!二＿rﾕメ=､＿ ,t"ー'' | |
!￣フ''",r''ー- ､ | |／／
ヽ_（ニ '' ､ , ヽ､|／／
`ｰrtー-,;, ノ | |
li⌒'',,ヾミミﾐ'" _|___|
l! ﾐ' ￣ |＿|
ﾞｰ' / ＼
￣￣￣＿,, -=ュ
r ''' -ｰ9､,ﾆ{
/ , ､ -ｰｔ`=' r=-､
（ ／ ーT ,`ー-il ニ}(￣つ
l!二＿rﾕメ=､＿ ,t"ー'' | |
!￣フ''",r''ー- ､ | |／／
ヽ_（ニ '' ､ , ヽ､|／／
`ｰrtー-,;, ノ | |
li⌒'',,ヾミミﾐ'" _|___|
l! ﾐ' ￣ |＿|
ﾞｰ' / ＼
89
名無しのエリー ｜ 2008/04/05 19:04 ｜ ID:bD1oePfy0
┏┓┏┳┓
┏┛┗┻╋┛ ＼ i
┗┓┏┓┃ ── ＋ ─ ←>>1
┃┃┃┃ ┏┳┳┓ ／/ | ＼
┗┛┗┛ ┗╋┛┃ ／ / |
┗━┛ ／ /
￣ 二─ ＿
￣ ､ - ､
-､＼ ＼
／ ＼＼ ＼
／／ ＼ヾ ヽ ヽ
／／／ ＼ ヾ、 | i
／__( |! `i |
<_,へ ＞- 、 ,.-､_ | |
＼ノ人＼ ／ ､ }! ＼ | |
＼へ〃＼／ヾ＼_ﾉ､ﾉ人 ,.-､ | |
＼|＼rj＼ヾ / ＼_ﾌ ,／ |! ﾘ |
rm＼ノ _ Y Lノ / | |
|ヽ-r＜￣`ヾr'￣ヽ / / / /
| └､ノ/￣`,-`┐ { _／ / ／ ／／
ﾚ⌒＼!_ ｰ -{ ﾉ ｝ ／ ／ ／
￣`ー一 'ﾞ _／／_ ／
＿二─ "
90
名無しのエリー ｜ 2008/04/05 19:05 ｜ ID:bD1oePfy0
＿＿＿＿＿
__｀ヽ ,トr,' ´ ,.へ,
,ｲ,ｨ'⌒"ﾞf''ト､!ヽ, ィﾞ / , _-_‐_‐ - ､
バ, k,ゝ└ト､└ ''ﾞ ,ｽ ´''~ ｀Y ＼
j､ ` ｰク'ー-‐ぅ7',´ ,ﾉf⌒ヽ, ＿__ ,ノ 〉
f｀'｀ｰ-R,,__ ｀'<,ｸﾞ ゝ､ ／
| ､ ｀' ､ ｀" ''''''''''' "´
', ',__ ﾞY
', | ', |
,r''ﾞ~ 〉 い |
,rｧ弋 _,ｧ-‐'ﾞ ｀'i"~i!
ぃ_f_⌒"´ ,ﾄ､入_
｀'ｰ┘ └┴‐‐｀'
＿＿＿＿＿
__｀ヽ ,トr,' ´ ,.へ,
,ｲ,ｨ'⌒"ﾞf''ト､!ヽ, ィﾞ / , _-_‐_‐ - ､
バ, k,ゝ└ト､└ ''ﾞ ,ｽ ´''~ ｀Y ＼
j､ ` ｰク'ー-‐ぅ7',´ ,ﾉf⌒ヽ, ＿__ ,ノ 〉
f｀'｀ｰ-R,,__ ｀'<,ｸﾞ ゝ､ ／
| ､ ｀' ､ ｀" ''''''''''' "´
', ',__ ﾞY
', | ', |
,r''ﾞ~ 〉 い |
,rｧ弋 _,ｧ-‐'ﾞ ｀'i"~i!
ぃ_f_⌒"´ ,ﾄ､入_
｀'ｰ┘ └┴‐‐｀'
91
名無しのエリー ｜ 2008/04/05 19:06 ｜ ID:bD1oePfy0
/::::::::::::::::::::::::::::::::::＼
/:::::::::::::::::::::::::::::::::::::::::l、
/::::::::::; ──-、::::::::::::::::l、
/:::::::::::/-K.R.P-＼:::::::::::::::l、
ノ:::::::::::l:::::,-──-、::::`l::::::::::::＼
/:::::::::::::| ,-'::::: :::::::＼::`l::::::::::::::|
/::::::::::::::ﾚ..: ::,-───-、＼|:::::::::::::|
|:::::::::::::::ノ-─┬┬───-'、::::::::::::|
＼:::::::/:::::::::::::/ ./ ,,,,,,,,,、 ,l`-、ノ
＼/ﾉﾉﾉﾉ_/_'''' ,-─-─ー::`l::::|
|_r':ｨoﾝ:::lヘl::::ｨoﾝ:/ :::ﾚ'i | ,-、 __ ,-<＼
| l、::::::::ﾉ| l`ー─' ::::|ﾝ|.| ,- 、<＼> ＿__| .|＿＼>'
`| ￣￣( ）ヽ .::::|_ノ ／ ,、＼`' l＿__ ＿ | ＿＿＿＿＿__
|、_ ノ`-''' ＿ノ | <_／ ＼ ＼ / ./ | .| L＿＿＿＿＿|
| ＿＿ /| ＼._> ／ ／＿| .|
＿＿,-'| l、 -三＝' / |`-、_ `-'' `l＿ﾉ
─、// /、__| ＼ ..::::: ／ |_,l l `l_,--、
. // /|`-、___|＿__＼＿＿／＿___|,-'' |`l .|`l、l`ー、
.| |./ |:::::::::::::::| `ー──'' |:::::::::::::::::| | | | |::::::::
| |/ /::::::::::::::::| |::|||::| |::::::::::::::::::| | | .| |::::::::
| | /::::::::::::::::::::l、 .|::|||::| /:::::::::::::::::::| | |ﾉﾉ::::::::::
92
名無しのエリー ｜ 2008/04/05 19:07 ｜ ID:bD1oePfy0
＿＿,, , , , _ ､ ,,, ..,_
ー=､ ､ｰ-､`ヽ､、ヽ`!i' , ,i"=ミ
//`ヽ`ヾ`､ ! ヽ ! l! i! /ﾉヽ
.│/ ii /､," ◇ヾiiｿヽ
.ゝ::｡:ｯｨ -o=-ヾif''）ヾ
（'''' /;;!i､ ソ”:丿＿_,_,
_,,..,,,,_ { ┃ii”ヽ ;;;;丿 ｿi / ”"ヽ
/ ,' 3 `ヽｰっ /"""i┃=ii iﾉﾐ//'/ }
l ⊃ ⌒_つ { ◇ ヽ--"ィ"'' ソi ヾ i
`'ｰ---‐'''''" i /”/'''ヘ: /ｿ .|ゞ.. ソ
f i /''''／''''''}-ソ ヽ ii ＃ i
.| .|ii /''／''''''} へ i '''' ﾉ
{ i r i ／'''' i /
く、国へ……グスン……帰るんだな……
おまっ、お、お前にも……、か、家族がいるだろう…ズズッ
93
名無しのエリー ｜ 2008/04/05 19:08 ｜ ID:bD1oePfy0
＿＿＿＿＿＿＿＿＿
＼ ＿＿＿＿＿ フ
＼「 | ／
｜ こ・フ|こ・フ
｜ （９ L |９
＼ ＿＿ﾉ
λ ー-／
mm＼＿＿ノｍｍ
／（ ） |（ ）
（＿＿／ ／＼|／＼
／￣ ／ ／
＼／＿／ ／
|＿＿つ＿つ
＿＿＿＿＿＿＿＿＿
＼ ＿＿＿＿＿ フ
＼「 | ／
｜ こ・フ|こ・フ
｜ （９ L |９
＼ ＿＿ﾉ
λ ー-／
mm＼＿＿ノｍｍ
／（ ） |（ ）
（＿＿／ ／＼|／＼
／￣ ／ ／
＼／＿／ ／
|＿＿つ＿つ
94
名無しのエリー ｜ 2008/04/05 19:13 ｜ ID:bD1oePfy0
＿＿
_, −￣ ;` −､_
,r''" : ` ､
（ _, -ー-- ､ ）
`ｰt､ ,rﾆ" ☆ `)=- '"
!,_ ﾃﾆ二ー--=＝ｦ
,r!nV `_ー-,ｪｰ,=_"!ヽ
rイ !ヾ!、 ` ﾟｦ; iヾﾟｰ iﾘ!
ｰ ￣! l ヾ!ヽ _ r_ !_), ,!ｲ`)ｰ-､＿
-ｰT￣! i i ,- ===ｪ､!,ｲ iｰ）へ!＿ `ｰ
＼ ヽ ､ ､`￣ﾃ￣ ﾘ / i ! `ｰ
ヽ `､:_ i _ノ / / /
＼_￣ TＴT￣ノ ／ /
ー--−二ﾆ=!┴'￣ ／ /
￣￣￣￣￣￣￣￣￣￣￣￣￣￣￣￣￣
あか子のほうが歯ごたえあるわ！
力なきものは見るのも汚らわしい！！
95
名無しのエリー ｜ 2008/04/05 19:14 ｜ ID:bD1oePfy0
,,___
ﾉ'_,.,"k"'"7"''''ヽ､
／>;;:v:ii> i /~' i
,.ﾍへ_〉⌒t,""i_,i,.,._l 入
〈ヾメ'"＞-ｰヾ＞-::ム､ ﾉ
"'ヽi" .,,,,,..- 彡,. ,.い=-i'"
"'彡''''ヽ,.___iウ ＼ヽ|
_＞'"､＼/ ノ"l
ヽ.,,,,,.-ー'l., i ク'"_ﾉ
"''''"￣"
,,___
ﾉ'_,.,"k"'"7"''''ヽ､
／>;;:v:ii> i /~' i
,.ﾍへ_〉⌒t,""i_,i,.,._l 入
〈ヾメ'"＞-ｰヾ＞-::ム､ ﾉ
"'ヽi" .,,,,,..- 彡,. ,.い=-i'"
"'彡''''ヽ,.___iウ ＼ヽ|
_＞'"､＼/ ノ"l
ヽ.,,,,,.-ー'l., i ク'"_ﾉ
"''''"￣"
96
名無しのエリー ｜ 2008/04/05 19:14 ｜ ID:bD1oePfy0
,,,-ーﾆｼ"ヾ￣二ﾌﾆー=- ､_
＿_/_ヽ､`/ 彡|:| （ il _,, ノ､ i
r--m' ＿ ￣)`､__ /iｰ'-＝,-=ｪｨ''_ ,,;;;!
{三 《 ､＿二三 ノ-､ )-'' (く ﾐr '`--ツ
^ ー" }っミ ,ir--ｰ" ヾ=ｰ) ﾐ'"
`uン i `_つ
,,,-ーﾆｼ"ヾ￣二ﾌﾆー=- ､_
＿_/_ヽ､`/ 彡|:| （ il _,, ノ､ i
r--m' ＿ ￣)`､__ /iｰ'-＝,-=ｪｨ''_ ,,;;;!
{三 《 ､＿二三 ノ-､ )-'' (く ﾐr '`--ツ
^ ー" }っミ ,ir--ｰ" ヾ=ｰ) ﾐ'"
`uン i `_つ
97
名無しのエリー ｜ 2008/04/05 19:15 ｜ ID:bD1oePfy0
,r=-､＿
iﾆ､ﾉPー`ー、
r =-､ ラ''tｰ- ヽ
（二ヽ{ニ ilー-' ､ フシ ヽ ）
| |`ー-"､￣ -ｪ=ノﾄ`二ﾆ=i!
＼＼| | `,ﾆ彡=､''`＝ー''|
＼＼|/ ､ ,, ヾ- ）_ノ
| |ヽ､i ー-K_￣
_|___| `ミﾐﾐﾉﾉ,,`⌒i!
|＿| `F i!
/ ＼ `ｰ"
,r=-､＿
iﾆ､ﾉPー`ー、
r =-､ ラ''tｰ- ヽ
（二ヽ{ニ ilー-' ､ フシ ヽ ）
| |`ー-"､￣ -ｪ=ノﾄ`二ﾆ=i!
＼＼| | `,ﾆ彡=､''`＝ー''|
＼＼|/ ､ ,, ヾ- ）_ノ
| |ヽ､i ー-K_￣
_|___| `ミﾐﾐﾉﾉ,,`⌒i!
|＿| `F i!
/ ＼ `ｰ"
98
名無しのエリー ｜ 2008/04/05 19:16 ｜ ID:bD1oePfy0
￣￣￣＿,, -=ュ
r ''' -ｰ9､,ﾆ{
/ , ､ -ｰｔ`=' r=-､
（ ／ ーT ,`ー-il ニ}(￣つ
l!二＿rﾕメ=､＿ ,t"ー'' | |
!￣フ''",r''ー- ､ | |／／
ヽ_（ニ '' ､ , ヽ､|／／
`ｰrtー-,;, ノ | |
li⌒'',,ヾミミﾐ'" _|___|
l! ﾐ' ￣ |＿|
ﾞｰ' / ＼
￣￣￣＿,, -=ュ
r ''' -ｰ9､,ﾆ{
/ , ､ -ｰｔ`=' r=-､
（ ／ ーT ,`ー-il ニ}(￣つ
l!二＿rﾕメ=､＿ ,t"ー'' | |
!￣フ''",r''ー- ､ | |／／
ヽ_（ニ '' ､ , ヽ､|／／
`ｰrtー-,;, ノ | |
li⌒'',,ヾミミﾐ'" _|___|
l! ﾐ' ￣ |＿|
ﾞｰ' / ＼
99
名無しのエリー ｜ 2008/04/05 19:17 ｜ ID:bD1oePfy0
┏┓┏┳┓
┏┛┗┻╋┛ ＼ i
┗┓┏┓┃ ── ＋ ─ ←>>1
┃┃┃┃ ┏┳┳┓ ／/ | ＼
┗┛┗┛ ┗╋┛┃ ／ / |
┗━┛ ／ /
￣ 二─ ＿
￣ ､ - ､
-､＼ ＼
／ ＼＼ ＼
／／ ＼ヾ ヽ ヽ
／／／ ＼ ヾ、 | i
／__( |! `i |
<_,へ ＞- 、 ,.-､_ | |
＼ノ人＼ ／ ､ }! ＼ | |
＼へ〃＼／ヾ＼_ﾉ､ﾉ人 ,.-､ | |
＼|＼rj＼ヾ / ＼_ﾌ ,／ |! ﾘ |
rm＼ノ _ Y Lノ / | |
|ヽ-r＜￣`ヾr'￣ヽ / / / /
| └､ノ/￣`,-`┐ { _／ / ／ ／／
ﾚ⌒＼!_ ｰ -{ ﾉ ｝ ／ ／ ／
￣`ー一 'ﾞ _／／_ ／
＿二─ "
100
名無しのエリー ｜ 2008/04/05 19:18 ｜ ID:bD1oePfy0
＿＿＿＿＿
__｀ヽ ,トr,' ´ ,.へ,
,ｲ,ｨ'⌒"ﾞf''ト､!ヽ, ィﾞ / , _-_‐_‐ - ､
バ, k,ゝ└ト､└ ''ﾞ ,ｽ ´''~ ｀Y ＼
j､ ` ｰク'ー-‐ぅ7',´ ,ﾉf⌒ヽ, ＿__ ,ノ 〉
f｀'｀ｰ-R,,__ ｀'<,ｸﾞ ゝ､ ／
| ､ ｀' ､ ｀" ''''''''''' "´
', ',__ ﾞY
', | ', |
,r''ﾞ~ 〉 い |
,rｧ弋 _,ｧ-‐'ﾞ ｀'i"~i!
ぃ_f_⌒"´ ,ﾄ､入_
｀'ｰ┘ └┴‐‐｀'
＿＿＿＿＿
__｀ヽ ,トr,' ´ ,.へ,
,ｲ,ｨ'⌒"ﾞf''ト､!ヽ, ィﾞ / , _-_‐_‐ - ､
バ, k,ゝ└ト､└ ''ﾞ ,ｽ ´''~ ｀Y ＼
j､ ` ｰク'ー-‐ぅ7',´ ,ﾉf⌒ヽ, ＿__ ,ノ 〉
f｀'｀ｰ-R,,__ ｀'<,ｸﾞ ゝ､ ／
| ､ ｀' ､ ｀" ''''''''''' "´
', ',__ ﾞY
', | ', |
,r''ﾞ~ 〉 い |
,rｧ弋 _,ｧ-‐'ﾞ ｀'i"~i!
ぃ_f_⌒"´ ,ﾄ､入_
｀'ｰ┘ └┴‐‐｀'
101
名無しのエリー ｜ 2008/04/05 19:18 ｜ ID:bD1oePfy0
/::::::::::::::::::::::::::::::::::＼
/:::::::::::::::::::::::::::::::::::::::::l、
/::::::::::; ──-、::::::::::::::::l、
/:::::::::::/-K.R.P-＼:::::::::::::::l、
ノ:::::::::::l:::::,-──-、::::`l::::::::::::＼
/:::::::::::::| ,-'::::: :::::::＼::`l::::::::::::::|
/::::::::::::::ﾚ..: ::,-───-、＼|:::::::::::::|
|:::::::::::::::ノ-─┬┬───-'、::::::::::::|
＼:::::::/:::::::::::::/ ./ ,,,,,,,,,、 ,l`-、ノ
＼/ﾉﾉﾉﾉ_/_'''' ,-─-─ー::`l::::|
|_r':ｨoﾝ:::lヘl::::ｨoﾝ:/ :::ﾚ'i | ,-、 __ ,-<＼
| l、::::::::ﾉ| l`ー─' ::::|ﾝ|.| ,- 、<＼> ＿__| .|＿＼>'
`| ￣￣( ）ヽ .::::|_ノ ／ ,、＼`' l＿__ ＿ | ＿＿＿＿＿__
|、_ ノ`-''' ＿ノ | <_／ ＼ ＼ / ./ | .| L＿＿＿＿＿|
| ＿＿ /| ＼._> ／ ／＿| .|
＿＿,-'| l、 -三＝' / |`-、_ `-'' `l＿ﾉ
─、// /、__| ＼ ..::::: ／ |_,l l `l_,--、
. // /|`-、___|＿__＼＿＿／＿___|,-'' |`l .|`l、l`ー、
.| |./ |:::::::::::::::| `ー──'' |:::::::::::::::::| | | | |::::::::
| |/ /::::::::::::::::| |::|||::| |::::::::::::::::::| | | .| |::::::::
| | /::::::::::::::::::::l、 .|::|||::| /:::::::::::::::::::| | |ﾉﾉ::::::::::
102
名無しのエリー ｜ 2008/04/05 19:19 ｜ ID:bD1oePfy0
＿＿,, , , , _ ､ ,,, ..,_
ー=､ ､ｰ-､`ヽ､、ヽ`!i' , ,i"=ミ
//`ヽ`ヾ`､ ! ヽ ! l! i! /ﾉヽ
.│/ ii /､," ◇ヾiiｿヽ
.ゝ::｡:ｯｨ -o=-ヾif''）ヾ
（'''' /;;!i､ ソ”:丿＿_,_,
_,,..,,,,_ { ┃ii”ヽ ;;;;丿 ｿi / ”"ヽ
/ ,' 3 `ヽｰっ /"""i┃=ii iﾉﾐ//'/ }
l ⊃ ⌒_つ { ◇ ヽ--"ィ"'' ソi ヾ i
`'ｰ---‐'''''" i /”/'''ヘ: /ｿ .|ゞ.. ソ
f i /''''／''''''}-ソ ヽ ii ＃ i
.| .|ii /''／''''''} へ i '''' ﾉ
{ i r i ／'''' i /
く、国へ……グスン……帰るんだな……
おまっ、お、お前にも……、か、家族がいるだろう…ズズッ
103
名無しのエリー ｜ 2008/04/05 19:20 ｜ ID:bD1oePfy0
＿＿＿＿＿＿＿＿＿
＼ ＿＿＿＿＿ フ
＼「 | ／
｜ こ・フ|こ・フ
｜ （９ L |９
＼ ＿＿ﾉ
λ ー-／
mm＼＿＿ノｍｍ
／（ ） |（ ）
（＿＿／ ／＼|／＼
／￣ ／ ／
＼／＿／ ／
|＿＿つ＿つ
＿＿＿＿＿＿＿＿＿
＼ ＿＿＿＿＿ フ
＼「 | ／
｜ こ・フ|こ・フ
｜ （９ L |９
＼ ＿＿ﾉ
λ ー-／
mm＼＿＿ノｍｍ
／（ ） |（ ）
（＿＿／ ／＼|／＼
／￣ ／ ／
＼／＿／ ／
|＿＿つ＿つ
104
名無しのエリー ｜ 2008/04/05 19:41 ｜ ID:BVVWhdCF0
>103
So quit trolling just because you lost the argument. Even if you do that, everyone still won’t accept you.
105
名無しのエリー ｜ 2008/04/05 23:25 ｜ ID:vIel8M620
|┃
|┃三 ,ｨ, (fー--─‐- ､、
|┃. ,ｲ/〃 ヾ= 、
|┃ N ｛ ＼ 本日のひとこと
|┃ ﾄ.l ヽ l
ｶﾞﾗｯ.|┃ ､ゝ丶 ,..ｨ从 |
|┃ ＼`.、_ _,. _彡'ﾉﾘ__,.ゝ、 | ／￣￣￣￣￣￣￣￣￣￣￣￣￣￣
|┃三 ｀ゞf‐＞ｎ;ﾊ二r^ｧｎj＜ y=ﾚヽ ＜ 今日、ゆりっぺに中出ししてくるぞ！
|┃. |fjl、 ｀￣ﾘj＾ヾ) ￣´ ﾉ ﾚ ﾘ | ゆりっぺにはナマ中出し以外はありえん！
|┃三 ヾl.`ｰ- べｌ,- ｀ ｰ-‐' ,ン ＼＿＿＿＿＿＿＿＿＿＿＿＿＿
|┃ l r─‐-､ /:|
|┃三 ﾄ､ ｀二¨´ ,.ｲ |
|┃ _亅::ヽ、 .／ i :ﾄ､
|┃ -‐''｢ F′:: `:ー '´ ,.' ﾌ ＞ｰ､ >>ゴッドハンド古井ゴールドフィンガー
|┃ ﾄ､ヾ;､..__ , '_,.／ ／l
|┃
|┃三 ,ｨ, (fー--─‐- ､、
|┃. ,ｲ/〃 ヾ= 、
|┃ N ｛ ＼ 本日のひとこと
|┃ ﾄ.l ヽ l
ｶﾞﾗｯ.|┃ ､ゝ丶 ,..ｨ从 |
|┃ ＼`.、_ _,. _彡'ﾉﾘ__,.ゝ、 | ／￣￣￣￣￣￣￣￣￣￣￣￣￣￣
|┃三 ｀ゞf‐＞ｎ;ﾊ二r^ｧｎj＜ y=ﾚヽ ＜ 今日、ゆっりぺに中出ししてくるぞ！
|┃. |fjl、 ｀￣ﾘj＾ヾ) ￣´ ﾉ ﾚ ﾘ | ゆりっぺにはナマ中出し以外はありえん！
|┃三 ヾl.`ｰ- べｌ,- ｀ ｰ-‐' ,ン ＼＿＿＿＿＿＿＿＿＿＿＿＿＿
|┃ l r─‐-､ /:|
|┃三 ﾄ､ ｀二¨´ ,.ｲ |
|┃ _亅::ヽ、 .／ i :ﾄ､
|┃ -‐''｢ F′:: `:ー '´ ,.' ﾌ ＞ｰ､ >>ゴッドハンド古井ゴールドフィンガー
|┃ ﾄ､ヾ;､..__ , '_,.／ ／l
106
名無しのエリー ｜ 2008/04/05 23:32 ｜ ID:vIel8M620
|┃
|┃三 ,ｨ, (fー--─‐- ､、
|┃. ,ｲ/〃 ヾ= 、
|┃ N ｛ ＼ 本日のひとこと
|┃ ﾄ.l ヽ l
ｶﾞﾗｯ.|┃ ､ゝ丶 ,..ｨ从 |
|┃ ＼`.、_ _,. _彡'ﾉﾘ__,.ゝ、 | ／￣￣￣￣￣￣￣￣￣￣￣￣￣￣
|┃三 ｀ゞf‐＞ｎ;ﾊ二r^ｧｎj＜ y=ﾚヽ ＜ 今日、ゆりっぺに中出ししてくるぞ！
|┃. |fjl、 ｀￣ﾘj＾ヾ) ￣´ ﾉ ﾚ ﾘ | ゆりっぺにはナマ中出し以外はありえん！
|┃三 ヾl.`ｰ- べｌ,- ｀ ｰ-‐' ,ン ＼＿＿＿＿＿＿＿＿＿＿＿＿＿
|┃ l r─‐-､ /:|
|┃三 ﾄ､ ｀二¨´ ,.ｲ |
|┃ _亅::ヽ、 .／ i :ﾄ､
|┃ -‐''｢ F′:: `:ー '´ ,.' ﾌ ＞ｰ､ >>ゴッドハンド古井ゴールドフィンガー
|┃ ﾄ､ヾ;､..__ , '_,.／ ／l
|┃
|┃三 ,ｨ, (fー--─‐- ､、
|┃. ,ｲ/〃 ヾ= 、
|┃ N ｛ ＼ 本日のひとこと
|┃ ﾄ.l ヽ l
ｶﾞﾗｯ.|┃ ､ゝ丶 ,..ｨ从 |
|┃ ＼`.、_ _,. _彡'ﾉﾘ__,.ゝ、 | ／￣￣￣￣￣￣￣￣￣￣￣￣￣￣
|┃三 ｀ゞf‐＞ｎ;ﾊ二r^ｧｎj＜ y=ﾚヽ ＜ 今日、ゆっりぺに中出ししてくるぞ！
|┃. |fjl、 ｀￣ﾘj＾ヾ) ￣´ ﾉ ﾚ ﾘ | ゆりっぺにはナマ中出し以外はありえん！
|┃三 ヾl.`ｰ- べｌ,- ｀ ｰ-‐' ,ン ＼＿＿＿＿＿＿＿＿＿＿＿＿＿
|┃ l r─‐-､ /:|
|┃三 ﾄ､ ｀二¨´ ,.ｲ |
|┃ _亅::ヽ、 .／ i :ﾄ､
|┃ -‐''｢ F′:: `:ー '´ ,.' ﾌ ＞ｰ､ >>ゴッドハンド古井ゴールドフィンガー
|┃ ﾄ､ヾ;､..__ , '_,.／ ／l
107
名無しのエリー ｜ 2008/04/05 23:33 ｜ ID:vIel8M620
|┃
|┃三 ,ｨ, (fー--─‐- ､、
|┃. ,ｲ/〃 ヾ= 、
|┃ N ｛ ＼ 本日のひとこと
|┃ ﾄ.l ヽ l
ｶﾞﾗｯ.|┃ ､ゝ丶 ,..ｨ从 |
|┃ ＼`.、_ _,. _彡'ﾉﾘ__,.ゝ、 | ／￣￣￣￣￣￣￣￣￣￣￣￣￣￣
|┃三 ｀ゞf‐＞ｎ;ﾊ二r^ｧｎj＜ y=ﾚヽ ＜ 今日、ゆりっぺに中出ししてくるぞ！
|┃. |fjl、 ｀￣ﾘj＾ヾ) ￣´ ﾉ ﾚ ﾘ | ゆりっぺにはナマ中出し以外はありえん！
|┃三 ヾl.`ｰ- べｌ,- ｀ ｰ-‐' ,ン ＼＿＿＿＿＿＿＿＿＿＿＿＿＿
|┃ l r─‐-､ /:|
|┃三 ﾄ､ ｀二¨´ ,.ｲ |
|┃ _亅::ヽ、 .／ i :ﾄ､
|┃ -‐''｢ F′:: `:ー '´ ,.' ﾌ ＞ｰ､ >>ゴッドハンド古井ゴールドフィンガー
|┃ ﾄ､ヾ;､..__ , '_,.／ ／l
|┃
|┃三 ,ｨ, (fー--─‐- ､、
|┃. ,ｲ/〃 ヾ= 、
|┃ N ｛ ＼ 本日のひとこと
|┃ ﾄ.l ヽ l
ｶﾞﾗｯ.|┃ ､ゝ丶 ,..ｨ从 |
|┃ ＼`.、_ _,. _彡'ﾉﾘ__,.ゝ、 | ／￣￣￣￣￣￣￣￣￣￣￣￣￣￣
|┃三 ｀ゞf‐＞ｎ;ﾊ二r^ｧｎj＜ y=ﾚヽ ＜ 今日、ゆっりぺに中出ししてくるぞ！
|┃. |fjl、 ｀￣ﾘj＾ヾ) ￣´ ﾉ ﾚ ﾘ | ゆりっぺにはナマ中出し以外はありえん！
|┃三 ヾl.`ｰ- べｌ,- ｀ ｰ-‐' ,ン ＼＿＿＿＿＿＿＿＿＿＿＿＿＿
|┃ l r─‐-､ /:|
|┃三 ﾄ､ ｀二¨´ ,.ｲ |
|┃ _亅::ヽ、 .／ i :ﾄ､
|┃ -‐''｢ F′:: `:ー '´ ,.' ﾌ ＞ｰ､ >>ゴッドハンド古井ゴールドフィンガー
|┃ ﾄ､ヾ;､..__ , '_,.／ ／l
108
名無しのエリー ｜ 2008/04/06 00:09 ｜ ID:6rkpPy0y0
(⌒─-⌒)
＿＿ （(´･ω･`)） ＿＿
〔ﾉ二二,＿＿_ ＿＿,二二ヽ〕
|:::::::::::::::::::::::::::ヽ ゜ ゜ /::::::::::::::::::::::::::/
〉::::::::: :::::::::::::〉 ・ 〈:::::::::::::: ::::::::〈 ﾊﾞｯ
|:::::::::::::::::::::::::／ (u) ヽ::::::::::::::::::::::/
〔:::::::::::::::::::::/ ノ~ヽ ヽ::::::::::::::::::|
ヽ:::::::::::::::::/ ／::::::::::::＼ ):::::::::::::::::::ゝ
ﾉ:::::::::::::::::::| |_〜─〜-| |〜〜〜/ (⌒─-⌒)
＿＿ （(´･ω･`)） ＿＿
〔ﾉ二二,＿＿_ ＿＿,二二ヽ〕
|:::::::::::::::::::::::::::ヽ ゜ ゜ /::::::::::::::::::::::::::/
〉::::::::: :::::::::::::〉 ・ 〈:::::::::::::: ::::::::〈 ﾊﾞｯ
|:::::::::::::::::::::::::／ (u) ヽ::::::::::::::::::::::/
〔:::::::::::::::::::::/ ノ~ヽ ヽ::::::::::::::::::|
ヽ:::::::::::::::::/ ／::::::::::::＼ ):::::::::::::::::::ゝ
ﾉ:::::::::::::::::::| |_〜─〜-| |〜〜〜/ (⌒─-⌒)
＿＿ （(´･ω･`)） ＿＿
〔ﾉ二二,＿＿_ ＿＿,二二ヽ〕
|:::::::::::::::::::::::::::ヽ ゜ ゜ /::::::::::::::::::::::::::/
〉::::::::: :::::::::::::〉 ・ 〈:::::::::::::: ::::::::〈 ﾊﾞｯ
|:::::::::::::::::::::::::／ (u) ヽ::::::::::::::::::::::/
〔:::::::::::::::::::::/ ノ~ヽ ヽ::::::::::::::::::|
ヽ:::::::::::::::::/ ／::::::::::::＼ ):::::::::::::::::::ゝ
ﾉ:::::::::::::::::::| |_〜─〜-| |〜〜〜/ (⌒─-⌒)
＿＿ （(´･ω･`)） ＿＿
〔ﾉ二二,＿＿_ ＿＿,二二ヽ〕
|:::::::::::::::::::::::::::ヽ ゜ ゜ /::::::::::::::::::::::::::/
〉::::::::: :::::::::::::〉 ・ 〈:::::::::::::: ::::::::〈 ﾊﾞｯ
|:::::::::::::::::::::::::／ (u) ヽ::::::::::::::::::::::/
〔:::::::::::::::::::::/ ノ~ヽ ヽ::::::::::::::::::|
ヽ:::::::::::::::::/ ／::::::::::::
109
名無しのエリー ｜ 2008/04/06 00:38 ｜ ID:6rkpPy0y0
(⌒─-⌒)
＿＿ （(´･ω･`)） ＿＿
〔ﾉ二二,＿＿_ ＿＿,二二ヽ〕
|:::::::::::::::::::::::::::ヽ ゜ ゜ /::::::::::::::::::::::::::/
〉::::::::: :::::::::::::〉 ・ 〈:::::::::::::: ::::::::〈 ﾊﾞｯ
|:::::::::::::::::::::::::／ (u) ヽ::::::::::::::::::::::/
〔:::::::::::::::::::::/ ノ~ヽ ヽ::::::::::::::::::|
ヽ:::::::::::::::::/ ／::::::::::::＼ ):::::::::::::::::::ゝ
ﾉ:::::::::::::::::::| |_〜─〜-| |〜〜〜/ (⌒─-⌒)
＿＿ （(´･ω･`)） ＿＿
〔ﾉ二二,＿＿_ ＿＿,二二ヽ〕
|:::::::::::::::::::::::::::ヽ ゜ ゜ /::::::::::::::::::::::::::/
〉::::::::: :::::::::::::〉 ・ 〈:::::::::::::: ::::::::〈 ﾊﾞｯ
|:::::::::::::::::::::::::／ (u) ヽ::::::::::::::::::::::/
〔:::::::::::::::::::::/ ノ~ヽ ヽ::::::::::::::::::|
ヽ:::::::::::::::::/ ／::::::::::::＼ ):::::::::::::::::::ゝ
ﾉ:::::::::::::::::::| |_〜─〜-| |〜〜〜/ (⌒─-⌒)
＿＿ （(´･ω･`)） ＿＿
〔ﾉ二二,＿＿_ ＿＿,二二ヽ〕
|:::::::::::::::::::::::::::ヽ ゜ ゜ /::::::::::::::::::::::::::/
〉::::::::: :::::::::::::〉 ・ 〈:::::::::::::: ::::::::〈 ﾊﾞｯ
|:::::::::::::::::::::::::／ (u) ヽ::::::::::::::::::::::/
〔:::::::::::::::::::::/ ノ~ヽ ヽ::::::::::::::::::|
ヽ:::::::::::::::::/ ／::::::::::::＼ ):::::::::::::::::::ゝ
ﾉ:::::::::::::::::::| |_〜─〜-| |〜〜〜/ (⌒─-⌒)
＿＿ （(´･ω･`)） ＿＿
〔ﾉ二二,＿＿_ ＿＿,二二ヽ〕
|:::::::::::::::::::::::::::ヽ ゜ ゜ /::::::::::::::::::::::::::/
〉::::::::: :::::::::::::〉 ・ 〈:::::::::::::: ::::::::〈 ﾊﾞｯ
|:::::::::::::::::::::::::／ (u) ヽ::::::::::::::::::::::/
〔:::::::::::::::::::::/ ノ~ヽ ヽ::::::::::::::::::|
ヽ:::::::::::::::::/ ／::::::::::::
110
名無しのエリー ｜ 2008/04/06 00:54 ｜ ID:6rkpPy0y0
(⌒─-⌒)
＿＿ （(´･ω･`)） ＿＿
〔ﾉ二二,＿＿_ ＿＿,二二ヽ〕
|:::::::::::::::::::::::::::ヽ ゜ ゜ /::::::::::::::::::::::::::/
〉::::::::: :::::::::::::〉 ・ 〈:::::::::::::: ::::::::〈 ﾊﾞｯ
|:::::::::::::::::::::::::／ (u) ヽ::::::::::::::::::::::/
〔:::::::::::::::::::::/ ノ~ヽ ヽ::::::::::::::::::|
ヽ:::::::::::::::::/ ／::::::::::::＼ ):::::::::::::::::::ゝ
ﾉ:::::::::::::::::::| |_〜─〜-| |〜〜〜/ (⌒─-⌒)
＿＿ （(´･ω･`)） ＿＿
〔ﾉ二二,＿＿_ ＿＿,二二ヽ〕
|:::::::::::::::::::::::::::ヽ ゜ ゜ /::::::::::::::::::::::::::/
〉::::::::: :::::::::::::〉 ・ 〈:::::::::::::: ::::::::〈 ﾊﾞｯ
|:::::::::::::::::::::::::／ (u) ヽ::::::::::::::::::::::/
〔:::::::::::::::::::::/ ノ~ヽ ヽ::::::::::::::::::|
ヽ:::::::::::::::::/ ／::::::::::::＼ ):::::::::::::::::::ゝ
ﾉ:::::::::::::::::::| |_〜─〜-| |〜〜〜/ (⌒─-⌒)
＿＿ （(´･ω･`)） ＿＿
〔ﾉ二二,＿＿_ ＿＿,二二ヽ〕
|:::::::::::::::::::::::::::ヽ ゜ ゜ /::::::::::::::::::::::::::/
〉::::::::: :::::::::::::〉 ・ 〈:::::::::::::: ::::::::〈 ﾊﾞｯ
|:::::::::::::::::::::::::／ (u) ヽ::::::::::::::::::::::/
〔:::::::::::::::::::::/ ノ~ヽ ヽ::::::::::::::::::|
ヽ:::::::::::::::::/ ／::::::::::::＼ ):::::::::::::::::::ゝ
ﾉ:::::::::::::::::::| |_〜─〜-| |〜〜〜/ (⌒─-⌒)
＿＿ （(´･ω･`)） ＿＿
〔ﾉ二二,＿＿_ ＿＿,二二ヽ〕
|:::::::::::::::::::::::::::ヽ ゜ ゜ /::::::::::::::::::::::::::/
〉::::::::: :::::::::::::〉 ・ 〈:::::::::::::: ::::::::〈 ﾊﾞｯ
|:::::::::::::::::::::::::／ (u) ヽ::::::::::::::::::::::/
〔:::::::::::::::::::::/ ノ~ヽ ヽ::::::::::::::::::|
ヽ:::::::::::::::::/ ／::::::::::::
111
名無しのエリー ｜ 2008/04/06 01:21 ｜ ID:6rkpPy0y0
(⌒─-⌒)
＿＿ （(´･ω･`)） ＿＿
〔ﾉ二二,＿＿_ ＿＿,二二ヽ〕
|:::::::::::::::::::::::::::ヽ ゜ ゜ /::::::::::::::::::::::::::/
〉::::::::: :::::::::::::〉 ・ 〈:::::::::::::: ::::::::〈 ﾊﾞｯ
|:::::::::::::::::::::::::／ (u) ヽ::::::::::::::::::::::/
〔:::::::::::::::::::::/ ノ~ヽ ヽ::::::::::::::::::|
ヽ:::::::::::::::::/ ／::::::::::::＼ ):::::::::::::::::::ゝ
ﾉ:::::::::::::::::::| |_〜─〜-| |〜〜〜/ (⌒─-⌒)
＿＿ （(´･ω･`)） ＿＿
〔ﾉ二二,＿＿_ ＿＿,二二ヽ〕
|:::::::::::::::::::::::::::ヽ ゜ ゜ /::::::::::::::::::::::::::/
〉::::::::: :::::::::::::〉 ・ 〈:::::::::::::: ::::::::〈 ﾊﾞｯ
|:::::::::::::::::::::::::／ (u) ヽ::::::::::::::::::::::/
〔:::::::::::::::::::::/ ノ~ヽ ヽ::::::::::::::::::|
ヽ:::::::::::::::::/ ／::::::::::::＼ ):::::::::::::::::::ゝ
ﾉ:::::::::::::::::::| |_〜─〜-| |〜〜〜/ (⌒─-⌒)
＿＿ （(´･ω･`)） ＿＿
〔ﾉ二二,＿＿_ ＿＿,二二ヽ〕
|:::::::::::::::::::::::::::ヽ ゜ ゜ /::::::::::::::::::::::::::/
〉::::::::: :::::::::::::〉 ・ 〈:::::::::::::: ::::::::〈 ﾊﾞｯ
|:::::::::::::::::::::::::／ (u) ヽ::::::::::::::::::::::/
〔:::::::::::::::::::::/ ノ~ヽ ヽ::::::::::::::::::|
ヽ:::::::::::::::::/ ／::::::::::::＼ ):::::::::::::::::::ゝ
ﾉ:::::::::::::::::::| |_〜─〜-| |〜〜〜/ (⌒─-⌒)
＿＿ （(´･ω･`)） ＿＿
〔ﾉ二二,＿＿_ ＿＿,二二ヽ〕
|:::::::::::::::::::::::::::ヽ ゜ ゜ /::::::::::::::::::::::::::/
〉::::::::: :::::::::::::〉 ・ 〈:::::::::::::: ::::::::〈 ﾊﾞｯ
|:::::::::::::::::::::::::／ (u) ヽ::::::::::::::::::::::/
〔:::::::::::::::::::::/ ノ~ヽ ヽ::::::::::::::::::|
ヽ:::::::::::::::::/ ／::::::::::::
112
名無しのエリー ｜ 2008/04/06 01:26 ｜ ID:6rkpPy0y0
／ / ｀ﾄ 、', ヽ
＼ / / -ト y i ｌ＼ これからの季節、まんこの毛を抜くのがお勧め
l ﾊ l / ● l }-、 ! ＼ 湿気が抜けて蒸れない、涼しい
l/i yi ● , ⊂⊃ l ,!/. ＼ 風呂上がりに毛抜きで一本ずつ抜くのだ
― ﾚvl⊃ r´｀´ヽ l }´/ ヽ ＼はじめは痛くて泣きそうになるが、
i 、 ヽ、_,ﾉ j ト ~、 そのうちだんだん痛いのがよくなってきて
. ｒ- ,_ 」 ヽ , _＿__,. イll lヽ＝_____ 止められなくなる
. l、 ~'''TTﾄ、 ﾊ,ヽ l===l l l //- ., マジでお勧め！
ヽ、 .l l l ', ', ＼ヽ l￣l l l //
／ / ｀ﾄ 、', ヽ
＼ / / -ト y i ｌ＼ これからの季節、まんこの毛を抜くのがお勧め
l ﾊ l / ● l }-、 ! ＼ 湿気が抜けて蒸れない、涼しい
l/i yi ● , ⊂⊃ l ,!/. ＼ 風呂上がりに毛抜きで一本ずつ抜くのだ！
― ﾚvl⊃ r´｀´ヽ l }´/ ヽ ＼はじめは痛くて泣きそうになるが、
i 、 ヽ、_,ﾉ j ト ~、 そのうちだんだん痛いのがよくなってきて
. ｒ- ,_ 」 ヽ , _＿__,. イll lヽ＝_____ 止められなくなる！
. l、 ~'''TTﾄ、 ﾊ,ヽ l===l l l //- ., マジでお勧め！
ヽ、 .l l l ', ', ＼ヽ l￣l l l //
／ / ｀ﾄ 、', ヽ
＼ / / -ト y i ｌ＼ これからの季節、まんこの毛を抜くのがお勧め！
l ﾊ l / ● l }-、 ! ＼ 湿気が抜けて蒸れない、涼しい！
l/i yi ● , ⊂⊃ l ,!/. ＼ 風呂上がりに毛抜きで一本ずつ抜くのだ！
― ﾚvl⊃ r´｀´ヽ l }´/ ヽ ＼はじめは痛くて泣きそうになるが、
i 、 ヽ、_,ﾉ j ト ~、 そのうちだんだん痛いのがよくなってきて
. ｒ- ,_ 」 ヽ , _＿__,. イll lヽ＝_____ 止められなくなる！
. l、 ~'''TTﾄ、 ﾊ,ヽ l===l l l //- ., マジでお勧め！
113
名無しのエリー ｜ 2008/04/06 01:31 ｜ ID:1a7S9qg00
I want to shove my dick into Yurippe’s vagina and piston away violently.
114
名無しのエリー ｜ 2008/04/06 08:28 ｜ ID:lV17oeC5O
You’ve been trolling for almost four threads now. Just how much of a jobless NEET are you? (´･ω･｀)
115
名無しのエリー ｜ 2008/04/06 10:25 ｜ ID:ICLho+5S0
Somehow, LOCKS feels like a work that wraps their weirdness in cellophane.
I think X○ himself said during the fifth album, “Gane can’t fully become weird”...
If he understands it that well, why can’t he accept LOCKS? It’s a mystery.
Am I the only one who feels a prog element in the progression of “Futari”? The piano is a little cheap, though.
116
名無しのエリー ｜ 2008/04/06 11:30 ｜ ID:Z98pVtFH0
>115
So what? Die.
117
名無しのエリー ｜ 2008/04/06 11:51 ｜ ID:OkVO4O+z0
“Futari” and “The First Cry” were good.
118
名無しのエリー ｜ 2008/04/06 13:26 ｜ ID:4gRG1vvw0
Bump this shitty thread.
119
名無しのエリー ｜ 2008/04/06 20:00 ｜ ID:lV17oeC5O
Looks like there’s still a troll idiot who hasn’t graduated from spring break yet (´･ω･｀)
120
名無しのエリー ｜ 2008/04/06 20:06 ｜ ID:inEpaOhB0
Calling a grown woman Yurippe... gross☆
121
名無しのエリー ｜ 2008/04/06 20:07 ｜ ID:inEpaOhB0
Calling a grown woman Yurippe... gross☆
Calling a grown woman Yurippe... gross☆
Calling a grown woman Yurippe... gross☆
Calling a grown woman Yurippe... gross☆
Calling a grown woman Yurippe... gross☆
Calling a grown woman Yurippe... gross☆
Calling a grown woman Yurippe... gross☆
Calling a grown woman Yurippe... gross☆
Calling a grown woman Yurippe... gross☆
Calling a grown woman Yurippe... gross☆
Calling a grown woman Yurippe... gross☆
Calling a grown woman Yurippe... gross☆
Calling a grown woman Yurippe... gross☆
Calling a grown woman Yurippe... gross☆
Calling a grown woman Yurippe... gross☆
122
名無しのエリー ｜ 2008/04/06 20:07 ｜ ID:inEpaOhB0
Calling a grown woman Yurippe... gross☆
Calling a grown woman Yurippe... gross☆
Calling a grown woman Yurippe... gross☆
Calling a grown woman Yurippe... gross☆
Calling a grown woman Yurippe... gross☆
Calling a grown woman Yurippe... gross☆
Calling a grown woman Yurippe... gross☆
Calling a grown woman Yurippe... gross☆
Calling a grown woman Yurippe... gross☆
Calling a grown woman Yurippe... gross☆
Calling a grown woman Yurippe... gross☆
Calling a grown woman Yurippe... gross☆
Calling a grown woman Yurippe... gross☆
Calling a grown woman Yurippe... gross☆
Calling a grown woman Yurippe... gross☆
123
名無しのエリー ｜ 2008/04/06 20:08 ｜ ID:inEpaOhB0
Calling a grown woman Yurippe... gross☆
Calling a grown woman Yurippe... gross☆
Calling a grown woman Yurippe... gross☆
Calling a grown woman Yurippe... gross☆
Calling a grown woman Yurippe... gross☆
Calling a grown woman Yurippe... gross☆
Calling a grown woman Yurippe... gross☆
Calling a grown woman Yurippe... gross☆
Calling a grown woman Yurippe... gross☆
Calling a grown woman Yurippe... gross☆
Calling a grown woman Yurippe... gross☆
Calling a grown woman Yurippe... gross☆
Calling a grown woman Yurippe... gross☆
Calling a grown woman Yurippe... gross☆
Calling a grown woman Yurippe... gross☆
124
名無しのエリー ｜ 2008/04/06 20:08 ｜ ID:inEpaOhB0
Calling a grown woman Yurippe... gross☆
Calling a grown woman Yurippe... gross☆
Calling a grown woman Yurippe... gross☆
Calling a grown woman Yurippe... gross☆
Calling a grown woman Yurippe... gross☆
Calling a grown woman Yurippe... gross☆
Calling a grown woman Yurippe... gross☆
Calling a grown woman Yurippe... gross☆
Calling a grown woman Yurippe... gross☆
Calling a grown woman Yurippe... gross☆
Calling a grown woman Yurippe... gross☆
Calling a grown woman Yurippe... gross☆
Calling a grown woman Yurippe... gross☆
Calling a grown woman Yurippe... gross☆
Calling a grown woman Yurippe... gross☆
125
名無しのエリー ｜ 2008/04/06 20:09 ｜ ID:inEpaOhB0
Calling a grown woman Yurippe... gross☆
Calling a grown woman Yurippe... gross☆
Calling a grown woman Yurippe... gross☆
Calling a grown woman Yurippe... gross☆
Calling a grown woman Yurippe... gross☆
Calling a grown woman Yurippe... gross☆
Calling a grown woman Yurippe... gross☆
Calling a grown woman Yurippe... gross☆
Calling a grown woman Yurippe... gross☆
Calling a grown woman Yurippe... gross☆
Calling a grown woman Yurippe... gross☆
Calling a grown woman Yurippe... gross☆
Calling a grown woman Yurippe... gross☆
Calling a grown woman Yurippe... gross☆
Calling a grown woman Yurippe... gross☆
126
名無しのエリー ｜ 2008/04/06 20:10 ｜ ID:inEpaOhB0
--、 ｒ-、 ｒ-、
＼ヽｒ−ｧ | ） ! ）＿ ∧
ヽニ二、くノう ,' / ヽニ ﾌ / ', _
ヽー--―` ／ / ﾚ―ヽ ｌ { ￣ ll ヽー―――――ｧ __＿, - ― -、 ＼￣￣ ￣ ／
`二ニ二」 ', / / ⌒ｌ | ヽ二 ー-、 | l ` ――――一' ｆ、__, -'´￣`ｌ l ＼ ／
/ ( ￣￣ヽ、ﾉ / / | | | ┌−' | l / ﾉ / ／＼ ヽ、
ヽ 二二) （ / ヽ ー‐'／ ヽ '、＿ノ ﾉ -ニ'ノ /／ ＼ｌ
￣ `−ー'´
--、 ｒ-、 ｒ-、
＼ヽｒ−ｧ | ） ! ）＿ ∧
ヽニ二、くノう ,' / ヽニ ﾌ / ', _
ヽー--―` ／ / ﾚ―ヽ ｌ { ￣ ll ヽー―――――ｧ __＿, - ― -、 ＼￣￣ ￣ ／
`二ニ二」 ', / / ⌒ｌ | ヽ二 ー-、 | l ` ――――一' ｆ、__, -'´￣`ｌ l ＼ ／
/ ( ￣￣ヽ、ﾉ / / | | | ┌−' | l / ﾉ / ／＼ ヽ、
ヽ 二二) （ / ヽ ー‐'／ ヽ '、＿ノ ﾉ -ニ'ノ /／ ＼ｌ
￣ `−ー'´
127
名無しのエリー ｜ 2008/04/06 20:10 ｜ ID:inEpaOhB0
--、 ｒ-、 ｒ-、
＼ヽｒ−ｧ | ） ! ）＿ ∧
ヽニ二、くノう ,' / ヽニ ﾌ / ', _
ヽー--―` ／ / ﾚ―ヽ ｌ { ￣ ll ヽー―――――ｧ __＿, - ― -、 ＼￣￣ ￣ ／
`二ニ二」 ', / / ⌒ｌ | ヽ二 ー-、 | l ` ――――一' ｆ、__, -'´￣`ｌ l ＼ ／
/ ( ￣￣ヽ、ﾉ / / | | | ┌−' | l / ﾉ / ／＼ ヽ、
ヽ 二二) （ / ヽ ー‐'／ ヽ '、＿ノ ﾉ -ニ'ノ /／ ＼ｌ
￣ `−ー'´
--、 ｒ-、 ｒ-、
＼ヽｒ−ｧ | ） ! ）＿ ∧
ヽニ二、くノう ,' / ヽニ ﾌ / ', _
ヽー--―` ／ / ﾚ―ヽ ｌ { ￣ ll ヽー―――――ｧ __＿, - ― -、 ＼￣￣ ￣ ／
`二ニ二」 ', / / ⌒ｌ | ヽ二 ー-、 | l ` ――――一' ｆ、__, -'´￣`ｌ l ＼ ／
/ ( ￣￣ヽ、ﾉ / / | | | ┌−' | l / ﾉ / ／＼ ヽ、
ヽ 二二) （ / ヽ ー‐'／ ヽ '、＿ノ ﾉ -ニ'ノ /／ ＼ｌ
128
名無しのエリー ｜ 2008/04/06 20:11 ｜ ID:inEpaOhB0
--、 ｒ-、 ｒ-、
＼ヽｒ−ｧ | ） ! ）＿ ∧
ヽニ二、くノう ,' / ヽニ ﾌ / ', _
ヽー--―` ／ / ﾚ―ヽ ｌ { ￣ ll ヽー―――――ｧ __＿, - ― -、 ＼￣￣ ￣ ／
`二ニ二」 ', / / ⌒ｌ | ヽ二 ー-、 | l ` ――――一' ｆ、__, -'´￣`ｌ l ＼ ／
/ ( ￣￣ヽ、ﾉ / / | | | ┌−' | l / ﾉ / ／＼ ヽ、
ヽ 二二) （ / ヽ ー‐'／ ヽ '、＿ノ ﾉ -ニ'ノ /／ ＼ｌ
￣ `−ー'´
--、 ｒ-、 ｒ-、
＼ヽｒ−ｧ | ） ! ）＿ ∧
ヽニ二、くノう ,' / ヽニ ﾌ / ', _
ヽー--―` ／ / ﾚ―ヽ ｌ { ￣ ll ヽー―――――ｧ __＿, - ― -、 ＼￣￣ ￣ ／
`二ニ二」 ', / / ⌒ｌ | ヽ二 ー-、 | l ` ――――一' ｆ、__, -'´￣`ｌ l ＼ ／
/ ( ￣￣ヽ、ﾉ / / | | | ┌−' | l / ﾉ / ／＼ ヽ、
ヽ 二二) （ / ヽ ー‐'／ ヽ '、＿ノ ﾉ -ニ'ノ /／ ＼ｌ
129
名無しのエリー ｜ 2008/04/06 20:12 ｜ ID:pPS57GaW0
Isn’t the opening ceremony tomorrow or something?
>115
Actually, isn’t this one of the least poisonous works? When X○ says they haven’t fully become “weird,” he probably means they don’t commit to a completely fantastical atmosphere and a lineup of dark songs, instead throwing in halfway-pop songs.
In the previous album, he was probably talking about the MÄR song and “Mou Chotto...” or thereabouts.
Sometimes I wonder if X○ wants Gane to do prog. He seems like the kind of guy who’d start asking for symphonic prog.
130
名無しのエリー ｜ 2008/04/06 20:12 ｜ ID:inEpaOhB0
--、 ｒ-、 ｒ-、
＼ヽｒ−ｧ | ） ! ）＿ ∧
ヽニ二、くノう ,' / ヽニ ﾌ / ', _
ヽー--―` ／ / ﾚ―ヽ ｌ { ￣ ll ヽー―――――ｧ __＿, - ― -、 ＼￣￣ ￣ ／
`二ニ二」 ', / / ⌒ｌ | ヽ二 ー-、 | l ` ――――一' ｆ、__, -'´￣`ｌ l ＼ ／
/ ( ￣￣ヽ、ﾉ / / | | | ┌−' | l / ﾉ / ／＼ ヽ、
ヽ 二二) （ / ヽ ー‐'／ ヽ '、＿ノ ﾉ -ニ'ノ /／ ＼ｌ
￣ `−ー'´
--、 ｒ-、 ｒ-、
＼ヽｒ−ｧ | ） ! ）＿ ∧
ヽニ二、くノう ,' / ヽニ ﾌ / ', _
ヽー--―` ／ / ﾚ―ヽ ｌ { ￣ ll ヽー―――――ｧ __＿, - ― -、 ＼￣￣ ￣ ／
`二ニ二」 ', / / ⌒ｌ | ヽ二 ー-、 | l ` ――――一' ｆ、__, -'´￣`ｌ l ＼ ／
/ ( ￣￣ヽ、ﾉ / / | | | ┌−' | l / ﾉ / ／＼ ヽ、
ヽ 二二) （ / ヽ ー‐'／ ヽ '、＿ノ ﾉ -ニ'ノ /／ ＼ｌ
131
名無しのエリー ｜ 2008/04/06 20:13 ｜ ID:inEpaOhB0
--、 ｒ-、 ｒ-、
＼ヽｒ−ｧ | ） ! ）＿ ∧
ヽニ二、くノう ,' / ヽニ ﾌ / ', _
ヽー--―` ／ / ﾚ―ヽ ｌ { ￣ ll ヽー―――――ｧ __＿, - ― -、 ＼￣￣ ￣ ／
`二ニ二」 ', / / ⌒ｌ | ヽ二 ー-、 | l ` ――――一' ｆ、__, -'´￣`ｌ l ＼ ／
/ ( ￣￣ヽ、ﾉ / / | | | ┌−' | l / ﾉ / ／＼ ヽ、
ヽ 二二) （ / ヽ ー‐'／ ヽ '、＿ノ ﾉ -ニ'ノ /／ ＼ｌ
￣ `−ー'´
--、 ｒ-、 ｒ-、
＼ヽｒ−ｧ | ） ! ）＿ ∧
ヽニ二、くノう ,' / ヽニ ﾌ / ', _
ヽー--―` ／ / ﾚ―ヽ ｌ { ￣ ll ヽー―――――ｧ __＿, - ― -、 ＼￣￣ ￣ ／
`二ニ二」 ', / / ⌒ｌ | ヽ二 ー-、 | l ` ――――一' ｆ、__, -'´￣`ｌ l ＼ ／
/ ( ￣￣ヽ、ﾉ / / | | | ┌−' | l / ﾉ / ／＼ ヽ、
ヽ 二二) （ / ヽ ー‐'／ ヽ '、＿ノ ﾉ -ニ'ノ /／ ＼ｌ
132
名無しのエリー ｜ 2008/04/06 20:13 ｜ ID:pPS57GaW0
The troll is unusually desperate today. They even changed their ID.
133
名無しのエリー ｜ 2008/04/06 20:14 ｜ ID:inEpaOhB0
--、 ｒ-、 ｒ-、
＼ヽｒ−ｧ | ） ! ）＿ ∧
ヽニ二、くノう ,' / ヽニ ﾌ / ', _
ヽー--―` ／ / ﾚ―ヽ ｌ { ￣ ll ヽー―――――ｧ __＿, - ― -、 ＼￣￣ ￣ ／
`二ニ二」 ', / / ⌒ｌ | ヽ二 ー-、 | l ` ――――一' ｆ、__, -'´￣`ｌ l ＼ ／
/ ( ￣￣ヽ、ﾉ / / | | | ┌−' | l / ﾉ / ／＼ ヽ、
ヽ 二二) （ / ヽ ー‐'／ ヽ '、＿ノ ﾉ -ニ'ノ /／ ＼ｌ
￣ `−ー'´
--、 ｒ-、 ｒ-、
＼ヽｒ−ｧ | ） ! ）＿ ∧
ヽニ二、くノう ,' / ヽニ ﾌ / ', _
ヽー--―` ／ / ﾚ―ヽ ｌ { ￣ ll ヽー―――――ｧ __＿, - ― -、 ＼￣￣ ￣ ／
`二ニ二」 ', / / ⌒ｌ | ヽ二 ー-、 | l ` ――――一' ｆ、__, -'´￣`ｌ l ＼ ／
/ ( ￣￣ヽ、ﾉ / / | | | ┌−' | l / ﾉ / ／＼ ヽ、
ヽ 二二) （ / ヽ ー‐'／ ヽ '、＿ノ ﾉ -ニ'ノ /／ ＼ｌ
134
名無しのエリー ｜ 2008/04/06 20:15 ｜ ID:inEpaOhB0
--、 ｒ-、 ｒ-、
＼ヽｒ−ｧ | ） ! ）＿ ∧
ヽニ二、くノう ,' / ヽニ ﾌ / ', _
ヽー--―` ／ / ﾚ―ヽ ｌ { ￣ ll ヽー―――――ｧ __＿, - ― -、 ＼￣￣ ￣ ／
`二ニ二」 ', / / ⌒ｌ | ヽ二 ー-、 | l ` ――――一' ｆ、__, -'´￣`ｌ l ＼ ／
/ ( ￣￣ヽ、ﾉ / / | | | ┌−' | l / ﾉ / ／＼ ヽ、
ヽ 二二) （ / ヽ ー‐'／ ヽ '、＿ノ ﾉ -ニ'ノ /／ ＼ｌ
￣ `−ー'´
--、 ｒ-、 ｒ-、
＼ヽｒ−ｧ | ） ! ）＿ ∧
ヽニ二、くノう ,' / ヽニ ﾌ / ', _
ヽー--―` ／ / ﾚ―ヽ ｌ { ￣ ll ヽー―――――ｧ __＿, - ― -、 ＼￣￣ ￣ ／
`二ニ二」 ', / / ⌒ｌ | ヽ二 ー-、 | l ` ――――一' ｆ、__, -'´￣`ｌ l ＼ ／
/ ( ￣￣ヽ、ﾉ / / | | | ┌−' | l / ﾉ / ／＼ ヽ、
ヽ 二二) （ / ヽ ー‐'／ ヽ '、＿ノ ﾉ -ニ'ノ /／ ＼ｌ
135
名無しのエリー ｜ 2008/04/06 21:32 ｜ ID:mW6tQtACO
They’re trolling all over the place.
They’ll probably calm down starting tomorrow.
136
名無しのエリー ｜ 2008/04/06 23:37 ｜ ID:4r8A4ddhO
The lyrics to “Futari” are scary.
137
名無しのエリー ｜ 2008/04/07 00:20 ｜ ID:qBd0/Iu7O
Are people who troll like this glued to the thread all day? It’s creepy to imagine.
Speaking of lyrics, this album has lost the suggestive lyrics full of metaphors and multiple meanings. It’s simple and easy to understand in lots of places, like it was made for a lighter audience.
138
名無しのエリー ｜ 2008/04/07 10:29 ｜ ID:JAX0zHe+0
I’ve seen people say that “Futari” isn’t necessarily love between a man and a woman,
and I think the fact that people come up with opinions like that is very Gane-like, lol. Or rather, very AZUKI-like...
139
名無しのエリー ｜ 2008/04/07 12:32 ｜ ID:9qZ2LW190
http://mbspro10.uic.to/mkakikomitai.cgi?room=GARNET&action=icondisp
140
名無しのエリー ｜ 2008/04/07 18:39 ｜ ID:5FhzmDsP0
「＼
〉 > ／７
/ / 〈 <
/ | | |
/ / / /
〈 < / /
＼ ｀＼ | |
＼ ＼ / /
＼ ＼ / /
ヽ ヽ/ /
＿_| ´ /＿_
￣￣￣￣￣￣￣
「＼
〉 > ／７
141
名無しのエリー ｜ 2008/04/07 18:40 ｜ ID:5FhzmDsP0
( ´;ﾟ;ё;ﾟ;)ｷﾓｰ
142
名無しのエリー ｜ 2008/04/07 18:40 ｜ ID:5FhzmDsP0
|
|
|
∧＿∧
( ´;ﾟ;ё;ﾟ; )
(つ⌒Y＾()
Ｏ ﾍ,_,ﾉ,_,ﾉ ────────────────
／
／
／
143
名無しのエリー ｜ 2008/04/07 20:16 ｜ ID:DkudI9Q+0
>129
I agree. He said the same kind of thing in his LOCKS review.
If he wants to listen to prog, he should choose artists who actually make it...
Don’t listen to Gane, who aren’t fully weird, and then complain that you’re disappointed.
Gane is a pop-rock band, after all.
I do agree about the forced melodic turns and belting, though.
Anyway, those of us who understand what’s good about LOCKS are the winners.
144
名無しのエリー ｜ 2008/04/07 21:43 ｜ ID:9qjQUbtQ0
Other people’s ratings don’t matter.
If you think it’s good, that’s all that counts.
145
名無しのエリー ｜ 2008/04/07 21:55 ｜ ID:7mHoRIUr0
>143
I don’t understand what’s good about LOCKS, but I’m still a lifelong Yurippe fan, so I’m a winner too.
146
名無しのエリー ｜ 2008/04/07 23:42 ｜ ID:qBd0/Iu7O
I don’t think ratings matter either, but I find X○’s tastes interesting to watch＾＾
147
名無しのエリー ｜ 2008/04/07 23:53 ｜ ID:sJgGksAP0
|
|
{ ! _,, -ｪｪｭ､ |
ｨ彡三ﾐヽ ｀ヽ ,ｨﾊミﾐミﾐﾐﾐﾐﾐﾐヽ､|
彡'⌒ヾﾐヽ ｀ー /ililﾊilﾐilミliliミliliﾐliliﾐ|
ヾ､ /iiiｉｲ!ヾヾﾐ､ﾐﾆ=ー-ﾐ|
＿ ｀ー―' i!ﾊ:.:.＼＼_::::::::::::::／:.| このスレは
彡三ミﾐヽ i! ヽ:.:.:.:冫': : :::／,,∠|
彡' ヾ､ ＿ノ i!:::￣二ー:: : ::::ｿ ・ ,| 竹井ヲタに
｀ー ' {ﾍラ' ・_＞ｼ;ﾃﾂ"''''"|
,ｨ彡三ﾆﾐヽ ＿_ノ ヽﾍ｀" 彡' 〈 | 監視されて
彡' ｀￣ ｀＼ ｰ-=ｪっ |
＿ ＿＿ ノ {ﾐ;ヽ､ ⌒ | います
,ｨ彡' ￣ ヾミﾐミﾐﾄ-- ' |
ﾐ三彡' ／⌒ /￣￣ | : ::::::::::|
ｨﾆﾆ=- ' / i ｀ー-（二つ
,ｨ彡' { ﾐi （二⊃
// ／ l ﾐii ト､二)
彡' ＿＿,ノ | ﾐｿ :..｀ﾄ-'
／ | ﾐ{ :.:.:..:|
ノ / ヾ＼i､ :.:.:.:.:|
ｨﾆ=-- '" / ヾヾiiヽ､ :.:.:.:.::::|
／ ／ ｀/￣￣7ﾊヾヾ : .:.:.|
ノ ＿／ / / |:. :.:.:.:.:.:.:|
148
名無しのエリー ｜ 2008/04/07 23:58 ｜ ID:sJgGksAP0
/⌒＼
/ ／￣￣￣￣￣￣＼ ／￣￣￣￣￣￣￣￣￣￣￣￣￣￣￣￣￣￣
|/ ＼ ＜ 今、ムック殺してきた。リアルで。
/ ∠,,＿ﾉ ｿ ＿ ,,.. _） ＼＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿
／| '',,（(ノ ) ノ (＼) |
| | ￣' ￣ イ ﾊｧ ﾊｧ
＼| υ ､_/ﾛﾛﾛ)_ ノ
/ ￣￣ ＼
／| υ ＼
（ .| / ﾉ￣￣￣） ﾉ ＼
ヽ.|◯ | ﾉ￣￣￣） /＼ ○＼
/.| o .| ﾉ￣￣￣） / ＼ oﾟ ＼
/⌒＼
/ ／￣￣￣￣￣￣＼ ／￣￣￣￣￣￣￣￣￣￣￣￣￣￣￣￣￣￣
|/ ＼ ＜ 今、ムック殺してきた。リアルで。
/ ∠,,＿ﾉ ｿ ＿ ,,.. _） ＼＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿
／| '',,（(ノ ) ノ (＼) |
| | ￣' ￣ イ ﾊｧ ﾊｧ
＼| υ ､_/ﾛﾛﾛ)_ ノ
/ ￣￣ ＼
／| υ ＼
（ .| / ﾉ￣￣￣） ﾉ ＼
ヽ.|◯ | ﾉ￣￣￣） /＼ ○＼
/.| o .| ﾉ￣￣￣） / ＼ oﾟ ＼
/⌒＼
/ ／￣￣￣￣￣￣＼ ／￣￣￣￣￣￣￣￣￣￣￣￣￣￣￣￣￣￣
|/ ＼ ＜ 今、ムック殺してきた。リアルで。
/ ∠,,＿ﾉ ｿ ＿ ,,.. _） ＼＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿
／| '',,（(ノ ) ノ (＼) |
| | ￣' ￣ イ ﾊｧ ﾊｧ
＼| υ ､_/ﾛﾛﾛ)_ ノ
149
名無しのエリー ｜ 2008/04/07 23:58 ｜ ID:sJgGksAP0
/⌒＼
/ ／￣￣￣￣￣￣＼ ／￣￣￣￣￣￣￣￣￣￣￣￣￣￣￣￣￣￣
|/ ＼ ＜ 今、ムック殺してきた。リアルで。
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150
名無しのエリー ｜ 2008/04/07 23:59 ｜ ID:sJgGksAP0
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151
名無しのエリー ｜ 2008/04/07 23:59 ｜ ID:sJgGksAP0
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152
名無しのエリー ｜ 2008/04/09 01:48 ｜ ID:NEaEuyEu0
age
153
名無しのエリー ｜ 2008/04/09 15:28 ｜ ID:eZfzLK9nO
On Passpara they said the 12-string guitar in “Saigo no Ritou” was Furui-san’s idea, which matches the Sound Designer article.
It’s amazing that Ossan had already pictured a 12-string fitting the intro of “Saigo no Ritou.”
Mochi didn’t seem to own one, going by how he acted. It’s impressive that Ossan went as far as preparing one and judged it usable.
On the other hand: “A 12-string is twice as hard to play as a regular guitar.”
154
名無しのエリー ｜ 2008/04/09 16:29 ｜ ID:XrbCmqO80
According to Yurippe, about the men:
“Furui-san flashes a grin and gets an arrangement finished in no time,
while Okamoto-san is still the lovable? easy-to-tease character.”
155
名無しのエリー ｜ 2008/04/09 16:48 ｜ ID:XWGR2vX6O
It came up before, but I wonder if the chorus, short delays, and other effects were Ossan’s ideas too.
I like the guitar using delay in “flower,” the B-side of “Wasurezakizaki.”
156
名無しのエリー ｜ 2008/04/09 17:00 ｜ ID:XrbCmqO80
Yurippe comes up with the chorus, apparently.
Also, an engineer—not Ossan—is there during the vocal recording.
157
名無しのエリー ｜ 2008/04/09 17:03 ｜ ID:XrbCmqO80
The engineer handles the effects.
But apparently Yurippe gives input on the vocal effects, so Ossan probably teams up with the engineer to tinker with something whenever he has time too.
158
名無しのエリー ｜ 2008/04/09 18:48 ｜ ID:HicaHz860
Maybe Ossan suggests things like, “This might sound better with this tone.”
Of course, Mochi would handle the effect settings since he’s the professional musician.
>156
The “chorus” here presumably means spatial effects like flangers that alter a guitar’s tone.
It’s easy to hear them being used in the intro of this song.
http://www.youtube.com/watch?v=7jWWmdBKOqM
159
名無しのエリー ｜ 2008/04/09 19:00 ｜ ID:wk++sTJgO
I’d like to see how they make the music once, or have it made public... Though it sounds like it’d just be boring, with everyone silently working, lol.
But watching Nana fix the lyrics on the spot while Yurippe records vocals sounds interesting, lol.
Come to think of it, Yurippe said, “Furui-san made several versions of the intro for us.”
The wording is gentle, but does that basically mean Yurippe rejected Ossan’s intro? lol
160
名無しのエリー ｜ 2008/04/10 00:30 ｜ ID:A7zs0Jpw0
311 Name: 名無しのエリー [sage] Posted: 2008/03/04 (Tue) 16:48:48 ID:qxh9ejLU0
>300
If they’re pros, their synthesizers and MIDI sound sources should at least be decent, and their programming skills should be pretty serious, so they could probably work in all kinds of drum patterns, hi-hat phrases, and other cymbals.
They seem able to play tight rimshots too, so they probably have a pretty wide range of things they can do.
Since Gane’s arrangements emphasize the vocals, programmed drums might be less obstructive than live drums when they’re aiming for that arrangement.
312 Name: 名無しのエリー [sage] Posted: 2008/03/04 (Tue) 20:50:50 ID:36V7KtQZ0
It’s not so much that programmed drums are better; it may simply be a shortage of personnel.
It’s GIZA, after all... lol
313 Name: 名無しのエリー [sage] Posted: 2008/03/04 (Tue) 22:37:46 ID:qxh9ejLU0
Well... that’s probably the main reason. The overlap among the composers and arrangers suggests a shortage of personnel too.
If they don’t plan to sell Tambourines, they might as well add live drums and send them over as support members for Gane.
Though Kamei’s drumming is kind of questionable...
161
名無しのエリー ｜ 2008/04/10 00:32 ｜ ID:A7zs0Jpw0
12 Name: 名無しのエリー [sage] Posted: 2008/03/26 (Wed) 19:17:19 ID:ccgzsBXI0
So, we found out in the previous thread that Mochi doesn’t do phrasing either.
His “You really worked hard here~” was just following Ossan’s phrase, huh＾＾
Mochi can’t compete with Shimeji.
13 Name: 名無しのエリー [sage] Posted: 2008/03/26 (Wed) 19:27:30 ID:5rijbV1t0
I performed the phrase Ossan came up with, putting my own heartfelt touch on it, lol.
14 Name: 名無しのエリー [sage] Posted: 2008/03/26 (Wed) 19:45:57 ID:ccgzsBXI0
I haven’t heard it, so I can’t say, but Mochi’s solo is guitar pop, right?
Even so, it’s strange that Ossan handles the phrasing when he’s working with Gane.
There should be a lot of overlap. Does he think Ossan can make better ones than he can, does Ossan keep rejecting them, or does he really just have no intention of participating in the production side...?
15 Name: 名無しのエリー [sage] Posted: 2008/03/26 (Wed) 20:50:41 ID:2MbXD7RmO
Ossan has it rough too, lol. Even though he knows AZUKI doesn’t do phrasing,
it turns out Mochi, who worked hard as a studio musician, doesn’t do it either, lol.
>1
If you stretch this “otsu”...
16 Name: 名無しのエリー [sage] Posted: 2008/03/26 (Wed) 22:12:49 ID:5rijbV1t0
Sound phrasing is Ossan’s job, but the singing parts are Yurippe’s.
AZUKI-san handles the phrasing of the words.
162
名無しのエリー ｜ 2008/04/10 00:34 ｜ ID:A7zs0Jpw0
12 Name: 名無しのエリー [sage] Posted: 2008/03/26 (Wed) 19:17:19 ID:ccgzsBXI0
So, we found out in the previous thread that Mochi doesn’t do phrasing either.
His “You really worked hard here~” was just following Ossan’s phrase, huh＾＾
Mochi can’t compete with Shimeji.
13 Name: 名無しのエリー [sage] Posted: 2008/03/26 (Wed) 19:27:30 ID:5rijbV1t0
I performed the phrase Ossan came up with, putting my own heartfelt touch on it, lol.
14 Name: 名無しのエリー [sage] Posted: 2008/03/26 (Wed) 19:45:57 ID:ccgzsBXI0
I haven’t heard it, so I can’t say, but Mochi’s solo is guitar pop, right?
Even so, it’s strange that Ossan handles the phrasing when he’s working with Gane.
There should be a lot of overlap. Does he think Ossan can make better ones than he can, does Ossan keep rejecting them, or does he really just have no intention of participating in the production side...?
15 Name: 名無しのエリー [sage] Posted: 2008/03/26 (Wed) 20:50:41 ID:2MbXD7RmO
Ossan has it rough too, lol. Even though he knows AZUKI doesn’t do phrasing,
it turns out Mochi, who worked hard as a studio musician, doesn’t do it either, lol.
>1
If you stretch this “otsu”...
16 Name: 名無しのエリー [sage] Posted: 2008/03/26 (Wed) 22:12:49 ID:5rijbV1t0
Sound phrasing is Ossan’s job, but the singing parts are Yurippe’s.
AZUKI-san handles the phrasing of the words.
163
名無しのエリー ｜ 2008/04/10 00:39 ｜ ID:A7zs0Jpw0
351 Name: 名無しのエリー [sage] Posted: 2008/03/31 (Mon) 03:09:57 ID:eE1VjelzO
I’m thinking of borrowing a Björk album, since Yurippe says she respects her. Is the recommended one in the template still the best choice?
352 Name: 名無しのエリー [sage] Posted: 2008/03/31 (Mon) 11:42:02 ID:AGTPAm890
I think “Debut” is the easiest album to listen to, but if you want her unique fantastical atmosphere, it’s probably the one in the template.
It gave me a deep feeling like “Mizu no Nai...,” as if sinking to the bottom of the sea.
It’s a very natural, expressive album.
Albums really change genre and atmosphere from one to the next, so it’s hard to explain all of them.
351 Name: 名無しのエリー [sage] Posted: 2008/03/31 (Mon) 03:09:57 ID:eE1VjelzO
I’m thinking of borrowing a Björk album, since Yurippe says she respects her. Is the recommended one in the template still the best choice?
352 Name: 名無しのエリー [sage] Posted: 2008/03/31 (Mon) 11:42:02 ID:AGTPAm890
I think “Debut” is the easiest album to listen to, but if you want her unique fantastical atmosphere, it’s probably the one in the template.
It gave me a deep feeling like “Mizu no Nai...,” as if sinking to the bottom of the sea.
It’s a very natural, expressive album.
Albums really change genre and atmosphere from one to the next, so it’s hard to explain all of them.
164
名無しのエリー ｜ 2008/04/10 01:12 ｜ ID:A7zs0Jpw0
128 Name: 名無しさん＠お腹いっぱい。[] Posted: 2008/03/17 (Mon) 00:09:48 ID:zbOwIGBk0
I wonder if her voice has really deteriorated that much.
It’s different from before, but I don’t think it’s worse. It’s just become more to my taste—huskier, I guess, lol.
129 Name: 名無しさん＠お腹いっぱい。[sage] Posted: 2008/03/17 (Mon) 10:28:07 ID:EMLpCswS0
Far from deteriorating, I think her singing ability has clearly improved.
She used to be bad, so that was the only way she could sing, and it felt like the mixing covered for it too.
Now that she can sing better than before and they seem to be bringing the vocals forward in the recordings, it must be frustrating to be told she’s deteriorated or that the old version was better...
I love her early voice too, though.
131 Name: 名無しさん＠お腹いっぱい。[sage] Posted: 2008/03/17 (Mon) 18:06:38 ID:mRR56uUk0
I think Gane’s roots are the fusion of the acoustic feel of piano and acoustic guitar with synths.
These days they’re leaning toward guitar pop with prominent electric guitar.
I feel like more of Gane’s masterpieces are songs where the electric guitar isn’t prominent...
132 Name: 名無しさん＠お腹いっぱい。[] Posted: 2008/03/17 (Mon) 18:50:21 ID:oUULyK7M0
Am I weird for thinking this album is a real grower?
133 Name: 名無しさん＠お腹いっぱい。[sage] Posted: 2008/03/17 (Mon) 19:02:46 ID:mRR56uUk0
It’s an easy album to listen to all the way through.
There isn’t one song that makes you go “This is it,” though.
134 Name: 名無しさん＠お腹いっぱい。[sage] Posted: 2008/03/17 (Mon) 20:51:20 ID:EXHdyFTYO
Is this the Yuri/Nana thread?
This time, unless you listen to lots of different music, it probably sounds like stitched-together music.
Ossan’s arrangements have an AOR flavor. I think it feels similar to the first album because neo-acoustic and AOR aren’t musically that far apart.
165
名無しのエリー ｜ 2008/04/10 01:15 ｜ ID:A7zs0Jpw0
1 Name: 名無しさん＠お腹いっぱい。[sage] Posted: 2008/02/26 (Tue) 22:28:54 ID:7DbZxugD0
Official site http://www.garnetcrow.com/
★ 6th album 『LOCKS』 scheduled for release March 12, 2008!
【Tracklist】
01 - 最後の離島
02 - 涙のイエスタデー (album ver.)
03 - 世界はまわると言うけれど
04 - もう一度 笑って
05 - この手を伸ばせば (album ver.)
06 - doubt
07 - 風とRAINBOW
08 - ふたり
09 - Mr.Holiday
10 - The First Cry
11 - Love is a Bird
[CD+DVD] First press A (Ninnaji Live DVD ver.) GZCA-5124 / ￥3,500 (tax included)
[CD+DVD] First press B (video clip ver.) GZCA-5125 / ￥3,500 (tax included)
[CD] Regular edition GZCA-5126 / ￥3,059 (tax included)
※ The jacket is different for all three versions.
◆ Don’t bother other people.
◆ Please stop posting fake information; it only causes backlash.
◆ Strictly ignore trolls, delusions, and exposing other artists.
◆ >>950 must start the next thread. Subtitles are forbidden.
◆ Posting virus codes or long copied text is forbidden.
166
名無しのエリー ｜ 2008/04/10 15:09 ｜ ID:DJSzFbBZ0
Prog? AOR?
Let’s just call it Romanticism.
167
名無しのエリー ｜ 2008/04/10 15:44 ｜ ID:esBy8EwRO
I wish Gane would make music like Seiichiro Kuribayashi and the like.
168
名無しのエリー ｜ 2008/04/11 00:46 ｜ ID:wkR+FVGB0
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169
名無しのエリー ｜ 2008/04/11 00:51 ｜ ID:wkR+FVGB0
12 Name: 名無しのエリー [sage] Posted: 2008/03/26 (Wed) 19:17:19 ID:ccgzsBXI0
So, we found out in the previous thread that Mochi doesn’t do phrasing either.
His “You really worked hard here~” was just following Ossan’s phrase, huh＾＾
Mochi can’t compete with Shimeji.
13 Name: 名無しのエリー [sage] Posted: 2008/03/26 (Wed) 19:27:30 ID:5rijbV1t0
I performed the phrase Ossan came up with, putting my own heartfelt touch on it, lol.
14 Name: 名無しのエリー [sage] Posted: 2008/03/26 (Wed) 19:45:57 ID:ccgzsBXI0
I haven’t heard it, so I can’t say, but Mochi’s solo is guitar pop, right?
Even so, it’s strange that Ossan handles the phrasing when he’s working with Gane.
There should be a lot of overlap. Does he think Ossan can make better ones than he can, does Ossan keep rejecting them, or does he really just have no intention of participating in the production side...?
15 Name: 名無しのエリー [sage] Posted: 2008/03/26 (Wed) 20:50:41 ID:2MbXD7RmO
Ossan has it rough too, lol. Even though he knows AZUKI doesn’t do phrasing,
it turns out Mochi, who worked hard as a studio musician, doesn’t do it either, lol.
>1
If you stretch this “otsu”...
16 Name: 名無しのエリー [sage] Posted: 2008/03/26 (Wed) 22:12:49 ID:5rijbV1t0
Sound phrasing is Ossan’s job, but the singing parts are Yurippe’s.
AZUKI-san handles the phrasing of the words.
170
名無しのエリー ｜ 2008/04/11 00:55 ｜ ID:wkR+FVGB0
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171
名無しのエリー ｜ 2008/04/11 00:57 ｜ ID:wkR+FVGB0
12 Name: 名無しさん＠お腹いっぱい。[sage] Posted: 2008/02/27 (Wed) 18:24:15 ID:JehfwucaO
Is this the next thread?
I’m the Being employee from the previous thread.
I came here anonymously to talk and make a request among all of you fans.
Maybe that is my ulterior motive—or maybe it will be the result...
Personally, I’m looking forward to what happens to them from here and want to become a fan and support them, but the people who can truly support GARNET CROW aren’t all the employees or the members themselves—it’s you, the fans...
I listened to “Mou Ichido Waratte” too, and when I listened while thinking about them breaking up, I started crying...
Furui-san is the leader, so if Furui-san can’t work, it could become a crisis, but...
Please, all you fans, I’m counting on you.
To the person who posted >>999 in the previous thread: thanks for intending to buy it.
13 Name: ゆりオタ ◆YURIjsVbsQ [sage] Posted: 2008/02/27 (Wed) 18:26:38 ID:l5isgzbrO
Don’t say that kind of thing here—go do your job, lol.
Everyone in this thread is going to buy it anyway, right?
14 Name: 名無しさん＠お腹いっぱい。[sage] Posted: 2008/02/27 (Wed) 18:27:14 ID:JehfwucaO
>10 No matter what the company says, the members’ own feelings are what matter...
15 Name: 名無しさん＠お腹いっぱい。[sage] Posted: 2008/02/27 (Wed) 18:31:42 ID:JehfwucaO
Sorry.
I’m posting from my phone on the way home after finishing work today.
172
名無しのエリー ｜ 2008/04/11 01:06 ｜ ID:wkR+FVGB0
26 Name: 名無しさん＠お腹いっぱい。[sage] Posted: 2008/02/27 (Wed) 19:45:47 ID:+N8lOiJJ0
Talk about the members breaking up happens all the time.
Even if you are an employee, you wouldn’t say something like that.
27 Name: 名無しさん＠お腹いっぱい。[sage] Posted: 2008/02/27 (Wed) 19:57:19 ID:/sptszAoO
>24
I don’t want that.
Yurippe (lol) writing and singing the songs,
the chuunibyou case writing the lyrics,
the guy in sunglasses arranging them,
and Yurippe (lol) singing—that’s GARNET CROW, so I have zero interest in solo work.
If I could have one wish, I’d want a guitarist who graduated from Ritsumeikan.
28 Name: 名無しさん＠お腹いっぱい。[sage] Posted: 2008/02/27 (Wed) 20:12:12 ID:LnFV4Q/O0
If Nana-san switches to an idol route, I’m okay with it.
29 Name: ゆりオタ ◆YURIjsVbsQ [sage] Posted: 2008/02/27 (Wed) 20:20:46 ID:l5isgzbrO
>24
I don’t know of even one example where a breakup followed by separate activities turned out well, at least not one I know.
30 Name: 名無しさん＠お腹いっぱい。[sage] Posted: 2008/02/27 (Wed) 20:34:40 ID:vd57AMX80
Everyone’s taking the bait too much.
31 Name: 名無しさん＠お腹いっぱい。[sage] Posted: 2008/02/27 (Wed) 20:41:16 ID:tHLLkD850
There are plenty of people who succeeded with solo work after a breakup.
The problem is that I don’t think GARNET would succeed as solo acts.
Didn’t breakup talk come up before the fourth album too?
173
名無しのエリー ｜ 2008/04/11 01:10 ｜ ID:wkR+FVGB0
34 Name: 名無しさん＠お腹いっぱい。[sage] Posted: 2008/02/27 (Wed) 21:06:45 ID:66OkjSKS0
Breakup talk comes up whenever something happens, doesn’t it?
Didn’t people say they’d break up at the end of last year’s seventh-anniversary year too?
35 Name: 名無しさん＠お腹いっぱい。[sage] Posted: 2008/02/27 (Wed) 21:08:31 ID:KNk/V8860
True, I don’t think GARNET CROW would succeed solo either. Maybe they’d move behind the scenes.
But if a group that wasn’t selling originally is going to break up depending on the next album’s sales, that’s one thing. If they have other things they want to do, and the album sales rise, they shouldn’t feel obligated to keep going—they should break up without hesitation.
>30
I’m taking the bait because I want to, lol. I don’t think it’s true, but these kinds of discussions are fun sometimes.
36 Name: 名無しさん＠お腹いっぱい。[] Posted: 2008/02/27 (Wed) 21:35:25 ID:67+9kPAe0
Kazuya Yoshii, YUKI, Tamio Okuda, Kyosuke Himuro, Tomoyasu Hotei, Ken Yokoyama, hide.
That’s just the ones I can think of off the top of my head.
37 Name: 名無しさん＠お腹いっぱい。[sage] Posted: 2008/02/27 (Wed) 21:35:44 ID:/sptszAoO
“Mou Ichido Waratte” has the same early-period vibe that makes you think of death, doesn’t it?
But in a different song, what do you make of lyrics like “I run through your body”?
Lyrics like that don’t feel like GARNET CROW.
What happened to the chuunibyou, mentally ill lyricist? Did something change in their state of mind?
“Hop, step, jump,” lol.
“Will you be proud of me?” Finally... this one feels like the early days and is good.
“Mou Ichido Waratte” keeps running through my head.
I got hooked on “Mou Ichido,” so I’m looking forward to the album now.
174
名無しのエリー ｜ 2008/04/11 01:17 ｜ ID:wkR+FVGB0
39 Name: 名無しさん＠お腹いっぱい。[sage] Posted: 2008/02/27 (Wed) 22:03:36 ID:jYi64LiiO
The breakup theory came up at the fifth anniversary, and when the best-of was released too, didn’t it? lol
40 Name: 名無しさん＠お腹いっぱい。[sage] Posted: 2008/02/27 (Wed) 22:15:51 ID:tHLLkD850
>33
Everyone I was going to name has already been listed in >>36, so I’ll leave it at that, lol.
41 Name: 名無しさん＠お腹いっぱい。[sage] Posted: 2008/02/27 (Wed) 22:24:16 ID:/sptszAoO
Am I the only one who doesn’t think the people in >>36 are more successful than they were in their bands?
Yoshii succeeded? It was an obvious failure, lol.
I can say for sure that GARNET CROW would never succeed solo.
Does a thirty-something diva want to work behind the scenes?
Did she get a boyfriend and want to leave Being?
42 Name: 名無しさん＠お腹いっぱい。[sage] Posted: 2008/02/27 (Wed) 22:27:42 ID:tHLLkD850
Well, if you factor in personal musical taste, judgments of success and failure may differ, but objectively they’re just artists continuing their activities normally.
Anyway, this is off-topic, so I don’t care anymore. I didn’t expect to get this much pushback. The Gane thread is scary today.
43 Name: 名無しさん＠お腹いっぱい。[sage] Posted: 2008/02/27 (Wed) 22:45:32 ID:vd57AMX80
I mean, it’s been tense lately. Weird people have been popping up around this time too.
175
名無しのエリー ｜ 2008/04/11 01:45 ｜ ID:wkR+FVGB0
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176
名無しのエリー ｜ 2008/04/11 18:20 ｜ ID:p4kP7I0b0
Please stop trolling!!!
177
名無しのエリー ｜ 2008/04/12 00:56 ｜ ID:SQP22U6X0
,j;;;;;j,. ---一、 ｀ ―--‐、_ l;;;;;;
｛;;;;;;ゝ T辷iフ i f'辷jァ !i;;;;; >>166
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`Z;i 〈.,_..,. ノ;;;;;;;;> そんなふうに考えていた時期が
,;ぇハ、 、_,.ー-、_',. ,ｆ゛: Y;;f. 俺にもありました
~''戈ヽ ｀二´ r'´:::. `!
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｛;;;;;;ゝ T辷iフ i f'辷jァ !i;;;;; >>166
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`Z;i 〈.,_..,. ノ;;;;;;;;> そんなふうに考えていた時期が
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~''戈ヽ ｀二´ r'´:::. `!
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｛;;;;;;ゝ T辷iフ i f'辷jァ !i;;;;; >>166
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,;ぇハ、 、_,.ー-、_',. ,ｆ゛: Y;;f. 俺にもありました
~''戈ヽ ｀二´ r'´:::. `!
178
名無しのエリー ｜ 2008/04/12 01:05 ｜ ID:SQP22U6X0
,j;;;;;j,. ---一、 ｀ ―--‐、_ l;;;;;;
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`Z;i 〈.,_..,. ノ;;;;;;;;> そんなふうに考えていた時期が
,;ぇハ、 、_,.ー-、_',. ,ｆ゛: Y;;f. 俺にもありました
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,;ぇハ、 、_,.ー-、_',. ,ｆ゛: Y;;f. 俺にもありました
~''戈ヽ ｀二´ r'´:::. `!
179
名無しのエリー ｜ 2008/04/12 12:46 ｜ ID:UwoGvw4MO
Is Yurippe over 30?
180
名無しのエリー ｜ 2008/04/12 15:24 ｜ ID:7ZktTpQzO
You didn’t know?
181
名無しのエリー ｜ 2008/04/12 16:36 ｜ ID:F15VkFUP0
Apparently trolls can’t post on the Japanese music groups board, lol.
182
名無しのエリー ｜ 2008/04/12 16:41 ｜ ID:HqMovUgk0
>158
Speaking of effects, Mochi’s wah sound is pretty good too.
“Naked Story,” for example. The way it chops along is something else.
“The 2rd” has quite a lot going on too, so it might be their most arrangement-focused work.
Around this time, it feels like Ossan’s bag of tricks was starting to show its limits. Maybe a rockier sound with the rhythm section pushed forward was his current obsession.
183
名無しのエリー ｜ 2008/04/12 16:42 ｜ ID:HqMovUgk0
Think the troll’s getting tired of it? They’re not wiping us out all at once anymore.
Maybe they’re running out of power.
184
名無しのエリー ｜ 2008/04/12 18:34 ｜ ID:qNbG45UR0
The troll is replying too, so it’s a bit weird, but... Romanticism, huh? It’s good, right??
185
名無しのエリー ｜ 2008/04/12 20:17 ｜ ID:cx64ffYwO
I wonder what happened to the pachinko clerk from the source of that AA.
186
名無しのエリー ｜ 2008/04/12 21:24 ｜ ID:7ZktTpQzO
>182
The strings and choral work are god-tier. On “Seichi,” the chorus has basically replaced the strings, giving it this amazing thickness.
187
名無しのエリー ｜ 2008/04/12 23:51 ｜ ID:SQP22U6X0
179 Name: 名無しのエリー [sage] Posted: 2008/04/12 (Sat) 12:46:56 ID:UwoGvw4MO
Is Yurippe over 30?
180 Name: 名無しのエリー [sage] Posted: 2008/04/12 (Sat) 15:24:41 ID:7ZktTpQzO
You didn’t know?
181 Name: 名無しのエリー [sage] Posted: 2008/04/12 (Sat) 16:36:38 ID:F15VkFUP0
Apparently trolls can’t post on the Japanese music groups board, lol.
182 Name: 名無しのエリー [sage] Posted: 2008/04/12 (Sat) 16:41:18 ID:HqMovUgk0
>158
Speaking of effects, Mochi’s wah sound is pretty good too.
“Naked Story,” for example. The way it chops along is something else.
“The 2rd” has quite a lot going on too, so it might be their most arrangement-focused work.
Around this time, it feels like Ossan’s bag of tricks was starting to show its limits. Maybe a rockier sound with the rhythm section pushed forward was his current obsession.
183 Name: 名無しのエリー [sage] Posted: 2008/04/12 (Sat) 16:42:35 ID:HqMovUgk0
Think the troll’s getting tired of it? They’re not wiping us out all at once anymore.
Maybe they’re running out of power.
184 Name: 名無しのエリー [sage] Posted: 2008/04/12 (Sat) 18:34:42 ID:qNbG45UR0
The troll is replying too, so it’s a bit weird, but... Romanticism, huh? It’s good, right??
185 Name: 名無しのエリー [sage] Posted: 2008/04/12 (Sat) 20:17:58 ID:cx64ffYwO
I wonder what happened to the pachinko clerk from the source of that AA.
186 Name: 名無しのエリー [sage] Posted: 2008/04/12 (Sat) 21:24:27 ID:7ZktTpQzO
>182
The strings and choral work are god-tier. On “Seichi,” the chorus has basically replaced the strings, giving it this amazing thickness.
188
名無しのエリー ｜ 2008/04/12 23:53 ｜ ID:SQP22U6X0
179 Name: 名無しのエリー [sage] Posted: 2008/04/12 (Sat) 12:46:56 ID:UwoGvw4MO
Is Yurippe over 30?
180 Name: 名無しのエリー [sage] Posted: 2008/04/12 (Sat) 15:24:41 ID:7ZktTpQzO
You didn’t know?
181 Name: 名無しのエリー [sage] Posted: 2008/04/12 (Sat) 16:36:38 ID:F15VkFUP0
Apparently trolls can’t post on the Japanese music groups board, lol.
182 Name: 名無しのエリー [sage] Posted: 2008/04/12 (Sat) 16:41:18 ID:HqMovUgk0
>158
Speaking of effects, Mochi’s wah sound is pretty good too.
“Naked Story,” for example. The way it chops along is something else.
“The 2rd” has quite a lot going on too, so it might be their most arrangement-focused work.
Around this time, it feels like Ossan’s bag of tricks was starting to show its limits. Maybe a rockier sound with the rhythm section pushed forward was his current obsession.
183 Name: 名無しのエリー [sage] Posted: 2008/04/12 (Sat) 16:42:35 ID:HqMovUgk0
Think the troll’s getting tired of it? They’re not wiping us out all at once anymore.
Maybe they’re running out of power.
184 Name: 名無しのエリー [sage] Posted: 2008/04/12 (Sat) 18:34:42 ID:qNbG45UR0
The troll is replying too, so it’s a bit weird, but... Romanticism, huh? It’s good, right??
185 Name: 名無しのエリー [sage] Posted: 2008/04/12 (Sat) 20:17:58 ID:cx64ffYwO
I wonder what happened to the pachinko clerk from the source of that AA.
186 Name: 名無しのエリー [sage] Posted: 2008/04/12 (Sat) 21:24:27 ID:7ZktTpQzO
>182
The strings and choral work are god-tier. On “Seichi,” the chorus has basically replaced the strings, giving it this amazing thickness.
189
名無しのエリー ｜ 2008/04/13 00:02 ｜ ID:SQP22U6X0
179 Name: 名無しのエリー [sage] Posted: 2008/04/12 (Sat) 12:46:56 ID:UwoGvw4MO
Is Yurippe over 30?
180 Name: 名無しのエリー [sage] Posted: 2008/04/12 (Sat) 15:24:41 ID:7ZktTpQzO
You didn’t know?
181 Name: 名無しのエリー [sage] Posted: 2008/04/12 (Sat) 16:36:38 ID:F15VkFUP0
Apparently trolls can’t post on the Japanese music groups board, lol.
182 Name: 名無しのエリー [sage] Posted: 2008/04/12 (Sat) 16:41:18 ID:HqMovUgk0
>158
Speaking of effects, Mochi’s wah sound is pretty good too.
“Naked Story,” for example. The way it chops along is something else.
“The 2rd” has quite a lot going on too, so it might be their most arrangement-focused work.
Around this time, it feels like Ossan’s bag of tricks was starting to show its limits. Maybe a rockier sound with the rhythm section pushed forward was his current obsession.
183 Name: 名無しのエリー [sage] Posted: 2008/04/12 (Sat) 16:42:35 ID:HqMovUgk0
Think the troll’s getting tired of it? They’re not wiping us out all at once anymore.
Maybe they’re running out of power.
184 Name: 名無しのエリー [sage] Posted: 2008/04/12 (Sat) 18:34:42 ID:qNbG45UR0
The troll is replying too, so it’s a bit weird, but... Romanticism, huh? It’s good, right??
185 Name: 名無しのエリー [sage] Posted: 2008/04/12 (Sat) 20:17:58 ID:cx64ffYwO
I wonder what happened to the pachinko clerk from the source of that AA.
186 Name: 名無しのエリー [sage] Posted: 2008/04/12 (Sat) 21:24:27 ID:7ZktTpQzO
>182
The strings and choral work are god-tier. On “Seichi,” the chorus has basically replaced the strings, giving it this amazing thickness.
190
名無しのエリー ｜ 2008/04/13 00:09 ｜ ID:KXJ2Gl/S0
179 Name: 名無しのエリー [sage] Posted: 2008/04/12 (Sat) 12:46:56 ID:UwoGvw4MO
Is Yurippe over 30?
180 Name: 名無しのエリー [sage] Posted: 2008/04/12 (Sat) 15:24:41 ID:7ZktTpQzO
You didn’t know?
181 Name: 名無しのエリー [sage] Posted: 2008/04/12 (Sat) 16:36:38 ID:F15VkFUP0
Apparently trolls can’t post on the Japanese music groups board, lol.
182 Name: 名無しのエリー [sage] Posted: 2008/04/12 (Sat) 16:41:18 ID:HqMovUgk0
>158
Speaking of effects, Mochi’s wah sound is pretty good too.
“Naked Story,” for example. The way it chops along is something else.
“The 2rd” has quite a lot going on too, so it might be their most arrangement-focused work.
Around this time, it feels like Ossan’s bag of tricks was starting to show its limits. Maybe a rockier sound with the rhythm section pushed forward was his current obsession.
183 Name: 名無しのエリー [sage] Posted: 2008/04/12 (Sat) 16:42:35 ID:HqMovUgk0
Think the troll’s getting tired of it? They’re not wiping us out all at once anymore.
Maybe they’re running out of power.
184 Name: 名無しのエリー [sage] Posted: 2008/04/12 (Sat) 18:34:42 ID:qNbG45UR0
The troll is replying too, so it’s a bit weird, but... Romanticism, huh? It’s good, right??
185 Name: 名無しのエリー [sage] Posted: 2008/04/12 (Sat) 20:17:58 ID:cx64ffYwO
I wonder what happened to the pachinko clerk from the source of that AA.
186 Name: 名無しのエリー [sage] Posted: 2008/04/12 (Sat) 21:24:27 ID:7ZktTpQzO
>182
The strings and choral work are god-tier. On “Seichi,” the chorus has basically replaced the strings, giving it this amazing thickness.
191
名無しのエリー ｜ 2008/04/13 00:16 ｜ ID:KXJ2Gl/S0
179 Name: 名無しのエリー [sage] Posted: 2008/04/12 (Sat) 12:46:56 ID:UwoGvw4MO
Is Yurippe over 30?
180 Name: 名無しのエリー [sage] Posted: 2008/04/12 (Sat) 15:24:41 ID:7ZktTpQzO
You didn’t know?
181 Name: 名無しのエリー [sage] Posted: 2008/04/12 (Sat) 16:36:38 ID:F15VkFUP0
Apparently trolls can’t post on the Japanese music groups board, lol.
182 Name: 名無しのエリー [sage] Posted: 2008/04/12 (Sat) 16:41:18 ID:HqMovUgk0
>158
Speaking of effects, Mochi’s wah sound is pretty good too.
“Naked Story,” for example. The way it chops along is something else.
“The 2rd” has quite a lot going on too, so it might be their most arrangement-focused work.
Around this time, it feels like Ossan’s bag of tricks was starting to show its limits. Maybe a rockier sound with the rhythm section pushed forward was his current obsession.
183 Name: 名無しのエリー [sage] Posted: 2008/04/12 (Sat) 16:42:35 ID:HqMovUgk0
Think the troll’s getting tired of it? They’re not wiping us out all at once anymore.
Maybe they’re running out of power.
184 Name: 名無しのエリー [sage] Posted: 2008/04/12 (Sat) 18:34:42 ID:qNbG45UR0
The troll is replying too, so it’s a bit weird, but... Romanticism, huh? It’s good, right??
185 Name: 名無しのエリー [sage] Posted: 2008/04/12 (Sat) 20:17:58 ID:cx64ffYwO
I wonder what happened to the pachinko clerk from the source of that AA.
186 Name: 名無しのエリー [sage] Posted: 2008/04/12 (Sat) 21:24:27 ID:7ZktTpQzO
>182
The strings and choral work are god-tier. On “Seichi,” the chorus has basically replaced the strings, giving it this amazing thickness.
192
名無しのエリー ｜ 2008/04/13 00:18 ｜ ID:KXJ2Gl/S0
Comparison of women the same age
Kokia Onitsuka Shibata Yuri
Singing ability 9 7 7 4
Lyric-writing ability 7 8 8 ?
Composition ability 8 8 7 4
Looks 8 7 8 3
Personality 9 5 8 5
Charisma 7 9 5 2
Expressiveness 8 8 8 5
Voice 8 9 8 3
Potential 8 8 7 5
Live performance 10 9 7 1
Originality 8 8 7 3
Style 6 8 7 4
Total 96 94 83 38
193
名無しのエリー ｜ 2008/04/13 00:23 ｜ ID:KXJ2Gl/S0
12 Name: 名無しのエリー [sage] Posted: 2008/03/26 (Wed) 19:17:19 ID:ccgzsBXI0
So, we found out in the previous thread that Mochi doesn’t do phrasing either.
His “You really worked hard here~” was just following Ossan’s phrase, huh＾＾
Mochi can’t compete with Shimeji.
13 Name: 名無しのエリー [sage] Posted: 2008/03/26 (Wed) 19:27:30 ID:5rijbV1t0
I performed the phrase Ossan came up with, putting my own heartfelt touch on it, lol.
14 Name: 名無しのエリー [sage] Posted: 2008/03/26 (Wed) 19:45:57 ID:ccgzsBXI0
I haven’t heard it, so I can’t say, but Mochi’s solo is guitar pop, right?
Even so, it’s strange that Ossan handles the phrasing when he’s working with Gane.
There should be a lot of overlap. Does he think Ossan can make better ones than he can, does Ossan keep rejecting them, or does he really just have no intention of participating in the production side...?
15 Name: 名無しのエリー [sage] Posted: 2008/03/26 (Wed) 20:50:41 ID:2MbXD7RmO
Ossan has it rough too, lol. Even though he knows AZUKI doesn’t do phrasing,
it turns out Mochi, who worked hard as a studio musician, doesn’t do it either, lol.
>1
If you stretch this “otsu”...
16 Name: 名無しのエリー [sage] Posted: 2008/03/26 (Wed) 22:12:49 ID:5rijbV1t0
Sound phrasing is Ossan’s job, but the singing parts are Yurippe’s.
AZUKI-san handles the phrasing of the words.
194
名無しのエリー ｜ 2008/04/13 00:25 ｜ ID:KXJ2Gl/S0
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｛;;;;;;ゝ T辷iフ i f'辷jァ !i;;;;; >>166
ヾ;;;ハ ノ .::!lリ;;r゛
`Z;i 〈.,_..,. ノ;;;;;;;;> そんなふうに考えていた時期が
,;ぇハ、 、_,.ー-、_',. ,ｆ゛: Y;;f. 俺にもありました
~''戈ヽ ｀二´ r'´:::. `!
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｛;;;;;;ゝ T辷iフ i f'辷jァ !i;;;;; >>166
ヾ;;;ハ ノ .::!lリ;;r゛
`Z;i 〈.,_..,. ノ;;;;;;;;> そんなふうに考えていた時期が
,;ぇハ、 、_,.ー-、_',. ,ｆ゛: Y;;f. 俺にもありました
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｛;;;;;;ゝ T辷iフ i f'辷jァ !i;;;;; >>166
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,;ぇハ、 、_,.ー-、_',. ,ｆ゛: Y;;f. 俺にもありました
~''戈ヽ ｀二´ r'´:::. `!
,j;;;;;j,. ---一、 ｀ ―--‐、_ l;;;;;;
｛;;;;;;ゝ T辷iフ i f'辷jァ !i;;;;; >>166
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,;ぇハ、 、_,.ー-、_',. ,ｆ゛: Y;;f. 俺にもありました
~''戈ヽ ｀二´ r'´:::. `!
,j;;;;;j,. ---一、 ｀ ―--‐、_ l;;;;;;
｛;;;;;;ゝ T辷iフ i f'辷jァ !i;;;;; >>166
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,;ぇハ、 、_,.ー-、_',. ,ｆ゛: Y;;f. 俺にもありました
~''戈ヽ ｀二´ r'´:::. `!
195
名無しのエリー ｜ 2008/04/13 00:39 ｜ ID:KXJ2Gl/S0
49 Name: 名無しのエリー [sage] Posted: 2008/02/23 (Sat) 17:41:22 ID:gmgjFf3N0
Please stop trolling.
50 Name: 名無しのエリー [sage] Posted: 2008/02/23 (Sat) 19:42:03 ID:7OPecADy0
>49
Use the NG registration. If that doesn’t work, report it.
51 Name: 名無しのエリー [sage] Posted: 2008/02/23 (Sat) 21:22:02 ID:4lo2q1kPO
Man, the thread suddenly got deserted.
52 Name: 名無しのエリー [sage] Posted: 2008/02/23 (Sat) 23:59:21 ID:oRaurflU0
There’s this creepy otaku bashing Gane like crazy on Voting Channel. Could it be this guy?
53 Name: 名無しのエリー [sage] Posted: 2008/02/24 (Sun) 01:37:58 ID:P+EkDrynO
This might be worth reporting. It doesn’t bother me since I’m on a phone, but I wonder if everyone else has stopped reading because of the trolling.
54 Name: 名無しのエリー [sage] Posted: 2008/02/24 (Sun) 09:08:58 ID:ByUAh8Hx0
>9
They haven’t changed genres drastically, but it’s nice how the arrangements and songs change with each release.
I just hope this album doesn’t end up leaving only a refreshing image.
Even with bright songs, Gane’s strength is that they feel covered by a thin veil.
55 Name: 名無しのエリー [sage] Posted: 2008/02/24 (Sun) 12:27:03 ID:6zlg71JKO
Most artists change their atmosphere with each release, not just Gane.
196
名無しのエリー ｜ 2008/04/13 02:20 ｜ ID:KXJ2Gl/S0
>>ゆりっぺ
| |
| | ／⌒ヽ -＿_
| | （´▽｀ ） ─_＿___ ___
|∧ 从ﾉ (ミ_ (⌒＼ヽ _ __＿
（`ω（≡￣￣三＼⌒ノ ノ ) アヒャヒャヒャ・・・
|(つWつ ￣￣＼ ⌒彡) ﾉ ＝＿
| ＼つ つ ＼,_＿_,ノノ
| | ) / ／ ≡＝
| | / ノ __________
| | /ノ ＿─ (´⌒(´
| | ﾐ/＝ (´⌒(´⌒;;
| ''''""'''"'''"""''"""'''''"'"''''
197
名無しのエリー ｜ 2008/04/13 11:50 ｜ ID:OLc8n57k0
For something called “Evergreen,” this album really does seem aimed straight at the general audience, with a whole set of fresh, bright-colored songs.
If you’re going to describe it as fresh and bright, I wish they’d included something with a bossa nova flavor like “Itsuka Mata...”.
I wanted some variation even within the fresh, bright sound.
198
名無しのエリー ｜ 2008/04/13 16:52 ｜ ID:XHLzIFgnO
As if they could ever aim for the general audience.
199
名無しのエリー ｜ 2008/04/13 21:26 ｜ ID:PVN0+q0n0
I don’t want them making music with motives like targeting a demographic, targeting their identity, or deliberately surprising people in a good way.
Even if that’s unavoidable because they’re professionals.
Though GIZA is in an even worse state than that.
By the way, is DEEN selling well now that they’ve left Being?
200
名無しのエリー ｜ 2008/04/13 21:41 ｜ ID:Zp5wZyu7O
Artists probably go through periods like that if they keep going for a long time, including the company’s intentions, and become relatively easy to understand.
It’s hard to experiment while thinking about what makes you distinctive. Besides, what “distinctive” means can differ from what listeners think.
201
名無しのエリー ｜ 2008/04/13 21:44 ｜ ID:Zp5wZyu7O
I saw DEEN debut around 25th with a new song featuring Kotaro Oshio, so maybe they’re selling around 4,000 copies.
Considering their peak years, they’re doing pretty well.
202
名無しのエリー ｜ 2008/04/14 19:35 ｜ ID:D3ySTdoo0
>197
Agreed. Just putting out a “refreshing” image would be boring.
“Itsuka Mata Aimashou” is good, though. The clubby tones and bassline, and the arrangement riding a bossa nova rhythm, feel great.
203
名無しのエリー ｜ 2008/04/14 19:49 ｜ ID:m4ahZagZ0
I post quite a bit, but ID:ccgzsBXI0 never quotes me at all.
Use my posts!!
Also, here’s a redirect for #2:
【High School Baseball】The Chiben Wakayama battery kisses on the mound... a “good-luck charm” that saves them from a pinch (images included) ★2
http://mamono.2ch.net/test/read.cgi/newsplus/1206890235/
>348
I went there, but apparently the topic was something about police academy, so I wasn’t wanted, lol.
351 Name: 名無しのエリー [sage] Posted: 2008/03/31 (Mon) 03:09:57 ID:eE1VjelzO
I’m thinking of borrowing a Björk album, since Yurippe says she respects her. Is the recommended one in the template still the best choice?
352 Name: 名無しのエリー [sage] Posted: 2008/03/31 (Mon) 11:42:02 ID:AGTPAm890
I think “Debut” is the easiest album to listen to, but if you want her unique fantastical atmosphere, it’s probably the one in the template.
It gave me a deep feeling like “Mizu no Nai...,” as if sinking to the bottom of the sea.
It’s a very natural, expressive album.
Albums really change genre and atmosphere from one to the next, so it’s hard to explain all of them.
204
名無しのエリー ｜ 2008/04/14 19:53 ｜ ID:m4ahZagZ0
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205
名無しのエリー ｜ 2008/04/14 20:12 ｜ ID:m4ahZagZ0
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206
名無しのエリー ｜ 2008/04/14 20:15 ｜ ID:m4ahZagZ0
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ヨ鐘諸薩讒蠢欟厂 ベ状抃 傭蠶蠶髏厂 .ヨ繍蠶蠶臥べ泣澁価価櫑蠶蠶蠶蠶蠶蠶蠶
�f罐諸醴蠶蠶歎 マシ‥…ヲ冖 .∴瀦醴蠶襲�j�J鶴門門攤蠶蠶蠶蠶蠶蠶蠶蠶
加罐讒蠶蠶欟厂 ヘ ∴�f醴醴蠶甑欄鬮°�f蠢蠶蠶蠶蠶蠶蠶蠶蠶蠶
溷霾醴蠶蠶勸 ∴ヨ繍醴蠶蠶鬮狡圷し醴蠶蠶蠶蠶蠶蠶蠶蠶蠶蠶
醴蠶蠶蠶蠶髟 ベ湖醴醴蠶蠶蠶庇⊇⊇��體髏髏蠶蠶蠶蠶蠶蠶蠶
蠶蠶蠶蠶欟 �f繍蠶蠶蠶蠶蠶曲三三巛憫髏蠶蠶蠶蠶蠶蠶蠶蠶
蠶蠶蠶蠶歉 澁畄＿迢艪蠶蠶蠶蠶蠶蠶甜川⊇川川衍捫軆髏髏蠶蠶蠶蠶
蠶蠶蠶蠶髟 コ醴蠶奴繍蠶蠶蠶蠶蠶蠶蠶齡辷シジ⊇川介堀醴醴蠶蠶蠶蠶
蠶蠶蠶鬮か .ベ苛ザベ繍蠶蠶蠶蠶蠶蠶蠶醯己に⊇三介�f繙醴蠶蠶蠶蠶
蠶蠶髏鬮シ 尽慵蠶蠶蠶蠶蠶蠶蠶自辷三沿滋鐘醴蠶蠶蠶蠶蠶
蠶蠶醴勸 氾隅髏蠶蠶蠶蠶蠶靦鉱琺雄躍蠶蠶蠶蠶蠶蠶
蠶蠶醴訃 ∴∴∴沿滋溷醴髏蠶髏髏韲譴躇醴蠶蠶蠶蠶蠶蠶
蠶蠶蠶髟 ＿山辷ム�f蠡舐鑓躍醯罎體體體驩讎櫑蠶蠶蠶蠶蠶蠶蠶
蠶蠶蠶�a �f躍蠶蠶�J蠶蠶蠶蠶蠶蠶蠶醯註珀雄醴醴蠶蠶蠶蠶蠶蠶
蠶蠶蠶廴 �f醴蠶欟閇憊體醴蠶蠶蠶蠶蠶蠶靦錐讒醴蠶蠶蠶蠶
蠶蠶欟シ 禰蠶蠶蠢螽螽�f醴蠶蠶蠶蠶蠶蠶蠶躍蠶蠶蠶蠶蠶蠶 麟麟麟
蠶蠶監シ ∵ヴ門夢曠髏蠶蠶蠶蠶蠶蠶蠶蠶蠶蠶蠶蠶蠶蠶蠶蠶 麟麟麟
摺醴����霾醴髏蠶蠶鸛躔か ベ∃壮鎧醴蠶蠶蠶蠶蠶蠶蠶蠶蠶蠶蠶蠶
勺儲靄靄醴醴醴蠶體酌�偵A�u�r�u山∴ ベヨ迢鋸
207
名無しのエリー ｜ 2008/04/14 20:56 ｜ ID:m4ahZagZ0
摺醴����霾醴髏蠶蠶鸛躔か ベ∃壮鎧醴蠶蠶蠶蠶蠶蠶蠶蠶蠶蠶蠶蠶
勺儲靄靄醴醴醴蠶體酌�偵A�u�r�u山∴ ベヨ迢鋸醴蠶蠶蠶蠶蠶蠶蠶蠶蠶蠶蠶蠶
∃儲霾�ｦ露繍蠶髏騾臥猶鬱�h ご笵此∴ ∃�f謳廱躔騾蔑薺薺體髏蠶蠶蠶蠶蠶蠶
ヨ儲諸隴躇醴蠶歎勺尓俎赴 �f蠶蠶蠢レ ∴�f醴蠶鬪扠川ジ⊇氾衒鑵醴蠶蠶蠶蠶蠶
ヨ鐘諸薩讒蠢欟厂 ベ状抃 傭蠶蠶髏厂 .ヨ繍蠶蠶臥べ泣澁価価櫑蠶蠶蠶蠶蠶蠶蠶
�f罐諸醴蠶蠶歎 マシ‥…ヲ冖 .∴瀦醴蠶襲�j�J鶴門門攤蠶蠶蠶蠶蠶蠶蠶蠶
加罐讒蠶蠶欟厂 ヘ ∴�f醴醴蠶甑欄鬮°�f蠢蠶蠶蠶蠶蠶蠶蠶蠶蠶
溷霾醴蠶蠶勸 ∴ヨ繍醴蠶蠶鬮狡圷し醴蠶蠶蠶蠶蠶蠶蠶蠶蠶蠶
醴蠶蠶蠶蠶髟 ベ湖醴醴蠶蠶蠶庇⊇⊇��體髏髏蠶蠶蠶蠶蠶蠶蠶
蠶蠶蠶蠶欟 �f繍蠶蠶蠶蠶蠶曲三三巛憫髏蠶蠶蠶蠶蠶蠶蠶蠶
蠶蠶蠶蠶歉 澁畄＿迢艪蠶蠶蠶蠶蠶蠶甜川⊇川川衍捫軆髏髏蠶蠶蠶蠶
蠶蠶蠶蠶髟 コ醴蠶奴繍蠶蠶蠶蠶蠶蠶蠶齡辷シジ⊇川介堀醴醴蠶蠶蠶蠶
蠶蠶蠶鬮か .ベ苛ザベ繍蠶蠶蠶蠶蠶蠶蠶醯己に⊇三介�f繙醴蠶蠶蠶蠶
蠶蠶髏鬮シ 尽慵蠶蠶蠶蠶蠶蠶蠶自辷三沿滋鐘醴蠶蠶蠶蠶蠶
蠶蠶醴勸 氾隅髏蠶蠶蠶蠶蠶靦鉱琺雄躍蠶蠶蠶蠶蠶蠶
蠶蠶醴訃 ∴∴∴沿滋溷醴髏蠶髏髏韲譴躇醴蠶蠶蠶蠶蠶蠶
蠶蠶蠶髟 ＿山辷ム�f蠡舐鑓躍醯罎體體體驩讎櫑蠶蠶蠶蠶蠶蠶蠶
蠶蠶蠶�a �f躍蠶蠶�J蠶蠶蠶蠶蠶蠶蠶醯註珀雄醴醴蠶蠶蠶蠶蠶蠶
蠶蠶蠶廴 �f醴蠶欟閇憊體醴蠶蠶蠶蠶蠶蠶靦錐讒醴蠶蠶蠶蠶
蠶蠶欟シ 禰蠶蠶蠢螽螽�f醴蠶蠶蠶蠶蠶蠶蠶躍蠶蠶蠶蠶蠶蠶 麟麟麟
蠶蠶監シ ∵ヴ門夢曠髏蠶蠶蠶蠶蠶蠶蠶蠶蠶蠶蠶蠶蠶蠶蠶蠶 麟麟麟
摺醴����霾醴髏蠶蠶鸛躔か ベ∃壮鎧醴蠶蠶蠶蠶蠶蠶蠶蠶蠶蠶蠶蠶
勺儲靄靄醴醴醴蠶體酌�偵A�u�r�u山∴ ベヨ迢鋸
208
名無しのエリー ｜ 2008/04/14 21:35 ｜ ID:m4ahZagZ0
148 Name: 名無しさん＠お腹いっぱい。[sage] Posted: 2008/01/09 (Wed) 07:00:31 ID:wu3vxjesO
>135
What’s that? Boring.
That singing style is gross.
149 Name: 名無しさん＠お腹いっぱい。[] Posted: 2008/01/09 (Wed) 16:17:46 ID:qLER13380
The official top page is amazing.
I wonder if the PC version changed too?
150 Name: 名無しさん＠お腹いっぱい。[] Posted: 2008/01/09 (Wed) 16:32:38 ID:qzE7Vox+O
I want to marry Yurippe.
151 Name: 名無しさん＠お腹いっぱい。[] Posted: 2008/01/09 (Wed) 16:53:18 ID:WGZFwwcLO
I want her to do a Baikinman impression and say “Haa-hee-hoo-heh-hoo.”
152 Name: 名無しさん＠お腹いっぱい。[sage] Posted: 2008/01/09 (Wed) 22:11:18 ID:ryHQs09M0
Her speaking voice is low and powerful too.
209
名無しのエリー ｜ 2008/04/14 22:37 ｜ ID:m4ahZagZ0
148 名前：名無しさん＠お腹いっぱい。[sage] 投稿日：2008/01/09(水) 07:00:31 ID:wu3vxjesO
>>135
なにそれつまらん
気持ち悪い歌い方
149 名前：名無しさん＠お腹いっぱい。[] 投稿日：2008/01/09(水) 16:17:46 ID:qLER13380
オフィTOPすげぇ
PCも変わってんのかな？
150 名前：名無しさん＠お腹いっぱい。[] 投稿日：2008/01/09(水) 16:32:38 ID:qzE7Vox+O
ゆりっぺと結婚したい
151 名前：名無しさん＠お腹いっぱい。[] 投稿日：2008/01/09(水) 16:53:18 ID:WGZFwwcLO
バイキンマンのモノマネしては〜ひふへほ〜って言ってほしい。
152 名前：名無しさん＠お腹いっぱい。[sage] 投稿日：2008/01/09(水) 22:11:18 ID:ryHQs09M0
しゃべる声も低音で迫力あるね。
210
名無しのエリー ｜ 2008/04/14 23:40 ｜ ID:m4ahZagZ0
／ ⌒ヽ
／ ＼
,.-‐''⌒ヽ ,.=､ ヽー､
,〃／∠彡ﾆ＼ （.fゃ） | j
/ ﾐ彡三ﾍ｀=´ | ｜
/ ﾐ彡三∧ j ./
ﾄ ｬ''" ミ彡三∧. /／
」i _;''＿, ミ彡'ﾆﾐﾍ､ 〃
ﾘ ´￣ ﾘ´ ｆ'｀ij }/「i|
ヽ- '´/ｿ'川||
ヽ一 「彡'川ll.|||
T ＿ ／ ´ ｊ||.川||
｀￣了､ i! 川.川|
_｣. ＼ | j| 川|ﾄ､
_／￣ ＼ ＼ '_／./川 ｀
￣ ｀ ￣ ´
ネゴトワ・ネティエ［Negtva Netie］
（ルーマニア．１９３５〜５４）
211
名無しのエリー ｜ 2008/04/15 01:20 ｜ ID:x7JOWj2uO
The Ninnaji live is going to be great. Yurippe’s voice was in good shape, and the string arrangement was nice too.
I hope they don’t cut the MC.
212
名無しのエリー ｜ 2008/04/15 17:36 ｜ ID:ZdCZ9xBu0
Yurippe is best in unplugged live shows.
Goodbye to Oga and Ohashi, lol.
213
名無しのエリー ｜ 2008/04/15 21:32 ｜ ID:7w7uynxh0
186 Name: Track No.774 [sage] Posted: 2007/10/15 (Mon) 17:26:35
GARNET CROW sitting seiza-style in a group, watching Detective Conan.
Even though they’re sitting on a sofa.
187 Name: Track No.774 [sage] Posted: 2007/10/15 (Mon) 19:21:27
Nana makes Yurippe sit on her lap.
188 Name: Track No.774 [] Posted: 2007/10/16 (Tue) 02:07:13
While listening to Conan’s new ending, Yurippe eats snacks and reflects with Nana: “The detour was better!”
189 Name: Track No.774 [sage] Posted: 2007/10/16 (Tue) 02:09:24
Yurippe forgets to watch Conan because she’s too absorbed in the Climax Series.
190 Name: Track No.774 [] Posted: 2007/10/16 (Tue) 12:12:38
Yurippe with huge breasts.
191 Name: Track No.774 [sage] Posted: 2007/10/16 (Tue) 17:29:14
Yurippe says, “I’m incredibly busy. I practice so much I even do thumbing in the bath.”
192 Name: Track No.774 [sage] Posted: 2007/10/17 (Wed) 07:44:24
>190
(･∀･) ｲ ﾔ ﾀﾞ!
Yurippe is only Yurippe if she’s tiny-chested.
If she isn’t tiny-chested, she isn’t Yurippe.
193 Name: Track No.774 [sage] Posted: 2007/10/17 (Wed) 12:28:09
Yurippe can only get people to see value in her because she’s flat-chested.
214
名無しのエリー ｜ 2008/04/15 21:36 ｜ ID:7w7uynxh0
|┃
|┃三 ,ｨ, (fー--─‐- ､、
|┃. ,ｲ/〃 ヾ= 、
|┃ N ｛ ＼ 本日のひとこと
|┃ ﾄ.l ヽ l
ｶﾞﾗｯ.|┃ ､ゝ丶 ,..ｨ从 |
|┃ ＼`.、_ _,. _彡'ﾉﾘ__,.ゝ、 | ／￣￣￣￣￣￣￣￣￣￣￣￣￣￣
|┃三 ｀ゞf‐＞ｎ;ﾊ二r^ｧｎj＜ y=ﾚヽ ＜ 今日、ゆりっぺに中出ししてくるぞ！
|┃. |fjl、 ｀￣ﾘj＾ヾ) ￣´ ﾉ ﾚ ﾘ | ゆりっぺにはナマ中出し以外はありえん！
|┃三 ヾl.`ｰ- べｌ,- ｀ ｰ-‐' ,ン ＼＿＿＿＿＿＿＿＿＿＿＿＿＿
|┃ l r─‐-､ /:|
|┃三 ﾄ､ ｀二¨´ ,.ｲ |
|┃ _亅::ヽ、 .／ i :ﾄ､
|┃ -‐''｢ F′:: `:ー '´ ,.' ﾌ ＞ｰ､ >>ゴッドハンド古井ゴールドフィンガー
|┃ ﾄ､ヾ;､..__ , '_,.／ ／l
|┃
|┃三 ,ｨ, (fー--─‐- ､、
|┃. ,ｲ/〃 ヾ= 、
|┃ N ｛ ＼ 本日のひとこと
|┃ ﾄ.l ヽ l
ｶﾞﾗｯ.|┃ ､ゝ丶 ,..ｨ从 |
|┃ ＼`.、_ _,. _彡'ﾉﾘ__,.ゝ、 | ／￣￣￣￣￣￣￣￣￣￣￣￣￣￣
|┃三 ｀ゞf‐＞ｎ;ﾊ二r^ｧｎj＜ y=ﾚヽ ＜ 今日、ゆっりぺに中出ししてくるぞ！
|┃. |fjl、 ｀￣ﾘj＾ヾ) ￣´ ﾉ ﾚ ﾘ | ゆりっぺにはナマ中出し以外はありえん！
|┃三 ヾl.`ｰ- べｌ,- ｀ ｰ-‐' ,ン ＼＿＿＿＿＿＿＿＿＿＿＿＿＿
|┃ l r─‐-､ /:|
|┃三 ﾄ､ ｀二¨´ ,.ｲ |
|┃ _亅::ヽ、 .／ i :ﾄ､
|┃ -‐''｢ F′:: `:ー '´ ,.' ﾌ ＞ｰ､ >>ゴッドハンド古井ゴールドフィンガー
|┃ ﾄ､ヾ;､..__ , '_,.／ ／l
215
名無しのエリー ｜ 2008/04/15 21:40 ｜ ID:7w7uynxh0
195 Name: Track No.774 [sage] Posted: 2007/10/17 (Wed) 15:30:24
During the endless Spiral:
“Are you up for singing one more time!?”
“Are you ready to go crazy!?”
“Let me hear you!”
“Yeeeeeeeeah!!”
Yurippe raises her fist and screams.
196 Name: Track No.774 [sage] Posted: 2007/10/17 (Wed) 20:03:15
Yurippe: “Okay, oppappi!”
197 Name: Track No.774 [sage] Posted: 2007/10/17 (Wed) 20:47:34
>196
Yurippe plans to make Mochi do it at the temple live.
198 Name: Track No.774 [] Posted: 2007/10/17 (Wed) 23:09:09
Her special move is “Yurippe faaarttttttttttttt!!!!!!!!!!!!”
199 Name: Track No.774 [sage] Posted: 2007/10/18 (Thu) 00:28:23
When the crowd yells “Stinks!”, Yurippe cluelessly says, “The world revolves around me.”
216
名無しのエリー ｜ 2008/04/15 21:53 ｜ ID:7w7uynxh0
195 Name: Track No.774 [sage] Posted: 2007/10/17 (Wed) 15:30:24
During the endless Spiral:
“Are you up for singing one more time!?”
“Are you ready to go crazy!?”
“Let me hear you!”
“Yeeeeeeeeah!!”
Yurippe raises her fist and screams.
196 Name: Track No.774 [sage] Posted: 2007/10/17 (Wed) 20:03:15
Yurippe: “Okay, oppappi!”
197 Name: Track No.774 [sage] Posted: 2007/10/17 (Wed) 20:47:34
>196
Yurippe plans to make Mochi do it at the temple live.
198 Name: Track No.774 [] Posted: 2007/10/17 (Wed) 23:09:09
Her special move is “Yurippe faaarttttttttttttt!!!!!!!!!!!!”
199 Name: Track No.774 [sage] Posted: 2007/10/18 (Thu) 00:28:23
When the crowd yells “Stinks!”, Yurippe cluelessly says, “The world revolves around me.”
217
名無しのエリー ｜ 2008/04/15 22:08 ｜ ID:7w7uynxh0
195 Name: Track No.774 [sage] Posted: 2007/10/17 (Wed) 15:30:24
During the endless Spiral:
“Are you up for singing one more time!?”
“Are you ready to go crazy!?”
“Let me hear you!”
“Yeeeeeeeeah!!”
Yurippe raises her fist and screams.
196 Name: Track No.774 [sage] Posted: 2007/10/17 (Wed) 20:03:15
Yurippe: “Okay, oppappi!”
197 Name: Track No.774 [sage] Posted: 2007/10/17 (Wed) 20:47:34
>196
Yurippe plans to make Mochi do it at the temple live.
198 Name: Track No.774 [] Posted: 2007/10/17 (Wed) 23:09:09
Her special move is “Yurippe faaarttttttttttttt!!!!!!!!!!!!”
199 Name: Track No.774 [sage] Posted: 2007/10/18 (Thu) 00:28:23
When the crowd yells “Stinks!”, Yurippe cluelessly says, “The world revolves around me.”
218
名無しのエリー ｜ 2008/04/15 22:22 ｜ ID:7w7uynxh0
195 Name: Track No.774 [sage] Posted: 2007/10/17 (Wed) 15:30:24
During the endless Spiral:
“Are you up for singing one more time!?”
“Are you ready to go crazy!?”
“Let me hear you!”
“Yeeeeeeeeah!!”
Yurippe raises her fist and screams.
196 Name: Track No.774 [sage] Posted: 2007/10/17 (Wed) 20:03:15
Yurippe: “Okay, oppappi!”
197 Name: Track No.774 [sage] Posted: 2007/10/17 (Wed) 20:47:34
>196
Yurippe plans to make Mochi do it at the temple live.
198 Name: Track No.774 [] Posted: 2007/10/17 (Wed) 23:09:09
Her special move is “Yurippe faaarttttttttttttt!!!!!!!!!!!!”
199 Name: Track No.774 [sage] Posted: 2007/10/18 (Thu) 00:28:23
When the crowd yells “Stinks!”, Yurippe cluelessly says, “The world revolves around me.”
219
名無しのエリー ｜ 2008/04/15 22:28 ｜ ID:7w7uynxh0
202 Name: Track No.774 [sage] Posted: 2007/10/18 (Thu) 07:55:45
Hikky Yurippe, who thought she could never get along with outdoorsy Nana.
203 Name: Track No.774 [sage] Posted: 2007/10/18 (Thu) 08:36:49
Yurippe accidentally says “fuck-you” instead of “thank-you” at the end of “Like I Can Only Fall in Love.”
204 Name: Track No.774 [sage] Posted: 2007/10/18 (Thu) 23:05:32
Yurippe meant to put a 10-yen coin in the Ninnaji offering box, but accidentally put in a 100-yen coin and got depressed.
205 Name: Track No.774 [sage] Posted: 2007/10/19 (Fri) 09:38:14
Ossan is secretly a playboy.
206 Name: Track No.774 [sage] Posted: 2007/10/19 (Fri) 10:04:42
Ossan secretly has a daughter who’s entering high school this year.
207 Name: Track No.774 [sage] Posted: 2007/10/19 (Fri) 11:33:18
Ossan is secretly dating a high school girl.
208 Name: Track No.774 [sage] Posted: 2007/10/19 (Fri) 12:59:40
Ossan was secretly Saeka Uura’s dad.
209 Name: Track No.774 [sage] Posted: 2007/10/19 (Fri) 14:10:41
Ossan was secretly Nagato’s mistress.
210 Name: Track No.774 [sage] Posted: 2007/10/19 (Fri) 15:15:59
What is Ossan’s cat called...?
211 Name: Track No.774 [sage] Posted: 2007/10/19 (Fri) 15:19:54
Nana is secretly a ruthless investor who controls the Tokyo foreign-exchange market.
220
名無しのエリー ｜ 2008/04/15 22:56 ｜ ID:7w7uynxh0
202 Name: Track No.774 [sage] Posted: 2007/10/18 (Thu) 07:55:45
Hikky Yurippe, who thought she could never get along with outdoorsy Nana.
203 Name: Track No.774 [sage] Posted: 2007/10/18 (Thu) 08:36:49
Yurippe accidentally says “fuck-you” instead of “thank-you” at the end of “Like I Can Only Fall in Love.”
204 Name: Track No.774 [sage] Posted: 2007/10/18 (Thu) 23:05:32
Yurippe meant to put a 10-yen coin in the Ninnaji offering box, but accidentally put in a 100-yen coin and got depressed.
205 Name: Track No.774 [sage] Posted: 2007/10/19 (Fri) 09:38:14
Ossan is secretly a playboy.
206 Name: Track No.774 [sage] Posted: 2007/10/19 (Fri) 10:04:42
Ossan secretly has a daughter who’s entering high school this year.
207 Name: Track No.774 [sage] Posted: 2007/10/19 (Fri) 11:33:18
Ossan is secretly dating a high school girl.
208 Name: Track No.774 [sage] Posted: 2007/10/19 (Fri) 12:59:40
Ossan was secretly Saeka Uura’s dad.
209 Name: Track No.774 [sage] Posted: 2007/10/19 (Fri) 14:10:41
Ossan was secretly Nagato’s mistress.
210 Name: Track No.774 [sage] Posted: 2007/10/19 (Fri) 15:15:59
What is Ossan’s cat called...?
211 Name: Track No.774 [sage] Posted: 2007/10/19 (Fri) 15:19:54
Nana is secretly a ruthless investor who controls the Tokyo foreign-exchange market.
221
名無しのエリー ｜ 2008/04/16 00:41 ｜ ID:A2Aq13VF0
202 Name: Track No.774 [sage] Posted: 2007/10/18 (Thu) 07:55:45
Hikky Yurippe, who thought she could never get along with outdoorsy Nana.
203 Name: Track No.774 [sage] Posted: 2007/10/18 (Thu) 08:36:49
Yurippe accidentally says “fuck-you” instead of “thank-you” at the end of “Like I Can Only Fall in Love.”
204 Name: Track No.774 [sage] Posted: 2007/10/18 (Thu) 23:05:32
Yurippe meant to put a 10-yen coin in the Ninnaji offering box, but accidentally put in a 100-yen coin and got depressed.
205 Name: Track No.774 [sage] Posted: 2007/10/19 (Fri) 09:38:14
Ossan is secretly a playboy.
206 Name: Track No.774 [sage] Posted: 2007/10/19 (Fri) 10:04:42
Ossan secretly has a daughter who’s entering high school this year.
207 Name: Track No.774 [sage] Posted: 2007/10/19 (Fri) 11:33:18
Ossan is secretly dating a high school girl.
208 Name: Track No.774 [sage] Posted: 2007/10/19 (Fri) 12:59:40
Ossan was secretly Saeka Uura’s dad.
209 Name: Track No.774 [sage] Posted: 2007/10/19 (Fri) 14:10:41
Ossan was secretly Nagato’s mistress.
210 Name: Track No.774 [sage] Posted: 2007/10/19 (Fri) 15:15:59
What is Ossan’s cat called...?
211 Name: Track No.774 [sage] Posted: 2007/10/19 (Fri) 15:19:54
Nana is secretly a ruthless investor who controls the Tokyo foreign-exchange market.
222
名無しのエリー ｜ 2008/04/16 01:41 ｜ ID:A2Aq13VF0
202 Name: Track No.774 [sage] Posted: 2007/10/18 (Thu) 07:55:45
Hikky Yurippe, who thought she could never get along with outdoorsy Nana.
203 Name: Track No.774 [sage] Posted: 2007/10/18 (Thu) 08:36:49
Yurippe accidentally says “fuck-you” instead of “thank-you” at the end of “Like I Can Only Fall in Love.”
204 Name: Track No.774 [sage] Posted: 2007/10/18 (Thu) 23:05:32
Yurippe meant to put a 10-yen coin in the Ninnaji offering box, but accidentally put in a 100-yen coin and got depressed.
205 Name: Track No.774 [sage] Posted: 2007/10/19 (Fri) 09:38:14
Ossan is secretly a playboy.
206 Name: Track No.774 [sage] Posted: 2007/10/19 (Fri) 10:04:42
Ossan secretly has a daughter who’s entering high school this year.
207 Name: Track No.774 [sage] Posted: 2007/10/19 (Fri) 11:33:18
Ossan is secretly dating a high school girl.
208 Name: Track No.774 [sage] Posted: 2007/10/19 (Fri) 12:59:40
Ossan was secretly Saeka Uura’s dad.
209 Name: Track No.774 [sage] Posted: 2007/10/19 (Fri) 14:10:41
Ossan was secretly Nagato’s mistress.
210 Name: Track No.774 [sage] Posted: 2007/10/19 (Fri) 15:15:59
What is Ossan’s cat called...?
211 Name: Track No.774 [sage] Posted: 2007/10/19 (Fri) 15:19:54
Nana is secretly a ruthless investor who controls the Tokyo foreign-exchange market.
223
名無しのエリー ｜ 2008/04/16 01:43 ｜ ID:A2Aq13VF0
202 Name: Track No.774 [sage] Posted: 2007/10/18 (Thu) 07:55:45
Hikky Yurippe, who thought she could never get along with outdoorsy Nana.
203 Name: Track No.774 [sage] Posted: 2007/10/18 (Thu) 08:36:49
Yurippe accidentally says “fuck-you” instead of “thank-you” at the end of “Like I Can Only Fall in Love.”
204 Name: Track No.774 [sage] Posted: 2007/10/18 (Thu) 23:05:32
Yurippe meant to put a 10-yen coin in the Ninnaji offering box, but accidentally put in a 100-yen coin and got depressed.
205 Name: Track No.774 [sage] Posted: 2007/10/19 (Fri) 09:38:14
Ossan is secretly a playboy.
206 Name: Track No.774 [sage] Posted: 2007/10/19 (Fri) 10:04:42
Ossan secretly has a daughter who’s entering high school this year.
207 Name: Track No.774 [sage] Posted: 2007/10/19 (Fri) 11:33:18
Ossan is secretly dating a high school girl.
208 Name: Track No.774 [sage] Posted: 2007/10/19 (Fri) 12:59:40
Ossan was secretly Saeka Uura’s dad.
209 Name: Track No.774 [sage] Posted: 2007/10/19 (Fri) 14:10:41
Ossan was secretly Nagato’s mistress.
210 Name: Track No.774 [sage] Posted: 2007/10/19 (Fri) 15:15:59
What is Ossan’s cat called...?
211 Name: Track No.774 [sage] Posted: 2007/10/19 (Fri) 15:19:54
Nana is secretly a ruthless investor who controls the Tokyo foreign-exchange market.
224
名無しのエリー ｜ 2008/04/16 02:10 ｜ ID:Xug+t3HF0
What is this thread?! What on earth happened?
225
名無しのエリー ｜ 2008/04/16 12:37 ｜ ID:MLagWQR6O
>224
It’s been getting trolled nonstop, so just ignore it with aboon and chat as if nothing’s happening.
It hits the capacity limit quickly, so when you can’t post anymore, look for the next thread; if there isn’t one, you’re free to start it. Lately it’s been hitting the limit after only around 300 replies, so watch out.
If the trolling really bothers you, go to the evacuation thread on the Japanese music lounge board.
Beginners are welcome in both threads!
226
名無しのエリー ｜ 2008/04/16 20:22 ｜ ID:kxgveLXu0
There are tons of my replies among the pasted posts.
Nostalgic...
Could it really be the same person...?
227
名無しのエリー ｜ 2008/04/16 20:37 ｜ ID:HikVc5W/O
What an idiot this troll is. They’re still manually trolling bit by bit. How unemployed are you, dude?
228
名無しのエリー ｜ 2008/04/16 22:47 ｜ ID:zSHnlIcu0
>226
You can tell by looking at the troll’s IDs. There aren’t many people with that much free time, so it’s obviously the same person.
Still, it’s such a low-key troll—quietly filling the thread by quoting and copy-pasting.
229
名無しのエリー ｜ 2008/04/18 01:33 ｜ ID:5Goefj9M0
,j;;;;;j,. ---一、 ｀ ―--‐、_ l;;;;;;
｛;;;;;;ゝ T辷iフ i f'辷jァ !i;;;;; >>166
ヾ;;;ハ ノ .::!lリ;;r゛
`Z;i 〈.,_..,. ノ;;;;;;;;> そんなふうに考えていた時期が
,;ぇハ、 、_,.ー-、_',. ,ｆ゛: Y;;f. 俺にもありました
~''戈ヽ ｀二´ r'´:::. `!
,j;;;;;j,. ---一、 ｀ ―--‐、_ l;;;;;;
｛;;;;;;ゝ T辷iフ i f'辷jァ !i;;;;; >>166
ヾ;;;ハ ノ .::!lリ;;r゛
`Z;i 〈.,_..,. ノ;;;;;;;;> そんなふうに考えていた時期が
,;ぇハ、 、_,.ー-、_',. ,ｆ゛: Y;;f. 俺にもありました
~''戈ヽ ｀二´ r'´:::. `!
,j;;;;;j,. ---一、 ｀ ―--‐、_ l;;;;;;
｛;;;;;;ゝ T辷iフ i f'辷jァ !i;;;;; >>166
ヾ;;;ハ ノ .::!lリ;;r゛
`Z;i 〈.,_..,. ノ;;;;;;;;> そんなふうに考えていた時期が
,;ぇハ、 、_,.ー-、_',. ,ｆ゛: Y;;f. 俺にもありました
~''戈ヽ ｀二´ r'´:::. `!
,j;;;;;j,. ---一、 ｀ ―--‐、_ l;;;;;;
｛;;;;;;ゝ T辷iフ i f'辷jァ !i;;;;; >>166
ヾ;;;ハ ノ .::!lリ;;r゛
`Z;i 〈.,_..,. ノ;;;;;;;;> そんなふうに考えていた時期が
,;ぇハ、 、_,.ー-、_',. ,ｆ゛: Y;;f. 俺にもありました
~''戈ヽ ｀二´ r'´:::. `!
,j;;;;;j,. ---一、 ｀ ―--‐、_ l;;;;;;
｛;;;;;;ゝ T辷iフ i f'辷jァ !i;;;;; >>166
ヾ;;;ハ ノ .::!lリ;;r゛
`Z;i 〈.,_..,. ノ;;;;;;;;> そんなふうに考えていた時期が
,;ぇハ、 、_,.ー-、_',. ,ｆ゛: Y;;f. 俺にもありました
~''戈ヽ ｀二´ r'´:::. `!
230
名無しのエリー ｜ 2008/04/18 01:37 ｜ ID:5Goefj9M0
50 Name: 名無しさん＠お腹いっぱい。[sage] Posted: 2008/02/27 (Wed) 22:59:59 ID:/sptszAoO
>48
I won’t buy Ueki’s songs because the arrangements are bad.
Is the guy in sunglasses busy?
51 Name: 名無しさん＠お腹いっぱい。[sage] Posted: 2008/02/27 (Wed) 23:00:09 ID:KNk/V8860
Help >>42, Yuri-ota...
52 Name: 名無しさん＠お腹いっぱい。[sage] Posted: 2008/02/27 (Wed) 23:07:28 ID:aAb6/FG+0
You’re thinking about making members-only content, but you’re talking about breaking up? What an idiot, lol.
53 Name: 名無しさん＠お腹いっぱい。[sage] Posted: 2008/02/27 (Wed) 23:12:02 ID:0G4/E4OG0
As long as people overreact to breakup talk, Gane is safe.
54 Name: ゆりオタ ◆YURIjsVbsQ [sage] Posted: 2008/02/27 (Wed) 23:20:45 ID:l5isgzbrO
You guys are pretty cool, lol.
55 Name: 綺襲ｷﾀﾜｧ（n‘∀‘)ηﾟ･*:たん [sage] Posted: 2008/02/27 (Wed) 23:30:03 ID:OWgg3ZOkO
>50
Ueki’s arrangements are by Okamochi, lol.
56 Name: 名無しさん＠お腹いっぱい。[] Posted: 2008/02/27 (Wed) 23:35:33 ID:67+9kPAe0
CD sales were totally different in the Judy and Mary era compared with now, though...
57 Name: 名無しさん＠お腹いっぱい。[sage] Posted: 2008/02/27 (Wed) 23:38:07 ID:KNk/V8860
Whatever, let’s drop it.
58 Name: もちオタ ■ZGcOhU1m0 [sage] Posted: 2008/02/27 (Wed) 23:39:37 ID:+N8lOiJJ0
You called? (・ω・`)/
59 Name: もちオタ ■ZGcOhU1m0 [sage] Posted: 2008/02/27 (Wed) 23:40:50 ID:+N8lOiJJ0
231
名無しのエリー ｜ 2008/04/18 01:55 ｜ ID:5Goefj9M0
50 Name: 名無しさん＠お腹いっぱい。[sage] Posted: 2008/02/27 (Wed) 22:59:59 ID:/sptszAoO
>48
I won’t buy Ueki’s songs because the arrangements are bad.
Is the guy in sunglasses busy?
51 Name: 名無しさん＠お腹いっぱい。[sage] Posted: 2008/02/27 (Wed) 23:00:09 ID:KNk/V8860
Help >>42, Yuri-ota...
52 Name: 名無しさん＠お腹いっぱい。[sage] Posted: 2008/02/27 (Wed) 23:07:28 ID:aAb6/FG+0
You’re thinking about making members-only content, but you’re talking about breaking up? What an idiot, lol.
53 Name: 名無しさん＠お腹いっぱい。[sage] Posted: 2008/02/27 (Wed) 23:12:02 ID:0G4/E4OG0
As long as people overreact to breakup talk, Gane is safe.
54 Name: ゆりオタ ◆YURIjsVbsQ [sage] Posted: 2008/02/27 (Wed) 23:20:45 ID:l5isgzbrO
You guys are pretty cool, lol.
55 Name: 綺襲ｷﾀﾜｧ（n‘∀‘)ηﾟ･*:たん [sage] Posted: 2008/02/27 (Wed) 23:30:03 ID:OWgg3ZOkO
>50
Ueki’s arrangements are by Okamochi, lol.
56 Name: 名無しさん＠お腹いっぱい。[] Posted: 2008/02/27 (Wed) 23:35:33 ID:67+9kPAe0
CD sales were totally different in the Judy and Mary era compared with now, though...
57 Name: 名無しさん＠お腹いっぱい。[sage] Posted: 2008/02/27 (Wed) 23:38:07 ID:KNk/V8860
Whatever, let’s drop it.
58 Name: もちオタ ■ZGcOhU1m0 [sage] Posted: 2008/02/27 (Wed) 23:39:37 ID:+N8lOiJJ0
You called? (・ω・`)/
59 Name: もちオタ ■ZGcOhU1m0 [sage] Posted: 2008/02/27 (Wed) 23:40:50 ID:+N8lOiJJ0
232
名無しのエリー ｜ 2008/04/18 02:06 ｜ ID:5Goefj9M0
50 Name: 名無しさん＠お腹いっぱい。[sage] Posted: 2008/02/27 (Wed) 22:59:59 ID:/sptszAoO
>48
I won’t buy Ueki’s songs because the arrangements are bad.
Is the guy in sunglasses busy?
51 Name: 名無しさん＠お腹いっぱい。[sage] Posted: 2008/02/27 (Wed) 23:00:09 ID:KNk/V8860
Help >>42, Yuri-ota...
52 Name: 名無しさん＠お腹いっぱい。[sage] Posted: 2008/02/27 (Wed) 23:07:28 ID:aAb6/FG+0
You’re thinking about making members-only content, but you’re talking about breaking up? What an idiot, lol.
53 Name: 名無しさん＠お腹いっぱい。[sage] Posted: 2008/02/27 (Wed) 23:12:02 ID:0G4/E4OG0
As long as people overreact to breakup talk, Gane is safe.
54 Name: ゆりオタ ◆YURIjsVbsQ [sage] Posted: 2008/02/27 (Wed) 23:20:45 ID:l5isgzbrO
You guys are pretty cool, lol.
55 Name: 綺襲ｷﾀﾜｧ（n‘∀‘)ηﾟ･*:たん [sage] Posted: 2008/02/27 (Wed) 23:30:03 ID:OWgg3ZOkO
>50
Ueki’s arrangements are by Okamochi, lol.
56 Name: 名無しさん＠お腹いっぱい。[] Posted: 2008/02/27 (Wed) 23:35:33 ID:67+9kPAe0
CD sales were totally different in the Judy and Mary era compared with now, though...
57 Name: 名無しさん＠お腹いっぱい。[sage] Posted: 2008/02/27 (Wed) 23:38:07 ID:KNk/V8860
Whatever, let’s drop it.
58 Name: もちオタ ■ZGcOhU1m0 [sage] Posted: 2008/02/27 (Wed) 23:39:37 ID:+N8lOiJJ0
You called? (・ω・`)/
59 Name: もちオタ ■ZGcOhU1m0 [sage] Posted: 2008/02/27 (Wed) 23:40:50 ID:+N8lOiJJ0
233
名無しのエリー ｜ 2008/04/18 02:12 ｜ ID:5Goefj9M0
50 Name: 名無しさん＠お腹いっぱい。[sage] Posted: 2008/02/27 (Wed) 22:59:59 ID:/sptszAoO
>48
I won’t buy Ueki’s songs because the arrangements are bad.
Is the guy in sunglasses busy?
51 Name: 名無しさん＠お腹いっぱい。[sage] Posted: 2008/02/27 (Wed) 23:00:09 ID:KNk/V8860
Help >>42, Yuri-ota...
52 Name: 名無しさん＠お腹いっぱい。[sage] Posted: 2008/02/27 (Wed) 23:07:28 ID:aAb6/FG+0
You’re thinking about making members-only content, but you’re talking about breaking up? What an idiot, lol.
53 Name: 名無しさん＠お腹いっぱい。[sage] Posted: 2008/02/27 (Wed) 23:12:02 ID:0G4/E4OG0
As long as people overreact to breakup talk, Gane is safe.
54 Name: ゆりオタ ◆YURIjsVbsQ [sage] Posted: 2008/02/27 (Wed) 23:20:45 ID:l5isgzbrO
You guys are pretty cool, lol.
55 Name: 綺襲ｷﾀﾜｧ（n‘∀‘)ηﾟ･*:たん [sage] Posted: 2008/02/27 (Wed) 23:30:03 ID:OWgg3ZOkO
>50
Ueki’s arrangements are by Okamochi, lol.
56 Name: 名無しさん＠お腹いっぱい。[] Posted: 2008/02/27 (Wed) 23:35:33 ID:67+9kPAe0
CD sales were totally different in the Judy and Mary era compared with now, though...
57 Name: 名無しさん＠お腹いっぱい。[sage] Posted: 2008/02/27 (Wed) 23:38:07 ID:KNk/V8860
Whatever, let’s drop it.
58 Name: もちオタ ■ZGcOhU1m0 [sage] Posted: 2008/02/27 (Wed) 23:39:37 ID:+N8lOiJJ0
You called? (・ω・`)/
59 Name: もちオタ ■ZGcOhU1m0 [sage] Posted: 2008/02/27 (Wed) 23:40:50 ID:+N8lOiJJ0
234
名無しのエリー ｜ 2008/04/18 02:22 ｜ ID:F0m+1HB70
5Goefj9M0
Can we stop doing that now?
235
名無しのエリー ｜ 2008/04/18 15:58 ｜ ID:OvDGSo/iO
>234
Agreed. You should stop because it’s so low-key. Otherwise people will think you’re low-key too.
Learn some scripts and become a flashy troll; until then, stay away because you’re too boring.
236
名無しのエリー ｜ 2008/04/18 18:54 ｜ ID:i4KhJZQk0
Apparently trolls can’t post on the Japanese music groups board, lol.
237
名無しのエリー ｜ 2008/04/18 19:07 ｜ ID:9bQlWEC0O
Script-based capacity flooding is easier to get banned for, though (´･ω･｀)
The current troll seems tired, but it feels like they missed the timing to disappear. It’s become a habit, so they can’t stop even if they want to.
238
名無しのエリー ｜ 2008/04/18 22:15 ｜ ID:wjAJUqpD0
Poor troll (´･ω･｀)
239
名無しのエリー ｜ 2008/04/18 22:26 ｜ ID:/ycAXqTm0
They’ve lost a huge amount of power.
And they keep starting new threads, lol.
240
名無しのエリー ｜ 2008/04/19 00:21 ｜ ID:chvOBrLG0
,j;;;;;j,. ---一、 ｀ ―--‐、_ l;;;;;;
｛;;;;;;ゝ T辷iフ i f'辷jァ !i;;;;; >>166
ヾ;;;ハ ノ .::!lリ;;r゛
`Z;i 〈.,_..,. ノ;;;;;;;;> そんなふうに考えていた時期が
,;ぇハ、 、_,.ー-、_',. ,ｆ゛: Y;;f. 俺にもありました
~''戈ヽ ｀二´ r'´:::. `!
241
名無しのエリー ｜ 2008/04/19 00:22 ｜ ID:chvOBrLG0
摺醴����霾醴髏蠶蠶鸛躔か ベ∃壮鎧醴蠶蠶蠶蠶蠶蠶蠶蠶蠶蠶蠶蠶
勺儲靄靄醴醴醴蠶體酌�偵A�u�r�u山∴ ベヨ迢鋸醴蠶蠶蠶蠶蠶蠶蠶蠶蠶蠶蠶蠶
∃儲霾�ｦ露繍蠶髏騾臥猶鬱�h ご笵此∴ ∃�f謳廱躔騾蔑薺薺體髏蠶蠶蠶蠶蠶蠶
ヨ儲諸隴躇醴蠶歎勺尓俎赴 �f蠶蠶蠢レ ∴�f醴蠶鬪扠川ジ⊇氾衒鑵醴蠶蠶蠶蠶蠶
ヨ鐘諸薩讒蠢欟厂 ベ状抃 傭蠶蠶髏厂 .ヨ繍蠶蠶臥べ泣澁価価櫑蠶蠶蠶蠶蠶蠶蠶
�f罐諸醴蠶蠶歎 マシ‥…ヲ冖 .∴瀦醴蠶襲�j�J鶴門門攤蠶蠶蠶蠶蠶蠶蠶蠶
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醴蠶蠶蠶蠶髟 ベ湖醴醴蠶蠶蠶庇⊇⊇��體髏髏蠶蠶蠶蠶蠶蠶蠶
蠶蠶蠶蠶欟 �f繍蠶蠶蠶蠶蠶曲三三巛憫髏蠶蠶蠶蠶蠶蠶蠶蠶
蠶蠶蠶蠶歉 澁畄＿迢艪蠶蠶蠶蠶蠶蠶甜川⊇川川衍捫軆髏髏蠶蠶蠶蠶
蠶蠶蠶蠶髟 コ醴蠶奴繍蠶蠶蠶蠶蠶蠶蠶齡辷シジ⊇川介堀醴醴蠶蠶蠶蠶
蠶蠶蠶鬮か .ベ苛ザベ繍蠶蠶蠶蠶蠶蠶蠶醯己に⊇三介�f繙醴蠶蠶蠶蠶
蠶蠶髏鬮シ 尽慵蠶蠶蠶蠶蠶蠶蠶自辷三沿滋鐘醴蠶蠶蠶蠶蠶
蠶蠶醴勸 氾隅髏蠶蠶蠶蠶蠶靦鉱琺雄躍蠶蠶蠶蠶蠶蠶
蠶蠶醴訃 ∴∴∴沿滋溷醴髏蠶髏髏韲譴躇醴蠶蠶蠶蠶蠶蠶
蠶蠶蠶髟 ＿山辷ム�f蠡舐鑓躍醯罎體體體驩讎櫑蠶蠶蠶蠶蠶蠶蠶
蠶蠶蠶�a �f躍蠶蠶�J蠶蠶蠶蠶蠶蠶蠶醯註珀雄醴醴蠶蠶蠶蠶蠶蠶
蠶蠶蠶廴 �f醴蠶欟閇憊體醴蠶蠶蠶蠶蠶蠶靦錐讒醴蠶蠶蠶蠶
蠶蠶欟シ 禰蠶蠶蠢螽螽�f醴蠶蠶蠶蠶蠶蠶蠶躍蠶蠶蠶蠶蠶蠶 麟麟麟
蠶蠶監シ ∵ヴ門夢曠髏蠶蠶蠶蠶蠶蠶蠶蠶蠶蠶蠶蠶蠶蠶蠶蠶 麟麟麟
242
名無しのエリー ｜ 2008/04/19 00:23 ｜ ID:chvOBrLG0
707 Name: 名無しのエリー[sage] 2008/02/17 19:23:15 ID:TY5CISnz0
The troll must be some shitty fan of Mr. Children, L'Arc-en-Ciel, or B'z (lol).
Seriously, go die.
708 Name: 名無しのエリー[sage] 2008/02/17 19:35:37 ID:xTq0iB0uO
>702
Carutani really is a well-balanced hire in terms of character, aura, and drumming ability. His interactions with Mochi would be interesting, lol.
Why didn’t they have drums and bass when they formed? If they were going to split up production work that much, they could’ve assembled a rhythm section.
Being adding a live band to Saegusa’s backing band... what even is Being...?
709 Name: 名無しのエリー[sage] 2008/02/17 19:39:31 ID:xTq0iB0uO
I can’t imagine Gane CROW with a drummer……
710 Name: 名無しのエリー[sage] 2008/02/17 19:48:27 ID:TY5CISnz0
>707
You’re overrating Gane CROW way too much, lol.
243
名無しのエリー ｜ 2008/04/19 00:24 ｜ ID:chvOBrLG0
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丶､::::::::,: - ''"´ ﾘ;;:`ｰll! ｀''==ヲ' l:.:^''==彡'" ,!ﾘﾉ / ﾞｰ､ ,r 'ﾞヽ /,/:;:
ﾆ> ｀^´ (三ｼ ム;;;;;;;;lll ` '' " l:.:.:` '' " ,i;;l´ ,:' :~: } //
244
名無しのエリー ｜ 2008/04/19 00:26 ｜ ID:chvOBrLG0
72 名前：名無しのエリー[] 投稿日：2008/02/24(日) 14:38:01 ID:37YGeEC60
>1>1>1>1>1>1>1>1>1>1>1>1>1>1>1>1>1>1>1>1
73 名前：名無しのエリー[] 投稿日：2008/02/24(日) 15:34:13 ID:37YGeEC60
>1>1>1>1>1>1>1>1>1>1>1>1>1>1>1>1>1>1>1>1
74 名前：名無しのエリー[] 投稿日：2008/02/24(日) 15:38:15 ID:37YGeEC60
>1>1>1>1>1>1>1>1>1>1>1>1>1>1>1>1>1>1>1>1
75 名前：名無しのエリー[] 投稿日：2008/02/24(日) 15:47:41 ID:37YGeEC60
>1>1>1>1>1>1>1>1>1>1>1>1>1>1>1>1>1>1>1>1
76 名前：名無しのエリー[] 投稿日：2008/02/24(日) 15:51:16 ID:37YGeEC60
>1>1>1>1>1>1>1>1>1>1>1>1>1>1>1>1>1>1>1>1
77 名前：名無しのエリー[sage] 投稿日：2008/02/24(日) 15:53:56 ID:ByUAh8Hx0
>>55
245
名無しのエリー ｜ 2008/04/19 00:28 ｜ ID:chvOBrLG0
72 名前：名無しのエリー[] 投稿日：2008/02/24(日) 14:38:01 ID:37YGeEC60
>1>1>1>1>1>1>1>1>1>1>1>1>1>1>1>1>1>1>1>1
73 名前：名無しのエリー[] 投稿日：2008/02/24(日) 15:34:13 ID:37YGeEC60
>1>1>1>1>1>1>1>1>1>1>1>1>1>1>1>1>1>1>1>1
74 名前：名無しのエリー[] 投稿日：2008/02/24(日) 15:38:15 ID:37YGeEC60
>1>1>1>1>1>1>1>1>1>1>1>1>1>1>1>1>1>1>1>1
75 名前：名無しのエリー[] 投稿日：2008/02/24(日) 15:47:41 ID:37YGeEC60
>1>1>1>1>1>1>1>1>1>1>1>1>1>1>1>1>1>1>1>1
76 名前：名無しのエリー[] 投稿日：2008/02/24(日) 15:51:16 ID:37YGeEC60
>1>1>1>1>1>1>1>1>1>1>1>1>1>1>1>1>1>1>1>1
75 名前：名無しのエリー[] 投稿日：2008/02/24(日) 15:47:41 ID:37YGeEC60
>1>1>1>1>1>1>1>1>1>1>1>1>1>1>1>1>1>1>1>1
76 名前：名無しのエリー[] 投稿日：2008/02/24(日) 15:51:16 ID:37YGeEC60
>1>1>1>1>1>1>1>1>1>1>1>1>1>1>1>1>1>1>1>1
75 名前：名無しのエリー[] 投稿日：2008/02/24(日) 15:47:41 ID:37YGeEC60
>1>1>1>1>1>1>1>1>1>1>1>1>1>1>1>1>1>1>1>1
76 名前：名無しのエリー[] 投稿日：2008/02/24(日) 15:51:16 ID:37YGeEC60
>1>1>1>1>1>1>1>1>1>1>1>1>1>1>1>1>1>1>1>1
75 名前：名無しのエリー[] 投稿日：2008/02/24(日) 15:47:41 ID:37YGeEC60
>1>1>1>1>1>1>1>1>1>1>1>1>1>1>1>1>1>1>1>1
76 名前：名無しのエリー[] 投稿日：2008/02/24(日) 15:51:16 ID:37YGeEC60
>1>1>1>1>1>1>1>1>1>1>1>1>1>1>1>1>1>1>1>1
246
名無しのエリー ｜ 2008/04/19 00:30 ｜ ID:chvOBrLG0
72 名前：名無しのエリー[] 投稿日：2008/02/24(日) 14:38:01 ID:37YGeEC60
>1>1>1>1>1>1>1>1>1>1>1>1>1>1>1>1>1>1>1>1
73 名前：名無しのエリー[] 投稿日：2008/02/24(日) 15:34:13 ID:37YGeEC60
>1>1>1>1>1>1>1>1>1>1>1>1>1>1>1>1>1>1>1>1
74 名前：名無しのエリー[] 投稿日：2008/02/24(日) 15:38:15 ID:37YGeEC60
>1>1>1>1>1>1>1>1>1>1>1>1>1>1>1>1>1>1>1>1
75 名前：名無しのエリー[] 投稿日：2008/02/24(日) 15:47:41 ID:37YGeEC60
>1>1>1>1>1>1>1>1>1>1>1>1>1>1>1>1>1>1>1>1
76 名前：名無しのエリー[] 投稿日：2008/02/24(日) 15:51:16 ID:37YGeEC60
>1>1>1>1>1>1>1>1>1>1>1>1>1>1>1>1>1>1>1>1
75 名前：名無しのエリー[] 投稿日：2008/02/24(日) 15:47:41 ID:37YGeEC60
>1>1>1>1>1>1>1>1>1>1>1>1>1>1>1>1>1>1>1>1
76 名前：名無しのエリー[] 投稿日：2008/02/24(日) 15:51:16 ID:37YGeEC60
>1>1>1>1>1>1>1>1>1>1>1>1>1>1>1>1>1>1>1>1
75 名前：名無しのエリー[] 投稿日：2008/02/24(日) 15:47:41 ID:37YGeEC60
>1>1>1>1>1>1>1>1>1>1>1>1>1>1>1>1>1>1>1>1
76 名前：名無しのエリー[] 投稿日：2008/02/24(日) 15:51:16 ID:37YGeEC60
>1>1>1>1>1>1>1>1>1>1>1>1>1>1>1>1>1>1>1>1
75 名前：名無しのエリー[] 投稿日：2008/02/24(日) 15:47:41 ID:37YGeEC60
>1>1>1>1>1>1>1>1>1>1>1>1>1>1>1>1>1>1>1>1
76 名前：名無しのエリー[] 投稿日：2008/02/24(日) 15:51:16 ID:37YGeEC60
>1>1>1>1>1>1>1>1>1>1>1>1>1>1>1>1>1>1>1>1
247
名無しのエリー ｜ 2008/04/19 00:36 ｜ ID:chvOBrLG0
350 Name: 名無しのエリー[sage] 2008/02/15(金) 23:16:20 ID:ccgzsBXI0
I post quite a bit, but ID:ccgzsBXI0 never quotes me. Use my posts!!
Also, here’s a redirect for #2:
[High School Baseball] Chiben Wakayama battery kissing on the mound... a “good-luck charm” that saves them from a pinch (images included) ★2
http://mamono.2ch.net/test/read.cgi/newsplus/1206890235/
>348
I went there, but apparently the topic was something about police academy, so I wasn’t wanted, lol.
351 Name: 名無しのエリー[sage] 2008/02/16(土) 00:41:07 ID:???
I’m thinking of borrowing a Björk album...
352 Name: 名無しのエリー[sage] 2008/02/16(土) 00:46:39 ID:???
“Debut” is probably the easiest one to get into.
248
名無しのエリー ｜ 2008/04/19 00:46 ｜ ID:chvOBrLG0
62 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 00:57 ID:u1Y/XNAUO
16 days until Furui leaves.
63 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 01:00 ID:???
Wait, is this really the main thread?
64 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 01:07 ID:???
Is this trash thread with a subtitle that looks troll-created really the new thread? This >>1 is the guy who previously added pointless “god” stuff when starting a thread, right?
65 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 01:11 ID:???
Please bury this shitty thread already lol. I wanted to chat before the album came out.
66 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 01:15 ID:???
Started one.
GARNET CROW part.187
http://music8.2ch.net/test/read.cgi/musicjg/1204137067/
67 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 01:17 ID:???
Great, but the troll hijacked the lead.
68 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 01:21 ID:???
69 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 01:22 ID:???
>64
70 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 01:29 ID:???
Anyway, let’s all ignore thread titles we don’t like and start over.
>69
It’s not about whether we like it or not. Can’t you see the thread title itself is forbidden?
249
名無しのエリー ｜ 2008/04/19 00:46 ｜ ID:chvOBrLG0
62 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 00:57 ID:u1Y/XNAUO
16 days until Furui leaves.
63 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 01:00 ID:???
Wait, is this really the main thread?
64 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 01:07 ID:???
Is this trash thread with a subtitle that looks troll-created really the new thread? This >>1 is the guy who previously added pointless “god” stuff when starting a thread, right?
65 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 01:11 ID:???
Please bury this shitty thread already lol. I wanted to chat before the album came out.
66 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 01:15 ID:???
Started one.
GARNET CROW part.187
http://music8.2ch.net/test/read.cgi/musicjg/1204137067/
67 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 01:17 ID:???
Great, but the troll hijacked the lead.
68 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 01:21 ID:???
69 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 01:22 ID:???
>64
70 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 01:29 ID:???
Anyway, let’s all ignore thread titles we don’t like and start over.
>69
It’s not about whether we like it or not. Can’t you see the thread title itself is forbidden?
250
名無しのエリー ｜ 2008/04/19 00:46 ｜ ID:chvOBrLG0
62 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 00:57 ID:u1Y/XNAUO
16 days until Furui leaves.
63 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 01:00 ID:???
Wait, is this really the main thread?
64 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 01:07 ID:???
Is this trash thread with a subtitle that looks troll-created really the new thread? This >>1 is the guy who previously added pointless “god” stuff when starting a thread, right?
65 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 01:11 ID:???
Please bury this shitty thread already lol. I wanted to chat before the album came out.
66 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 01:15 ID:???
Started one.
GARNET CROW part.187
http://music8.2ch.net/test/read.cgi/musicjg/1204137067/
67 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 01:17 ID:???
Great, but the troll hijacked the lead.
68 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 01:21 ID:???
69 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 01:22 ID:???
>64
70 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 01:29 ID:???
Anyway, let’s all ignore thread titles we don’t like and start over.
>69
It’s not about whether we like it or not. Can’t you see the thread title itself is forbidden?
251
名無しのエリー ｜ 2008/04/19 00:46 ｜ ID:chvOBrLG0
62 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 00:57 ID:u1Y/XNAUO
16 days until Furui leaves.
63 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 01:00 ID:???
Wait, is this really the main thread?
64 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 01:07 ID:???
Is this trash thread with a subtitle that looks troll-created really the new thread? This >>1 is the guy who previously added pointless “god” stuff when starting a thread, right?
65 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 01:11 ID:???
Please bury this shitty thread already lol. I wanted to chat before the album came out.
66 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 01:15 ID:???
Started one.
GARNET CROW part.187
http://music8.2ch.net/test/read.cgi/musicjg/1204137067/
67 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 01:17 ID:???
Great, but the troll hijacked the lead.
68 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 01:21 ID:???
69 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 01:22 ID:???
>64
70 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 01:29 ID:???
Anyway, let’s all ignore thread titles we don’t like and start over.
>69
It’s not about whether we like it or not. Can’t you see the thread title itself is forbidden?
252
名無しのエリー ｜ 2008/04/19 00:46 ｜ ID:chvOBrLG0
62 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 00:57 ID:u1Y/XNAUO
16 days until Furui leaves.
63 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 01:00 ID:???
Wait, is this really the main thread?
64 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 01:07 ID:???
Is this trash thread with a subtitle that looks troll-created really the new thread? This >>1 is the guy who previously added pointless “god” stuff when starting a thread, right?
65 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 01:11 ID:???
Please bury this shitty thread already lol. I wanted to chat before the album came out.
66 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 01:15 ID:???
Started one.
GARNET CROW part.187
http://music8.2ch.net/test/read.cgi/musicjg/1204137067/
67 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 01:17 ID:???
Great, but the troll hijacked the lead.
68 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 01:21 ID:???
69 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 01:22 ID:???
>64
70 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 01:29 ID:???
Anyway, let’s all ignore thread titles we don’t like and start over.
>69
It’s not about whether we like it or not. Can’t you see the thread title itself is forbidden?
253
名無しのエリー ｜ 2008/04/19 00:46 ｜ ID:chvOBrLG0
62 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 00:57 ID:u1Y/XNAUO
16 days until Furui leaves.
63 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 01:00 ID:???
Wait, is this really the main thread?
64 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 01:07 ID:???
Is this trash thread with a subtitle that looks troll-created really the new thread? This >>1 is the guy who previously added pointless “god” stuff when starting a thread, right?
65 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 01:11 ID:???
Please bury this shitty thread already lol. I wanted to chat before the album came out.
66 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 01:15 ID:???
Started one.
GARNET CROW part.187
http://music8.2ch.net/test/read.cgi/musicjg/1204137067/
67 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 01:17 ID:???
Great, but the troll hijacked the lead.
68 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 01:21 ID:???
69 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 01:22 ID:???
>64
70 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 01:29 ID:???
Anyway, let’s all ignore thread titles we don’t like and start over.
>69
It’s not about whether we like it or not. Can’t you see the thread title itself is forbidden?
254
名無しのエリー ｜ 2008/04/19 00:46 ｜ ID:chvOBrLG0
62 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 00:57 ID:u1Y/XNAUO
16 days until Furui leaves.
63 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 01:00 ID:???
Wait, is this really the main thread?
64 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 01:07 ID:???
Is this trash thread with a subtitle that looks troll-created really the new thread? This >>1 is the guy who previously added pointless “god” stuff when starting a thread, right?
65 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 01:11 ID:???
Please bury this shitty thread already lol. I wanted to chat before the album came out.
66 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 01:15 ID:???
Started one.
GARNET CROW part.187
http://music8.2ch.net/test/read.cgi/musicjg/1204137067/
67 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 01:17 ID:???
Great, but the troll hijacked the lead.
68 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 01:21 ID:???
69 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 01:22 ID:???
>64
70 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 01:29 ID:???
Anyway, let’s all ignore thread titles we don’t like and start over.
>69
It’s not about whether we like it or not. Can’t you see the thread title itself is forbidden?
255
名無しのエリー ｜ 2008/04/19 00:46 ｜ ID:chvOBrLG0
62 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 00:57 ID:u1Y/XNAUO
16 days until Furui leaves.
63 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 01:00 ID:???
Wait, is this really the main thread?
64 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 01:07 ID:???
Is this trash thread with a subtitle that looks troll-created really the new thread? This >>1 is the guy who previously added pointless “god” stuff when starting a thread, right?
65 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 01:11 ID:???
Please bury this shitty thread already lol. I wanted to chat before the album came out.
66 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 01:15 ID:???
Started one.
GARNET CROW part.187
http://music8.2ch.net/test/read.cgi/musicjg/1204137067/
67 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 01:17 ID:???
Great, but the troll hijacked the lead.
68 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 01:21 ID:???
69 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 01:22 ID:???
>64
70 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 01:29 ID:???
Anyway, let’s all ignore thread titles we don’t like and start over.
>69
It’s not about whether we like it or not. Can’t you see the thread title itself is forbidden?
256
名無しのエリー ｜ 2008/04/19 16:32 ｜ ID:chvOBrLG0
615 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 18:16 ID:???
Yurippe with Okamocchi falling out of the cupboard.
616 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 18:19 ID:???
Yurippe singing “Touch a marimo and it’s Lake Akan,” currently a huge hit in Hokkaido!
http://www.zureko.com/works/exsmusic/exrs2002marimo.mp3
617 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 18:21 ID:???
Yurippe and Mochi make their first Kouhaku appearance at ZARD tribute live.
618 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 18:24 ID:???
Did you mean Ossan and Mochi?
Yurippe and Nana eat mandarins under the kotatsu.
619 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 18:27 ID:???
Yurippe -> chorus
Mochi -> guitar or maybe bass?
Nana -> provides songs
Already appeared at the Budokan tribute live.
620 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 18:30 ID:???
Yuri and Nana reminisce about their trip to Okinawa while watching the drama “A New Year’s Card from the Chura Sea” tonight at 9.
621 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 18:34 ID:???
>619
Ossan played keyboards and Yurippe appeared as a guest halfway through.
Only Ossan and Mochi should appear on Kouhaku.
Also, Nana didn’t provide the song.
257
名無しのエリー ｜ 2008/04/19 16:32 ｜ ID:chvOBrLG0
615 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 18:16 ID:???
Yurippe with Okamocchi falling out of the cupboard.
616 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 18:19 ID:???
Yurippe singing “Touch a marimo and it’s Lake Akan,” currently a huge hit in Hokkaido!
http://www.zureko.com/works/exsmusic/exrs2002marimo.mp3
617 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 18:21 ID:???
Yurippe and Mochi make their first Kouhaku appearance at ZARD tribute live.
618 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 18:24 ID:???
Did you mean Ossan and Mochi?
Yurippe and Nana eat mandarins under the kotatsu.
619 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 18:27 ID:???
Yurippe -> chorus
Mochi -> guitar or maybe bass?
Nana -> provides songs
Already appeared at the Budokan tribute live.
620 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 18:30 ID:???
Yuri and Nana reminisce about their trip to Okinawa while watching the drama “A New Year’s Card from the Chura Sea” tonight at 9.
621 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 18:34 ID:???
>619
Ossan played keyboards and Yurippe appeared as a guest halfway through.
Only Ossan and Mochi should appear on Kouhaku.
Also, Nana didn’t provide the song.
258
名無しのエリー ｜ 2008/04/19 16:32 ｜ ID:chvOBrLG0
615 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 18:16 ID:???
Yurippe with Okamocchi falling out of the cupboard.
616 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 18:19 ID:???
Yurippe singing “Touch a marimo and it’s Lake Akan,” currently a huge hit in Hokkaido!
http://www.zureko.com/works/exsmusic/exrs2002marimo.mp3
617 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 18:21 ID:???
Yurippe and Mochi make their first Kouhaku appearance at ZARD tribute live.
618 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 18:24 ID:???
Did you mean Ossan and Mochi?
Yurippe and Nana eat mandarins under the kotatsu.
619 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 18:27 ID:???
Yurippe -> chorus
Mochi -> guitar or maybe bass?
Nana -> provides songs
Already appeared at the Budokan tribute live.
620 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 18:30 ID:???
Yuri and Nana reminisce about their trip to Okinawa while watching the drama “A New Year’s Card from the Chura Sea” tonight at 9.
621 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 18:34 ID:???
>619
Ossan played keyboards and Yurippe appeared as a guest halfway through.
Only Ossan and Mochi should appear on Kouhaku.
Also, Nana didn’t provide the song.
259
名無しのエリー ｜ 2008/04/19 16:32 ｜ ID:chvOBrLG0
615 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 18:16 ID:???
Yurippe with Okamocchi falling out of the cupboard.
616 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 18:19 ID:???
Yurippe singing “Touch a marimo and it’s Lake Akan,” currently a huge hit in Hokkaido!
http://www.zureko.com/works/exsmusic/exrs2002marimo.mp3
617 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 18:21 ID:???
Yurippe and Mochi make their first Kouhaku appearance at ZARD tribute live.
618 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 18:24 ID:???
Did you mean Ossan and Mochi?
Yurippe and Nana eat mandarins under the kotatsu.
619 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 18:27 ID:???
Yurippe -> chorus
Mochi -> guitar or maybe bass?
Nana -> provides songs
Already appeared at the Budokan tribute live.
620 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 18:30 ID:???
Yuri and Nana reminisce about their trip to Okinawa while watching the drama “A New Year’s Card from the Chura Sea” tonight at 9.
621 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 18:34 ID:???
>619
Ossan played keyboards and Yurippe appeared as a guest halfway through.
Only Ossan and Mochi should appear on Kouhaku.
Also, Nana didn’t provide the song.
260
名無しのエリー ｜ 2008/04/19 16:32 ｜ ID:chvOBrLG0
615 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 18:16 ID:???
Yurippe with Okamocchi falling out of the cupboard.
616 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 18:19 ID:???
Yurippe singing “Touch a marimo and it’s Lake Akan,” currently a huge hit in Hokkaido!
http://www.zureko.com/works/exsmusic/exrs2002marimo.mp3
617 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 18:21 ID:???
Yurippe and Mochi make their first Kouhaku appearance at ZARD tribute live.
618 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 18:24 ID:???
Did you mean Ossan and Mochi?
Yurippe and Nana eat mandarins under the kotatsu.
619 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 18:27 ID:???
Yurippe -> chorus
Mochi -> guitar or maybe bass?
Nana -> provides songs
Already appeared at the Budokan tribute live.
620 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 18:30 ID:???
Yuri and Nana reminisce about their trip to Okinawa while watching the drama “A New Year’s Card from the Chura Sea” tonight at 9.
621 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 18:34 ID:???
>619
Ossan played keyboards and Yurippe appeared as a guest halfway through.
Only Ossan and Mochi should appear on Kouhaku.
Also, Nana didn’t provide the song.
261
名無しのエリー ｜ 2008/04/19 17:02 ｜ ID:chvOBrLG0
615 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 18:16 ID:???
Yurippe with Okamocchi falling out of the cupboard.
616 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 18:19 ID:???
Yurippe singing “Touch a marimo and it’s Lake Akan,” currently a huge hit in Hokkaido!
http://www.zureko.com/works/exsmusic/exrs2002marimo.mp3
617 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 18:21 ID:???
Yurippe and Mochi make their first Kouhaku appearance at ZARD tribute live.
618 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 18:24 ID:???
Did you mean Ossan and Mochi?
Yurippe and Nana eat mandarins under the kotatsu.
619 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 18:27 ID:???
Yurippe -> chorus
Mochi -> guitar or maybe bass?
Nana -> provides songs
Already appeared at the Budokan tribute live.
620 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 18:30 ID:???
Yuri and Nana reminisce about their trip to Okinawa while watching the drama “A New Year’s Card from the Chura Sea” tonight at 9.
621 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 18:34 ID:???
>619
Ossan played keyboards and Yurippe appeared as a guest halfway through.
Only Ossan and Mochi should appear on Kouhaku.
Also, Nana didn’t provide the song.
262
名無しのエリー ｜ 2008/04/19 17:05 ｜ ID:chvOBrLG0
615 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 18:16 ID:???
Yurippe with Okamocchi falling out of the cupboard.
616 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 18:19 ID:???
Yurippe singing “Touch a marimo and it’s Lake Akan,” currently a huge hit in Hokkaido!
http://www.zureko.com/works/exsmusic/exrs2002marimo.mp3
617 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 18:21 ID:???
Yurippe and Mochi make their first Kouhaku appearance at ZARD tribute live.
618 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 18:24 ID:???
Did you mean Ossan and Mochi?
Yurippe and Nana eat mandarins under the kotatsu.
619 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 18:27 ID:???
Yurippe -> chorus
Mochi -> guitar or maybe bass?
Nana -> provides songs
Already appeared at the Budokan tribute live.
620 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 18:30 ID:???
Yuri and Nana reminisce about their trip to Okinawa while watching the drama “A New Year’s Card from the Chura Sea” tonight at 9.
621 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 18:34 ID:???
>619
Ossan played keyboards and Yurippe appeared as a guest halfway through.
Only Ossan and Mochi should appear on Kouhaku.
Also, Nana didn’t provide the song.
263
名無しのエリー ｜ 2008/04/19 17:16 ｜ ID:chvOBrLG0
615 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 18:16 ID:???
Yurippe with Okamocchi falling out of the cupboard.
616 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 18:19 ID:???
Yurippe singing “Touch a marimo and it’s Lake Akan,” currently a huge hit in Hokkaido!
http://www.zureko.com/works/exsmusic/exrs2002marimo.mp3
617 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 18:21 ID:???
Yurippe and Mochi make their first Kouhaku appearance at ZARD tribute live.
618 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 18:24 ID:???
Did you mean Ossan and Mochi?
Yurippe and Nana eat mandarins under the kotatsu.
619 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 18:27 ID:???
Yurippe -> chorus
Mochi -> guitar or maybe bass?
Nana -> provides songs
Already appeared at the Budokan tribute live.
620 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 18:30 ID:???
Yuri and Nana reminisce about their trip to Okinawa while watching the drama “A New Year’s Card from the Chura Sea” tonight at 9.
621 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 18:34 ID:???
>619
Ossan played keyboards and Yurippe appeared as a guest halfway through.
Only Ossan and Mochi should appear on Kouhaku.
Also, Nana didn’t provide the song.
264
名無しのエリー ｜ 2008/04/19 17:25 ｜ ID:chvOBrLG0
615 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 18:16 ID:???
Yurippe with Okamocchi falling out of the cupboard.
616 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 18:19 ID:???
Yurippe singing “Touch a marimo and it’s Lake Akan,” currently a huge hit in Hokkaido!
http://www.zureko.com/works/exsmusic/exrs2002marimo.mp3
617 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 18:21 ID:???
Yurippe and Mochi make their first Kouhaku appearance at ZARD tribute live.
618 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 18:24 ID:???
Did you mean Ossan and Mochi?
Yurippe and Nana eat mandarins under the kotatsu.
619 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 18:27 ID:???
Yurippe -> chorus
Mochi -> guitar or maybe bass?
Nana -> provides songs
Already appeared at the Budokan tribute live.
620 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 18:30 ID:???
Yuri and Nana reminisce about their trip to Okinawa while watching the drama “A New Year’s Card from the Chura Sea” tonight at 9.
621 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 18:34 ID:???
>619
Ossan played keyboards and Yurippe appeared as a guest halfway through.
Only Ossan and Mochi should appear on Kouhaku.
Also, Nana didn’t provide the song.
265
名無しのエリー ｜ 2008/04/19 17:49 ｜ ID:chvOBrLG0
615 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 18:16 ID:???
Yurippe with Okamocchi falling out of the cupboard.
616 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 18:19 ID:???
Yurippe singing “Touch a marimo and it’s Lake Akan,” currently a huge hit in Hokkaido!
http://www.zureko.com/works/exsmusic/exrs2002marimo.mp3
617 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 18:21 ID:???
Yurippe and Mochi make their first Kouhaku appearance at ZARD tribute live.
618 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 18:24 ID:???
Did you mean Ossan and Mochi?
Yurippe and Nana eat mandarins under the kotatsu.
619 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 18:27 ID:???
Yurippe -> chorus
Mochi -> guitar or maybe bass?
Nana -> provides songs
Already appeared at the Budokan tribute live.
620 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 18:30 ID:???
Yuri and Nana reminisce about their trip to Okinawa while watching the drama “A New Year’s Card from the Chura Sea” tonight at 9.
621 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 18:34 ID:???
>619
Ossan played keyboards and Yurippe appeared as a guest halfway through.
Only Ossan and Mochi should appear on Kouhaku.
Also, Nana didn’t provide the song.
266
名無しのエリー ｜ 2008/04/19 17:52 ｜ ID:chvOBrLG0
615 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 18:16 ID:???
Yurippe with Okamocchi falling out of the cupboard.
616 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 18:19 ID:???
Yurippe singing “Touch a marimo and it’s Lake Akan,” currently a huge hit in Hokkaido!
http://www.zureko.com/works/exsmusic/exrs2002marimo.mp3
617 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 18:21 ID:???
Yurippe and Mochi make their first Kouhaku appearance at ZARD tribute live.
618 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 18:24 ID:???
Did you mean Ossan and Mochi?
Yurippe and Nana eat mandarins under the kotatsu.
619 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 18:27 ID:???
Yurippe -> chorus
Mochi -> guitar or maybe bass?
Nana -> provides songs
Already appeared at the Budokan tribute live.
620 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 18:30 ID:???
Yuri and Nana reminisce about their trip to Okinawa while watching the drama “A New Year’s Card from the Chura Sea” tonight at 9.
621 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 18:34 ID:???
>619
Ossan played keyboards and Yurippe appeared as a guest halfway through.
Only Ossan and Mochi should appear on Kouhaku.
Also, Nana didn’t provide the song.
267
名無しのエリー ｜ 2008/04/19 18:14 ｜ ID:chvOBrLG0
615 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 18:16 ID:???
Yurippe with Okamocchi falling out of the cupboard.
616 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 18:19 ID:???
Yurippe singing “Touch a marimo and it’s Lake Akan,” currently a huge hit in Hokkaido!
http://www.zureko.com/works/exsmusic/exrs2002marimo.mp3
617 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 18:21 ID:???
Yurippe and Mochi make their first Kouhaku appearance at ZARD tribute live.
618 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 18:24 ID:???
Did you mean Ossan and Mochi?
Yurippe and Nana eat mandarins under the kotatsu.
619 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 18:27 ID:???
Yurippe -> chorus
Mochi -> guitar or maybe bass?
Nana -> provides songs
Already appeared at the Budokan tribute live.
620 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 18:30 ID:???
Yuri and Nana reminisce about their trip to Okinawa while watching the drama “A New Year’s Card from the Chura Sea” tonight at 9.
621 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 18:34 ID:???
>619
Ossan played keyboards and Yurippe appeared as a guest halfway through.
Only Ossan and Mochi should appear on Kouhaku.
Also, Nana didn’t provide the song.
268
名無しのエリー ｜ 2008/04/19 18:31 ｜ ID:chvOBrLG0
615 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 18:16 ID:???
Yurippe with Okamocchi falling out of the cupboard.
616 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 18:19 ID:???
Yurippe singing “Touch a marimo and it’s Lake Akan,” currently a huge hit in Hokkaido!
http://www.zureko.com/works/exsmusic/exrs2002marimo.mp3
617 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 18:21 ID:???
Yurippe and Mochi make their first Kouhaku appearance at ZARD tribute live.
618 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 18:24 ID:???
Did you mean Ossan and Mochi?
Yurippe and Nana eat mandarins under the kotatsu.
619 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 18:27 ID:???
Yurippe -> chorus
Mochi -> guitar or maybe bass?
Nana -> provides songs
Already appeared at the Budokan tribute live.
620 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 18:30 ID:???
Yuri and Nana reminisce about their trip to Okinawa while watching the drama “A New Year’s Card from the Chura Sea” tonight at 9.
621 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 18:34 ID:???
>619
Ossan played keyboards and Yurippe appeared as a guest halfway through.
Only Ossan and Mochi should appear on Kouhaku.
Also, Nana didn’t provide the song.
269
名無しのエリー ｜ 2008/04/19 18:33 ｜ ID:chvOBrLG0
615 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 18:16 ID:???
Yurippe with Okamocchi falling out of the cupboard.
616 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 18:19 ID:???
Yurippe singing “Touch a marimo and it’s Lake Akan,” currently a huge hit in Hokkaido!
http://www.zureko.com/works/exsmusic/exrs2002marimo.mp3
617 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 18:21 ID:???
Yurippe and Mochi make their first Kouhaku appearance at ZARD tribute live.
618 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 18:24 ID:???
Did you mean Ossan and Mochi?
Yurippe and Nana eat mandarins under the kotatsu.
619 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 18:27 ID:???
Yurippe -> chorus
Mochi -> guitar or maybe bass?
Nana -> provides songs
Already appeared at the Budokan tribute live.
620 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 18:30 ID:???
Yuri and Nana reminisce about their trip to Okinawa while watching the drama “A New Year’s Card from the Chura Sea” tonight at 9.
621 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 18:34 ID:???
>619
Ossan played keyboards and Yurippe appeared as a guest halfway through.
Only Ossan and Mochi should appear on Kouhaku.
Also, Nana didn’t provide the song.
270
名無しのエリー ｜ 2008/04/19 19:31 ｜ ID:chvOBrLG0
615 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 18:16 ID:???
Yurippe with Okamocchi falling out of the cupboard.
616 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 18:19 ID:???
Yurippe singing “Touch a marimo and it’s Lake Akan,” currently a huge hit in Hokkaido!
http://www.zureko.com/works/exsmusic/exrs2002marimo.mp3
617 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 18:21 ID:???
Yurippe and Mochi make their first Kouhaku appearance at ZARD tribute live.
618 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 18:24 ID:???
Did you mean Ossan and Mochi?
Yurippe and Nana eat mandarins under the kotatsu.
619 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 18:27 ID:???
Yurippe -> chorus
Mochi -> guitar or maybe bass?
Nana -> provides songs
Already appeared at the Budokan tribute live.
620 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 18:30 ID:???
Yuri and Nana reminisce about their trip to Okinawa while watching the drama “A New Year’s Card from the Chura Sea” tonight at 9.
621 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 18:34 ID:???
>619
Ossan played keyboards and Yurippe appeared as a guest halfway through.
Only Ossan and Mochi should appear on Kouhaku.
Also, Nana didn’t provide the song.
271
名無しのエリー ｜ 2008/04/19 19:59 ｜ ID:chvOBrLG0
615 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 18:16 ID:???
Yurippe with Okamocchi falling out of the cupboard.
616 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 18:19 ID:???
Yurippe singing “Touch a marimo and it’s Lake Akan,” currently a huge hit in Hokkaido!
http://www.zureko.com/works/exsmusic/exrs2002marimo.mp3
617 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 18:21 ID:???
Yurippe and Mochi make their first Kouhaku appearance at ZARD tribute live.
618 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 18:24 ID:???
Did you mean Ossan and Mochi?
Yurippe and Nana eat mandarins under the kotatsu.
619 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 18:27 ID:???
Yurippe -> chorus
Mochi -> guitar or maybe bass?
Nana -> provides songs
Already appeared at the Budokan tribute live.
620 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 18:30 ID:???
Yuri and Nana reminisce about their trip to Okinawa while watching the drama “A New Year’s Card from the Chura Sea” tonight at 9.
621 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 18:34 ID:???
>619
Ossan played keyboards and Yurippe appeared as a guest halfway through.
Only Ossan and Mochi should appear on Kouhaku.
Also, Nana didn’t provide the song.
272
名無しのエリー ｜ 2008/04/19 20:11 ｜ ID:Y9is9OuW0
>271
I get that you’re angry after being insulted by the regulars, but we just have to accept Gane as it is now.
273
名無しのエリー ｜ 2008/04/19 20:33 ｜ ID:chvOBrLG0
615 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 18:16 ID:???
Yurippe with Okamocchi falling out of the cupboard.
616 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 18:19 ID:???
Yurippe singing “Touch a marimo and it’s Lake Akan,” currently a huge hit in Hokkaido!
http://www.zureko.com/works/exsmusic/exrs2002marimo.mp3
617 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 18:21 ID:???
Yurippe and Mochi make their first Kouhaku appearance at ZARD tribute live.
618 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 18:24 ID:???
Did you mean Ossan and Mochi?
Yurippe and Nana eat mandarins under the kotatsu.
619 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 18:27 ID:???
Yurippe -> chorus
Mochi -> guitar or maybe bass?
Nana -> provides songs
Already appeared at the Budokan tribute live.
620 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 18:30 ID:???
Yuri and Nana reminisce about their trip to Okinawa while watching the drama “A New Year’s Card from the Chura Sea” tonight at 9.
621 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 18:34 ID:???
>619
Ossan played keyboards and Yurippe appeared as a guest halfway through.
Only Ossan and Mochi should appear on Kouhaku.
Also, Nana didn’t provide the song.
274
名無しのエリー ｜ 2008/04/19 21:03 ｜ ID:chvOBrLG0
615 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 18:16 ID:???
Yurippe with Okamocchi falling out of the cupboard.
616 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 18:19 ID:???
Yurippe singing “Touch a marimo and it’s Lake Akan,” currently a huge hit in Hokkaido!
http://www.zureko.com/works/exsmusic/exrs2002marimo.mp3
617 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 18:21 ID:???
Yurippe and Mochi make their first Kouhaku appearance at ZARD tribute live.
618 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 18:24 ID:???
Did you mean Ossan and Mochi?
Yurippe and Nana eat mandarins under the kotatsu.
619 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 18:27 ID:???
Yurippe -> chorus
Mochi -> guitar or maybe bass?
Nana -> provides songs
Already appeared at the Budokan tribute live.
620 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 18:30 ID:???
Yuri and Nana reminisce about their trip to Okinawa while watching the drama “A New Year’s Card from the Chura Sea” tonight at 9.
621 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 18:34 ID:???
>619
Ossan played keyboards and Yurippe appeared as a guest halfway through.
Only Ossan and Mochi should appear on Kouhaku.
Also, Nana didn’t provide the song.
275
名無しのエリー ｜ 2008/04/19 21:11 ｜ ID:chvOBrLG0
615 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 18:16 ID:???
Yurippe with Okamocchi falling out of the cupboard.
616 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 18:19 ID:???
Yurippe singing “Touch a marimo and it’s Lake Akan,” currently a huge hit in Hokkaido!
http://www.zureko.com/works/exsmusic/exrs2002marimo.mp3
617 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 18:21 ID:???
Yurippe and Mochi make their first Kouhaku appearance at ZARD tribute live.
618 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 18:24 ID:???
Did you mean Ossan and Mochi?
Yurippe and Nana eat mandarins under the kotatsu.
619 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 18:27 ID:???
Yurippe -> chorus
Mochi -> guitar or maybe bass?
Nana -> provides songs
Already appeared at the Budokan tribute live.
620 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 18:30 ID:???
Yuri and Nana reminisce about their trip to Okinawa while watching the drama “A New Year’s Card from the Chura Sea” tonight at 9.
621 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 18:34 ID:???
>619
Ossan played keyboards and Yurippe appeared as a guest halfway through.
Only Ossan and Mochi should appear on Kouhaku.
Also, Nana didn’t provide the song.
276
名無しのエリー ｜ 2008/04/19 21:12 ｜ ID:chvOBrLG0
615 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 18:16 ID:???
Yurippe with Okamocchi falling out of the cupboard.
616 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 18:19 ID:???
Yurippe singing “Touch a marimo and it’s Lake Akan,” currently a huge hit in Hokkaido!
http://www.zureko.com/works/exsmusic/exrs2002marimo.mp3
617 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 18:21 ID:???
Yurippe and Mochi make their first Kouhaku appearance at ZARD tribute live.
618 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 18:24 ID:???
Did you mean Ossan and Mochi?
Yurippe and Nana eat mandarins under the kotatsu.
619 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 18:27 ID:???
Yurippe -> chorus
Mochi -> guitar or maybe bass?
Nana -> provides songs
Already appeared at the Budokan tribute live.
620 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 18:30 ID:???
Yuri and Nana reminisce about their trip to Okinawa while watching the drama “A New Year’s Card from the Chura Sea” tonight at 9.
621 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 18:34 ID:???
>619
Ossan played keyboards and Yurippe appeared as a guest halfway through.
Only Ossan and Mochi should appear on Kouhaku.
Also, Nana didn’t provide the song.
277
名無しのエリー ｜ 2008/04/19 21:18 ｜ ID:chvOBrLG0
615 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 18:16 ID:???
Yurippe with Okamocchi falling out of the cupboard.
616 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 18:19 ID:???
Yurippe singing “Touch a marimo and it’s Lake Akan,” currently a huge hit in Hokkaido!
http://www.zureko.com/works/exsmusic/exrs2002marimo.mp3
617 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 18:21 ID:???
Yurippe and Mochi make their first Kouhaku appearance at ZARD tribute live.
618 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 18:24 ID:???
Did you mean Ossan and Mochi?
Yurippe and Nana eat mandarins under the kotatsu.
619 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 18:27 ID:???
Yurippe -> chorus
Mochi -> guitar or maybe bass?
Nana -> provides songs
Already appeared at the Budokan tribute live.
620 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 18:30 ID:???
Yuri and Nana reminisce about their trip to Okinawa while watching the drama “A New Year’s Card from the Chura Sea” tonight at 9.
621 Name: 名無しさん＠お腹いっぱい。[] 2008/02/28 18:34 ID:???
>619
Ossan played keyboards and Yurippe appeared as a guest halfway through.
Only Ossan and Mochi should appear on Kouhaku.
Also, Nana didn’t provide the song.
278
名無しのエリー ｜ 2008/04/20 13:28 ｜ ID:cIa8xtxa0
We’re looking for a nickname for this troll.
Suggestion: “Plain Guy.”
279
名無しのエリー ｜ 2008/04/20 14:04 ｜ ID:Q1jlDHUR0
_ ,,,,、 _ ,,,,、
,lllll′ .llll|__、 ,iliil ,,,,,, ,lllll′ .llll|__、 ,iliil ,,,,,,
lllll゜lllllllllllll!!!l .lllll ﾞ!llli, .,llll｢.lllllllllllll!!!! lllll′ '!llli,、
lllll、 __lllll lllll ,,,, '!llli, llll| _,lllll lllll ,,,, '!llli,
llllllll,illl!!!llllliiiii､ .ﾞlllliiillll′ '!ﾞﾞ′llllllll,iill!!!lllllliiii､ .'!llliiilll!′ '!ﾞﾞ′
'!!!!ﾞﾞ!!llllll!!ﾞﾞﾞﾞ｀ 'ﾞ!!!ﾞ° .'!!!!ﾞﾞ!!llllll!!ﾞﾞﾞﾞ｀ 'ﾞ!!!ﾞ°
＿、 ,,,,, ＿_ ,,,,,
illlll,、 liiiiiiiiiillllll． ,,,,,,,,,,,llllll,,,,,,,,,、 .lllll,, liiiiiiiiiillllll． ,,,,,,,,,,,llllll,,,,,,,,,、
'lllllllllllllllllllllii,, .'ﾞﾞﾞ,lilll!lﾞ,,,_ .ﾞﾞﾞﾞﾞllllllllllﾞﾞﾞﾞﾞﾞﾞ° lllllllllllllllllllllii,, ﾞﾞﾞ,liill!ll,,,,、 .ﾞﾞﾞﾞﾞllllllllllﾞﾞﾞﾞﾞﾞﾞ′
,,illllllﾞ° .ﾞlllll、 ,,,iillll!!!!!!!!llli, illllﾞlllllli､ ,,illllllﾞ° .ﾞlllll、 ,,,iillll!!!!!!!!llli, illllﾞlllllli､
l!l!lllll| .,,,,,,iilll!°.'l!!ﾞﾞ゜ .,,illl!′ .ﾞ!lllllllll″ '!ll!lllll ,,,,,,illll!′.ﾞ!!!ﾞ° ,,,illl! ﾞ!!llllllll″
lllll .'!!!!!ﾞﾞ゜ 'liiiillll!!!ﾞ゜ 'llll!!ﾞ .lllll .'!!!!!ﾞﾞ゜ 'liiiillll!!!ﾞ゜ 'llll!!ﾞ
｀ ｀
280
名無しのエリー ｜ 2008/04/20 14:35 ｜ ID:Q1jlDHUR0
_ ,,,,、 _ ,,,,、
,lllll′ .llll|__、 ,iliil ,,,,,, ,lllll′ .llll|__、 ,iliil ,,,,,,
lllll゜lllllllllllll!!!l .lllll ﾞ!llli, .,llll｢.lllllllllllll!!!! lllll′ '!llli,、
lllll、 __lllll lllll ,,,, '!llli, llll| _,lllll lllll ,,,, '!llli,
llllllll,illl!!!llllliiiii､ .ﾞlllliiillll′ '!ﾞﾞ′llllllll,iill!!!lllllliiii､ .'!llliiilll!′ '!ﾞﾞ′
'!!!!ﾞﾞ!!llllll!!ﾞﾞﾞﾞ｀ 'ﾞ!!!ﾞ° .'!!!!ﾞﾞ!!llllll!!ﾞﾞﾞﾞ｀ 'ﾞ!!!ﾞ°
＿、 ,,,,, ＿_ ,,,,,
illlll,、 liiiiiiiiiillllll． ,,,,,,,,,,,llllll,,,,,,,,,、 .lllll,, liiiiiiiiiillllll． ,,,,,,,,,,,llllll,,,,,,,,,、
'lllllllllllllllllllllii,, .'ﾞﾞﾞ,lilll!lﾞ,,,_ .ﾞﾞﾞﾞﾞllllllllllﾞﾞﾞﾞﾞﾞﾞ° lllllllllllllllllllllii,, ﾞﾞﾞ,liill!ll,,,,、 .ﾞﾞﾞﾞﾞllllllllllﾞﾞﾞﾞﾞﾞﾞ′
,,illllllﾞ° .ﾞlllll、 ,,,iillll!!!!!!!!llli, illllﾞlllllli､ ,,illllllﾞ° .ﾞlllll、 ,,,iillll!!!!!!!!llli, illllﾞlllllli､
l!l!lllll| .,,,,,,iilll!°.'l!!ﾞﾞ゜ .,,illl!′ .ﾞ!lllllllll″ '!ll!lllll ,,,,,,illll!′.ﾞ!!!ﾞ° ,,,illl! ﾞ!!llllllll″
lllll .'!!!!!ﾞﾞ゜ 'liiiillll!!!ﾞ゜ 'llll!!ﾞ .lllll .'!!!!!ﾞﾞ゜ 'liiiillll!!!ﾞ゜ 'llll!!ﾞ
｀ ｀
281
名無しのエリー ｜ 2008/04/20 14:43 ｜ ID:Q1jlDHUR0
_ ,,,,、 _ ,,,,、
,lllll′ .llll|__、 ,iliil ,,,,,, ,lllll′ .llll|__、 ,iliil ,,,,,,
lllll゜lllllllllllll!!!l .lllll ﾞ!llli, .,llll｢.lllllllllllll!!!! lllll′ '!llli,、
lllll、 __lllll lllll ,,,, '!llli, llll| _,lllll lllll ,,,, '!llli,
llllllll,illl!!!llllliiiii､ .ﾞlllliiillll′ '!ﾞﾞ′llllllll,iill!!!lllllliiii､ .'!llliiilll!′ '!ﾞﾞ′
'!!!!ﾞﾞ!!llllll!!ﾞﾞﾞﾞ｀ 'ﾞ!!!ﾞ° .'!!!!ﾞﾞ!!llllll!!ﾞﾞﾞﾞ｀ 'ﾞ!!!ﾞ°
＿、 ,,,,, ＿_ ,,,,,
illlll,、 liiiiiiiiiillllll． ,,,,,,,,,,,llllll,,,,,,,,,、 .lllll,, liiiiiiiiiillllll． ,,,,,,,,,,,llllll,,,,,,,,,、
'lllllllllllllllllllllii,, .'ﾞﾞﾞ,lilll!lﾞ,,,_ .ﾞﾞﾞﾞﾞllllllllllﾞﾞﾞﾞﾞﾞﾞ° lllllllllllllllllllllii,, ﾞﾞﾞ,liill!ll,,,,、 .ﾞﾞﾞﾞﾞllllllllllﾞﾞﾞﾞﾞﾞﾞ′
,,illllllﾞ° .ﾞlllll、 ,,,iillll!!!!!!!!llli, illllﾞlllllli､ ,,illllllﾞ° .ﾞlllll、 ,,,iillll!!!!!!!!llli, illllﾞlllllli､
l!l!lllll| .,,,,,,iilll!°.'l!!ﾞﾞ゜ .,,illl!′ .ﾞ!lllllllll″ '!ll!lllll ,,,,,,illll!′.ﾞ!!!ﾞ° ,,,illl! ﾞ!!llllllll″
lllll .'!!!!!ﾞﾞ゜ 'liiiillll!!!ﾞ゜ 'llll!!ﾞ .lllll .'!!!!!ﾞﾞ゜ 'liiiillll!!!ﾞ゜ 'llll!!ﾞ
｀ ｀
282
名無しのエリー ｜ 2008/04/20 14:52 ｜ ID:Q1jlDHUR0
_ ,,,,、 _ ,,,,、
,lllll′ .llll|__、 ,iliil ,,,,,, ,lllll′ .llll|__、 ,iliil ,,,,,,
lllll゜lllllllllllll!!!l .lllll ﾞ!llli, .,llll｢.lllllllllllll!!!! lllll′ '!llli,、
lllll、 __lllll lllll ,,,, '!llli, llll| _,lllll lllll ,,,, '!llli,
llllllll,illl!!!llllliiiii､ .ﾞlllliiillll′ '!ﾞﾞ′llllllll,iill!!!lllllliiii､ .'!llliiilll!′ '!ﾞﾞ′
'!!!!ﾞﾞ!!llllll!!ﾞﾞﾞﾞ｀ 'ﾞ!!!ﾞ° .'!!!!ﾞﾞ!!llllll!!ﾞﾞﾞﾞ｀ 'ﾞ!!!ﾞ°
＿、 ,,,,, ＿_ ,,,,,
illlll,、 liiiiiiiiiillllll． ,,,,,,,,,,,llllll,,,,,,,,,、 .lllll,, liiiiiiiiiillllll． ,,,,,,,,,,,llllll,,,,,,,,,、
'lllllllllllllllllllllii,, .'ﾞﾞﾞ,lilll!lﾞ,,,_ .ﾞﾞﾞﾞﾞllllllllllﾞﾞﾞﾞﾞﾞﾞ° lllllllllllllllllllllii,, ﾞﾞﾞ,liill!ll,,,,、 .ﾞﾞﾞﾞﾞllllllllllﾞﾞﾞﾞﾞﾞﾞ′
,,illllllﾞ° .ﾞlllll、 ,,,iillll!!!!!!!!llli, illllﾞlllllli､ ,,illllllﾞ° .ﾞlllll、 ,,,iillll!!!!!!!!llli, illllﾞlllllli､
l!l!lllll| .,,,,,,iilll!°.'l!!ﾞﾞ゜ .,,illl!′ .ﾞ!lllllllll″ '!ll!lllll ,,,,,,illll!′.ﾞ!!!ﾞ° ,,,illl! ﾞ!!llllllll″
lllll .'!!!!!ﾞﾞ゜ 'liiiillll!!!ﾞ゜ 'llll!!ﾞ .lllll .'!!!!!ﾞﾞ゜ 'liiiillll!!!ﾞ゜ 'llll!!ﾞ
｀ ｀
283
名無しのエリー ｜ 2008/04/20 14:53 ｜ ID:Q1jlDHUR0
_ ,,,,、 _ ,,,,、
,lllll′ .llll|__、 ,iliil ,,,,,, ,lllll′ .llll|__、 ,iliil ,,,,,,
lllll゜lllllllllllll!!!l .lllll ﾞ!llli, .,llll｢.lllllllllllll!!!! lllll′ '!llli,、
lllll、 __lllll lllll ,,,, '!llli, llll| _,lllll lllll ,,,, '!llli,
llllllll,illl!!!llllliiiii､ .ﾞlllliiillll′ '!ﾞﾞ′llllllll,iill!!!lllllliiii､ .'!llliiilll!′ '!ﾞﾞ′
'!!!!ﾞﾞ!!llllll!!ﾞﾞﾞﾞ｀ 'ﾞ!!!ﾞ° .'!!!!ﾞﾞ!!llllll!!ﾞﾞﾞﾞ｀ 'ﾞ!!!ﾞ°
＿、 ,,,,, ＿_ ,,,,,
illlll,、 liiiiiiiiiillllll． ,,,,,,,,,,,llllll,,,,,,,,,、 .lllll,, liiiiiiiiiillllll． ,,,,,,,,,,,llllll,,,,,,,,,、
'lllllllllllllllllllllii,, .'ﾞﾞﾞ,lilll!lﾞ,,,_ .ﾞﾞﾞﾞﾞllllllllllﾞﾞﾞﾞﾞﾞﾞ° lllllllllllllllllllllii,, ﾞﾞﾞ,liill!ll,,,,、 .ﾞﾞﾞﾞﾞllllllllllﾞﾞﾞﾞﾞﾞﾞ′
,,illllllﾞ° .ﾞlllll、 ,,,iillll!!!!!!!!llli, illllﾞlllllli､ ,,illllllﾞ° .ﾞlllll、 ,,,iillll!!!!!!!!llli, illllﾞlllllli､
l!l!lllll| .,,,,,,iilll!°.'l!!ﾞﾞ゜ .,,illl!′ .ﾞ!lllllllll″ '!ll!lllll ,,,,,,illll!′.ﾞ!!!ﾞ° ,,,illl! ﾞ!!llllllll″
lllll .'!!!!!ﾞﾞ゜ 'liiiillll!!!ﾞ゜ 'llll!!ﾞ .lllll .'!!!!!ﾞﾞ゜ 'liiiillll!!!ﾞ゜ 'llll!!ﾞ
｀ ｀
284
名無しのエリー ｜ 2008/04/20 14:54 ｜ ID:Q1jlDHUR0
_ ,,,,、 _ ,,,,、
,lllll′ .llll|__、 ,iliil ,,,,,, ,lllll′ .llll|__、 ,iliil ,,,,,,
lllll゜lllllllllllll!!!l .lllll ﾞ!llli, .,llll｢.lllllllllllll!!!! lllll′ '!llli,、
lllll、 __lllll lllll ,,,, '!llli, llll| _,lllll lllll ,,,, '!llli,
llllllll,illl!!!llllliiiii､ .ﾞlllliiillll′ '!ﾞﾞ′llllllll,iill!!!lllllliiii､ .'!llliiilll!′ '!ﾞﾞ′
'!!!!ﾞﾞ!!llllll!!ﾞﾞﾞﾞ｀ 'ﾞ!!!ﾞ° .'!!!!ﾞﾞ!!llllll!!ﾞﾞﾞﾞ｀ 'ﾞ!!!ﾞ°
＿、 ,,,,, ＿_ ,,,,,
illlll,、 liiiiiiiiiillllll． ,,,,,,,,,,,llllll,,,,,,,,,、 .lllll,, liiiiiiiiiillllll． ,,,,,,,,,,,llllll,,,,,,,,,、
'lllllllllllllllllllllii,, .'ﾞﾞﾞ,lilll!lﾞ,,,_ .ﾞﾞﾞﾞﾞllllllllllﾞﾞﾞﾞﾞﾞﾞ° lllllllllllllllllllllii,, ﾞﾞﾞ,liill!ll,,,,、 .ﾞﾞﾞﾞﾞllllllllllﾞﾞﾞﾞﾞﾞﾞ′
,,illllllﾞ° .ﾞlllll、 ,,,iillll!!!!!!!!llli, illllﾞlllllli､ ,,illllllﾞ° .ﾞlllll、 ,,,iillll!!!!!!!!llli, illllﾞlllllli､
l!l!lllll| .,,,,,,iilll!°.'l!!ﾞﾞ゜ .,,illl!′ .ﾞ!lllllllll″ '!ll!lllll ,,,,,,illll!′.ﾞ!!!ﾞ° ,,,illl! ﾞ!!llllllll″
lllll .'!!!!!ﾞﾞ゜ 'liiiillll!!!ﾞ゜ 'llll!!ﾞ .lllll .'!!!!!ﾞﾞ゜ 'liiiillll!!!ﾞ゜ 'llll!!ﾞ
｀ ｀
285
名無しのエリー ｜ 2008/04/20 18:25 ｜ ID:9V/zPriz0
That won’t change anything, you know.
286
名無しのエリー ｜ 2008/04/20 20:33 ｜ ID:Q1jlDHUR0
12 Name: 名無しのエリー[sage] 2008/03/26 19:17:19 ID:ccgzsBXI0
So the previous thread revealed that Mochi doesn’t do any phrasing either; his “you really worked hard here~” was just following Ossan’s phrase, huh ^^
Mochi can’t compete with Shimeji.
13 Name: 名無しのエリー[sage] 2008/03/26 19:27:30 ID:5rijbV1t0
Ossan came up with the phrase, and Mochi performed it with all the feeling he could muster lol
14 Name: 名無しのエリー[sage] 2008/03/26 19:45:57 ID:ccgzsBXI0
I haven’t heard it, so I don’t know, but Mochi’s solo is guitar pop, right?
Yet it’s weird that when he’s with Gane, Ossan handles the phrasing. There must be a lot of overlap. Does he think Ossan can come up with something better than he can himself, is Ossan rejecting his ideas, or does he really just not intend to participate in production...?
15 Name: 名無しのエリー[sage] 2008/03/26 20:50:41 ID:2MbXD7RmO
Ossan has it rough lol. We can tell Azuki doesn’t do phrasing, but Mochi, who worked hard as a studio musician, doesn’t either?
>1
If you extend this “otsu”...
16 Name: 名無しのエリー[sage] 2008/03/26 22:12:49 ID:5rijbV1t0
Ossan’s job is phrasing the instrumental parts, Yurippe handles the vocals, and Azuki handles phrasing the words.
350 Name: 名無しのエリー[sage] 2008/03/31 00:56:21 ID:a3fy1OgQO
I post quite a bit, but ID:ccgzsBXI0 never quotes me. Use my posts!!
Also, here’s a redirect for #2.
287
名無しのエリー ｜ 2008/04/20 20:35 ｜ ID:Q1jlDHUR0
12 Name: 名無しのエリー[sage] 2008/03/26 19:17:19 ID:ccgzsBXI0
So the previous thread revealed that Mochi doesn’t do any phrasing either; his “you really worked hard here~” was just following Ossan’s phrase, huh ^^
Mochi can’t compete with Shimeji.
13 Name: 名無しのエリー[sage] 2008/03/26 19:27:30 ID:5rijbV1t0
Ossan came up with the phrase, and Mochi performed it with all the feeling he could muster lol
14 Name: 名無しのエリー[sage] 2008/03/26 19:45:57 ID:ccgzsBXI0
I haven’t heard it, so I don’t know, but Mochi’s solo is guitar pop, right?
Yet it’s weird that when he’s with Gane, Ossan handles the phrasing. There must be a lot of overlap. Does he think Ossan can come up with something better than he can himself, is Ossan rejecting his ideas, or does he really just not intend to participate in production...?
15 Name: 名無しのエリー[sage] 2008/03/26 20:50:41 ID:2MbXD7RmO
Ossan has it rough lol. We can tell Azuki doesn’t do phrasing, but Mochi, who worked hard as a studio musician, doesn’t either?
>1
If you extend this “otsu”...
16 Name: 名無しのエリー[sage] 2008/03/26 22:12:49 ID:5rijbV1t0
Ossan’s job is phrasing the instrumental parts, Yurippe handles the vocals, and Azuki handles phrasing the words.
350 Name: 名無しのエリー[sage] 2008/03/31 00:56:21 ID:a3fy1OgQO
I post quite a bit, but ID:ccgzsBXI0 never quotes me. Use my posts!!
Also, here’s a redirect for #2.
288
名無しのエリー ｜ 2008/04/20 20:38 ｜ ID:Q1jlDHUR0
12 Name: 名無しのエリー[sage] 2008/03/26 19:17:19 ID:ccgzsBXI0
So the previous thread revealed that Mochi doesn’t do any phrasing either; his “you really worked hard here~” was just following Ossan’s phrase, huh ^^
Mochi can’t compete with Shimeji.
13 Name: 名無しのエリー[sage] 2008/03/26 19:27:30 ID:5rijbV1t0
Ossan came up with the phrase, and Mochi performed it with all the feeling he could muster lol
14 Name: 名無しのエリー[sage] 2008/03/26 19:45:57 ID:ccgzsBXI0
I haven’t heard it, so I don’t know, but Mochi’s solo is guitar pop, right?
Yet it’s weird that when he’s with Gane, Ossan handles the phrasing. There must be a lot of overlap. Does he think Ossan can come up with something better than he can himself, is Ossan rejecting his ideas, or does he really just not intend to participate in production...?
15 Name: 名無しのエリー[sage] 2008/03/26 20:50:41 ID:2MbXD7RmO
Ossan has it rough lol. We can tell Azuki doesn’t do phrasing, but Mochi, who worked hard as a studio musician, doesn’t either?
>1
If you extend this “otsu”...
16 Name: 名無しのエリー[sage] 2008/03/26 22:12:49 ID:5rijbV1t0
Ossan’s job is phrasing the instrumental parts, Yurippe handles the vocals, and Azuki handles phrasing the words.
289
名無しのエリー ｜ 2008/04/20 20:40 ｜ ID:Q1jlDHUR0
12 Name: 名無しのエリー[sage] 2008/03/26 19:17:19 ID:ccgzsBXI0
So the previous thread revealed that Mochi doesn’t do any phrasing either; his “you really worked hard here~” was just following Ossan’s phrase, huh ^^
Mochi can’t compete with Shimeji.
13 Name: 名無しのエリー[sage] 2008/03/26 19:27:30 ID:5rijbV1t0
Ossan came up with the phrase, and Mochi performed it with all the feeling he could muster lol
14 Name: 名無しのエリー[sage] 2008/03/26 19:45:57 ID:ccgzsBXI0
I haven’t heard it, so I don’t know, but Mochi’s solo is guitar pop, right?
Yet it’s weird that when he’s with Gane, Ossan handles the phrasing. There must be a lot of overlap. Does he think Ossan can come up with something better than he can himself, is Ossan rejecting his ideas, or does he really just not intend to participate in production...?
15 Name: 名無しのエリー[sage] 2008/03/26 20:50:41 ID:2MbXD7RmO
Ossan has it rough lol. We can tell Azuki doesn’t do phrasing, but Mochi, who worked hard as a studio musician, doesn’t either?
>1
If you extend this “otsu”...
16 Name: 名無しのエリー[sage] 2008/03/26 22:12:49 ID:5rijbV1t0
Ossan’s job is phrasing the instrumental parts, Yurippe handles the vocals, and Azuki handles phrasing the words.
290
名無しのエリー ｜ 2008/04/20 20:57 ｜ ID:oALYd28eO
Just don’t commit any crimes, troll-kun (´･ω･｀)
If you’re thinking “lol, I got a bite,” you’re mentally unwell.
291
名無しのエリー ｜ 2008/04/20 21:06 ｜ ID:Q1jlDHUR0
12 Name: 名無しのエリー[sage] 2008/03/26 19:17:19 ID:ccgzsBXI0
So the previous thread revealed that Mochi doesn’t do any phrasing either; his “you really worked hard here~” was just following Ossan’s phrase, huh ^^
Mochi can’t compete with Shimeji.
13 Name: 名無しのエリー[sage] 2008/03/26 19:27:30 ID:5rijbV1t0
Ossan came up with the phrase, and Mochi performed it with all the feeling he could muster lol
14 Name: 名無しのエリー[sage] 2008/03/26 19:45:57 ID:ccgzsBXI0
I haven’t heard it, so I don’t know, but Mochi’s solo is guitar pop, right?
Yet it’s weird that when he’s with Gane, Ossan handles the phrasing. There must be a lot of overlap. Does he think Ossan can come up with something better than he can himself, is Ossan rejecting his ideas, or does he really just not intend to participate in production...?
15 Name: 名無しのエリー[sage] 2008/03/26 20:50:41 ID:2MbXD7RmO
Ossan has it rough lol. We can tell Azuki doesn’t do phrasing, but Mochi, who worked hard as a studio musician, doesn’t either?
>1
If you extend this “otsu”...
16 Name: 名無しのエリー[sage] 2008/03/26 22:12:49 ID:5rijbV1t0
Ossan’s job is phrasing the instrumental parts, Yurippe handles the vocals, and Azuki handles phrasing the words.
292
名無しのエリー ｜ 2008/04/20 21:08 ｜ ID:Q1jlDHUR0
12 Name: 名無しのエリー[sage] 2008/03/26 19:17:19 ID:ccgzsBXI0
So the previous thread revealed that Mochi doesn’t do any phrasing either; his “you really worked hard here~” was just following Ossan’s phrase, huh ^^
Mochi can’t compete with Shimeji.
13 Name: 名無しのエリー[sage] 2008/03/26 19:27:30 ID:5rijbV1t0
Ossan came up with the phrase, and Mochi performed it with all the feeling he could muster lol
14 Name: 名無しのエリー[sage] 2008/03/26 19:45:57 ID:ccgzsBXI0
I haven’t heard it, so I don’t know, but Mochi’s solo is guitar pop, right?
Yet it’s weird that when he’s with Gane, Ossan handles the phrasing. There must be a lot of overlap. Does he think Ossan can come up with something better than he can himself, is Ossan rejecting his ideas, or does he really just not intend to participate in production...?
15 Name: 名無しのエリー[sage] 2008/03/26 20:50:41 ID:2MbXD7RmO
Ossan has it rough lol. We can tell Azuki doesn’t do phrasing, but Mochi, who worked hard as a studio musician, doesn’t either?
>1
If you extend this “otsu”...
16 Name: 名無しのエリー[sage] 2008/03/26 22:12:49 ID:5rijbV1t0
Ossan’s job is phrasing the instrumental parts, Yurippe handles the vocals, and Azuki handles phrasing the words.
293
名無しのエリー ｜ 2008/04/20 21:09 ｜ ID:Q1jlDHUR0
12 Name: 名無しのエリー[sage] 2008/03/26 19:17:19 ID:ccgzsBXI0
So the previous thread revealed that Mochi doesn’t do any phrasing either; his “you really worked hard here~” was just following Ossan’s phrase, huh ^^
Mochi can’t compete with Shimeji.
13 Name: 名無しのエリー[sage] 2008/03/26 19:27:30 ID:5rijbV1t0
Ossan came up with the phrase, and Mochi performed it with all the feeling he could muster lol
14 Name: 名無しのエリー[sage] 2008/03/26 19:45:57 ID:ccgzsBXI0
I haven’t heard it, so I don’t know, but Mochi’s solo is guitar pop, right?
Yet it’s weird that when he’s with Gane, Ossan handles the phrasing. There must be a lot of overlap. Does he think Ossan can come up with something better than he can himself, is Ossan rejecting his ideas, or does he really just not intend to participate in production...?
15 Name: 名無しのエリー[sage] 2008/03/26 20:50:41 ID:2MbXD7RmO
Ossan has it rough lol. We can tell Azuki doesn’t do phrasing, but Mochi, who worked hard as a studio musician, doesn’t either?
>1
If you extend this “otsu”...
16 Name: 名無しのエリー[sage] 2008/03/26 22:12:49 ID:5rijbV1t0
Ossan’s job is phrasing the instrumental parts, Yurippe handles the vocals, and Azuki handles phrasing the words.
294
名無しのエリー ｜ 2008/04/20 21:10 ｜ ID:Q1jlDHUR0
12 Name: 名無しのエリー[sage] 2008/03/26 19:17:19 ID:ccgzsBXI0
So the previous thread revealed that Mochi doesn’t do any phrasing either; his “you really worked hard here~” was just following Ossan’s phrase, huh ^^
Mochi can’t compete with Shimeji.
13 Name: 名無しのエリー[sage] 2008/03/26 19:27:30 ID:5rijbV1t0
Ossan came up with the phrase, and Mochi performed it with all the feeling he could muster lol
14 Name: 名無しのエリー[sage] 2008/03/26 19:45:57 ID:ccgzsBXI0
I haven’t heard it, so I don’t know, but Mochi’s solo is guitar pop, right?
Yet it’s weird that when he’s with Gane, Ossan handles the phrasing. There must be a lot of overlap. Does he think Ossan can come up with something better than he can himself, is Ossan rejecting his ideas, or does he really just not intend to participate in production...?
15 Name: 名無しのエリー[sage] 2008/03/26 20:50:41 ID:2MbXD7RmO
Ossan has it rough lol. We can tell Azuki doesn’t do phrasing, but Mochi, who worked hard as a studio musician, doesn’t either?
>1
If you extend this “otsu”...
16 Name: 名無しのエリー[sage] 2008/03/26 22:12:49 ID:5rijbV1t0
Ossan’s job is phrasing the instrumental parts, Yurippe handles the vocals, and Azuki handles phrasing the words.
295
名無しのエリー ｜ 2008/04/20 21:11 ｜ ID:Q1jlDHUR0
12 Name: 名無しのエリー[sage] 2008/03/26 19:17:19 ID:ccgzsBXI0
So the previous thread revealed that Mochi doesn’t do any phrasing either; his “you really worked hard here~” was just following Ossan’s phrase, huh ^^
Mochi can’t compete with Shimeji.
13 Name: 名無しのエリー[sage] 2008/03/26 19:27:30 ID:5rijbV1t0
Ossan came up with the phrase, and Mochi performed it with all the feeling he could muster lol
14 Name: 名無しのエリー[sage] 2008/03/26 19:45:57 ID:ccgzsBXI0
I haven’t heard it, so I don’t know, but Mochi’s solo is guitar pop, right?
Yet it’s weird that when he’s with Gane, Ossan handles the phrasing. There must be a lot of overlap. Does he think Ossan can come up with something better than he can himself, is Ossan rejecting his ideas, or does he really just not intend to participate in production...?
15 Name: 名無しのエリー[sage] 2008/03/26 20:50:41 ID:2MbXD7RmO
Ossan has it rough lol. We can tell Azuki doesn’t do phrasing, but Mochi, who worked hard as a studio musician, doesn’t either?
>1
If you extend this “otsu”...
16 Name: 名無しのエリー[sage] 2008/03/26 22:12:49 ID:5rijbV1t0
Ossan’s job is phrasing the instrumental parts, Yurippe handles the vocals, and Azuki handles phrasing the words.
296
名無しのエリー ｜ 2008/04/20 21:23 ｜ ID:oumEY/cYO
I replaced my CD player and headphones.
LOCKS and the 3rd album sound pretty different now.
It makes me want a new amp too. I’m broke, argh.
The fancier I make my AV gear, the higher my opinion of the 3rd album gets.
The impression is way too different with and without headphones. Perfect for shut-ins.
297
名無しのエリー ｜ 2008/04/20 21:25 ｜ ID:Q1jlDHUR0
12 Name: 名無しのエリー[sage] 2008/03/26 19:17:19 ID:ccgzsBXI0
So the previous thread revealed that Mochi doesn’t do any phrasing either; his “you really worked hard here~” was just following Ossan’s phrase, huh ^^
Mochi can’t compete with Shimeji.
13 Name: 名無しのエリー[sage] 2008/03/26 19:27:30 ID:5rijbV1t0
Ossan came up with the phrase, and Mochi performed it with all the feeling he could muster lol
14 Name: 名無しのエリー[sage] 2008/03/26 19:45:57 ID:ccgzsBXI0
I haven’t heard it, so I don’t know, but Mochi’s solo is guitar pop, right?
Yet it’s weird that when he’s with Gane, Ossan handles the phrasing. There must be a lot of overlap. Does he think Ossan can come up with something better than he can himself, is Ossan rejecting his ideas, or does he really just not intend to participate in production...?
15 Name: 名無しのエリー[sage] 2008/03/26 20:50:41 ID:2MbXD7RmO
Ossan has it rough lol. We can tell Azuki doesn’t do phrasing, but Mochi, who worked hard as a studio musician, doesn’t either?
>1
If you extend this “otsu”...
16 Name: 名無しのエリー[sage] 2008/03/26 22:12:49 ID:5rijbV1t0
Ossan’s job is phrasing the instrumental parts, Yurippe handles the vocals, and Azuki handles phrasing the words.
298
名無しのエリー ｜ 2008/04/20 21:28 ｜ ID:Q1jlDHUR0
12 Name: 名無しのエリー[sage] 2008/03/26 19:17:19 ID:ccgzsBXI0
So the previous thread revealed that Mochi doesn’t do any phrasing either; his “you really worked hard here~” was just following Ossan’s phrase, huh ^^
Mochi can’t compete with Shimeji.
13 Name: 名無しのエリー[sage] 2008/03/26 19:27:30 ID:5rijbV1t0
Ossan came up with the phrase, and Mochi performed it with all the feeling he could muster lol
14 Name: 名無しのエリー[sage] 2008/03/26 19:45:57 ID:ccgzsBXI0
I haven’t heard it, so I don’t know, but Mochi’s solo is guitar pop, right?
Yet it’s weird that when he’s with Gane, Ossan handles the phrasing. There must be a lot of overlap. Does he think Ossan can come up with something better than he can himself, is Ossan rejecting his ideas, or does he really just not intend to participate in production...?
15 Name: 名無しのエリー[sage] 2008/03/26 20:50:41 ID:2MbXD7RmO
Ossan has it rough lol. We can tell Azuki doesn’t do phrasing, but Mochi, who worked hard as a studio musician, doesn’t either?
>1
If you extend this “otsu”...
16 Name: 名無しのエリー[sage] 2008/03/26 22:12:49 ID:5rijbV1t0
Ossan’s job is phrasing the instrumental parts, Yurippe handles the vocals, and Azuki handles phrasing the words.
299
名無しのエリー ｜ 2008/04/20 21:33 ｜ ID:Q1jlDHUR0
12 Name: 名無しのエリー[sage] 2008/03/26 19:17:19 ID:ccgzsBXI0
So the previous thread revealed that Mochi doesn’t do any phrasing either; his “you really worked hard here~” was just following Ossan’s phrase, huh ^^
Mochi can’t compete with Shimeji.
13 Name: 名無しのエリー[sage] 2008/03/26 19:27:30 ID:5rijbV1t0
Ossan came up with the phrase, and Mochi performed it with all the feeling he could muster lol
14 Name: 名無しのエリー[sage] 2008/03/26 19:45:57 ID:ccgzsBXI0
I haven’t heard it, so I don’t know, but Mochi’s solo is guitar pop, right?
Yet it’s weird that when he’s with Gane, Ossan handles the phrasing. There must be a lot of overlap. Does he think Ossan can come up with something better than he can himself, is Ossan rejecting his ideas, or does he really just not intend to participate in production...?
15 Name: 名無しのエリー[sage] 2008/03/26 20:50:41 ID:2MbXD7RmO
Ossan has it rough lol. We can tell Azuki doesn’t do phrasing, but Mochi, who worked hard as a studio musician, doesn’t either?
>1
If you extend this “otsu”...
16 Name: 名無しのエリー[sage] 2008/03/26 22:12:49 ID:5rijbV1t0
Ossan’s job is phrasing the instrumental parts, Yurippe handles the vocals, and Azuki handles phrasing the words.
300
名無しのエリー ｜ 2008/04/20 21:41 ｜ ID:Q1jlDHUR0
12 Name: 名無しのエリー[sage] 2008/03/26 19:17:19 ID:ccgzsBXI0
So the previous thread revealed that Mochi doesn’t do any phrasing either; his “you really worked hard here~” was just following Ossan’s phrase, huh ^^
Mochi can’t compete with Shimeji.
13 Name: 名無しのエリー[sage] 2008/03/26 19:27:30 ID:5rijbV1t0
Ossan came up with the phrase, and Mochi performed it with all the feeling he could muster lol
14 Name: 名無しのエリー[sage] 2008/03/26 19:45:57 ID:ccgzsBXI0
I haven’t heard it, so I don’t know, but Mochi’s solo is guitar pop, right?
Yet it’s weird that when he’s with Gane, Ossan handles the phrasing. There must be a lot of overlap. Does he think Ossan can come up with something better than he can himself, is Ossan rejecting his ideas, or does he really just not intend to participate in production...?
15 Name: 名無しのエリー[sage] 2008/03/26 20:50:41 ID:2MbXD7RmO
Ossan has it rough lol. We can tell Azuki doesn’t do phrasing, but Mochi, who worked hard as a studio musician, doesn’t either?
>1
If you extend this “otsu”...
16 Name: 名無しのエリー[sage] 2008/03/26 22:12:49 ID:5rijbV1t0
Ossan’s job is phrasing the instrumental parts, Yurippe handles the vocals, and Azuki handles phrasing the words.
301
名無しのエリー ｜ 2008/04/20 21:52 ｜ ID:Q1jlDHUR0
12 Name: 名無しのエリー[sage] 2008/03/26 19:17:19 ID:ccgzsBXI0
So the previous thread revealed that Mochi doesn’t do any phrasing either; his “you really worked hard here~” was just following Ossan’s phrase, huh ^^
Mochi can’t compete with Shimeji.
13 Name: 名無しのエリー[sage] 2008/03/26 19:27:30 ID:5rijbV1t0
Ossan came up with the phrase, and Mochi performed it with all the feeling he could muster lol
14 Name: 名無しのエリー[sage] 2008/03/26 19:45:57 ID:ccgzsBXI0
I haven’t heard it, so I don’t know, but Mochi’s solo is guitar pop, right?
Yet it’s weird that when he’s with Gane, Ossan handles the phrasing. There must be a lot of overlap. Does he think Ossan can come up with something better than he can himself, is Ossan rejecting his ideas, or does he really just not intend to participate in production...?
15 Name: 名無しのエリー[sage] 2008/03/26 20:50:41 ID:2MbXD7RmO
Ossan has it rough lol. We can tell Azuki doesn’t do phrasing, but Mochi, who worked hard as a studio musician, doesn’t either?
>1
If you extend this “otsu”...
16 Name: 名無しのエリー[sage] 投稿日：2008/03/26 22:12:49 ID:5rijbV1t0
Ossan’s job is phrasing the instrumental parts, Yurippe handles the vocals, and Azuki handles phrasing the words.
302
名無しのエリー ｜ 2008/04/20 22:06 ｜ ID:Q1jlDHUR0
12 Name: 名無しのエリー[sage] 2008/03/26 19:17:19 ID:ccgzsBXI0
So the previous thread revealed that Mochi doesn’t do any phrasing either; his “you really worked hard here~” was just following Ossan’s phrase, huh ^^
Mochi can’t compete with Shimeji.
13 Name: 名無しのエリー[sage] 2008/03/26 19:27:30 ID:5rijbV1t0
Ossan came up with the phrase, and Mochi performed it with all the feeling he could muster lol
14 Name: 名無しのエリー[sage] 2008/03/26 19:45:57 ID:ccgzsBXI0
I haven’t heard it, so I don’t know, but Mochi’s solo is guitar pop, right?
Yet it’s weird that when he’s with Gane, Ossan handles the phrasing. There must be a lot of overlap. Does he think Ossan can come up with something better than he can himself, is Ossan rejecting his ideas, or does he really just not intend to participate in production...?
15 Name: 名無しのエリー[sage] 2008/03/26 20:50:41 ID:2MbXD7RmO
Ossan has it rough lol. We can tell Azuki doesn’t do phrasing, but Mochi, who worked hard as a studio musician, doesn’t either?
>1
If you extend this “otsu”...
16 Name: 名無しのエリー[sage] 投稿日：2008/03/26 22:12:49 ID:5rijbV1t0
Ossan’s job is phrasing the instrumental parts, Yurippe handles the vocals, and Azuki handles phrasing the words.
303
名無しのエリー ｜ 2008/04/20 22:11 ｜ ID:Q1jlDHUR0
12 Name: 名無しのエリー[sage] 2008/03/26 19:17:19 ID:ccgzsBXI0
So the previous thread revealed that Mochi doesn’t do any phrasing either; his “you really worked hard here~” was just following Ossan’s phrase, huh ^^
Mochi can’t compete with Shimeji.
13 Name: 名無しのエリー[sage] 2008/03/26 19:27:30 ID:5rijbV1t0
Ossan came up with the phrase, and Mochi performed it with all the feeling he could muster lol
14 Name: 名無しのエリー[sage] 2008/03/26 19:45:57 ID:ccgzsBXI0
I haven’t heard it, so I don’t know, but Mochi’s solo is guitar pop, right?
Yet it’s weird that when he’s with Gane, Ossan handles the phrasing. There must be a lot of overlap. Does he think Ossan can come up with something better than he can himself, is Ossan rejecting his ideas, or does he really just not intend to participate in production...?
15 Name: 名無しのエリー[sage] 2008/03/26 20:50:41 ID:2MbXD7RmO
Ossan has it rough lol. We can tell Azuki doesn’t do phrasing, but Mochi, who worked hard as a studio musician, doesn’t either?
>1
If you extend this “otsu”...
16 Name: 名無しのエリー[sage] 投稿日：2008/03/26 22:12:49 ID:5rijbV1t0
Ossan’s job is phrasing the instrumental parts, Yurippe handles the vocals, and Azuki handles phrasing the words.
304
名無しのエリー ｜ 2008/04/20 22:11 ｜ ID:Q1jlDHUR0
12 Name: 名無しのエリー[sage] 2008/03/26 19:17:19 ID:ccgzsBXI0
So the previous thread revealed that Mochi doesn’t do any phrasing either; his “you really worked hard here~” was just following Ossan’s phrase, huh ^^
Mochi can’t compete with Shimeji.
13 Name: 名無しのエリー[sage] 2008/03/26 19:27:30 ID:5rijbV1t0
Ossan came up with the phrase, and Mochi performed it with all the feeling he could muster lol
14 Name: 名無しのエリー[sage] 2008/03/26 19:45:57 ID:ccgzsBXI0
I haven’t heard it, so I don’t know, but Mochi’s solo is guitar pop, right?
Yet it’s weird that when he’s with Gane, Ossan handles the phrasing. There must be a lot of overlap. Does he think Ossan can come up with something better than he can himself, is Ossan rejecting his ideas, or does he really just not intend to participate in production...?
15 Name: 名無しのエリー[sage] 2008/03/26 20:50:41 ID:2MbXD7RmO
Ossan has it rough lol. We can tell Azuki doesn’t do phrasing, but Mochi, who worked hard as a studio musician, doesn’t either?
>1
If you extend this “otsu”...
16 Name: 名無しのエリー[sage] 投稿日：2008/03/26 22:12:49 ID:5rijbV1t0
Ossan’s job is phrasing the instrumental parts, Yurippe handles the vocals, and Azuki handles phrasing the words.
305
名無しのエリー ｜ 2008/04/20 22:23 ｜ ID:Q1jlDHUR0
12 Name: 名無しのエリー[sage] 2008/03/26 19:17:19 ID:ccgzsBXI0
So the previous thread revealed that Mochi doesn’t do any phrasing either; his “you really worked hard here~” was just following Ossan’s phrase, huh ^^
Mochi can’t compete with Shimeji.
13 Name: 名無しのエリー[sage] 2008/03/26 19:27:30 ID:5rijbV1t0
Ossan came up with the phrase, and Mochi performed it with all the feeling he could muster lol
14 Name: 名無しのエリー[sage] 2008/03/26 19:45:57 ID:ccgzsBXI0
I haven’t heard it, so I don’t know, but Mochi’s solo is guitar pop, right?
Yet it’s weird that when he’s with Gane, Ossan handles the phrasing. There must be a lot of overlap. Does he think Ossan can come up with something better than he can himself, is Ossan rejecting his ideas, or does he really just not intend to participate in production...?
15 Name: 名無しのエリー[sage] 2008/03/26 20:50:41 ID:2MbXD7RmO
Ossan has it rough lol. We can tell Azuki doesn’t do phrasing, but Mochi, who worked hard as a studio musician, doesn’t either?
>1
If you extend this “otsu”...
16 Name: 名無しのエリー[sage] 投稿日：2008/03/26 22:12:49 ID:5rijbV1t0
Ossan’s job is phrasing the instrumental parts, Yurippe handles the vocals, and Azuki handles phrasing the words.
306
名無しのエリー ｜ 2008/04/20 22:24 ｜ ID:Q1jlDHUR0
12 Name: 名無しのエリー[sage] 2008/03/26 19:17:19 ID:ccgzsBXI0
So the previous thread revealed that Mochi doesn’t do any phrasing either; his “you really worked hard here~” was just following Ossan’s phrase, huh ^^
Mochi can’t compete with Shimeji.
13 Name: 名無しのエリー[sage] 2008/03/26 19:27:30 ID:5rijbV1t0
Ossan came up with the phrase, and Mochi performed it with all the feeling he could muster lol
14 Name: 名無しのエリー[sage] 2008/03/26 19:45:57 ID:ccgzsBXI0
I haven’t heard it, so I don’t know, but Mochi’s solo is guitar pop, right?
Yet it’s weird that when he’s with Gane, Ossan handles the phrasing. There must be a lot of overlap. Does he think Ossan can come up with something better than he can himself, is Ossan rejecting his ideas, or does he really just not intend to participate in production...?
15 Name: 名無しのエリー[sage] 2008/03/26 20:50:41 ID:2MbXD7RmO
Ossan has it rough lol. We can tell Azuki doesn’t do phrasing, but Mochi, who worked hard as a studio musician, doesn’t either?
>1
If you extend this “otsu”...
16 Name: 名無しのエリー[sage] 投稿日：2008/03/26 22:12:49 ID:5rijbV1t0
Ossan’s job is phrasing the instrumental parts, Yurippe handles the vocals, and Azuki handles phrasing the words.
307
名無しのエリー ｜ 2008/04/20 22:26 ｜ ID:Q1jlDHUR0
12 Name: 名無しのエリー[sage] 2008/03/26 19:17:19 ID:ccgzsBXI0
So the previous thread revealed that Mochi doesn’t do any phrasing either; his “you really worked hard here~” was just following Ossan’s phrase, huh ^^
Mochi can’t compete with Shimeji.
13 Name: 名無しのエリー[sage] 2008/03/26 19:27:30 ID:5rijbV1t0
Ossan came up with the phrase, and Mochi performed it with all the feeling he could muster lol
14 Name: 名無しのエリー[sage] 2008/03/26 19:45:57 ID:ccgzsBXI0
I haven’t heard it, so I don’t know, but Mochi’s solo is guitar pop, right?
Yet it’s weird that when he’s with Gane, Ossan handles the phrasing. There must be a lot of overlap. Does he think Ossan can come up with something better than he can himself, is Ossan rejecting his ideas, or does he really just not intend to participate in production...?
15 Name: 名無しのエリー[sage] 2008/03/26 20:50:41 ID:2MbXD7RmO
Ossan has it rough lol. We can tell Azuki doesn’t do phrasing, but Mochi, who worked hard as a studio musician, doesn’t either?
>1
If you extend this “otsu”...
16 Name: 名無しのエリー[sage] 投稿日：2008/03/26 22:12:49 ID:5rijbV1t0
Ossan’s job is phrasing the instrumental parts, Yurippe handles the vocals, and Azuki handles phrasing the words.
308
名無しのエリー ｜ 2008/04/20 22:32 ｜ ID:PNTv+oPk0
Stop it already!!
309
名無しのエリー ｜ 2008/04/20 22:59 ｜ ID:oALYd28eO
>296
The new release aside, the 3rd album really does sound different. With my setup, “Nogare no Machi” levels up a lot. The riffs and synth strings really come through.
The deranged, clingy tone is irresistible.
310
名無しのエリー ｜ 2008/04/20 23:01 ｜ ID:oALYd28eO
>308
Whatever, just leave it alone. They seem like a total nutcase (´･ω･｀)
311
名無しのエリー ｜ 2008/04/21 17:34 ｜ ID:zlH0+pzoO
My ¥24,000 headphones suddenly died earlier.
Maybe I listened to music too loudly for too long—the sound just suddenly went pop and stopped.
I got pissed and, without thinking, deliberately dropped the TV on the floor.
When I felt the TV hit the floor with a heavy thud, I suddenly came to my senses.
What the hell was I doing? This TV cost ¥150,000.
Luckily, there was a futon where it landed. I felt some impact, but there was no sound at all.
Thinking it probably wasn’t broken, I turned the TV on.
The picture works normally, but there’s no sound whatsoever.
This sucks. I broke the ¥150,000 TV too.
Come to think of it, it’s eerily quiet outside today...
Maybe I’ll go for a little walk to clear my head.
312
名無しのエリー ｜ 2008/04/21 17:42 ｜ ID:zlH0+pzoO
Keep the volume down.
【My Ears】★☆Headphone-Induced Hearing Loss☆★【Can’t Hear】
http://hobby11.2ch.net/test/read.cgi/av/1157354844/
313
名無しのエリー ｜ 2008/04/21 21:07 ｜ ID:d2HR/zSDO
You want a clear sound image and that sense of presence, after all. So you’ve got to be careful about that.
314
名無しのエリー ｜ 2008/04/22 10:49 ｜ ID:A6MOnX/I0
Feel free to add corrections or anything I missed.
6 Name: 名無しのエリー[sage] 2008/02/22 18:48:49 ID:ft8sMiRhO
>1
Otsu.
So you can’t post anymore, huh.
7 Name: 名無しのエリー[sage] 2008/02/23 00:58:30 ID:4lo2q1kPO
>1
If you extend this “otsu.”
Reading the self-notes, they’ve properly made room for the guitar and seem particular about the phrasing. Apparently they’ve built in chorus harmonies too, and it sounds like it’ll be varied without any imbalance in the sound, so I’m looking forward to it. The clear, clean thing is nice too.
8 Name: 名無しのエリー[sage] 2008/02/23 07:06:54 ID:s+3tUzo/O
I watched “Mou Ichido Waratte” on Nico Nico again, and this is totally a grower.
I’ve got even more to look forward to now.
9 Name: 名無しのエリー[sage] 2008/02/23 08:35:56 ID:7OPecADy0
“Mou Ichido Waratte” and “Saigo no Ritou” are already available early, but judging from the main thread and people’s reactions to the songs, “Namida~” doesn’t seem like it’ll stick out as much on this album as we feared.
Maybe they didn’t want to get trapped in the image of being suddenly evergreen, bright pop, or a dark, profound worldview.
10 Name: 名無しのエリー[sage] 2008/02/23 08:36:22 ID:7OPecADy0
>1
Heard only the sound of the wind, otsu.
315
名無しのエリー ｜ 2008/04/22 19:30 ｜ ID:lK9vRVxG0
Yep.
316
名無しのエリー ｜ 2008/04/22 19:36 ｜ ID:giEUq782O
Of course it’s a proxy.
317
名無しのエリー ｜ 2008/04/22 19:54 ｜ ID:m/BlEzNH0
>311
I thought it was a vertical acrostic.
This album is built around a fresh, breezy image, but the melodies are weirdly grandiose.
I wanted them to go for something delicate, like “Housekigyo.”
Well, I’d like the next one to try fusion＾＾ Maybe bring in Dimension or David.
318
名無しのエリー ｜ 2008/04/22 20:29 ｜ ID:bieRplzT0
I got restricted.
★080415 J-pop board “Yurippe” AA/quote copypasta spam report thread
http://qb5.2ch.net/test/read.cgi/sec2chd/1208252855/
>50 Zaru ★ 2008/04/22 19:25:45 ID:???0
>BBS_musicj_ipbf\d+kanazawa.ishikawa.ocn.ne.jp Restricted
>51 Noyaki ★ sage 2008/04/22 19:29:57 ID:???0
>>49
Thanks for your hard work. We burned the following:
>KHP059134217103.ppp-bb.dion.ne.jp <59.134.217.103>
319
名無しのエリー ｜ 2008/04/22 21:10 ｜ ID:olP0iNNpO
>317
That slightly dark, jazzy vibe is cool. Like “Dreaming.”
It would’ve been perfect if the drums hadn’t been programmed, though.
320
名無しのエリー ｜ 2008/04/22 21:13 ｜ ID:olP0iNNpO
>318
Otsu. Good work by the person who reported it.
Seriously, OCN users sure do have a lot of losers.
321
名無しのエリー ｜ 2008/04/22 21:38 ｜ ID:nf8Q9xaM0
Enough persecuting the OCN crowd already.
322
名無しのエリー ｜ 2008/04/23 01:57 ｜ ID:IODC27N40
Nice work, reporter!
323
名無しのエリー ｜ 2008/04/23 20:40 ｜ ID:lFQnUwMM0
For the next one, I’d like some loose programmed beats and twinkly synth leads like “Dreamin’,” with a jazzy vibe. A slightly adult feel would be nice too.
But if they seriously go down the jazz/fusion route, I won’t understand a thing, so I’ll be stuck lol.
324
名無しのエリー ｜ 2008/04/23 21:20 ｜ ID:G9sJJhM1O
Since Ossan likes Style Council and ETBG, there’s a chance he might incorporate some light jazz.
325
名無しのエリー ｜ 2008/04/23 21:26 ｜ ID:HH8VN8O8O
That would kind of bring GARNET CROW back to its neo-acoustic roots.
326
名無しのエリー ｜ 2008/04/23 21:54 ｜ ID:G9sJJhM1O
I mean, since they’ve deliberately gone with a setup centered on programmed music, they should keep mixing in more genres made for programming. I’d also be into a cyber sound aiming for Björk’s fantastical pop.
327
名無しのエリー ｜ 2008/04/23 22:16 ｜ ID:sYDeWy//0
>326
Nika is a no-go. Don’t go into nika.
328
名無しのエリー ｜ 2008/04/23 23:36 ｜ ID:PkX/ulo70
I want to hear Ossan’s AOR sound.
329
名無しのエリー ｜ 2008/04/24 16:43 ｜ ID:wJ+poEnqO
>326
R&B aside, electronica seems like something Ossan probably can’t pull off, so let’s go cyber again.
330
名無しのエリー ｜ 2008/04/24 22:22 ｜ ID:UqOaa2fr0
House-style rhythm tracks might actually work pretty well. Something like Utada.
Well, they don’t have to fixate on a genre... The fact everyone’s bringing up “cyber” makes me think nobody’s asking for anything too serious lol.
With Gane lately, they seem weirdly conscious of being a band, and the low-cost programmed sound feels like it’s holding them back. But just because they use programming doesn’t mean they should force more and more programming-centered genres into it either.
331
名無しのエリー ｜ 2008/04/24 22:37 ｜ ID:UqOaa2fr0
The first album is still where the programmed sound came together the coolest, though... It had this irresistible cool, breezy feel.
332
名無しのエリー ｜ 2008/04/25 17:22 ｜ ID:Kvn5R37wO
Ossan is composing a single for Kyoko Shiraishi.
It’s a dance track. You can preview “again” in all sorts of places, so give it a listen.
Though Kyoko Shiraishi already had this image of copying the previous release, so I’m kind of wary... It was just too awful.
333
名無しのエリー ｜ 2008/04/25 17:39 ｜ ID:zEaD49BpO
That’s the kind of stuff Being produces. Shiraishi was probably copying whatever scene looked profitable, but the way they’re pushing her is awful, it’s nowhere near the original, and now the original itself has entered a slump lol.
Come to think of it, there was a Perfume copy too. I wonder who the arranger in charge was.
334
名無しのエリー ｜ 2008/04/25 20:40 ｜ ID:V8Pa6e650
Kaori Hirata, right? She’s got some nerve taking on Yasutaka Nakata. The arrangement is riding on him completely. Though without the ability to make it flow, it’s meaningless lol.
The chorus work, hi-hat work, and cheap Famicom-like tones are all there. Yasutaka Nakata’s arrangements obsess over the details, so we’ll see how long Being’s copy can keep up.
335
名無しのエリー ｜ 2008/04/25 20:50 ｜ ID:Kvn5R37wO
>333
It’s way worse than that lol. It got all the way to the brink of a lawsuit, and a plagiarism thread was even started about it in 2ch’s Geispo board.
Google it.
Kaori Hirata:
Lyrics: Shinichiro Yamashita
Composition/arrangement: Takeshi Arai
Sales: 385 copies.
336
名無しのエリー ｜ 2008/04/25 22:15 ｜ ID:zEaD49BpO
Hirata, huh. Thanks for the info. Apparently the arranger has worked with Aiuchi too.
The album will definitely expose the cracks. If they’re going to copy it completely, they need to throw in some hardcore or dance music too.
337
名無しのエリー ｜ 2008/04/26 01:51 ｜ ID:iBYg/h1oO
I’m still dubious about Being not only copying things, but also mass-producing genres like jazz and bossa nova.
338
名無しのエリー ｜ 2008/04/27 18:09 ｜ ID:tGEXySM70
Maybe they were even trying to pick up the niche audience with jazz and bossa nova?
The only one who succeeded through Being’s copying and jumping on a boom was Kuraki, back when the media could still hype things up. Though in Kuraki’s case, the songwriting and arranging teams were stacked, and she was actually pretty good amid all that trend-chasing.
339
名無しのエリー ｜ 2008/04/27 18:16 ｜ ID:tGEXySM70
>335
It’s depressing that even if they copy it, only GIZA otaku will buy it.
Being should copy Shuuchishin instead of Perfume lol.
340
名無しのエリー ｜ 2008/04/27 19:46 ｜ ID:sA17/wduO
The Ninnaji DVD is coming out, but the DVD that came with LOCKS has awful noise. The wind keeps going bzz-bzz.
Do you think they can do anything about it?
341
名無しのエリー ｜ 2008/04/27 20:25 ｜ ID:fC9W1INPO
Ninnaji, huh. So we get the most stable live show possible: strings plus an unplugged setup. Apparently the uptempo songs came out kind of iffy, though.
342
名無しのエリー ｜ 2008/04/27 21:12 ｜ ID:mP6q2UbA0
The Ninnaji arrangements and Yurippe’s voice were great.
I’m really looking forward to hearing Nana’s piano on “cried a little” and “pray.”
Their technique is clumsy, but every now and then they play in a way that really gets me, which I love.
343
名無しのエリー ｜ 2008/04/28 16:29 ｜ ID:cDPkbb2+O
Nana-sama’s voice makes my headphones react:
“ka(bon)sual na ka(bon)n… (bon)”
Ossan’s voice barely gets a reaction, lol.
344
名無しのエリー ｜ 2008/04/28 20:05 ｜ ID:/MVJa0Lo0
Nana is sometimes late coming in and drifts off the rhythm here and there.
But that’s what makes it good. Ossan could do it all by himself with synth tones, but without Nana’s playing it feels lacking.
By the way, do you think strings should always be included?
Ossan’s synth often gets buried. Sometimes I can’t even tell where the synth strings are in “Yumemita,” for example.
At the fan event, Nana’s grand piano tone and Kamei’s percussion almost completely drowned them out.
345
名無しのエリー ｜ 2008/04/28 21:01 ｜ ID:O9+4ozXy0
>343
I guess a temple counts as “casual” to Nana-san.
What headphones are you using? I’m looking for something where the programmed parts and Yurippe’s voice come through clearly.
>344
Ossan’s synth definitely gets buried.
Still, the sound has a lot more depth with a string section. I almost want them to bring back a chorus section too.
346
名無しのエリー ｜ 2008/04/28 21:55 ｜ ID:51+RVtNQO
Maybe the PA’s volume balance is crap, or maybe that’s just how it’s designed.
During “Towa Bare,” Kurose’s drums stood out and the synth was pretty weak.
347
名無しのエリー ｜ 2008/04/29 09:15 ｜ ID:JcRJFUXu0
The fan-event venue should have been fine acoustically, since it was a live venue to begin with.
>345
For something with a solemn, relaxed feel like “The Color of Sunflowers,” grand strings fit perfectly. But for chilly songs like “The Whiteness of This Winter” and “Cold Shadow,” Ossan’s synth strings might suit them better.
348
名無しのエリー ｜ 2008/04/29 13:26 ｜ ID:c7l8koj0O
>345
Sennheiser HD650.
They don’t bring out Yurippe’s voice very much.
RS-1 or the Ultrasone e9 might be better.
349
名無しのエリー ｜ 2008/04/29 16:02 ｜ ID:JcRJFUXu0
Something in the same family, like the SENNHEISER HD595, might bring out the vocals’ clarity.
With Gane, you want to bring out the delicate resonance of the vocal parts, piano, and synths nicely. Especially the bass line—I don’t need extra thickness.
350
名無しのエリー ｜ 2008/04/29 18:47 ｜ ID:M8265hemO
Surprisingly, this album might be interesting with bass-heavy headphones like the ones used for melodic hardcore or metal.
351
名無しのエリー ｜ 2008/04/30 03:37 ｜ ID:L2Qnqtc60
Was it the Pioneer one? The one Nana-san uses in the PV.
Half of me wants it just because of the fanboy factor—how does it sound?
I want something for monitoring.
Honestly, I’d like to try listening with the Ashida ST-31, but they don’t sell it anymore, huh.
352
名無しのエリー ｜ 2008/04/30 18:11 ｜ ID:EL6eN0GM0
>351
It looks like it’s in the catalog at http://www.ashida.co.jp/.
I don’t know much about Pioneer. Apparently the SE-MONITOR 10R isn’t very good.
I hear good things about the SE-A1000, and even the audiophile reviews like it.
353
名無しのエリー ｜ 2008/04/30 18:51 ｜ ID:GlEz8Imt0
The SE-A1000 seems easy to listen to overall, with fairly strong bass, clear sound, and evenly defined notes.
I’m glad to hear it apparently reproduces programmed music well.
With recent releases, I’d rather have the rhythm tracks upfront than focus on vocal gloss.
354
名無しのエリー ｜ 2008/04/30 20:29 ｜ ID:sOpd1OGHO
Some people say headphones in the ¥10,000–¥20,000 range are nothing special, but what on earth is the sound quality like beyond that point?
355
名無しのエリー ｜ 2008/04/30 21:53 ｜ ID:chOJN2J1O
I own the HD650 (bought it for a little over ¥40,000), and it was incredible because it paired well with my headphone amp.
The bass and treble both come through properly, and sounds that used to be buried become clear.
There are plenty of good headphones in the ¥10,000–¥20,000 range. They don’t feel mediocre at all.
But if you’re listening at home with headphones under ¥10,000, you’re better off buying ones over ¥10,000. Cheap headphones aren’t good for your ears, since they sound muffled and make you turn the volume up.
In the long run, buying headphones over ¥10,000 is cheaper.
Well, there’s no end once you start looking higher. There’s also the STAX 007, which costs ¥300,000.
Since you can’t exactly play GARNET CROW songs in a demo-listening area, asking a bunch of people for advice in a thread like this might actually be a good idea.
356
名無しのエリー ｜ 2008/04/30 22:20 ｜ ID:chOJN2J1O
Besides the HD650:
PortaPro
The bass is incredible. Is that the sound they’re going for?
Doesn’t suit GARNET CROW.
ATH-A900
It’s been sitting in the closet since I bought the HD650.
The ATH-A900 sounds a little clearer. GARNET CROW is pretty listenable on it.
If you’re buying this, apparently the DR150 is better.
357
名無しのエリー ｜ 2008/05/01 01:14 ｜ ID:LayymQZpO
There are plenty of models around ¥10,000–¥20,000 that can handle everything from classical to pop reasonably well. For the average person, that’s already the finished product.
358
名無しのエリー ｜ 2008/05/01 16:06 ｜ ID:MdnFJJ39O
Sorry to interrupt the flow.
I want to sing and play “Last Love,” so I’m thinking about starting guitar. How difficult is “Last Love”?
All I have at home is an acoustic guitar I bought a few years ago lol.
359
名無しのエリー ｜ 2008/05/01 23:35 ｜ ID:LayymQZpO
You might struggle with the arpeggio in the intro.
360
名無しのエリー ｜ 2008/05/02 00:16 ｜ ID:whS11/3h0
>358
It’s easy enough that even a beginner can learn it by ear without much trouble.
361
名無しのエリー ｜ 2008/05/02 18:28 ｜ ID:djz8Evy/0
Singing “Last Love” is hard. It’s manageable if you lower the key a bit, but the weird development after the solo is rough.
Gane’s forced modulations and developments are brutal.
Compared to that, “Atsumeru” is so easy＾＾ The range only goes up to hiB, and the song’s flat and easy.
362
名無しのエリー ｜ 2008/05/03 01:53 ｜ ID:ZcKDYQ8XO
Yurippe is the queen of key changes, and she’ll hit you with difficult developments. That’s why even she has parts where she can’t sing it perfectly.
363
名無しのエリー ｜ 2008/05/03 08:37 ｜ ID:M8oBPUqO0
With ZARD and Saegusa too, the actual recipients of the songs barely show any appeal.
They’re probably less “provided songs” and more like stock tracks that had already been made.
364
名無しのエリー ｜ 2008/05/03 16:31 ｜ ID:eh19KdMuO
>363
Apparently Saegusa’s song got good reviews.
Still, it goes without saying that Yurippe should sing it instead.
365
345 ｜ 2008/05/03 19:19 ｜ ID:LA35aVMJ0
I’m #345. Thanks for all the advice!
I went to Akihabara today to listen to some headphones, and bought the ULTRASONE Edition 9 that >348 recommended!
The deciding factor was this review I found on a site:
> You can even hear a female vocalist’s breathing, which used to be hard to hear, and it’s kind of sexy.
It goes well with female vocals and synths, too. I can’t hear any moaning yet, though.
Later!
366
名無しのエリー ｜ 2008/05/03 20:53 ｜ ID:ZcKDYQ8XO
>363
Iwata is kind of mediocre too. The fairytale-like worldview might fit, maybe, but Sakai doesn’t seem able to keep up with how complex the songs are.
367
名無しのエリー ｜ 2008/05/04 09:13 ｜ ID:/NGli1A40
Huh? I haven’t heard it, but is Iwata’s song arranged with live instruments? Gane has Carutani on drums and Ohashi on bass.
>365
I’ve got the HD650 mentioned above, but I can’t deny that Yurippe’s vocals feel a little left behind.
Listening to the 1st album really makes you realize how important the vocal parts are.
368
名無しのエリー ｜ 2008/05/04 16:06 ｜ ID:qaP10DON0
Even so, couldn’t they add more piano scores for GARNET?
A band that splits the work between synth and piano is pretty rare in Japan (even setting the support members aside), so I feel like keyboard players should be more into them.
369
名無しのエリー ｜ 2008/05/04 16:48 ｜ ID:WBSwq+qkO
Even with double keyboards, what they do isn’t really different from one normal keyboard player...
Back then I wondered why a neo-acoustic group needed two keyboardists. I figured the double lineup meant they could handle more difficult genres.
370
名無しのエリー ｜ 2008/05/04 21:14 ｜ ID:8NPOtpcY0
It sure is comfortable here without the troll.
Seriously grateful to the reporter.
371
名無しのエリー ｜ 2008/05/05 00:42 ｜ ID:5urJ18wI0
Why does listening to “Yuudachi no Niwa” calm me down so much?
I don’t think it has any particularly special sound design or melody, but just hearing the intro of this song seems to lower my heart rate in a good way.
Oh, “Sekai Mawamo” too, I guess.
Do certain tones have effects like that?
372
名無しのエリー ｜ 2008/05/05 01:51 ｜ ID:DgVuz9HyO
Definitely. Synth pads and strings feel transparent and clean, and “Aichou” and “Sekai” really make good use of them.
As for strings, I’m completely on the synth-tone side except at live shows where the sound gets buried.
373
名無しのエリー ｜ 2008/05/05 02:02 ｜ ID:DgVuz9HyO
I think the early arrangements had a lot of expressive power.
They always give you a vivid feeling, whether it’s a peaceful landscape or a refreshing breeze.
374
名無しのエリー ｜ 2008/05/05 20:25 ｜ ID:BBqxfdKJ0
The synth strings in “The Whiteness of This Winter” and “Timeless Sleep” have something like the cool-mint effect of Frisk.
Sound can evoke all kinds of things, huh.
375
名無しのエリー ｜ 2008/05/06 01:41 ｜ ID:dsE49VshO
I haven’t been here in a while, but it’s great that the troll is gone.
Though I guess the thread has gotten a little quieter in exchange? The main thread is almost dead too, so I suppose this is normal.
Anyway, changing the subject—I wanted to ask, or maybe just throw out a topic: the recommendation list hasn’t changed since then, but has anyone actually gone out and rented or bought anything because they were curious?
I’d like to hear about it, even if it’s just one person.
376
名無しのエリー ｜ 2008/05/06 11:27 ｜ ID:HP/cp6avO
I bought The Back Horn. If the recommendation list hadn’t been there, I probably never would’ve discovered them, so it was really helpful.
377
名無しのエリー ｜ 2008/05/06 12:08 ｜ ID:DcipOkNA0
Same here. I bought The Back Horn too.
They seemed to have a best-of album out, so I tried that first. I also borrowed “Ningen Program.”
The best-of had some tracks for casual listeners, but “Ningen Program” is incredibly heavy...
Lots of songs with vivid depictions of war, life and death, and so on.
It’s a different kind of worldview from Gane’s, but I’m into this sort of thing.
378
名無しのエリー ｜ 2008/05/07 17:42 ｜ ID:R5+txcHeO
Now I kind of want to rent The Back Horn.
379
名無しのエリー ｜ 2008/05/07 19:49 ｜ ID:gsc+yRUhO
The Back Horn has been pretty tame lately, though. It feels like they made a comeback with that Gundam tie-in.
Apparently Gundam fans really hated that song.
380
名無しのエリー ｜ 2008/05/07 22:40 ｜ ID:VlRazZha0
http://jp.youtube.com/watch?v=LTUDhaOdg3o&feature=related
This one? I don’t dislike it, but it’s a little earthy, and I can’t deny it’s somewhat cheesy.
Still, the riff is cool, and the inorganic tremolo after the A melody is nice.
Not sure whether it’ll work for people who like Gane.
That vocals-from-the-gut delivery reminds me of Elecashi.
381
名無しのエリー ｜ 2008/05/07 22:44 ｜ ID:VlRazZha0
Well, this song really does feel like Elecashi.
A lot of the others sound kind of similar, though.
382
名無しのエリー ｜ 2008/05/07 22:55 ｜ ID:RvTMrEqdO
I can’t really get into these sing-from-the-gut types—they feel kind of Dango-ish.
N-not that Yurippe doesn’t sing from the gut or anything (ry
383
名無しのエリー ｜ 2008/05/08 00:54 ｜ ID:vvXRnbjdO
I’m someone who prioritizes lyrics, so I’m curious which GARNET song the sound-focused people in this thread like best.
Maybe asking the obvious “what’s your favorite song?” question is too cliché.
384
名無しのエリー ｜ 2008/05/08 01:39 ｜ ID:YsTXUGoPO
The thread’s already dead enough, so go ahead and throw out topics.
Picking a number-one favorite is hard. Some songs have strong sound imagery that works together with the lyrics, while others just sound great on their own.
385
名無しのエリー ｜ 2008/05/08 01:42 ｜ ID:YsTXUGoPO
The fact that people here bring up The Back Horn makes it seem like a lot of them pay close attention to lyrics too.
386
名無しのエリー ｜ 2008/05/08 09:32 ｜ ID:Vbr5eH7fO
I like lyrics like “Kaze to RAINBOW,” but Nana seems to prioritize fitting words to the melody, so I try not to overthink it.
387
名無しのエリー ｜ 2008/05/08 17:53 ｜ ID:pnF8yfjC0
>382 >383
This is unrelated, but aren’t the lyrics to The Back Horn’s “Wana,” linked above, pretty good?
http://music.goo.ne.jp/lyric/LYRUTND57235/index.html
If you consider every aspect of the sound and lyrical expression, “Sky,” “Mizu no Nai Hareta Umi e,” “Marine,” and “Seichi” are absolutely the best.
388
名無しのエリー ｜ 2008/05/09 00:26 ｜ ID:53pBh5RCO
“Sekai wa Mawaru to Iu Keredo” is the best.
“Blue no Mori” had good lyrics, but the song itself was kind of meh. This one elevates that allegorical quality into higher poetry, and the song is great too. Nothing to complain about.
389
名無しのエリー ｜ 2008/05/09 01:51 ｜ ID:pOND+4ok0
The 6th album was honestly kind of meh.
The singles were weak.
390
名無しのエリー ｜ 2008/05/09 02:53 ｜ ID:VQtub0AAO
I skip “Mou Ichido Waratte,” but everything else is pretty decent.
There isn’t really one track that stands out, though.
391
名無しのエリー ｜ 2008/05/09 03:01 ｜ ID:iNmuURf3O
I really like “Sekai,” too.
It pulls me in from the intro...
But my favorite is probably “Last Love.”
Everything about it is god-tier.
392
名無しのエリー ｜ 2008/05/09 18:47 ｜ ID:awe9GQtBO
The early period had tons of god-tier songs like “Sky,” “Mizu no Nai...,” and “A CROWN.”
Kind of late to say it now, though.
393
名無しのエリー ｜ 2008/05/09 22:00 ｜ ID:afKtNz8k0
For me, “Sekai...” was one where I thought “Ossan, GJ!”—Ossan really carried the song.
The way the pads come in is just too perfect.
Yurippe’s melodies feel like one of the bad trends in recent years.
>380
I think prettier names go over better with Gane fans.
http://jp.youtube.com/watch?v=rl71XFumXLo
Among the artists on the list, I’d push Kumaki over The Back Horn.
394
名無しのエリー ｜ 2008/05/10 12:03 ｜ ID:cx9BcbLYO
Sorry to cut in, but what does this thread think of “Nakena’i Yoru mo Nakanai Asa mo”?
It’s my favorite GARNET song.
395
名無しのエリー ｜ 2008/05/10 12:12 ｜ ID:uxfusMnBO
The lyrics have a whiff of Spitz, but I like it too. It feels like the quintessential Gane.
When I sing it at karaoke, I can never figure out how to come in on the chorus.
396
名無しのエリー ｜ 2008/05/10 16:04 ｜ ID:wCcesa+7O
The synth bass gives it a nice flavor. It’s just not a particularly memorable song.
Do the lyrics sound like Spitz? I can see it with “Jewel Fish” and “Aomori,” but...
397
名無しのエリー ｜ 2008/05/10 18:33 ｜ ID:eonQaTON0
Aomori lol.
I don’t know what the thread thinks, but I like it.
When I’m too tired to listen to overly cheerful songs, it gives me a boost.
>394
Do you like the lyrics, the sound, or the song itself?
398
名無しのエリー ｜ 2008/05/10 19:12 ｜ ID:bnabXO6l0
>396
If you’re going to mention Aomori, at least write “Housekigyo” lol.
Looking back, adding sampled male rap was pretty innovative. And the scratch sounds running through the whole song are nice too.
The chorus and the transition into it are a little weak, though. I’ll probably skip it a lot when listening to the album as a whole lol.
399
名無しのエリー ｜ 2008/05/10 21:11 ｜ ID:wCcesa+7O
Ah, “Housekigyo,” right lol.
400
名無しのエリー ｜ 2008/05/10 23:02 ｜ ID:cx9BcbLYO
>397
I like the whole thing, but if I had to pick one part, it’d be the song itself.
The intro grabbed me completely.
401
名無しのエリー ｜ 2008/05/11 01:36 ｜ ID:klBUFsm9O
For the 3rd album, it’s definitely “Nogare no Machi” for me. I love the gothic-metal feel.
The riff is cool too.
402
名無しのエリー ｜ 2008/05/11 02:20 ｜ ID:Dk5gvn8XO
“Marionette” by a mile.
Everything about it is great lol.
“Nogare no Machi” is probably second.
403
名無しのエリー ｜ 2008/05/11 13:43 ｜ ID:XA08Er0WO
The lyric “ah—hontou wa aru” in “Only Stay” sounds like:
“Ah, the stupid faction, aah☆”
404
名無しのエリー ｜ 2008/05/11 18:32 ｜ ID:qFGNKfnI0
The misheard-lyrics segment has begun.
405
名無しのエリー ｜ 2008/05/11 20:48 ｜ ID:yc95eVpD0
But it doesn’t work when the content makes no sense lol.
>401
“Nogare no Machi” is great, yeah. If I had one wish, I’d have liked it to be longer. Around that time, Yurippe explained that Evanescence made Gane sound more intense, didn’t she?
Evanescence is as mainstream as it gets, but the conversation has expanded this far from the early neo-acoustic talk. Gane really covers a huge range of genres.
We probably won’t see another Being act whose changing directions are this fun to follow.
406
名無しのエリー ｜ 2008/05/11 21:09 ｜ ID:XA08Er0WO
>403
Sorry for the dumb post. But it really did sound that way to me.
For the 3rd album, I like “Only...” best, followed by “Nakena’i...”
I like the lyrics of both.
Also, the non-live disc of the 5th-anniversary two-disc live DVD has a few interviews and PVs, kind of like a music-show ranking segment. When I saw it, it made me want to watch the full “Marionette Fantasia.”
Sorry for the long post.
407
名無しのエリー ｜ 2008/05/11 21:33 ｜ ID:qFGNKfnI0
>406
Sorry for teasing you too. I didn’t mean anything by it.
I feel like the lyrics got stronger starting with the 3rd album. They said that somewhere themselves, too.
I like how the sound in the chorus of “Nakena’i...” seems to climb.
The puppet-show-like PV for “Marionette Fantasia” is great. I wish they made more PVs like that.
For some reason, listening to “Only Stay” always makes me think of DAI’s “D/N/A.” It’s not that they sound alike at all, though.
408
名無しのエリー ｜ 2008/05/11 21:56 ｜ ID:klBUFsm9O
I don’t know what that song sounds like, but DAI did have a depressing song called “Kagaku no Yoru,” right?
Was it an anti-war song about the world ending in a bombing? I liked how it had more of a message than the clumsy peace songs people usually make.
Sorry for suddenly jumping in.
409
名無しのエリー ｜ 2008/05/12 01:51 ｜ ID:BnhASCQt0
I used to skip the singles on the 3rd album pretty often.
Back then I played the singles on heavy rotation, so when I bought the album I wanted to hear the other album tracks first. The singles are conveniently clustered together, too.
Personally, “Nakena’i Yoru mo Nakanai Asa mo” is only worth it as a set with “For south.”
By the way, have you ever had the experience of a song you’ve listened to over and over suddenly feeling like you’re hearing it for the first time?
The feeling goes away pretty quickly, though.
410
名無しのエリー ｜ 2008/05/12 20:35 ｜ ID:xEfgQn7V0
The works I used to listen to constantly can feel fresh again if I leave them untouched for a long time and come back to them.
>405
Some songs have a mystical feel that brings gothic music to mind, like “Nogare no Machi,” while others are acoustic songs that evoke nostalgia, like “Wasurezaki.”
411
名無しのエリー ｜ 2008/05/12 20:43 ｜ ID:xEfgQn7V0
Speaking of “Wasurezaki,” it might be fun to make a “Sunadokei” MAD with it.
>408
And for anti-war songs, there’s “Yotaka no Yume” too.
“Rakuen” is boring, though.
412
名無しのエリー ｜ 2008/05/12 23:04 ｜ ID:byF+oDRxO
“Yotaka no Yume” is an absolute masterpiece.
Late-period DAI was boring, but that one is in a class of its own.
413
名無しのエリー ｜ 2008/05/13 00:02 ｜ ID:rBtNrOoF0
>409
Maybe it’s different from what you mean, but for some reason I never get used to “Eien ni Houmure,” no matter how many times I hear it.
It’s not exactly that I don’t get bored—it keeps feeling fresh.
>411
“Kagaku no Yoru” was the nuclear-bomb song, right? “Yotaka” was the bomber song.
Both sing about the tragedy from a slightly detached viewpoint.
DAI gets brought up a lot on this board, but I feel like Dai Nagao’s melodies have something in common with Yurippe’s songs.
414
名無しのエリー ｜ 2008/05/13 01:07 ｜ ID:n/FJsfVSO
When bringing up anti-war songs or war, it’s more convincing to depict the tragedy and the feelings of the people caught in it than to sing about peace directly.
Anyway... changing the subject, the artists on the recommendation chart tend to have somewhat cryptic lyrics or complicated themes.
Even though they were picked pretty randomly, it feels like Gane fans are surprisingly consistent.
415
名無しのエリー ｜ 2008/05/13 01:51 ｜ ID:MVG6Lbl0O
Among the artists on the recommendation chart, I like the brilliant green and Spitz.
I got into both of them through their lyrics.
Among artists not on the chart, I listen to Suga Shikao, Superfly, THE ALFEE, and PaniCrew. Once again, a lot of the artists I like are ones I got into for their lyrics.
Sorry for talking about myself.
With GARNET CROW, Nana says in various places that she “turns what the song wants to say into lyrics,” and I think that makes the idea of “lyrics existing because the song comes first” stand out more strongly here than with other artists.
Among non-singles, my favorites are “Pray,” “Nogare no Machi,” “Tatoeba 12-gatsu...,” “Kakurenbo,” “Mawarimichi,” and “Saigo no Ritou.”
Sorry for the long post.
416
名無しのエリー ｜ 2008/05/13 02:19 ｜ ID:yF6KZGZcO
I think Nana’s talent for understanding what a song is trying to express and then writing lyrics that good is incredible.
Is it overstating things to say that GARNET CROW’s strengths depend on Nana?
417
名無しのエリー ｜ 2008/05/13 08:21 ｜ ID:hziwodpf0
>416
Obviously Nana’s lyrics are great.
I also think Ossan’s arrangements are quietly incredible.
Of course, none of it works without Yurippe’s compositions!
418
名無しのエリー ｜ 2008/05/13 14:31 ｜ ID:F1yeACfv0
Mochi... (´・ω・｀)
419
名無しのエリー ｜ 2008/05/13 14:58 ｜ ID:dzePGovVO
That made me laugh.
420
名無しのエリー ｜ 2008/05/13 15:07 ｜ ID:Ovr2vRDCO
About four years ago, there was someone on an AOR thread (or maybe it was a synth thread) using a face like the one Ossan uses.
When recording came up, they carefully explained everything after prefacing it with “I work as a professional musician.”
People challenged them, but they still gave proper explanations, lol. The Japanese-music boards have lots of self-proclaimed pros, but the Western-music and instrument boards have a lot of real ones. Everyone pushes back, and it turns into a music discussion in the end. The self-proclaimed pros on the Japanese-music boards just disappear when challenged lol.
Also, Mochi is definitely reading this thread.
I was talking about The Cardigans’ “Gran Turismo” before, and it got used on PassPara the following week lol.
There’s no way that song was a coincidence hahaha.
421
名無しのエリー ｜ 2008/05/13 15:54 ｜ ID:v2f7g+k60
The Cardigans — Gran Turismo
http://jp.youtube.com/watch?v=BLKlIvExuvM
http://jp.youtube.com/watch?v=lnFB7dqe9vo&feature=related
http://jp.youtube.com/watch?v=8nGuhK5oVs0
Their popularity dropped with this album, but should I add them to the recommendations?
“Life” probably won’t click with GARNET fans, though it might work for people who like “Aoi Tori.”
422
名無しのエリー ｜ 2008/05/13 18:57 ｜ ID:MVG6Lbl0O
Good evening, Hitoshi Okamoto~
(。・ω・)ノ
423
名無しのエリー ｜ 2008/05/13 22:04 ｜ ID:QTdCJ6UD0
Come to think of it, Mochi once posted a screenshot of his desktop on the official diary, and part of it was mosaicked.
There’s no way he was using a 2ch browser, right? lol
424
名無しのエリー ｜ 2008/05/14 01:07 ｜ ID:eHVrKNZXO
>421
It’d be a little much for everyone to independently add and post things, so maybe we should compile them and put them in the next thread—or add them once the discussion around them has taken shape.
I get that they’re all useful as references, but which one is the most popular with the regulars?
425
名無しのエリー ｜ 2008/05/14 01:08 ｜ ID:eHVrKNZXO
>423
A dedicated 2ch browser lol I’m dead.
426
名無しのエリー ｜ 2008/05/14 02:33 ｜ ID:P75IrushO
>424
Do As Infinity / BREAK OF DOWN
ACIDMAN / equal
THE BACK HORN / Ningen Program
These seem pretty popular, judging from the posts so far. I don’t own The Back Horn yet, but I’m planning to rent them next time.
Before they made it onto this recommendation chart, I actually had a bad impression of The Back Horn.
“Sekai wa Mawaru to Iu Keredo” and “Wana” came out on the same day, and I strongly associated it with “Gundam theme song? GARNET CROW’s enemy!” lol
427
名無しのエリー ｜ 2008/05/14 19:34 ｜ ID:yz6bdirp0
>426
They’re all releases that are popular with their respective fanbases.
ACIDMAN’s “and World” is hard to leave out, too. The Back Horn’s “Shinzou Orchestra” is good as well. I definitely prefer The Back Horn’s early stuff.
Right, “Wana” was #10 and Gane’s “Sekai...” was #11.
I bought both, so I’m a winner＾＾
428
名無しのエリー ｜ 2008/05/14 19:58 ｜ ID:ZXYTVe/VO
>426
I’m terribly sorry to make this personal, but I personally dislike every one of those artists.
Looking at the whole chart:
Dislike 6 / Don’t know 2 / Not interested 1 / Like 1
I know this is extremely personal, but I wanted you to know that there are warped people like me too.
429
名無しのエリー ｜ 2008/05/14 20:25 ｜ ID:yz6bdirp0
>428
Then tell us which artists you like.
We can use it as a reference for the chart in the next thread.
430
名無しのエリー ｜ 2008/05/14 20:46 ｜ ID:ZXYTVe/VO
>429
Personally:
DREAMS COME TRUE
w-inds.
PaniCrew
Suga Shikao
Tommy heavenly6
Those are the ones I listen to.
By the way, I overlap a little with the person in >415, but I’m a different person.
431
名無しのエリー ｜ 2008/05/14 22:54 ｜ ID:yz6bdirp0
>430
Other than Suga, none of those artists seem to have any especially strong quirks individually.
And you dislike six artists on the chart? Well, I’m only looking at DREAMS COME TRUE and w-inds. from the general public’s perspective.
432
名無しのエリー ｜ 2008/05/15 00:57 ｜ ID:uQtLxQAO0
>428
Applause for being the mature one. Even when you write basically the same thing, the way you phrase it can sour the atmosphere.
By the way, could you tell us what you like about Gane too, for reference?
I don’t think songs and artists you like necessarily have to share common traits, so only if you don’t mind.
433
名無しのエリー ｜ 2008/05/15 01:33 ｜ ID:6eUKuzbLO
>432
What I like about Gane...
It all started when I saw them on TV for the first time (Mステ, “Bokura dake no Mirai”). I simply thought they were cool-looking people (I think Yurippe was playing keyboard).
Then I completely got hooked by the 4th album.
As for what specifically I like:
Obviously, the lyrics.
And I think every song is well-balanced. Even songs I don’t like that much never tire me out when I listen to them...
The intros, interludes, and endings are all excellent too.
At the end of the day, I like everything (汗).
One last thing. I said they don’t tire me out when listening, but they don’t tire me out visually either. This is me being completely selfish, but sometimes I don’t dislike a song, yet when an artist appears on a music show and I watch them perform or sing, I end up thinking, “I don’t like this.”
I never get bored watching Gane.
That’s about it.
Sorry for the messy, long post.
434
名無しのエリー ｜ 2008/05/15 18:10 ｜ ID:AyYCf6WC0
>(Yurippe seemed to be playing keyboard.)
That’s a misunderstanding.
Yurippe playing keyboard is pretty rare—probably only at Pan Live. You should be able to watch it on Nico Nico.
If you never get tired of watching GARNET and you don’t own the DVDs, buy them!
Also, is the “Dislike 6 / Don’t know 2 / Not interested 1 / Like 1” ratio really right?
A ratio where you know 7–8 of the artists on the chart seems hard to believe. A hardcore GARNET fan knows the members’ favorite artists and the five records they were involved with, like Montebi, so even someone who bought those would rarely reach a 7–8 ratio.
Maybe you just listened to samples online or on YouTube?
435
名無しのエリー ｜ 2008/05/15 19:25 ｜ ID:6eUKuzbLO
>434
Sorry I wrote it in a confusing way.
Those weren’t numbers of artists; they were rough percentages of the whole chart.
I meant that 60% of the artists were ones I disliked.
436
名無しのエリー ｜ 2008/05/15 19:51 ｜ ID:AyYCf6WC0
I get it.
Dislike 60%, like 10%, so that’s 70%.
I wasn’t sure whether “not interested” meant you didn’t know the artists and weren’t interested, or knew them but weren’t interested in their music, so that makes it 70–80%.
My point was that you probably haven’t listened to enough of those artists’ songs to judge 14–16 out of the 21 artists on the chart.
437
名無しのエリー ｜ 2008/05/15 19:55 ｜ ID:AyYCf6WC0
Correction:
My point was that you probably haven’t listened to enough of the artists on the chart to judge 14–16 of the 21.
438
名無しのエリー ｜ 2008/05/15 21:02 ｜ ID:6eUKuzbLO
>437
Oh, is that what you meant? I finally get it.
And you’re right—I wrote it very wrong.
Sorry.
m(_ _)m
This time I’ll give actual numbers.
Out of the 21 artists:
Know them after hearing a few songs, but not very interested → 4
Know the name but have never heard their songs → 6
Have never heard either the name or the songs → 4
Dislike them after hearing a few songs → 5
Like → 2
That was extremely badly written.
I’m really sorry.
439
名無しのエリー ｜ 2008/05/15 21:58 ｜ ID:Q4Sp9PH80
Anyway, depending on what music people normally listen to, opinions on the artists listed here are probably going to split pretty sharply. They’re not the easiest group to get into.
Pain Of Salvation / The Perfect Element Part �T
GRAPEVINE / From a small town
ACIDMAN / equal
Nick Drake / Pink Moon
Radiohead / OK Computer
THE BACK HORN / Ningen Program
Björk / Vespertine
440
名無しのエリー ｜ 2008/05/15 22:07 ｜ ID:Q4Sp9PH80
These might be easy to recommend to fans in general.
Chihiro Onitsuka / Insomnia
hyde / ROENTGEN
Evanescence / Fallen
Sean North / Story Neverend
Jun Shibata / Hitori
Do As Infinity / BREAK OF DOWN
Cloudberry Jam / Atmosphere
Anri Kumaki / Sappukei
441
名無しのエリー ｜ 2008/05/15 22:53 ｜ ID:PIVRyTeBO
When I first heard The Back Horn’s “Ningen Program,” I was like, “Whoa lol, this is lame...”
It was way too heavy, and the cover looked even more sinister than some bargain-bin death metal record.
It was the absolute worst fit for my taste.
442
名無しのエリー ｜ 2008/05/16 17:44 ｜ ID:FlbCKe9eO
Gane’s direction changes quite a bit each time, so the artists people mention probably change depending on what aspect drew them in.
Still, just because they’re artists picked by Gane fans doesn’t mean they all have a common thread.
443
名無しのエリー ｜ 2008/05/16 20:06 ｜ ID:oSlHwQ+o0
Since people say the chart has been useful, anyone who rented or bought something, please give us a little review like you would when Gane releases something.
I’d really like to hear about it.
444
名無しのエリー ｜ 2008/05/16 23:37 ｜ ID:4wfJQVXKO
Sorry to interrupt while the debate is heating up.
http://c.2ch.net/test/-/mjsaloon/1206256165/60-
445
名無しのエリー ｜ 2008/05/16 23:45 ｜ ID:FlbCKe9eO
>444
And?
446
名無しのエリー ｜ 2008/05/17 00:42 ｜ ID:XXxUvmNBO
>444
...What are you getting at?
447
名無しのエリー ｜ 2008/05/18 02:21 ｜ ID:ltxRwhTYO
Bump for support since the thread is quiet.
448
名無しのエリー ｜ 2008/05/18 10:25 ｜ ID:JTEY+kEn0
>443
Yesterday I rented ACIDMAN’s “equal” and The Back Horn’s best-of.
ACIDMAN’s mix of quiet and intense sections with delay effects is great. It’s fantastical and aggressive at the same time. That nearly ten-minute prog-like final track was amazing.
The only downside was that the vocals felt a little buried, like they were outside the circle.
The Back Horn’s melodies are kind of kayokyoku-like and quirky overall, but I like that rustic, earthy feel when combined with the sound.
Their insistence on Japanese lyrics and their tendency to bring up war give it extra flavor too.
In the end, I’d especially recommend ACIDMAN’s “equal” to Gane fans.
449
名無しのエリー ｜ 2008/05/18 15:16 ｜ ID:fv6R//y70
Among Japanese female artists, I like Gane, Kaela, Perfume, LOVE PSYCHEDELICO, Tommy heavenly6, and so on.
Gane feels like the odd one out, but they’re my favorite.
I like cute pop and techno, but Gane is still my favorite.
450
名無しのエリー ｜ 2008/05/18 16:58 ｜ ID:28y0I+VAO
What I’ve been listening to a lot lately:
Japanese female: Hazuki Morita (Jazz for the next generation is great)
Western female: Annekei, Norah Jones
Japanese bands: Tokyo Ska Paradise Orchestra, Dimension, ACIDMAN
Western bands: Pink Floyd, Marillion
Jazz: Miles Davis
Classical: François, Rubinstein, Lipatti
I own 10 of the albums on the recommendation chart. I already had them, though; I didn’t buy them because of the chart.
For Pain of Salvation, I prefer “BE,” and for Radiohead I prefer “KID A,” though I haven’t listened to them lately.
451
名無しのエリー ｜ 2008/05/18 17:37 ｜ ID:JTEY+kEn0
>Hazuki Morita
Whoa, it’s rare to find someone who owns much of her stuff lol.
It’s interesting that you listen to Ska Para and Norah Jones and also own Pain of Salvation.
PoS has basically gone beyond the boundaries of prog. I don’t think there’s another band whose style changes so completely from album to album. (Though I don’t listen to that much prog lol.)
>448
Oops, I left the A out of ACIDMAN.
452
名無しのエリー ｜ 2008/05/18 17:41 ｜ ID:JTEY+kEn0
Someone mentioned Marillion before too.
Are there a lot of prog fans around here? Should it be a recommendation candidate?
We should expand the chart soon. Since the conversation has taken this direction, it’d be a shame not to.
453
450 ｜ 2008/05/18 20:08 ｜ ID:7NFixuK+0
Posting from my PC. I’m #450.
Marillion’s “Brave” is a masterpiece, but it’s out of print and hard to find. Their newer releases aren’t signed to a Japanese record label, so you have to import them yourself.
There’s even a Marillion thread, so they’re the kind of band that a fair number of people know.
I’d recommend them to prog regulars, but maybe not here...
Of the artists I listed, Hazuki Morita, Annekei, and Dimension are on Being.
People on the Being thread say modern Being music is awful, but these are the Being acts that prove there’s still a conscience over there.
Their names barely come up even in the Being thread, but give them a listen.
Annekei
http://www.annekei.jp/disco.html
Dimension, featuring Katsuta-san on sax on “The first cry”
http://jp.youtube.com/watch?v=ljjHxrVdCNw
Hazuki Morita — “Fragile” from “5” is a great song.
http://download.music.yahoo.co.jp/shop/ic/11/126465621-215938001
454
ゆきお。 ◆Zbsy2HGTwM ｜ 2008/05/19 19:53 ｜ ID:DSuDEqDg0
Long time no see~ ( ・∀・)y─┛~~
>453
Huh, I’ve never listened to those Being acts before, but Annekei’s breezy Western pop and Dimension’s fusion are both pretty good.
Personally, I really like the back-and-forth between Dimension’s guitar riff and sax.
The piano that comes in between is a really beautiful accent too.
455
名無しのエリー ｜ 2008/05/19 21:57 ｜ ID:TgqTVmbj0
Yukio, long time no see.
You listen to a wide range of music too, huh—if I remember right, you were the one who recommended PoS.
I used to see you around the prog board a lot.
Dimension has a best-of out, so I recommend that. It includes “Se.le.ne,” which is on YouTube too.
You haven’t shown up since LOCKS came out, so I wondered if LOCKS didn’t agree with you.
456
名無しのエリー ｜ 2008/05/19 23:04 ｜ ID:zhtbY2YOO
>454
Hey, long time no see. You’ve also got FSB and Gulliver, right?
Being is surprisingly experimenting with all sorts of things under the radar—fusion, funk, metal, and more.
It’s a real shame the Being-thread regulars never bring this stuff up.
457
ゆきお。 ◆Zbsy2HGTwM ｜ 2008/05/19 23:53 ｜ ID:DSuDEqDg0
>455
Hey, long time no see~ ( ・∀・)y─┛~~
I don’t listen to that wide a range, really. I did recommend PoS, though.
Yeah... it was a completely accidental discovery—I found it while complaining that TOOL’s new album was kind of meh.
Looking back, I’m proud to say I found something good.
LOCKS was a little disappointing. I was hoping for something like the early stuff while they were pushing that fresh, breezy image, but it ended up resembling the 5th album, which I’m not fond of.
Maybe this vocal style and those kinds of songs were created to make their live performances better?
458
ゆきお。 ◆Zbsy2HGTwM ｜ 2008/05/19 23:56 ｜ ID:DSuDEqDg0
>456
I’m doing fine~ Is it “Gulliver” that you got?
They seem positioned to become Gane’s successor in terms of musical style, but they’re missing the kind of huge, one-shot impact that really hits you. ( ・∀・)y─┛~~
459
名無しのエリー ｜ 2008/05/20 08:01 ｜ ID:R7fxu7jlO
>457
I don’t think live performance was the goal.
It’s not really about vocal power—she wasn’t singing loudly at Ninnaji.
And the fact that the final song created for LOCKS was “Futari” suggests they weren’t consciously focusing on vocal power.
“Futari” modulates from the A melody to the B melody, and with the synth work too, prog listeners might have something to look forward to from them lol.
460
名無しのエリー ｜ 2008/05/20 11:48 ｜ ID:XpjISQ3iO
No matter how much their musical style changes, I’m confident I can stay a GARNET fan forever lol.
As long as Yurippe’s voice and Nana’s lyrics are there, I’ll end up liking any song lol.
461
名無しのエリー ｜ 2008/05/20 17:53 ｜ ID:6vzYCx0CO
Ossan’s synth tones and Nana’s piano already tend to get buried live because of the PA and acoustics, so if they emphasize guitar riffs as much as they do in “Futari,” the sound will really disappear.
462
名無しのエリー ｜ 2008/05/20 19:27 ｜ ID:tYQ/VJ8O0
>453
For a “jazz singer,” Annekei feels like pretty ordinary pop.
There’s a jazzy atmosphere, but it’s a little lacking. Still, the 2nd album’s cover is god-tier lol.
It reminded me of Liv from LEAVES’ EYES, who I bought last year.
It looks like Being is putting out this kind of thing now, but does Masuzaki from Dimension play on all of them?
463
名無しのエリー ｜ 2008/05/20 19:31 ｜ ID:tYQ/VJ8O0
>461
Compared with other labels—or other artists’ live shows—aren’t Being’s rhythm sections kind of loud?
Kurose’s drums in “Towa Bare” were way too loud.
At least they didn’t drown out Yurippe’s vocals.
464
名無しのエリー ｜ 2008/05/21 02:55 ｜ ID:k4V50pbUO
>460
Finding an artist you love is a wonderful thing. Go to lots of live shows and fan events.
Do it while you can—sometimes they stop making music before you ever get around to it, and you don’t want to regret missing out. That happens to me a lot...
>461
Okamocchi has been saying “Futari” will shine live and get the crowd going.
I just hope he and Oga don’t overdo it.
>462
It’s poppy. Annekei fans are weirdly full of audiophiles.
Google “Annekei audio” or “アンナケイ オーディオ” and you’ll see...
>463
David suited GARNET better than Kurose. Wherever did David go?
465
名無しのエリー ｜ 2008/05/21 03:03 ｜ ID:Qe/FEbDZ0
>460
Agreed.
It really is that voice and those lyrics. That’s GARNET.
As long as they keep exploring a wide range of styles like before, I’m happy.
466
名無しのエリー ｜ 2008/05/21 15:36 ｜ ID:ASdMSJGq0
>463
Kurose doesn’t work for Gane. His live drumming with B’z—rapid-fire snare hits and pounding toms—is pretty cool, though.
Speaking of rhythm sections, I hear DEEN’s is terrible.
Apparently the drums are obviously unbalanced in volume, and on top of that he plays boring, one-note drums.
With Ikemori lacking vocal power these days, it must be rough.
467
名無しのエリー ｜ 2008/05/21 21:55 ｜ ID:Y8UccACkO
>461
I wonder if they’ll bring strings to the next live.
They add volume that Ossan’s synth can’t provide and make good support, but using them on songs with a rustic, unadorned sound-image that doesn’t use live instruments, like “Wasurezaki” and “Yumemita,” feels a little sad too.
468
名無しのエリー ｜ 2008/05/22 21:19 ｜ ID:jBTdc2mU0
>464
Didn’t David end up doing support work at Pan Factory, like Kamei?
He has a huge bag of fills and a good sense of rhythm. Even if people say his sound is light, I like it.
I’m not a big fan of Kurose’s drums.
469
名無しのエリー ｜ 2008/05/23 15:07 ｜ ID:66SJz8xdO
>468
I was worried David might have had his contract terminated, but he’s at Pan Factory if you go there?
That’s a relief.
470
名無しのエリー ｜ 2008/05/23 20:24 ｜ ID:Poe72rcfO
Even though people say Pan Factory, I’ve never seen him supporting anyone there.
I see Kamei, though. Well, nobody’s expecting much from Kamei anyway lol.
471
名無しのエリー ｜ 2008/05/24 00:53 ｜ ID:Jiv6oxjnO
Sorry to derail the conversation, but everyone here seems to listen to all kinds of stuff and probably follows Being acts too.
What does this thread think of ZARD?
There is a connection through the tribute project, at least.
472
名無しのエリー ｜ 2008/05/24 13:45 ｜ ID:+RoFbZiSO
>471
I don’t listen to ZARD much personally.
Using the members for the tribute live feels like it might delay their songwriting, but they’ll gain things from the live experience too, so I hope they put it to use.
473
名無しのエリー ｜ 2008/05/24 14:37 ｜ ID:KMAjdb/T0
>471
I’m not that interested. There are bits and pieces that catch my attention, but I always end up thinking, “If only the phrasing were like this,” “If only the lyrics meant this,” or “If only the arrangement were different.” It never quite becomes what I want it to be.
Basically, it’s ordinary. It feels like it aims for an average score without any part that breaks through.
The members seem to be working hard, though, and tribute lives like this aren’t very common. I hope it becomes part of the foundation for their future activities.
474
名無しのエリー ｜ 2008/05/24 16:03 ｜ ID:0csfOMRrO
Hitoshi Okamoto composed the B-side of Mai Kuraki’s new single, due out in June or July.
475
名無しのエリー ｜ 2008/05/24 16:24 ｜ ID:+RoFbZiSO
>474
Yeah.
Mochi’s songs have nothing to do with GARNET CROW, so becoming a GARNET fan doesn’t automatically make you a fan of Mochi’s songs, you know?
I’m more interested in Kyoko Shiraishi, whose songs Ossan provided. Ossan seems to have a tendency toward dance tracks, between “Timing” and “Nakena’i Nakanai” and all.
476
名無しのエリー ｜ 2008/05/24 17:12 ｜ ID:zq9tE0Ps0
I’ve heard Mochi’s album, and I thought he was better suited to B-sides.
He tries a lot of things arrangement-wise, but there aren’t any catchy melodies.
Yurippe’s melodies have a certain catchiness whether they’re in a minor or major key.
The melody at the start of the chorus (especially when it matches the title lyrics) really sticks with you.
477
名無しのエリー ｜ 2008/05/24 19:39 ｜ ID:Jiv6oxjnO
I see... so ZARD really isn’t popular here. Well, I hope the members get something valuable out of participating.
>476
People say this a lot lately, but it does feel like the patterns are becoming similar and formulaic.
The sudden key changes, unnatural connections between melodies, and interesting chord progressions are still there, so it feels unchanged both elsewhere and within the group.
478
名無しのエリー ｜ 2008/05/24 20:55 ｜ ID:KMAjdb/T0
Speaking of Mochi, people in the Ueki thread are absolutely brutal about him lol.
I’m not listening anymore, but I don’t think Ueki has changed much since going major, whether they use Hayama or other new songwriters.
479
名無しのエリー ｜ 2008/05/25 02:36 ｜ ID:f4qFmKn+0
Mochi’s arrangement for Ueki was good, though.
I thought it fit Ueki’s direction perfectly.
Do the fans see it differently?
480
名無しのエリー ｜ 2008/05/25 02:40 ｜ ID:f4qFmKn+0
Oh, there’s a new one coming out?
I thought you were talking about the previous song.
I’m totally out of the loop lol.
481
名無しのエリー ｜ 2008/05/25 03:41 ｜ ID:X6gGfNp3O
I haven’t heard Ueki’s indie material, but apparently it’s straight-up Western rock.
The fans in the main thread think that’s what Ueki is, and want her to return to that direction, so maybe they’re hoping Hayama or some new songwriter can do it.
If they’re going to hope for something they consider unlikely, it would be Hayama or a newcomer.
Mochi is completely out of the running lol.
482
名無しのエリー ｜ 2008/05/25 20:59 ｜ ID:cgmSOzHT0
Mochi is guitar pop, after all. He can’t really show off hard-rock riffs with bite.
Changing the subject, though: do you think Gane’s current direction might not exist if not for the tie-ins to “Mär”?
After “Atsumeru,” it seems like they were making things freely regardless of tie-ins, but having repeated “Mär” tie-ins may have ingrained the idea of making music with more dynamic contrast.
483
名無しのエリー ｜ 2008/05/26 20:39 ｜ ID:mMjRh2ywO
Sorry for posting from my phone.
Sorry to cut across the conversation, but I’d like to hear your opinions.
The recent singles felt cheap, and a lot of them seemed to be aiming for catchiness, so I kept putting off listening to LOCKS.
I finally listened to it the other day. Personally, I thought the album tracks were pretty solid overall.
What did everyone else think?
484
名無しのエリー ｜ 2008/05/26 21:34 ｜ ID:8BB2KvLO0
>483
The hard guitar riffs, busy drumming, and memorable bass lines gave the rhythm section and guitar a nice groove, but I couldn’t feel any dark coloring in it.
It didn’t feel like an album Gane would make.
Still, I want to give them credit for making music without fearing change, even if that sounds a little presumptuous.
485
名無しのエリー ｜ 2008/05/26 23:16 ｜ ID:rnsGymqzO
Anyway, “Love is a Bird” is absolutely a god-tier song.
The intro to “Saigo no Ritou” was great too.
I couldn’t really feel anything different about “Namida no Yesterday,” though.
486
名無しのエリー ｜ 2008/05/26 23:46 ｜ ID:bcP6elZ60
“Kaze to RAINBOW” is way too powerful.
487
名無しのエリー ｜ 2008/05/26 23:55 ｜ ID:sO9824f+O
It’d be rough if this style continued into the next album.
488
名無しのエリー ｜ 2008/05/27 14:52 ｜ ID:ubw9frJV0
Since the next one is the 7th album, I want classic Gane.
Calm mid-tempo pop, or sad, slightly dark ballads.
489
名無しのエリー ｜ 2008/05/27 21:07 ｜ ID:onAOT6U7O
>484->488
I see.
Different listeners really do feel different things from the same music.
Personally, I also like the calm, gentle songs like “Yuudachi no Niwa” and “in little time,” so I’m looking forward to the singles and albums from here on.
490
名無しのエリー ｜ 2008/05/27 22:34 ｜ ID:cLYnWpiC0
>482
Rather than “Mär,” maybe they went experimental after the best-of as a way to mark a new phase.
It mattered how they would approach things after the best-of, and their attitude toward live shows—wanting to keep building excitement—may have affected the songs too.
They’ve been making more songs that work well live.
491
名無しのエリー ｜ 2008/05/27 22:39 ｜ ID:cLYnWpiC0
It’s a shame there are fewer delicate, decadent songs, with more one-note tracks relying on vocal power.
The clavinet, organ, and analog-synth tones are fading, and the band sound keeps getting stronger.
Though apparently that’s the concept Ossan says they had for this album...
492
名無しのエリー ｜ 2008/05/27 23:20 ｜ ID:gWl2ssUc0
>The tones and synth elements are fading while the band sound gets stronger.
That weirdly makes a lot of sense.
493
名無しのエリー ｜ 2008/05/27 23:46 ｜ ID:acms/hU30
I thought someone other than AZUKI-san used to record the piano, but according to an interview with Yuri Furui, AZUKI-san plays piano now.
Maybe that’s why there are fewer piano-intro songs like the ones >489 mentioned lol.
The god-tier intro to “in little time” was played by Miguel (and arranged by him too?) after all.
494
名無しのエリー ｜ 2008/05/28 01:55 ｜ ID:CR1fl9LPO
Ossan has always handled piano in the recordings too.
Why would they have Nana play it now? Is it for the 7th anniversary?
The idea that they’re taking arrangement into account for technical reasons is honestly too ridiculous.
There’s no point in making her play extra parts.
495
名無しのエリー ｜ 2008/05/28 19:24 ｜ ID:9LrwRB+/0
>491
I feel like current Gane is trying too hard to expand its repertoire.
They already have a distinctive GARNET style; I wish they’d stop moving it around so much.
Experimenting after dismantling the foundation isn’t a new direction—it’s just wandering around lost.
496
名無しのエリー ｜ 2008/05/29 03:20 ｜ ID:kg4W1oG40
Putting out songs that don’t sound like them just to get the crowd going at live shows is completely backwards.
GARNET songs are for quietly listening to, not for getting hyped up.
Maybe live shows and GARNET were never compatible in the first place.
497
名無しのエリー ｜ 2008/05/29 10:00 ｜ ID:2cTk9VE10
This is the kind of thread that would make Ossan depressed if he saw it lol.
Yurippe, meanwhile, seems fully committed to getting the crowd going in her mirror-ball outfit.
498
名無しのエリー ｜ 2008/05/29 14:26 ｜ ID:PSXwF9xi0
Generally it’s:
A-side songs >>> album tracks >>> B-sides
But Gane has a lot of its popular songs on B-sides, huh?
Especially “in little time,” “Yuudachi no Niwa,” and “Float world” outshone the A-sides.
499
名無しのエリー ｜ 2008/05/29 15:21 ｜ ID:Go5CiMKEO
“Jewel Fish” and “Crier~” were both great along with their A-sides.
500
名無しのエリー ｜ 2008/05/29 15:53 ｜ ID:K1p+8Mds0
>498
“Float world” turned out to be a great song, considering how difficult it was to produce.
501
名無しのエリー ｜ 2008/05/29 16:57 ｜ ID:FkTdMkqE0
>500
Exactly.
Personally, I also really like “Circle Days.”
What does everyone else think?
502
ゆきお。 ◆Zbsy2HGTwM ｜ 2008/05/29 21:25 ｜ ID:xKaHtXw90
>496
I think the ideal is for even bright, colorful songs to have a little sadness woven into the phrases or arrangement. ( ・∀・)y─┛~~
“Hareru Tokei,” for example. Compared with the rest of the song, the “kazaritsuketa machi~” part brings out a subtle sadness in both the sound and the phrasing, which gives the song more expression.
It’s great.
503
ゆきお。 ◆Zbsy2HGTwM ｜ 2008/05/29 21:28 ｜ ID:xKaHtXw90
>501
I like it. Isn’t it even better than the title track?
It feels dark, but the refreshing clarity that appears alongside that darkness is irresistible.
I love the flute sound made with synth tones.
504
名無しのエリー ｜ 2008/05/30 22:43 ｜ ID:WDm8TW5H0
>871
Oh, you suck it.
505
名無しのエリー ｜ 2008/05/30 22:44 ｜ ID:WDm8TW5H0
Sorry, wrong thread.
506
名無しのエリー ｜ 2008/05/30 22:59 ｜ ID:lT1V3W1W0
I really like the “Circle Days” / “Itsuka Mata Aimashou” combo.
It feels like cold rain followed by a clearing sky.
“Float world,” “Ushinawareta Monogatari,” and “Mawarimichi” are my three greatest B-sides.
507
名無しのエリー ｜ 2008/05/30 23:27 ｜ ID:FSNxjzkmO
Yurippe’s outfit in the title track “Atsumeru” is god-tier.
508
501 ｜ 2008/05/31 01:26 ｜ ID:NHLkJyYy0
>503
Exactly—that perfect balance of dark and clear is strangely comfortable.
I also like “Timing” quite a bit. (｀･ω･´)b
509
名無しのエリー ｜ 2008/05/31 02:36 ｜ ID:KCIhAon8O
>503
That synth flute tone really is great.
Ossan, please come up with more arrangements using those transparent synth tones.
I’m not that interested in band sounds, and especially not programmed band sounds.
510
名無しのエリー ｜ 2008/05/31 11:36 ｜ ID:QTnZ1p9b0
Including their indie years, they’ve been going for nine years, which is a long run.
At this point their style becomes easier to recognize—or maybe easier to listen to.
Even the The Back Horn thread we were talking about earlier is like this.
Most of the posts are about how they keep getting worse.
511
名無しのエリー ｜ 2008/05/31 23:15 ｜ ID:6bfMezjc0
Nine years still makes them mid-tier.
They’re a little low-key, but they’re top-class in sales within GIZA, so they’re safe for now.
Everyone in Being besides B’z, Kuraki, Aina, Gane, and doa is in serious trouble.
512
名無しのエリー ｜ 2008/06/01 09:29 ｜ ID:a69982uM0
If you look broadly, nine years might be mid-tier, but in today’s major-label scene or within GIZA, hardly anyone could keep selling and staying active for nine years.
And the fact that they never had one giant breakout hit is actually a good thing sales-wise lol.
>509
Oh right, it’s their 10th anniversary.
Their style has become more listener-friendly and easier to hear, so the heaviness and unpleasantness that used to put people off are gone.
513
名無しのエリー ｜ 2008/06/01 09:32 ｜ ID:a69982uM0
Not “hardly anyone could”—there are almost none.
Come to think of it, I wish the program for the first anniversary of ZARD’s death had introduced each member, even briefly, because of their connection through the tribute live.
It wouldn’t have been weird given the flow of the program.
514
名無しのエリー ｜ 2008/06/01 14:55 ｜ ID:qgtJbzgw0
>512
Personally, I never felt that early Gane was heavy or hardcore.
My image was breezy and calm, with even the darker songs being pretty good.
Maybe that’s because the first ones I heard were “Kimi no Uchi,” “in little time,” “Rocket,” and “Mikansei.”
The melodies and arrangements hooked me, but Azuki-san’s lyrics are really good too lol.
They’re somewhat philosophical and look at things from an angle without being twisted, with something anyone can relate to. They’re not overly forceful, straightforward, and make you feel gentle.
And best of all, they aren’t narcissistic lol.
Azuki-san got me hooked on Gane again.
I listened to the 6th album recently too, and the melodies and lyrics haven’t lost their quality.
The lighter atmosphere, which doesn’t overlap with the previous albums, isn’t bad either.
Sorry for the long post.
515
名無しのエリー ｜ 2008/06/01 19:53 ｜ ID:a69982uM0
>514
I meant The Back Horn when I said the early stuff was heavy. Sorry for making that unclear.
I like Gane’s early period best too, but I’ve never thought of it as hardcore or heavy.
The direction from the 4th to the 5th album is incredibly mysterious.
I love the 4th, but I barely listen to the 5th.
It feels like the arrangements, melodies, and singing suddenly lost a lot of variety there.
The lyrics haven’t changed, though.
516
名無しのエリー ｜ 2008/06/02 18:25 ｜ ID:3Sr1HxQ+0
Sorry to derail the conversation, but Avex’s OLIVIA has a masterpiece of a 2nd album, “The Lost Lolli.”
You never know what you’ll find when you dig into Avex.
Not that I know Avex all that well, though.
517
名無しのエリー ｜ 2008/06/02 20:06 ｜ ID:m1qpc0PQ0
Compared with Gane, OLIVIA is harder to listen to—or maybe just more Western-sounding.
It’s the kind of music that some people love and others don’t.
The arrangements are rich, fantastical, and cool.
>516
I don’t think the record label matters lol. If you say that, then GIZA is...
518
名無しのエリー ｜ 2008/06/02 23:08 ｜ ID:YyxFUAhqO
OLIVIA got pretty catchy after the NANA tie-ins too.
The gothic, fantastical atmosphere and loudness have both faded.
Tie-ins really are scary...
519
名無しのエリー ｜ 2008/06/03 01:19 ｜ ID:T6VSjelu0
OLIVIA, huh. I listened to her quite a bit when “Dear Angel” came out.
It’s an obvious kind of cool.
She does feel pretty Avex-like, though, doesn’t she?
520
名無しのエリー ｜ 2008/06/03 01:38 ｜ ID:cR8QqWrOO
On Sunday I auditioned several speakers and had them play GARNET CROW songs.
I’m buying them. I’ll pay in installments with my bonus.
I’m buying the Sonus faber Cremona (used, though).
It’s still playing in my head. Material desire and sexual desire really are similar.
If you think I’m an idiot, go ahead and laugh at me for buying Cremonas just for GARNET CROW songs.
(And the sad part is I can’t afford the current Cremona M.)
521
名無しのエリー ｜ 2008/06/03 04:59 ｜ ID:IewT1uL2O
>520
Now I’m curious which songs you had them play lol.
522
名無しのエリー ｜ 2008/06/03 15:20 ｜ ID:cR8QqWrOO
>521
I listened to the entire best-of.
Since it was in an audition booth, nobody else could hear it.
It felt like Yurippe herself was singing right in front of me.
523
名無しのエリー ｜ 2008/06/03 17:34 ｜ ID:eCW5GTCI0
>519
It’s not exactly hard to listen to, but I remember feeling differently about OLIVIA before she got popular.
Back then it was perfectly balanced—not too dense, not too thin.
The only downside was that it was a CCCD.
524
名無しのエリー ｜ 2008/06/03 18:43 ｜ ID:yeUck8hP0
This is kind of unrelated, but in Nana’s lyrics for “Until I Get to Your House,” there’s the line “I must have been crazy to be troubled by time passing.”
But being troubled by time passing isn’t really strange, is it?
525
名無しのエリー ｜ 2008/06/03 18:48 ｜ ID:5QgywTeEO
That’s just how Nana thinks about it, I guess.
526
名無しのエリー ｜ 2008/06/03 18:49 ｜ ID:yeUck8hP0
Correction:
× Until I get to your house’s...
○ Until I get to your house...
527
名無しのエリー ｜ 2008/06/03 19:02 ｜ ID:yeUck8hP0
>525
It’s fine if that’s how Nana sees it, but I thought there might be some reason behind it.
Maybe only Nana knows, though.
528
名無しのエリー ｜ 2008/06/03 19:32 ｜ ID:eCW5GTCI0
>524
If you follow the world of the lyrics, maybe it means that if you think about eventually getting to see your loved one’s smile, even if only for a moment, or spending time together, then it’s strange to feel sad about time passing or to find it merely dull.
It’s a long-distance love song, right?
It feels like: the moment of touching the person you truly love can’t be exchanged for anything else, and if you can hold on to that moment, you can love every mundane day and every swirling feeling until then.
529
名無しのエリー ｜ 2008/06/03 19:33 ｜ ID:F34NVsgm0
Nana is pretty optimistic, huh.
530
名無しのエリー ｜ 2008/06/03 19:50 ｜ ID:eCW5GTCI0
Speaking of time passing, everyone reaches a point where they realize their death is approaching.
At that point, I imagine time feels incredibly heavy, but Nana doesn’t seem like the type to think about it in an overly dramatic way.
What people see as an ending looks like the beginning of something to Nana.
It feels like Nana is always looking beyond it.
531
名無しのエリー ｜ 2008/06/03 19:54 ｜ ID:E3T6c+X5O
The 5th album doesn’t seem to be very popular, but I think “Anywhere” is a great song with a sense of impermanence and a kind of cry from the heart—an atmosphere only GARNET can express.
What do you all think?
532
名無しのエリー ｜ 2008/06/03 19:59 ｜ ID:F34NVsgm0
>531
Is the 5th really unpopular?
When the 6th came out, the posts were all “The 5th was good, though...” lol
533
名無しのエリー ｜ 2008/06/03 20:02 ｜ ID:7adwG8ykO
The old-timers hate it.
534
名無しのエリー ｜ 2008/06/03 20:27 ｜ ID:O1+uxaLFO
Everyone’s posting all over the place lol.
Some people do say Gane ended with the 5th.
“Anywhere” might’ve been better with live instruments instead of programming, though...
535
名無しのエリー ｜ 2008/06/03 21:38 ｜ ID:yeUck8hP0
>528
I see. If you think of it as a love song, that interpretation makes sense.
536
名無しのエリー ｜ 2008/06/03 22:38 ｜ ID:T6VSjelu0
>520
Laugh? More like, you’re rich...
http://www.noahcorporation.com/sonusfaber/cremona_m.html
I’d like to hear the intro to “call my name” and the interlude of “Only Stay” on those.
Even my ¥20,000 used Yamaha speakers are already pushing my budget.
I’m with >528, and at the same time I thought the lyrics were depicting the immersion of love: “I used to be troubled by time passing, but if I have even this one happy moment now, I don’t need anything else. The future doesn’t matter.”
537
名無しのエリー ｜ 2008/06/03 22:40 ｜ ID:F34NVsgm0
>528
I imagined a couple who can only properly see each other on weekends or so.
538
名無しのエリー ｜ 2008/06/04 00:07 ｜ ID:+RqboyBu0
>537
“Only on weekends”? When else would they see each other? lol
539
名無しのエリー ｜ 2008/06/04 01:35 ｜ ID:tg/Twm0C0
>536
I can’t afford the current Cremona M either, so I’m screwed.
I’m not rich—I’m planning to make two or three desperate leaps off the Kiyomizu stage by buying a used Cremona on bonus installments.
The intro to “call my name” was great.
“Holy ground” hit me dead-on.
The scale of the song is amazing, and Yurippe sounds so raw. When I close my eyes, it really feels like she’s singing just for me.
Ah, “Holy ground” really is a masterpiece. I rediscovered that.
540
名無しのエリー ｜ 2008/06/04 06:58 ｜ ID:GJJKeqknO
>530
I think Nana may believe that once you die, that’s it—you just sleep forever.
Lyrics expressing that idea show up from time to time.
>531
Was it here that I saw someone say it felt like all humanity except Yurippe had gone extinct, and she was just screaming alone?
That weirdly made a lot of sense to me.
541
名無しのエリー ｜ 2008/06/04 18:39 ｜ ID:dw3oEZriO
>540
What about Hachima’s “Happy Birthday”?
542
名無しのエリー ｜ 2008/06/04 21:37 ｜ ID:djkxrMyf0
Nana deals with death, but she doesn’t depict a world that just drags around the weight of the word.
“Kimi no Kage” and “Eien ni Houmure” express grief, but even more strongly express the will to face forward.
“Eimin” and “Seichi” use expressions that make death and the world after death feel close.
“Last Love” feels like the body will eventually perish, but the feelings alone will be shared forever.
There’s nothing after death—complete nothingness, no world beyond it.
But letting your imagination run wild about an afterlife can help you enjoy life.
Thinking of it as something incredibly appealing feels very Nana-like.
543
名無しのエリー ｜ 2008/06/04 21:58 ｜ ID:djkxrMyf0
>541
It presents a worldview like reincarnation, but rather than actually believing in it, maybe Nana imagines it so she can feel the scale of a life and carry that feeling into her own life.
Maybe it’s her own interpretation of a single life.
544
名無しのエリー ｜ 2008/06/04 23:02 ｜ ID:UCwqxJGyO
It’s genuinely fascinating to explore the world of Nana’s lyrics, and then the worldview she reveals in interviews and elsewhere.
Nana may be the first lyricist I’ve liked enough to look beyond the lyrics and explore all those other sides.
There are other lyricists I like too, though.
545
名無しのエリー ｜ 2008/06/05 22:47 ｜ ID:l14YpppX0
Among Being’s lyricists, there’s also Inaba, but his lyrics show a kind of formula, so I’m not a huge fan.
His solo work is god-tier, though.
546
名無しのエリー ｜ 2008/06/06 01:02 ｜ ID:Ht8fyiehO
“Toumei Ningen,” right? The one depicting a boy’s criminal psychology.
It’s great. It’s different from Nana, but I also like lyrics that have that earthy, human feel.
547
名無しのエリー ｜ 2008/06/06 18:58 ｜ ID:E+C9Sgda0
Bump for support since it’s quiet.
This thread sure keeps switching between dead and lively＾＾
548
名無しのユリー ｜ 2008/06/07 16:14 ｜ ID:yDoTEpRu0
Currently playing “Yumemita Ato de” on heavy rotation.
549
名無しのエリー ｜ 2008/06/07 23:16 ｜ ID:hHwEJhXY0
The main thread is talking about it too, but I really want them to do a Budokan show someday.
Like a string of tour dates culminating there.
Given ticket demand and the issue of Yurippe’s singing, I guess two shows in Tokyo and Osaka might be unavoidable.
I went to The Back Horn’s Budokan show today, and it made me imagine what Gane would feel like in that venue.
550
名無しのエリー ｜ 2008/06/08 00:39 ｜ ID:ih5sI0rdO
I’m worried about how the 6th-album songs will work live.
“Namida” sounds dangerous. The guitar and rhythm-section guys are probably going to stand out too.
551
名無しのエリー ｜ 2008/06/08 15:46 ｜ ID:BkqxlvhJ0
>549
They did Budokan around 2003, though. It was a joint Valentine’s show with Kuraki and Aina.
552
名無しのエリー ｜ 2008/06/08 17:37 ｜ ID:oxPpT4e90
>550
Oga getting carried away.
If they group a bunch of 6th-album songs together and mix in tracks conscious of summer, it might not feel very Gane-like.
The live-show title, their current musical direction, and other things all hint that they want to escape their fixed image.
Basically, uptempo songs are dangerous lol. Yurippe is terrible at them.
If they put “Namida” at the start of the show, she might rush it a little.
553
名無しのエリー ｜ 2008/06/08 17:38 ｜ ID:oxPpT4e90
A Budokan show only means something if it’s a solo Gane concert, obviously.
554
名無しのエリー ｜ 2008/06/08 20:17 ｜ ID:z3gcJme80
A Budokan show would let ordinary fans who’ve never managed to get tickets come too.
The venue holds over 10,000, and plenty of acts perform there with fewer than 5,000 people, so they’d be fine.
I want them to do it for their 10th anniversary.
555
名無しのエリー ｜ 2008/06/08 22:00 ｜ ID:M29yyu9nO
They did “Namida no Yesterday” at Ninnaji, though.
556
名無しのエリー ｜ 2008/06/08 23:24 ｜ ID:IXLdTA/J0
I believe they’ll play “fill away” this time...!
557
名無しのエリー ｜ 2008/06/09 00:18 ｜ ID:JL0SDwUGO
>555
Oh yeah, they did.
Since it’s summer, maybe we’ll get “Ameagari no blue.” “Nonsense” too.
I’m not a huge fan of it, though. I definitely want to hear the chorus work and the yay-yay in “fill away.”
558
名無しのエリー ｜ 2008/06/09 01:05 ｜ ID:oCWre3b40
>557
I’m betting Nana will mess up during the instrumental break in “Nonsense.”
I’m looking forward to the chorus work too!
...Wait, if they’re doing lower harmonies live, that means...
559
名無しのエリー ｜ 2008/06/09 01:27 ｜ ID:tepcmyXy0
Speaking of live shows, I’d love to hear Nana play the flute.
560
名無しのエリー ｜ 2008/06/09 01:38 ｜ ID:ai+ZdL1OO
I’d like them to play “blue bird” or “Ukiyo.”
I want to hear “Crier~” too, but, well, that’s probably impossible lol.
561
名無しのエリー ｜ 2008/06/09 01:54 ｜ ID:FYuATnWwO
Just a basic question, but do they really need that much guitar?
My priorities are “I don’t want to see Oga” ≥ “I want to see Gane,” so does he absolutely have to be there?
I think Gane is better when the sound is more sparse.
562
名無しのエリー ｜ 2008/06/09 07:57 ｜ ID:l4en2pUa0
Oga’s contribution to Gane is pretty substantial, apparently.
563
名無しのエリー ｜ 2008/06/09 08:11 ｜ ID:YiCPXx/uO
Since they’ll probably play “Love is a Bird,” I really want the female chorus section to come back.
I’m not expecting “Kuraga,” but I’d like to hear it.
They should also play energetic songs like “Argentina” and “For south.”
564
名無しのエリー ｜ 2008/06/09 14:24 ｜ ID:S1FNLbo40
The three-girl chorus section is essential.
565
名無しのエリー ｜ 2008/06/09 16:12 ｜ ID:J5w1WmdF0
I want to hear “flying” again.
With the chorus, of course.
566
名無しのエリー ｜ 2008/06/09 16:42 ｜ ID:V9yi2dz2O
I submitted a question to the fan-club newsletter’s member Q&A asking whether they planned to use a chorus section again, but it wasn’t selected.
I wanted to know about Ossan’s equipment too.
They only printed the most generic questions. orz
567
名無しのエリー ｜ 2008/06/09 18:34 ｜ ID:thJY8m8U0
>561
It does add some thickness.
I like the acoustic-guitar parts in “Maboroshi,” the intro to “Eien ni Houmure,” and the arpeggio in “Last Love,” but I’m not really interested in prominent, flashy riffs...
Even now, it feels really weird when Gane gets everyone hyped with “Spiral” or “Bokura dake no...”
568
名無しのエリー ｜ 2008/06/09 18:39 ｜ ID:thJY8m8U0
I definitely want a chorus section, but I’m conflicted when I hear they’re adding live strings.
That would make Ossan’s synth strings pointless.
I really love the oboe-and-strings intro of “Wasurezaki,” too.
569
名無しのエリー ｜ 2008/06/10 01:30 ｜ ID:jNuLMoyZ0
Sorry to derail the conversation, but “Yume no Hitotsu” sounds sad just from the title.
Why isn’t it “Lots of Dreams” or something?
If the lyrics were something like, “Even the future (now) I spend with you is just one of my dreams,” I’d cry.
570
名無しのエリー ｜ 2008/06/10 19:34 ｜ ID:sV7cXS+f0
If it’s another ballad in the vein of “Mata Kono Te wo Nobaseba” or “Mou Ichido Waratte,” that’d be rough.
After the 6th album, if that style shows up again, I’ll start feeling like they’re running out of ideas.
>569
Something like:
“Even the future (now) I spend with you is just one of my dreams;
When I let go of the hand I held, I’ll realize this mischievous reality (now).”
571
名無しのエリー ｜ 2008/06/10 23:31 ｜ ID:ry92EPGuO
I wish it had a delicate, lyrical atmosphere more like “Last Love.”
Lately it feels like they’re overusing strings and electric guitar, making the forcefulness stand out too much.
572
名無しのエリー ｜ 2008/06/11 06:45 ｜ ID:el7CfjG8O
Maybe they’re tailoring it to Yurippe’s vocals?
There haven’t been many vocal songs like “Timeless” or “Aoi Tori” lately, have there?
It feels like everything is a powerful song.
573
名無しのエリー ｜ 2008/06/11 20:21 ｜ ID:oPWmVXWb0
They need that kind of vocal style to get through live shows, and they can’t deny the loss of power otherwise.
Still, when she sings “A CROWN” like that, I can’t help thinking, “Come on...”
574
名無しのエリー ｜ 2008/06/12 00:51 ｜ ID:avYKJdjQO
For tie-ins, belting out a grandiose ballad is probably the better choice.
What terrible tie-in pairings＾＾ Is Being’s attitude really “as long as we get a tie-in, anything goes”? lol
575
名無しのエリー ｜ 2008/06/12 01:50 ｜ ID:FRmyMrcK0
>574
That’s not just a Being problem—it’s a problem across the entire Japanese music industry.
Have there been any good tie-in pairings lately?
576
名無しのエリー ｜ 2008/06/12 07:20 ｜ ID:pHWQgk5QO
People will probably disagree, but personally I think Conan and GARNET are a pretty good match.
577
名無しのエリー ｜ 2008/06/12 20:51 ｜ ID:55TY8x6T0
>575
There aren’t many pairings I’d call especially clever, but other companies don’t just pick tie-ins at random the way Being does.
Maybe it can’t be helped because they don’t have the power to choose.
578
名無しのエリー ｜ 2008/06/12 22:06 ｜ ID:yzJftIXR0
>577
“You don’t pick tie-ins at random like Being does.”
What isn’t random, then?
579
名無しのエリー ｜ 2008/06/13 00:07 ｜ ID:7eY6oULqO
Avex uses its advertising budget to choose things like movie tie-ins from a range of options.
Being doesn’t have that kind of power, you know.
580
名無しのエリー ｜ 2008/06/13 19:09 ｜ ID:fACeFUCr0
Sony × WJ-related releases never miss, though...
GIZA has far too few options both among the acts they put out and the partners they choose.
Still, “Maboroshi” and “Kasouken” were a great match. One episode (I think the opera one) actually gave me goosebumps during the ending.
I wish GARNET would move to a label that takes better care of its artists, like Toy’s or Warner.
581
名無しのエリー ｜ 2008/06/13 19:46 ｜ ID:mBRtLafe0
Ossan said, “I was really happy with AZUKI-san’s reaction when I played her ‘Futari.’”
I wonder what that reaction was.
FURUI -> hands over the instrumental
AZUKI -> (laughs) “ ”
Fill in the blank.
582
名無しのエリー ｜ 2008/06/14 00:01 ｜ ID:NhRmxwXs0
1. “Yeah, that works, doesn’t it? Yeah, it works really well, doesn’t it?”
2. “Furui-san, as expected~ What a craftsman!” or something like that.
3. (smiles silently)
4. “I want to hear it with Yurippe’s voice soon.”
583
名無しのエリー ｜ 2008/06/14 00:40 ｜ ID:zHnn3YP/0
AZUKI: “A great arrangement just dropped━(ﾟ∀ﾟ)━!! This is like the excitement of finding a rhinoceros beetle larva!!”
584
名無しのエリー ｜ 2008/06/14 01:35 ｜ ID:VcSzh4PFO
>580
Being had B’z and Umizaru too, which were pretty good.
Those were completely deliberate choices, though, and the tie-in effect was fantastic.
That’s how they picked up the casual audience.
585
581 ｜ 2008/06/14 01:37 ｜ ID:EyEsbxbr0
I cross-posted this in the main thread too, but everyone completely ignored it.
Did I get added to an NG-word filter?
Sure, I wrote that it was full of creepy people before, but it was true, wasn’t it?
Did I really do something that bad?
586
名無しのエリー ｜ 2008/06/14 01:58 ｜ ID:VcSzh4PFO
As long as people are responding here, who cares?
587
名無しのエリー ｜ 2008/06/14 10:48 ｜ ID:u8jogJnK0
Does anyone here know the band Ling Tosite Sigure?
I’ve gotten pretty hooked on them.
>580
“Maboroshi” was initially poorly received—people were like “I can’t even tell where the chorus is”—but later it became highly praised.
My first impression was that the dialogue layered over it made it hard to remember lol.
588
名無しのエリー ｜ 2008/06/14 11:05 ｜ ID:u8jogJnK0
>582
Nana’s silent smile is adorable.
589
名無しのエリー ｜ 2008/06/14 16:08 ｜ ID:CV6bKPoR0
>585
What’s creepy about it? Huh?
590
名無しのエリー ｜ 2008/06/14 18:49 ｜ ID:acx362igO
>585
On 2ch, multiposting is against the rules.
That’s why nobody replied.
591
名無しのエリー ｜ 2008/06/14 22:00 ｜ ID:VcSzh4PFO
>587
I can’t stand the voice of that three-piece band on a visceral level.
They’re a cool band with real playing ability, though.
That voice probably is addictive too.
592
名無しのエリー ｜ 2008/06/15 02:53 ｜ ID:A+C0iyeS0
By the way, does anyone listen to Kou Shibasaki?
People might say she’s just an actor doing music on the side, but her album tracks have a pretty strong atmosphere, and her falsetto is beautiful at times, so I figured I’d ask even if it’s a long shot.
The image is from Gintama, but this song, for example:
http://jp.youtube.com/watch?v=xnFG99OLgBc
593
名無しのエリー ｜ 2008/06/15 08:42 ｜ ID:ZV5OArb30
Of course—she uses CHOKKAKU and people like that.
They put a lot more effort into her than some random singer, so she feels much more like a real singer and the quality is high.
Maybe she’s been using younger people like Jun Ichikawa lately.
Including that song, I think the 2nd album is good.
The 3rd is just breezy and jazzy, which I don’t like as much.
The lyrics are excellent overall, though. (Did Shibasaki really write those herself?)
594
129 ｜ 2008/06/15 16:24 ｜ ID:Ux3kJpZR0
If you lose your temper and reply to 589, you lose.
595
名無しのエリー ｜ 2008/06/15 21:02 ｜ ID:qBtVJaP9O
>593
“Kage” and “Hito Koi Meguri” are almost too good lol.
She’s great at choosing beautiful words and creating expressions that make scenes suddenly appear when paired with the music.
596
名無しのエリー ｜ 2008/06/15 21:10 ｜ ID:X94WWVhMO
She’s no comparison to Nana, though.
Though maybe comparing them is weird in the first place lol.
597
名無しのエリー ｜ 2008/06/15 21:52 ｜ ID:qBtVJaP9O
And there you go, writing something that’s going to start a fight again...＾＾
598
名無しのエリー ｜ 2008/06/15 23:28 ｜ ID:A+C0iyeS0
Well, lyrics are hard to compare in the first place.
AZUKI-san prioritizes content and doesn’t seem particularly concerned with how neatly the words fit the melody.
That’s why it’s so striking when they occasionally snap perfectly into place, like “saa maiagare” in “Mawarimichi.”
Are there any other places where you feel the song and lyrics fit perfectly?
599
名無しのエリー ｜ 2008/06/15 23:31 ｜ ID:04wpV4IQO
Sorry for the sudden question.
There isn’t a GARNET music-video collection, is there?
600
名無しのエリー ｜ 2008/06/16 00:43 ｜ ID:XuxDgDQ+O
Still, I think Azuki is good at fitting lyrics onto melodies too.
“Itsuka Mata Aimashou” is excellent.
She also lines up the rhythm in the details with alliteration and rhyme.
601
名無しのエリー ｜ 2008/06/16 02:10 ｜ ID:gsVoy61sO
>600
Agreed.
On top of the content, she’s a lyricist with serious technical skill.
Her command of sound and meter impressed me in “Kimi to Iu Hikari” and “Yofuke no Ryuuseitachi,” too.
602
名無しのエリー ｜ 2008/06/16 20:42 ｜ ID:xezukSjD0
>600
“Not just once? A lifetime. Yeah, probably. Well, somehow we can do it.”
She’s really good at fitting lyrics to a melody.
Usually, if you try to force words onto that melody, you’d get awkward extra syllables or the meaning wouldn’t connect.
That’s Nana for you.
603
名無しのエリー ｜ 2008/06/17 10:50 ｜ ID:QZvr4uPl0
I like Nana’s lyrics because they help you let go of things and feel vaguely positive.
They match melodies that feel nostalgic and calming, and there are lots of songs you just want to hum at your leisure.
604
名無しのエリー ｜ 2008/06/17 20:34 ｜ ID:xacjk9zq0
“Rusty Rail” gets its end rhymes to land nicely too.
It builds the rhymes around “rail.”
“Crystal Gauge” is a case where the melody clearly came first and the words were chosen to fit it.
605
名無しのエリー ｜ 2008/06/17 23:45 ｜ ID:tpx7V9GHO
It’s amazing how many tools she has, not just for the content but for wordplay too.
606
名無しのエリー ｜ 2008/06/18 00:27 ｜ ID:fS++w3r/0
>604
For “Crystal Gauge,” Yurippe said things like “she’s chirping in space” and “her cells are celebrating,” and that “tu la la~” is the sound of the animals in “The Phoenix.”
607
名無しのエリー ｜ 2008/06/18 00:32 ｜ ID:bTgKhyK4O
Yurippe chirping in space lol.
Deep stuff (´･ω･｀)
608
名無しのエリー ｜ 2008/06/19 19:58 ｜ ID:E2Bo67TV0
In “Argentina,” Nana’s word choices really shine alongside the performance.
The guitar riff and synth brass make it feel dated overall, and kind of cheesy, but it’s cool.
609
名無しのエリー ｜ 2008/06/19 20:10 ｜ ID:JMvHCwOi0
The arrangement does feel a little old-fashioned lol.
But it’s cool.
610
名無しのエリー ｜ 2008/06/19 23:12 ｜ ID:iZcBP8i5O
I can’t help thinking “Bokura dake...” and “Yume Hanabi” work even when they’re cheesy.
611
名無しのエリー ｜ 2008/06/19 23:44 ｜ ID:TCpHgY5UO
Even if Gane’s songs are corny, they’re cool.
And they’re growers. I don’t think they’re actually lame.
612
名無しのエリー ｜ 2008/06/20 00:05 ｜ ID:iZcBP8i5O
Same as The Back Horn, which we talked about here.
Calling them lame is basically praise.
613
名無しのエリー ｜ 2008/06/20 21:03 ｜ ID:R6y4Uo0j0
The request in the main thread for Yurippe to wear a white sleeveless knee-length dress is pure male wishful thinking lol.
I’d like to see it too＾＾ At this year’s live show.
The black dress with a short-sleeved bolero also suits Yurippe’s vibe, but still...
614
名無しのエリー ｜ 2008/06/20 23:38 ｜ ID:IQPwWW3D0
>613
I want to see it too.
615
名無しのエリー ｜ 2008/06/20 23:46 ｜ ID:8f0yqOB2O
No matter how calculated Yurippe’s outfits are, Gane fans are so subdued that the shows never get rowdy.
Whether it’s because of the songs or because they’re not used to live shows, they’re among the better-behaved Being fanbases.
Though they’re also at the level where you could call them low-energy...
616
名無しのエリー ｜ 2008/06/21 00:35 ｜ ID:8DPsBrLF0
Pan Live is awful.
617
名無しのエリー ｜ 2008/06/21 01:05 ｜ ID:I6qC56Ax0
>615
That’s also why it feels safe to go lol.
There aren’t many shows where you can “sink into your own world while listening” like that.
Of course I want to give something back to Yurippe and the others through applause or some other response, but it’s genuinely relaxing not to have to tense up.
618
名無しのエリー ｜ 2008/06/21 03:25 ｜ ID:fcpJbTDyO
>616
Well, that isn’t a solo show.
Since it’s Pan Factory, there are tons of GIZA fans who overlap across acts.
The gross otaku dances and sweaty bodies are awful to watch lol.
619
名無しのエリー ｜ 2008/06/21 05:55 ｜ ID:n7KvDnvK0
It’s probably best when the members and fans are both calm and the show just moves along quietly.
Yuri shouldn’t go off the rails (though making unreasonable demands of Mochi is allowed).
And the fans shouldn’t perform otaku dances.
I’d rather sit there and listen in a relaxed, laid-back mood.
Like at a classical concert.
620
名無しのエリー ｜ 2008/06/21 07:37 ｜ ID:xLcTPJA90
>619
The previous tour went as far as the most over-the-top spectacle they’ve ever done, so maybe this one will be a little calmer.
If they go even further than last time:
AZUKI Nana storms into the audience and sprays CO2;
Furui faints while playing the keyboards and spewing blood;
Okamoto beats Oga with a guitar;
Nakamura escapes by helicopter, laughing maniacally;
the venue explodes.
Saida doesn’t get invited.
621
名無しのエリー ｜ 2008/06/21 09:11 ｜ ID:Llp1yXX00
I honestly don’t need songs that are designed to go over well live.
In Gane’s case, “this song will shine live” doesn’t really mean much.
If they build a setlist around the 6th album and summery songs, it’ll feel like Gane-ness is getting pushed farther and farther into the corner.
Still, the show would drag without some upbeat songs.
622
名無しのエリー ｜ 2008/06/21 09:57 ｜ ID:75wr7WwS0
They don’t need to force things to be bright and refreshing just because it’s summer.
I want a nostalgic, emotional summer—not just sun, sea, and shaved ice, but mosquito coils, the night sky, and firefly light.
>619
I don’t mind the members’ slightly distant conversations lol.
The way they talk like they’re reading from a script, too lol.
623
名無しのエリー ｜ 2008/06/22 07:42 ｜ ID:g+Hv9seS0
>622
“Rainy blue”
“Yume Hanabi”
“Natsu no Maboroshi”
“His Voyage”
“Natsu no Owari no Nagai Ame”
“Hinimawari no Iro”
“pray”
Those feel summery.
Depending on how you arrange them, they can be bright or dark.
624
名無しのエリー ｜ 2008/06/22 07:54 ｜ ID:40L9AzXk0
How about starting with “Matsuri no Jikan”?
No, I was just throwing it out there.
>623
“His Voyage” sounds bright, but the content is pretty dark.
625
名無しのエリー ｜ 2008/06/22 09:27 ｜ ID:sSfqHntnO
>624
Not so much dark as unrewarded...
But since it’s about chasing dreams forever, maybe that makes it happy in a way lol.
Death as the first voyage is a stylish twist, and I think they wrapped it up really well lol.
626
名無しのエリー ｜ 2008/06/22 09:51 ｜ ID:+Q9ZlG8X0
I interpret “Natsu no Maboroshi” as involving death too.
Putting a theme that casts a shadow into a refreshing song is one of Gane’s specialties.
Because it’s so refreshing, the shadow theme can sound especially bittersweet...
They should consider “Jewel Fish” for the setlist too.
627
名無しのエリー ｜ 2008/06/22 10:18 ｜ ID:S4PymASnO
Since it’s summer, how about some cool songs:
flying
Natsu no Maboroshi
Kimi no Ie ni Tsuku made~
Crystal Gauge
Float World
wish★
And some that feel summery:
Bokura wa Eien wo Kakenuke...
Rhythm
Matsuri no Jikan
nonsense
Namida no Yesterday
Scatter in some 6th-album songs, then close with “Spiral” or something. That’s what I’d like.
628
名無しのエリー ｜ 2008/06/22 11:43 ｜ ID:DiQxFZ1b0
>627
You forgot Gane’s nostalgic summer song, “pray.”
“Crystal Gauge,” “Float World,” and “Bokura wa Eien wo Kakenuke...” are great.
The final song has to be “Spiral,” right?
629
名無しのエリー ｜ 2008/06/22 11:45 ｜ ID:+Q9ZlG8X0
Gane’s summer vibe is really fireflies and sparklers, isn’t it?
630
名無しのエリー ｜ 2008/06/22 12:50 ｜ ID:cncyG38dO
It’s cool, and it has fireworks, so I’d like them to play “Crier Girl & Crier Boy ~ice cold sky~.”
631
名無しのエリー ｜ 2008/06/22 13:14 ｜ ID:DiQxFZ1b0
>630
I’d cry with happiness if they played it.
632
名無しのエリー ｜ 2008/06/22 17:10 ｜ ID:xI82eXSmO
That Hammond-organ tone is god-tier.
They should put that one in the setlist.
633
名無しのエリー ｜ 2008/06/22 18:03 ｜ ID:iEdffCBK0
>630
“Crier Girl & Crier Boy ~ice cold sky~” is a winter song.
Are you trolling?
634
名無しのエリー ｜ 2008/06/22 19:51 ｜ ID:cncyG38dO
I mean I want to cool off. How do you not get that?
635
名無しのエリー ｜ 2008/06/22 22:32 ｜ ID:iEdffCBK0
So “cool” means refreshing?
I always thought winter was just cold.
636
名無しのエリー ｜ 2008/06/22 22:47 ｜ ID:xI82eXSmO
Well, why not? It’s not exactly a song that pushes a winter image, and having one like that would be fine.
637
名無しのエリー ｜ 2008/06/22 23:02 ｜ ID:iEdffCBK0
“Cool” basically means a refreshing feeling.
I think “Itsuka Mata Aimashou” and “over blow” would be suitable.
And for a haunted-house kind of feel, maybe “Kakurenbo.”
Do you really get that feeling from “Crier Girl & Crier Boy ~ice cold sky~”?
Is a heart crying because it wants to see someone refreshing?
Maybe I just see songs differently, but I don’t get it.
638
名無しのエリー ｜ 2008/06/22 23:26 ｜ ID:xI82eXSmO
Hmm, I mean something like desolation.
A coldness that ignores summer and pierces right through you could work too.
When songs that contain heaviness and sadness inside a refreshing sound come together, that feels like a Gane-style summer.
I’m not saying we need to add “The Whiteness of This Winter” and “Cold Shadow,” though lol.
639
名無しのエリー ｜ 2008/06/23 01:06 ｜ ID:e1Sj8DKJ0
Why is nobody mentioning “fill away”?
...I should stop before I become a stalker, though.
I really want to hear “pray,” plus “Yuudachi no Niwa” and “Natsu no Owari no Nagai Ame.”
Ah, but after experiencing an outdoor show once, an indoor venue might feel underwhelming...
(Though if they did an outdoor show in midsummer, Yurippe would collapse, right?)
640
名無しのエリー ｜ 2008/06/23 01:11 ｜ ID:khv6d88jO
“Crier Girl & Crier Boy” really is a winter song.
It’s not so much cool as cold—the image is ice in Antarctica, the Arctic, or maybe Alaska.
That’s why wanting to press your cheeks against cold ice in the hot summer isn’t such a bad idea.
But ideally, I’d like to hear it outdoors in winter.
Could they do one in Hokkaido?
The members and players would freeze solid, though.
641
名無しのエリー ｜ 2008/06/23 03:31 ｜ ID:Zi0lhbHJ0
I mean, it’s enough to say “I like ‘Crier Girl & Crier Boy ~ice cold sky~, so I want to hear it.”
You’re getting called out because you keep forcing the conversation into “it’s summer, so...”
642
名無しのエリー ｜ 2008/06/23 03:50 ｜ ID:XuTSrTMd0
The cause of all these misunderstandings:
“Everyone has different standards.”
643
名無しのエリー ｜ 2008/06/23 06:45 ｜ ID:RxxkZm5EO
>637
“Cooling off” and “a refreshing feeling” don’t mean the same thing.
644
名無しのエリー ｜ 2008/06/23 07:12 ｜ ID:RxxkZm5EO
You say you cooled off with shaved ice, right?
Nobody argues, “Is ice cool? Isn’t it normally cold?”
Replace “shaved ice” with “Crier Girl & Crier Boy ~ice cold sky~.”
Listening to that song in winter is cold. Personally, I wasn’t even that happy when they played it at Ninnaji—I listened while my nose was running—so I wanted them to play it in summer.
The chorus even sings “chilly, chilly.”
That’s all.
645
名無しのエリー ｜ 2008/06/23 08:51 ｜ ID:GewiyFHl0
“Crier Girl & Crier Boy ~ice cold sky~” does feel chilly.
I get why you’d want to listen to something that feels cool from the intro onward in summer.
646
名無しのエリー ｜ 2008/06/23 21:20 ｜ ID:bVJDLHM/0
I never expected one song to keep a conversation going this long.
>639
Gane really is better at mid-tempo songs.
They seem easier for Yurippe to sing too.
The finely ticking programmed beat and layered chorus in the instrumental break are the good stuff.
647
名無しのエリー ｜ 2008/06/24 00:56 ｜ ID:xAeZ7AUMO
The “yay-yay” in that song is cute.
I mean, it does feel a little out of place.
648
名無しのエリー ｜ 2008/06/24 01:25 ｜ ID:tZFAafpw0
I kind of want to hear the piano in the B melody played live.
Only kind of, though.
649
名無しのエリー ｜ 2008/06/24 02:31 ｜ ID:YsZdw1ea0
I don’t dislike “fill away.”
But it kind of lacks dynamics, or any part where the vocals really put force into it.
“Fill away” supposedly means moving forward with the wind in your sails, so maybe it’s meant to create a sense of speed.
650
名無しのエリー ｜ 2008/06/24 10:43 ｜ ID:me13MmksO
>624
If you convert “his voyage” into Japanese kanji, “his regret” feels like it fits better.
651
名無しのエリー ｜ 2008/06/24 11:25 ｜ ID:62TU/qJv0
>650
Whether “voyage” is also meant as a pun on “regret” depends on how you take it.
I don’t think the protagonist is regretting anything, so I’d take it as simply “voyage.”
652
名無しのエリー ｜ 2008/06/24 18:37 ｜ ID:6mmtLKPR0
“Fill away” really does have that Enya-like layered chorus, which is great.
They must be pretty particular about multitracking the chorus.
As for the drums, I’d like them more if the sound cut through better.
The clipped, percussive feel suits the song well, though.
653
名無しのエリー ｜ 2008/06/25 05:46 ｜ ID:NM6UqmSq0
“His Voyage” has this duality: maybe he isn’t rewarded while alive, but other people fulfill it after he dies.
From the outside, he did manage to set sail, but he never gets to experience that fact himself.
So maybe his dream was never fulfilled.
Thinking about it, the line “His little boat set out on its first voyage” doesn’t actually say that he set sail.
There are so many ways to read it.
654
名無しのエリー ｜ 2008/06/25 18:28 ｜ ID:psRC2zOb0
Setlist prediction:
01 Saigo no Ritou
02 call my name
03 Natsu no Maboroshi
04 pray (Obon)
05 Natsu no Owari no Nagai Ame
06 Sekai wa Mawaru to Iu Keredo
07 Holy ground
08 Matsuri no Jikan
09 Yume Mita Ato de
10 Kaze to RAINBOW (acoustic Hitoshi Okamoto ver.)
11 Float World (fan-vote slot)
12 Ameagari no Blue
13 Yume Hanabi
14 flying
15 Futari
16 Koisuru Koto Shika Dekinai Mitai ni (Yuri-Nana LOVE LOVE ver.)
17 doubt
18 Mr. Holiday
19 Koyoi Eden no Katasumi de
20 Namida no Yesterday
Encore:
21 Yume no Hitotsu
22 The First Cry
23 Love is a Bird
I predict Yurippe will avoid “His Voyage” because of the English lyrics.
655
名無しのエリー ｜ 2008/06/25 18:58 ｜ ID:psRC2zOb0
Add “Mou Ichido Waratte.”
656
名無しのエリー ｜ 2008/06/25 21:15 ｜ ID:fJB8oHEa0
“His Voyage” has the phrase:
“So this place is an endless paradise.”
Taken by itself, the earlier part paints a beautiful sky-blue scene, vacationers passing by, and nightly events—a bright, festive image.
But when you think about “him,” who dreams of building a boat and leaving the island, it feels like a pretty metaphorical phrase.
657
名無しのエリー ｜ 2008/06/25 23:05 ｜ ID:iT7HNrT8O
Reading this thread made me want to listen to “His Voyage.”
Nana’s ability to put heavy lyrics into those bright songs, and the way she shows all kinds of emotions through her view of life and death, really is amazing.
658
名無しのエリー ｜ 2008/06/25 23:09 ｜ ID:iT7HNrT8O
>655
If they put an MC before “Mou Ichido Waratte,” I want to say “Smile!” and then “Smile again!” to make Yurippe flustered... ( ´艸｀)
659
名無しのエリー ｜ 2008/06/26 11:00 ｜ ID:E2+XYBN0O
16. “Koisuru Koto Shika Dekinai Mitai ni” (Yuri-Nana LOVE LOVE ver.)
Please do it lol.
They can project the swimsuit photos of Yurippe that Nana stalked in Okinawa on the screen.
660
名無しのエリー ｜ 2008/06/26 12:39 ｜ ID:DKbPm2u90
>654
#16 lololololol.
Personally, I want a song where everyone waves their hands side to side (like “Futari no Rocket”).
The only show I’ve been to was last year’s 7th-anniversary event, so since I’m planning to go this time, I want to try that at least once.
And maybe some unreleased new song?
661
名無しのエリー ｜ 2008/06/26 12:53 ｜ ID:Czr3FLmK0
15. Futari
16. Koisuru Koto Shika Dekinai Mitai ni (Yuri-Nana LOVE LOVE ver.)
That’s another intensely loaded pairing lol.
662
名無しのエリー ｜ 2008/06/26 16:30 ｜ ID:Lac0QdMV0
Does anyone here play an instrument?
I want to see a Gane cover series on Nico Nico.
663
名無しのエリー ｜ 2008/06/26 18:47 ｜ ID:5+4ge8kbO
I think you should publish your own practice log.
664
名無しのエリー ｜ 2008/06/26 18:48 ｜ ID:Lac0QdMV0
No, I can’t play an instrument, and I’m not planning to.
665
名無しのエリー ｜ 2008/06/26 19:12 ｜ ID:U2kC0Pxx0
I think I saw someone playing along with the “Wasurezaki” backing track on synth, matching the oboe and strings.
>654
The “Namida” and “Koyoi” slots are questionable.
“Ameagari no Blue” and “Koisuru” would fit better there, wouldn’t they?
There are a lot of uptempo songs, so the show could be rough with vocal fatigue and pitch issues.
Oh, “Bokura dake...” is missing.
666
名無しのエリー ｜ 2008/06/26 19:40 ｜ ID:U2kC0Pxx0
http://www.kashinavi.com/song_view.html?29671
http://www.kashinavi.com/song_view.html?29668
http://www.kashinavi.com/song_view.html?29672
http://www.kashinavi.com/song_view.html?29665
Nana’s provided lyrics are excellent.
The lyrics to “Summer Flooding” are great.
667
名無しのエリー ｜ 2008/06/26 23:34 ｜ ID:ifPRLRSe0
As long as Yurippe does her signature spins onstage, I’m happy.
She didn’t spin that much at Ninnaji, did she?
Sorry, this isn’t a very thread-like post.
668
名無しのエリー ｜ 2008/06/26 23:36 ｜ ID:ifPRLRSe0
>662
Would a piano ear-copy upload count?
If so, I’ll quietly upload one sometime, so give it a listen.
669
名無しのエリー ｜ 2008/06/27 00:49 ｜ ID:vwYrVpnkO
I’m looking forward to the piano ear copy.
Gane feels more natural on piano than guitar.
>666
You can immediately tell it’s Azuki from the word choices and each individual expression.
Azuki is really good at writing poetic lyrics.
670
名無しのエリー ｜ 2008/06/27 08:50 ｜ ID:3vhiGpVH0
>662
I can play guitar, though...
>669
...orz. Piano really does fit better, but still. (´･ω･`)
Poor Mochi.
671
名無しのエリー ｜ 2008/06/27 11:42 ｜ ID:nJ1BlEZW0
Yurippe and Furui both compose on piano/keyboards, after all.
I think that’s why so many of their arrangements have beautiful melodies.
672
名無しのエリー ｜ 2008/06/27 17:36 ｜ ID:vwYrVpnkO
>670
My bad. (´･ω･｀) Sorry.
Gane does have some great arpeggios and other tasty phrases, though.
I like the acoustic-guitar cutting too.
673
名無しのエリー ｜ 2008/06/27 17:48 ｜ ID:wBnSlSNWO
Come to think of it, seeing Ossan play guitar at Ninnaji was moving.
674
名無しのエリー ｜ 2008/06/27 20:09 ｜ ID:OPW4wPyw0
Ossan used to play bass, too.
Maybe that’s where those occasional bass lines that pull the song forward come from.
Thinking about it that way, I can understand wanting to add a live-band feel instead of staying within piano-and-synth-centered pop.
675
名無しのエリー ｜ 2008/06/28 10:14 ｜ ID:2OxO7MdrO
Gane is lucky to have such good arrangers.
676
名無しのエリー ｜ 2008/06/28 14:48 ｜ ID:OO6z2JlTO
But honestly, I’m not sure adding busier drumming or beefing up the bass really suits Gane’s sound.
677
名無しのエリー ｜ 2008/06/28 16:03 ｜ ID:2OxO7MdrO
Yeah.
I want them to add more simple, beautiful piano melodies like they used to.
678
名無しのエリー ｜ 2008/06/28 22:46 ｜ ID:VzjifWHy0
Come to think of it, there was some island in the south where they put dead people on boats and sent them out to sea for water burial...
679
名無しのエリー ｜ 2008/06/29 02:23 ｜ ID:v2LOAEofO
I know about sky burials, but...
>676
Even if they push a band-oriented direction, it’s half-baked because it’s still programmed.
The kick drum comes through well, but the cymbal work is weak.
680
名無しのエリー ｜ 2008/06/29 11:54 ｜ ID:/xPooELB0
I mean, no matter how full the band sound gets, it doesn’t really suit Yurippe’s songs.
I think “Kaze to RAINBOW” has a clever arrangement, but “Hareru Tokei” and “Namida no Yesterday” might have been prettier with a softer, piano-led arrangement.
681
名無しのエリー ｜ 2008/06/29 14:01 ｜ ID:v2LOAEofO
“Hareru Tokei” works for me. The intro riff does a great job of creating that clear-sky feeling, and the arrangement hits the right balance: bright and bouncy, with a little sadness mixed in.
If it were piano-led and acoustic, the lonely feeling would probably take over.
682
名無しのエリー ｜ 2008/06/29 15:34 ｜ ID:weDr+v2q0
“Hareru Tokei” is that kind of tempo, so a little band-like sound and momentum make it stand out.
The arrangement feels like guitar pop overall. The guitar never gets in the way, and keeps a light rhythm that follows the song beautifully.
I think that’s basically the form of band sound they should aim for.
Though something like “Nogare no Machi,” which is farther from a band sound, is good too.
683
名無しのエリー ｜ 2008/06/29 15:41 ｜ ID:weDr+v2q0
>679
A song like the early “Rhythm” would be cool.
It keeps some programmed elements but emphasizes the bass and brings out the band side. The dark atmosphere is cool too.
Maybe “Rhythm” is the kind of band sound Gane should be aiming for lol.
684
名無しのエリー ｜ 2008/06/29 16:19 ｜ ID:lYR2DKMyO
I’d like to hear three arrangements of “Namida no Yesterday.”
One would be the album version.
Another would be a sparse techno-pop version that makes use of the programming.
And the third would be a piano-centered version with tons of keyboard playing.
For the record, I don’t know what the ending-theme or single versions sound like. orz
685
ドレミファ名無シド ｜ 2008/06/29 21:46 ｜ ID:RJmOEn+O0
You’re really desperate.
686
名無しのエリー ｜ 2008/06/30 01:15 ｜ ID:y5U0djM2O
This guy is annoying.
687
名無しのエリー ｜ 2008/06/30 01:55 ｜ ID:LVB4EMIS0
Wrong thread?
I’d definitely like to hear remix albums or alternate versions that are still sitting around unreleased.
688
名無しのエリー ｜ 2008/06/30 19:10 ｜ ID:W0IRmARj0
I think the “Eimin” remix has a nice, moderate transparency, but the “Yume Mita” remix is boring.
It’s nowhere near good enough for an album track—it feels like a completely unnecessary add-on.
689
ドレミファ名無シド ｜ 2008/06/30 20:40 ｜ ID:qxtrrnS00
>685
Sorry, wrong thread.
The troll really is gone now, huh?
690
名無しのエリー ｜ 2008/06/30 21:15 ｜ ID:y5U0djM2O
>689
No, sorry—I jumped to conclusions.
I’m on mobile, so I didn’t really understand what was going on.
I thought some turd from the main thread had come over lol.
All good, thanks.
691
エビフリャー ｜ 2008/07/01 12:17 ｜ ID:qIj/jiAb0
Tamori Railway Museum
- The departure melody played inside Nagoya Municipal Subway trains was devised with the warning sound played just before time runs out on Fuji TV’s “Naruhodo! The World” as a reference.
- “Doremifa Motor” on the Keihin Kyuko line was devised by the celebrity railway fanatic Tamori-san on TV Asahi’s “Tamori Club.”
- The departure, running, deceleration, and stopping sounds of the Meitetsu Panorama Car 7000 series resemble the failure sound effect from Nippon TV’s “Kin-chan’s Kaso Taisho.”
- Nishitetsu’s nimoca was devised by misono, singer, TV personality, and younger sister of Koda Kumi.
Tamori’s Misheard Lyrics Hour
- “Third-Year Student”: “Ah, ah, ah, ah, ah—three years of blind datesーーーーーーーーーー”
Tamori-san loves Nagoya
- Tamori-san is the one who named “Ebifrya.”
- Tamori-san likes Nagoya more than anywhere else in Japan, and knows Nagoya’s culture and customs better than locals.
- Tamori-san says Nagoya is his second hometown, and will probably be appointed Nagoya goodwill ambassador by Nagoya City Hall someday.
692
名無しのエリー ｜ 2008/07/01 22:03 ｜ ID:1EtOdgY3O
>691
Wrong thread.
693
名無しのエリー ｜ 2008/07/03 03:26 ｜ ID:pybg1D5b0
GARNET CROW is that band with a guitarist who can sing and dance, right?
694
名無しのエリー ｜ 2008/07/03 14:15 ｜ ID:K/mBDy18O
I did an Inaba Bauer and slipped, so what?＾＾
I’m hoping “Yume no Hitotsu” will be a gentle ballad, but we’ll see.
695
名無しのエリー ｜ 2008/07/04 07:05 ｜ ID:0F0+Gwq50
Could tonight be the first broadcast?
It starts at 1:38 a.m.
696
名無しのエリー ｜ 2008/07/04 14:27 ｜ ID:qmn/byd2O
Was it written to fit the Golgo tie-in, or was the tie-in decided after the song was finished?
697
名無しのエリー ｜ 2008/07/04 14:35 ｜ ID:v0L4gx/N0
BSJ is delayed, isn’t it?
The terrestrial broadcast is Saturday.
Everyone’s interpreting things in whatever way suits them.
698
名無しのエリー ｜ 2008/07/04 19:51 ｜ ID:+1SlpwhXO
>697
I have no idea what you mean.
699
名無しのエリー ｜ 2008/07/04 21:16 ｜ ID:OgVSLiS60
When they say it’s a ballad expressing a painful farewell, it’ll probably be a flashy, classic ballad with strings heavily added to the arrangement, like “Mata Kono Te.”
I have a bad feeling there won’t be any “Whoa, this is another ‘Maboroshi’!” kind of buzz.
700
名無しのエリー ｜ 2008/07/04 21:33 ｜ ID:TuCnD4fgO
It might be a masterpiece to rival “Yume Mita Ato de”.
701
名無しのエリー ｜ 2008/07/04 23:26 ｜ ID:0F0+Gwq50
>699
Yeah... that’s probably how it’ll be.
Given the adult circumstances, I’m curious what kind of lyrics Nana wrote.
I’m also worried that Nana watched the main story and has become obsessed with playing Golgo at home.
702
名無しのエリー ｜ 2008/07/04 23:59 ｜ ID:qmn/byd2O
“Yume Mita Ato de” is a classic ballad too, though.
Japanese people love that kind of chorus melody.
They’re weak to songs that build from quiet piano backing into a gradual climax.
What I like about “Yume Mita” is that the strings are programmed without turning into a totally obvious, tacky swell.
703
名無しのエリー ｜ 2008/07/05 01:06 ｜ ID:mZ10IrFg0
I don’t really know Golgo, but something like “The First Cry” seems like it would fit better than a bittersweet ballad like “Yume Mita.”
704
ゆりっぺ(*´Д`)ﾊｧﾊｧ ｜ 2008/07/05 16:08 ｜ ID:8wg6i4sJ0
Yurippeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeee
I love youuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuu
(*´Д`)ﾊｧﾊｧ(*´Д`)ﾊｧﾊｧ(*´Д`)ﾊｧﾊｧ(*´Д`)ﾊｧﾊｧ(*´Д`)ﾊｧﾊｧ
705
名無し＠無名タレント ｜ 2008/07/05 19:58 ｜ ID:MM82I+Zc0
I’m going to the live show!
Yoropiko!
http://jp.youtube.com/watch?v=Ga5iEAuynBs
706
名無しのエリー ｜ 2008/07/05 21:43 ｜ ID:CNgKMVVWO
“Yume no Hitotsu” is pretty decent.
I liked the strings and the guitar coming in subtly.
It wasn’t anything new, but it’s a lot better than a grandiose ballad.
Ossan’s string arrangements using synth sounds are really beautiful and perfectly judged.
707
ゆきお。 ◆Zbsy2HGTwM ｜ 2008/07/05 22:17 ｜ ID:UGhmd4+t0
I’ve only heard it once, but the melancholy string backing is great, and the quick hit of crunchy guitar in the intro is nice too.
I think the guitar comes in at exactly the right amount. ( ・∀・)y─┛~~
It has a vibe like the 2nd album, and the melody isn’t anything new, but it’s easy to listen to.
708
名無しのエリー ｜ 2008/07/05 23:37 ｜ ID:ajJVo3N70
>704
You’re probably writing that creepy post while grinning to yourself...
Go die.
709
名無しのエリー ｜ 2008/07/06 00:32 ｜ ID:WkyhSiL+O
>707
The intro was excellent.
The melody is pretty ordinary, though, so it’ll probably end up as a safe, unremarkable song.
710
名無しのエリー ｜ 2008/07/06 01:48 ｜ ID:uvQXOezE0
Long time no see, Yukio.
Yeah, it’s easy to listen to. The melody and singing style remind me a little of the “Wasurezaki” era.
Maybe it’s the lyrics, but it feels like a slow-burn tearjerker.
It’s understated, but Nana is doing good work.
If I wanted to take a cynical view, I’d think it was an old song they recorded years ago.
711
名無しのエリー ｜ 2008/07/06 08:26 ｜ ID:SX7JOpjLO
The intro is too short to really tell lol, but it feels like something Ossan would make.
The melody has Yurippe’s distinctive feel, and the lyrics have Nana’s usual style.
It felt quintessentially Gane. But that’s a good thing.
712
名無しのエリー ｜ 2008/07/06 12:00 ｜ ID:WkyhSiL+O
Compared with “Sekai,” the lyrics feel kind of weak so far.
They have the Azuki style, but this time they feel recycled.
And the piano arrangements really are dwindling.
Will we ever get another masterpiece like “Wasurezaki”?
713
名無しのエリー ｜ 2008/07/06 12:15 ｜ ID:hpPRK4DE0
Speaking of piano arrangements, “in little time” was really good.
Even the non-Gane fans around me liked it.
714
名無しのエリー ｜ 2008/07/06 14:04 ｜ ID:ev5NJU8G0
The A and B melodies were god-tier.
I’ll probably get hooked on the chorus after a few more listens, but choruses have felt weak overall lately...
“Love is a Bird” was god-tier, though.
I find myself thinking that “Maboroshi” worked so well because they didn’t have to create a melody that sounded like a chorus.
This band is originally better at the parts that don’t build to a big climax, but “Kimi to Iu Hikari” had a god-tier chorus.
The lyrics do feel déjà vu-ish, but I think I had the same impression of “Sekai...” at first.
Then it transformed after the second verse and the C melody.
Sorry for the long post.
715
名無しのエリー ｜ 2008/07/06 14:10 ｜ ID:hpPRK4DE0
I thought the chorus melody of “Yume no Hitotsu” was good.
Conversely, “Sekai...” had a god-tier A melody.
I’m fine with the lyrics feeling déjà vu-ish—I don’t want them to change.
716
名無しのエリー ｜ 2008/07/06 19:08 ｜ ID:h3V0I/Q00
>707
Nana is good at feeling the fragility of time and life and depicting people’s inner struggles within it, but this time it feels like she’s simply applying that to a breakup song.
It’s disappointing that the formula became so obvious.
I haven’t fully understood all the lyrics yet, so maybe it’s too early to declare that.
717
名無しのエリー ｜ 2008/07/06 19:17 ｜ ID:26sGuToC0
I think it’s fine if that formula is what makes Nana Nana.
Fresh lyrics like “Argentina” are interesting too, though.
718
名無しのエリー ｜ 2008/07/06 19:19 ｜ ID:h3V0I/Q00
The lyrics about the moment of parting—or the feelings after a breakup—in “Mata Kono Te wo Nobaseba” and “Mou Ichido Waratte” are too direct and not very interesting.
719
名無しのエリー ｜ 2008/07/06 19:29 ｜ ID:N+onb/DT0
I think “Mou Ichido Waratte” is a song about being separated by death.
720
名無しのエリー ｜ 2008/07/06 19:36 ｜ ID:h3V0I/Q00
>717
Nana’s lyrics always bring in an impression of fragility and sadness.
Some of them use time or separation to get at the subconscious, but when that comes out exactly as expected, I get bored.
I like that general style, though—“Kimi wo Tsurete” and “Cold Shadow,” for example.
721
名無しのエリー ｜ 2008/07/06 19:40 ｜ ID:h3V0I/Q00
Sorry for the double post.
>719
Looking back, the phrase “Mou Ichido Waratte” is kind of interesting...
I’ll read the lyrics later.
722
名無しのエリー ｜ 2008/07/06 22:24 ｜ ID:eHalDDUg0
This one is a little too direct, yeah.
...A ghostwriter?
723
名無しのエリー ｜ 2008/07/06 22:27 ｜ ID:26gCaCD+0
Huh?
724
名無しのエリー ｜ 2008/07/07 00:08 ｜ ID:k1pUy/HwO
It’s a bad way to put it, but when “Mata Kono Te...” came out, I thought they’d gotten lazy with the lyrics.
725
名無しのエリー ｜ 2008/07/07 00:28 ｜ ID:5eeiCFqr0
When “Mata Kono Te...” came out, MU-GEN featured it as having excellent lyrics, though.
Saida said so lol.
726
名無しのエリー ｜ 2008/07/07 01:35 ｜ ID:a5PVhV/Z0
Well... Saida.
But why does “Mata Kono Te...” seem fairly unpopular while “Mawarimichi” seems fairly well-liked?
The lyrics are similarly direct, as far as I can tell.
727
名無しのエリー ｜ 2008/07/07 01:50 ｜ ID:NbUprzdo0
I think “Mawarimichi” is well-liked because the melody is good.
I often hear that “Mata Kono Te...” is a monotonous song.
The version with more chorus on the album is well-liked, though.
728
名無しのエリー ｜ 2008/07/07 21:37 ｜ ID:c5x4WLbr0
You don’t listen to music with lyrics as the only thing that matters.
Still, compared with lyrics showing the protagonist wavering through a breakup, lyrics that let you glimpse a world bordering on resignation feel more appealing even when they’re equally direct.
Personally, I think “Mawarimichi” and “Mata Kono Te...” are pretty different, even if not worlds apart.
729
名無しのエリー ｜ 2008/07/07 22:01 ｜ ID:vbYinr4ZO
In that sense, maybe “Yume no Hitotsu” sits in the middle—between the subjective and the panoramic.
Even the phrase “one dream” feels Nana-like: it could be a stubborn insistence that it’s only one among many, or resignation that dreams are limited in the first place, without taking either perspective completely.
730
名無しのエリー ｜ 2008/07/07 23:39 ｜ ID:o6aw3XOr0
When I heard “Mawarimichi,” I thought Yurippe was a god.
731
名無しのエリー ｜ 2008/07/08 04:32 ｜ ID:o2PhAang0
I’m a recent convert, so forgive the newbie question: people speak highly of the 1st album, but do they mean the major-label 1st album or the indie 1st album?
732
名無しのエリー ｜ 2008/07/08 06:08 ｜ ID:Bca2oMQK0
Usually they mean the major-label one, but the indie one should have a good reputation too.
733
名無しのエリー ｜ 2008/07/08 17:11 ｜ ID:v+Z7VDlMO
Is this the legitimate GARNET CROW thread?
I’ve been a fan since their debut, but the main thread always felt too creepy for me to join.
734
名無しのエリー ｜ 2008/07/08 17:20 ｜ ID:7zARo3J40
The main thread is being overrun by shitty fixed-name trolls right now, but it has had normal periods too.
735
名無しのエリー ｜ 2008/07/08 19:37 ｜ ID:VWIwSecSO
This used to be a place for Gane fans to talk about music in general, not just Gane.
Lately, though, the weird direction of the main thread has pushed it toward becoming a place for all-around Gane discussion.
It’s usually pretty relaxed. The only time it really heated up was when they released three jacket versions, wasn’t it?
736
名無しのエリー ｜ 2008/07/08 20:51 ｜ ID:JMaBDv0O0
The current flow makes sense, but there’s also no shortage of topics right now with the new song and live tour.
It’s only natural.
Once things settle down, we can go back to casually throwing out whatever topics we like.
737
名無しのエリー ｜ 2008/07/08 21:41 ｜ ID:19Z7yo11O
For now, what should we do with the other artists people have recommended?
Looking through the posts, OLIVIA and the songs Mochi played on his radio show seem like pretty strong candidates.
738
名無しのエリー ｜ 2008/07/09 17:16 ｜ ID:XeKH917TO
They’ll probably put “Ameagari no Blue” somewhere in the setlist.
The lyric “I wanted to keep believing in our summer connection” feels exactly like LOCKS lol.
739
名無しのエリー ｜ 2008/07/09 21:00 ｜ ID:KfuGtSMiO
>737
Wouldn’t it be better to discuss that in the next thread?
There’s plenty of space left, too.
740
名無しのエリー ｜ 2008/07/09 23:24 ｜ ID:PmGablISO
The capacity is getting tight soon.
Is there a dedicated browser or tool that shows the remaining capacity?
741
名無しのエリー ｜ 2008/07/09 23:31 ｜ ID:E89s+UH00
Someone was doing some petty sabotage, so...
>737
For now, OLIVIA’s 2nd album is a masterpiece.
If only it didn’t have that cursed CCCD.
742
名無しのエリー ｜ 2008/07/10 20:25 ｜ ID:LcC/rcLtO
Do you mean the 2nd or the 3rd album...?
743
名無しのエリー ｜ 2008/07/10 21:16 ｜ ID:UDUYrRJI0
>741
I understand how you ended up saying “2rd” lol.
I think someone mentioned LEAVES’ EYES earlier too. They’re great.
Liv’s vocals are god-tier, and the combination with death vocals works too.
I feel like a lot of Gane fans would like female gothic music like that, but I wonder if that’s actually true.
744
名無しのエリー ｜ 2008/07/10 21:31 ｜ ID:fOh3eXPX0
I like Gane, but outside of that I tend to like simple three-piece bands.
I like hip-hop too.
745
名無しのエリー ｜ 2008/07/11 08:39 ｜ ID:ZnoEbw5oO
While listening to “Yume no Hitotsu,” it started linking in my mind with Golgo methodically carrying out one kill after another.
Something like: “You wanted too much, so now I have to kill you.”
746
名無しのエリー ｜ 2008/07/11 14:34 ｜ ID:j4zNzJAvO
With Golgo, it’s more like, “You wanted too much, so I can’t deliver results like I do,” lol.
You can occasionally sense some humanity in Golgo, but in the end he reaches a point where he has no choice but to kill without hesitation.
Maybe it’s closer to the feelings of someone who loved Golgo:
“Walk your path” -> “Kill me without mercy.”
747
名無しのエリー ｜ 2008/07/11 17:00 ｜ ID:ZIjvodcMO
>743
They used to be a band and are a solo project now, right?
I liked them more when they were a band—the sound was more metallic.
748
名無しのエリー ｜ 2008/07/12 12:30 ｜ ID:w8pAuhy1O
Maybe because Nana herself says she doesn’t include messages, her lyrics don’t really connect with the world of the tie-in.
This time, though, the lyrics probably won’t be very interesting without knowing the setting they’re linked to.
749
名無しのエリー ｜ 2008/07/12 12:46 ｜ ID:IHq5Ef1v0
I love “Yume Mita Ato de,” but what song is the most popular among the fans?
750
名無しのエリー ｜ 2008/07/12 19:26 ｜ ID:TCGoUKza0
“Mizu no Nai Hareta Umi e.”
751
名無しのエリー ｜ 2008/07/12 19:29 ｜ ID:TCGoUKza0
>748
I wish she’d bring in some kind of homage as the inspiration for the lyrics.
Even just adding fragments of phrases, like Novalis in “Atsumeru,” would be fine.
752
ドレミファ名無シド ｜ 2008/07/12 19:46 ｜ ID:n64TpfmP0
At the Ninnaji show, during the MC right before “Yume Mita Ato de,” am I the only one who thought Yurippe looked like she was deliberately showing cleavage...?
753
名無しのエリー ｜ 2008/07/12 20:29 ｜ ID:hLKzjtVbO
The lack of objections to >750 says a lot about how correct that answer is lol.
I’m still going to nominate “fill away.”
The intense movement in the chorus melody and the ennui-like harmonies feel very GC to me.
754
名無しのエリー ｜ 2008/07/12 22:23 ｜ ID:S8eouP3x0
Popular songs among fans, huh...
If you only allowed one vote, I can imagine the winner getting only about 30% of the total.
If you allowed multiple votes, I can imagine around 20 songs tying for first.
That kind of pointless result feels likely.
But that diversity is exactly what makes GARNET GARNET.
If I had to pick one, “in little time.”
755
名無しのエリー ｜ 2008/07/12 23:09 ｜ ID:IWeEZiOB0
That would probably happen with any singer, not just Gane, if you held a fan vote.
756
名無しのエリー ｜ 2008/07/13 01:15 ｜ ID:MaJ4A0FU0
Nobody would probably deny that “Yume Mita Ato de” is their signature song, and everyone calls it a god-tier song.
But it probably isn’t the most popular among people who identify as fans lol.
That’s probably true of any artist.
If I had to choose, maybe “Holy ground.”
757
名無しのエリー ｜ 2008/07/13 01:18 ｜ ID:JCgVreU9O
On 2ch, I’d expect the votes to cluster around the early period.
People would probably pick something from around the 1st–2rd albums.
Personally, I’d choose “Sky.”
It contains all the traits Gane gets praised for: a panoramic worldview, dark sound, and so on.
The fantastical arpeggio and the strings coming in are god-tier.
758
名無しのエリー ｜ 2008/07/13 01:20 ｜ ID:JCgVreU9O
>756
Oh, “Seichi.” Yeah, that’s a very old topic lol.
Not that there’s anything wrong with it.
759
名無しのエリー ｜ 2008/07/13 01:24 ｜ ID:pFXu0Iu90
What the hell is “2rd,” you illiterate lololololol
760
名無しのエリー ｜ 2008/07/13 02:03 ｜ ID:JCgVreU9O
Aaaaaaah!
It’s 2nd... orz
I did it too lol. I’m going to hang myself for now.
761
名無しのエリー ｜ 2008/07/13 02:46 ｜ ID:MaJ4A0FU0
Will “Yume no Hitotsu” play on PassPara tomorrow—or technically today?
Will it be the full version? That was fast.
762
名無しのエリー ｜ 2008/07/13 05:38 ｜ ID:sZdt+V4pO
And then it gets posted on Nico Nico and sales drop...
Nothing good comes of it.
763
名無しのエリー ｜ 2008/07/13 09:46 ｜ ID:DVTURVIV0
Live broadcast lol.
764
名無しのエリー ｜ 2008/07/13 17:36 ｜ ID:TtI8mJnyO
By the way, what intros do you all like or rate highly?
Personally, my top three are “Eien ni Houmure,” “in little time,” and “Kaze to RAINBOW.”
They make me excited to hear what kind of song is about to start.
I also like “Koyoi Eden no Katasumi de,” surprisingly, because it has a melancholy feel compared with the main song.
765
名無しのエリー ｜ 2008/07/13 17:36 ｜ ID:hwIjoEC80
There probably aren’t many casual listeners of this unit who’ll be satisfied just by hearing the full version.
>760
I’ve genuinely written “1st... 2st... 3st” before, so you’re better than me lol.
This is beyond trolling now.
766
名無しのエリー ｜ 2008/07/13 17:40 ｜ ID:hwIjoEC80
There have been times when I was a little disappointed once the vocals entered “Eden,” but the piano in “Mizu no Nai...”
767
名無しのエリー ｜ 2008/07/13 17:47 ｜ ID:cucvusR10
The intro to “in little time” really is the best.
I like the intros of “Eden” and “Yesterday” more than the main songs.
768
名無しのエリー ｜ 2008/07/13 17:48 ｜ ID:hwIjoEC80
I messed up.
There have been times when I was a little disappointed once the vocals entered “Eden,” but the intro really hits.
Still, “Mizu no Nai...” has that piano, “anywhere” has a gothic-feeling intro, and “Wasurezaki” has its strings-and-piano intro.
Yeah, those are the three god-tier intros among Gane songs for me. (Though “Wasurezaki” is a slightly generic intro.)
769
名無しのエリー ｜ 2008/07/13 17:53 ｜ ID:hwIjoEC80
When I think about it, there are quite a few songs where the intro is pretty good but the vocals come in and make me lose interest, or think, “I don’t need this.”
Like Gray’s new song. The intro alone is cool; once the vocals come in, it’s a letdown.
770
名無しのエリー ｜ 2008/07/13 18:56 ｜ ID:7D7cGAYg0
http://www.erotica-cafe.net/pi-20139.html
The bare-assed girl here looks a lot like Yurippe.
771
名無しのエリー ｜ 2008/07/13 19:02 ｜ ID:cucvusR10
>769
God-tier intros really stick with you.
But with Gane, I think Yurippe’s melodies are the best part lol.
There are tons of songs I’d love to hear as acapella versions alone.
772
名無しのエリー ｜ 2008/07/14 01:14 ｜ ID:PNjZOxrJO
>769
The intro riff is excellent.
I mean, for a rock band, the riff has to have some edge to it.
773
名無しのエリー ｜ 2008/07/14 01:29 ｜ ID:EB7FtUFF0
I like the gentle intros of “Yuudachi no Niwa” and “Futari no Rocket.”
And I think the intro to “The Whiteness of This Winter” in the live DVD is amazing too.
I wonder why.
774
名無しのエリー ｜ 2008/07/14 01:50 ｜ ID:9AfqkBsFO
“Futari no Rocket” has a god-tier intro.
775
名無しのエリー ｜ 2008/07/14 06:39 ｜ ID:6AJOwtcd0
God-tier intro...
For me, it’s “Ushinawareta Monogatari,” no question.
That almost-collapsing feeling is so good.
776
名無しのエリー ｜ 2008/07/14 11:35 ｜ ID:ClmpP5wpO
>775
It’s a god-tier intro, but I doubt most people would immediately get it.
The intro to “flying” feels like the kind of intro most people would recognize as good.
777
名無しのエリー ｜ 2008/07/14 19:20 ｜ ID:Kzc4noHE0
The most obviously mainstream intro is probably “Yume Mita.”
I think it would go over well with general listeners too.
The whole song is classic and commercial-sounding.
Looking at the recommendation chart, I wonder if artists inevitably become more obvious and easier to accept, even if they don’t want to.
Anri Kumaki, The Back Horn, and Do As Infinity have all lost some of their edge and venom compared with their debuts or early days.
Still, maybe that initial urge to lash out really is a product of youth.
778
名無しのエリー ｜ 2008/07/14 20:48 ｜ ID:xNpUItYKO
Everyone gets older and mellows out... (not around the waist).
Cocco is a good example.
To keep being sharp-edged, you have to become a star in the sky like Kurt Cobain.
What was Gane’s most recent depressing song again?
779
名無しのエリー ｜ 2008/07/14 21:02 ｜ ID:PNjZOxrJO
“anywhere.”
Onitsuka seems to have stopped pushing her emotions as hard as she used to, too.
Whatever you think of Kumaki’s changes, The Back Horn changing is a shame.
Where did all that grungy, earthy roughness go?
780
名無しのエリー ｜ 2008/07/14 21:06 ｜ ID:PNjZOxrJO
When an artist known for depressing music brightens up their whole worldview, people may praise it as “their horizons have broadened” or “they’ve grown as a person,” but it still feels complicated.
781
名無しのエリー ｜ 2008/07/16 07:19 ｜ ID:50o83uE+O
People often say Gane has gotten boring as its style gradually became brighter, but maybe the real problem is the range of melodies.
There are songs people accepted even though the overall style wasn’t dark.
782
名無しのエリー ｜ 2008/07/16 09:21 ｜ ID:ONVfnV070
I’m amazed one person managed to write over 100 songs.
783
名無しのエリー ｜ 2008/07/16 19:18 ｜ ID:FKXHSMI4O
I couldn’t bring myself to tell someone who called Furui an idea machine that she must have a limited repertoire.
784
名無しのエリー ｜ 2008/07/16 19:37 ｜ ID:+bxMGRk/O
Azuki also said that no matter how much you dig into Yurippe, more keeps spilling out.
785
名無しのエリー ｜ 2008/07/16 22:00 ｜ ID:f2qimyiY0
Putting aside whether the style is repetitive, there haven’t been many songs lately that give me goosebumps, arrangements included.
I used to think it was amazing that they went beyond neo-acoustic into serious R&B and gothic-metal-like styles, with so much experimentation.
That feeling is gradually fading.
786
名無しのエリー ｜ 2008/07/16 23:07 ｜ ID:Tt1OZco50
GARNET has always been pop.
787
名無しのエリー ｜ 2008/07/17 20:16 ｜ ID:SxkU5moW0
If the 7th ends up just following the 6th, I’ll start wanting them to break free from inertia... (Though I’ll still peek into this thread＾＾)
Maybe it’s just my taste drifting away from theirs, but I haven’t gotten that goosebumps feeling from “Eien ni Houmure” or “Seichi” since the 5th album.
788
名無しのエリー ｜ 2008/07/17 21:16 ｜ ID:K87Z6I1OO
>787
“Eimin” is impossible.
That heartbreaking arrangement aside, Yurippe’s genuinely fragile, breakable voice is completely a product of her youthful freshness.
789
名無しのエリー ｜ 2008/07/17 21:26 ｜ ID:K87Z6I1OO
Honestly, even just comparing arrangements, the indie-era ones seem more excellent than what they’re doing now.
The arrangement of “Eimin” adds so much expression with that simple setup of chorus-treated acoustic guitar and guitar that I almost want Ossan to think about how to create Gane’s originality through guitar without using synths...
790
名無しのエリー ｜ 2008/07/17 21:35 ｜ ID:NGCr7E6J0
Gane’s defining sound feels more like piano than guitar.
Like “Mizu no Nai Hareta Umi e,” “in little time,” and “Wasurezaki.”
791
名無しのエリー ｜ 2008/07/17 21:59 ｜ ID:SxkU5moW0
But they’re developing arrangements around guitar now, so I think they should really consider how to make guitar the main attraction.
http://jp.youtube.com/watch?v=7jWWmdBKOqM
The sound is blurred around the edges by chorus throughout, with a crunchy distortion coming in near the solo.
Doesn’t this kind of guitar atmosphere sound like synths layered over it?
That’s the kind of Mochi guitar I want to hear.
792
名無しのエリー ｜ 2008/07/17 22:01 ｜ ID:SxkU5moW0
Even if the voice never comes back, I wish the arrangements could at least be influenced by that old sound...＾＾
793
名無しのエリー ｜ 2008/07/17 22:11 ｜ ID:NGCr7E6J0
I’d actually rather hear something ultra-acoustic, like just one piano.
Ossan’s piano melodies are so exactly my thing.
He has lots of beautiful acoustic-guitar melodies too, and I think he’s better at making beautiful melodies than at the jangly strumming style.
He’d probably write good songs if he composed too.
794
名無しのエリー ｜ 2008/07/19 01:53 ｜ ID:U4IcyrWh0
>793
Your ID is GC.
795
名無しのエリー ｜ 2008/07/19 15:31 ｜ ID:U8oHcnZrO
The riff and solo in “Eimin” are great.
The tone selection and phrasing contain strength inside the sadness, and neither feels wasted as part of the song.
Ossan’s guitar arrangements around this period are kind of iffy, though.
796
名無しのエリー ｜ 2008/07/19 19:53 ｜ ID:MA4nvhx70
Ossan is the synth guy, yet he’s the one centering his arrangements on guitar, while guitarist Mochi’s arrangements avoid letting the guitar stand out.
If he’s doing work for Ueki, he should really put in more effort.
797
名無しのエリー ｜ 2008/07/19 23:47 ｜ ID:Hb5KJHanO
He probably gets so excited because he has so few commissions, then tries to use the synth guy Ossan as his model, and ends up like that.
798
名無しのエリー ｜ 2008/07/20 00:30 ｜ ID:iyMayh+qO
Mochi’s arrangements don’t really have anything that shines.
Hayama can give you edgy guitar riffs even when they’re tacky, but Mochi’s have no distinctive character.
Someone knowledgeable about music—or a sexy genius—please explain what’s good about Mochi’s arrangements.
799
名無しのエリー ｜ 2008/07/20 02:02 ｜ ID:ZiPgpKFc0
>798
What’s good about Mochi’s arrangements:
They’re easy on the ears and surprisingly flashy.
800
名無しのエリー ｜ 2008/07/20 08:47 ｜ ID:rmX3YPoW0
At 800, Yuri-Nana are gods.
801
名無しのエリー ｜ 2008/07/20 12:58 ｜ ID:3XKWC9LNO
I cried after reading the lyrics to “WEEK END.”
I got rejected by a girl I liked. But she said, “Let’s stay close as friends from now on.”
After that, she kept talking to me as if nothing had happened. Time just watched over us peacefully; our relationship neither faded away nor grew closer. Only the love I’d spent remained, wandering around pointlessly.
Even now you’re so close, in the same place, but I can’t even touch you...
Even if you cry, I can’t save you.
But it’s not like I resent you. This weekend, I feel both pathetic and tender toward myself as I mutter the unreachable thought, “I hope you’ll be happy,” into the navy-blue sky alone.
Every word of the lyrics describes me right now.
802
名無しのエリー ｜ 2008/07/20 13:26 ｜ ID:QMQqJ7Ys0
Getting hit with “Let’s stay close as friends from now on” after being rejected is rough.
>798
He may be good at arrangements that evoke guitar pop or acoustic lounge music.
When arranging for Ueki, though, thinking about her direction makes the results feel weak.
Why doesn’t Ueki have Sean handle the arrangements and songs?
803
名無しのエリー ｜ 2008/07/20 14:17 ｜ ID:rmX3YPoW0
If Mochi isn’t providing songs for Ueki, what else is he supposed to do?
804
名無しのエリー ｜ 2008/07/20 17:21 ｜ ID:P8qvcq2dO
So that’s what “WEEK END” is about.
Nana’s lyrics often use a male first-person voice with a boyish feel, but since they’re written by a woman, I always assumed, “No guy like this actually exists.”
So this was a pleasant surprise, in a good way.
Are there many guys who relate to Nana’s lyrics?
805
名無しのエリー ｜ 2008/07/20 22:38 ｜ ID:iyMayh+qO
It’s less “I relate” and more “Whoa...” when it comes to Nana’s lyrics.
806
名無しのエリー ｜ 2008/07/21 11:28 ｜ ID:hb7sPvP1O
They aren’t really lyrics women would relate to either.
807
名無しのエリー ｜ 2008/07/21 11:56 ｜ ID:8XtF0cdI0
Exactly.
808
名無しのエリー ｜ 2008/07/21 12:03 ｜ ID:wY5lhgOp0
I like the “I” that appears in Nana’s lyrics.
I assume it’s a different person every time, though.
809
青一色 ◆PMpS55dIgc ｜ 2008/07/21 12:17 ｜ ID:a5pLMD6n0
“WEEKEND” gave me the impression of unrequited love for a childhood friend.
They meet as children and he falls in love at first sight.
But the other person feels nothing like that, so they spend all those years as friends.
As they grow up, they get fixed in place as the classic childhood-friend relationship.
The other person doesn’t see him as a romantic prospect, so his feelings never get through, but he also can’t give them up enough to cut off the relationship.
The other person has someone they like and cries over their love troubles, but he can’t do anything.
Still, at the very least, he wants them to be happy—even if he isn’t the one who can make them happy.
All he can do is pray.
It feels like the sorrow and helplessness of an unrewarded boy.
I can’t help seeing the protagonist as a boy, but maybe a girl works too.
Though I’d hate it if the one crying alone were a guy.
Anyway, childhood friends are great, huh?
Just scribbling in the margins.
810
名無しのエリー ｜ 2008/07/21 12:36 ｜ ID:m/qKiK8k0
>809
Long time no see!
The “I” in Nana’s lyrics has a boyish image.
I don’t know how adult men feel about them, but I can relate to “Koisuru Koto Shika Dekinai Mitai ni.”
Depending on the wording, though, it can feel childish—or maybe fresh.
Lately they feel more feminine, though, like “Miss Holiday”...
Maybe she’s writing with Yurippe in mind.
811
名無しのエリー ｜ 2008/07/21 23:26 ｜ ID:nxDTiWEB0
My favorite thing in Nana’s lyrics is the homages.
I like how they contain a strong message inside a glimpse of a fantastical worldview.
812
青一色 ◆PMpS55dIgc ｜ 2008/07/22 00:31 ｜ ID:7QG1jVTQ0
>810
Maybe being a woman is exactly why she can imagine boys who are innocent and pure, while if she were the same gender she’d see all the dirty parts and couldn’t do that.
I’m completely speculating, though.
“Last love song” feels more like an adult than a boy, but I still get a pure image from it.
Nana imagining a pure man...?
813
名無しのエリー ｜ 2008/07/22 05:17 ｜ ID:StAbdqF5O
A pure, innocent boy is also basically the image of Nana herself.
814
名無しのエリー ｜ 2008/07/22 07:17 ｜ ID:+lp4LGc30
The one in the upper left, right? Got it.
ttp://thumbnail.image.rakuten.co.jp/@0_mall/asahi-record/cabinet/365/00000396365.jpg
815
名無しのエリー ｜ 2008/07/22 23:43 ｜ ID:WOBHakahO
Nana is amazing for even working when she’s handsome lol.
816
名無しのエリー ｜ 2008/07/22 23:44 ｜ ID:mRhgnx790
That’s old news.
817
名無しのエリー ｜ 2008/07/23 20:37 ｜ ID:ahZkqqBbO
The live show is getting close~
818
名無しのエリー ｜ 2008/07/23 22:14 ｜ ID:c35vd/lE0
Judging by Yurippe’s voice on “Kimi no Ie...” at Ninnaji, she’s gotten pretty good at using different voices for different songs.
So I’m really looking forward to it!
I wonder what the percussion setup will be this time.
I’d like a chorus and strings too, but there’s no end to what you can ask for lol.
If LOCKS is the main focus, there probably won’t be much arranged by Ikeda, huh?
819
名無しのエリー ｜ 2008/07/23 23:48 ｜ ID:j7fum3Ks0
“Aichou” and “Ritou” aren’t songs where live strings would really fit.
They get their sound from Ossan’s transparent synth pads and strings.
There probably aren’t any songs this time where strings will shine.
We’ll probably get to see a lot more of Oga masturbating instead.
820
名無しのエリー ｜ 2008/07/23 23:50 ｜ ID:j7fum3Ks0
As a guitarist, he needs some moments where he can show off, so the live show should be fun.
I just don’t want him drowning out Yurippe’s vocals, so I hope they adjust the balance.
821
名無しのエリー ｜ 2008/07/24 00:02 ｜ ID:PUnteBEL0
Will it be the same setup again this year: two keyboards, three guitars, one bass, and one drum kit?
I’d rather have a chorus section instead of strings, for “Aichou.”
822
名無しのエリー ｜ 2008/07/24 00:41 ｜ ID:KsjjQaLV0
Will it be Kurose on drums?
I’m not a big fan, but he’s probably better than Kamei.
Kurose’s B’z drumming is good, but he’s mediocre with Gane.
It’s about chemistry more than technique.
823
名無しのエリー ｜ 2008/07/24 15:57 ｜ ID:+wj0iAfTO
Tokunaga doesn’t get attacked even when he has poorly received songs, probably because he also has some hits.
But Oga, Okamoto, and Asai get attacked absurdly even when they do good work.
Why are these three so hated?
824
名無しのエリー ｜ 2008/07/24 16:47 ｜ ID:gMz6HUWxO
Their faces?
825
名無しのエリー ｜ 2008/07/24 16:56 ｜ ID:X26bosZ40
I’m one of the latecomers, but since those people get criticized so much, I feel awkward saying I liked something they did.
Why they were criticized in the first place is another mystery, though lol.
826
名無しのエリー ｜ 2008/07/24 16:59 ｜ ID:6530fZJ+O
Why? Simple: Tokunaga has a higher probability of doing good work.
Oga, Mochi, and Asai have low batting averages, I guess.
Especially Oga—there’s no way to defend him. (´･ω･｀)
827
ドレミファ名無シド ｜ 2008/07/24 17:05 ｜ ID:rHIX2aPW0
I’m hoping Dave comes back on drums.
828
名無しのエリー ｜ 2008/07/24 17:07 ｜ ID:SQejgMwi0
>823
Did this land here by mistake from the Being thread?
I thought it was off-topic, but then Mochi showed up and made me laugh.
829
名無しのエリー ｜ 2008/07/24 17:19 ｜ ID:6530fZJ+O
But I think Ossan is Being’s best arranger.
The arrangements for “Seichi,” “Sky,” and “Nogare no Machi” are completely outside the usual Being mold.
Though I do think he’s been off lately.
830
名無しのエリー ｜ 2008/07/24 17:22 ｜ ID:SQejgMwi0
I don’t know any Being arrangers besides Ossan.
831
名無しのエリー ｜ 2008/07/24 20:01 ｜ ID:692lNGuV0
Mochi, for starters.
832
名無しのエリー ｜ 2008/07/24 22:08 ｜ ID:KsjjQaLV0
I think opinions of Tokunaga and Hayama change a lot depending on how you view Being’s music.
For better or worse, they’re still within the scope of Being music.
833
名無しのエリー ｜ 2008/07/24 22:56 ｜ ID:QSRQer1QO
Ossan’s arrangements have a wide range, and he tries all kinds of things.
Even with ZARD, songs that felt distinctive were arranged by Ossan:
“Sekai...,” “Fuyu no Himawari,” “I feel fine, yeah!,” and so on.
The boring arrangements lately do feel like classic Being sound, though.
Cyber, please come back!
834
名無しのエリー ｜ 2008/07/25 14:08 ｜ ID:UdovzTnWO
Except for Cyber, every arranger has the same problem: the programmed parts are weak.
The R&B rhythm tracks don’t have an ounce of weight.
835
名無しのエリー ｜ 2008/07/26 07:36 ｜ ID:LqrozP+C0
People said the crash-cymbal use in “Ritou” was monotonous, but even if you add more hits, people will pretty much say the same thing.
Still, it’s several times better than Asai or Oga’s programmed parts.
836
名無しのエリー ｜ 2008/07/26 08:55 ｜ ID:H7sf0C3RO
Come on, comparing those is a bit much lol.
With “Ritou,” I actually think they didn’t need to use quite so many cymbals.
I’d rather they’d emphasized the kick.
Every time I hear the “da-da-da-da-da-da” between the opening canon-like arpeggio and the first vocal, I think how much better it would be if it were heavier...
It would sound incredible with live instruments, so I’m really looking forward to the show.
I keep imagining it now: in the dark, Mochi’s nervous 12-string guitar rings out, Nana’s relaxed piano joins in, David’s kick drum and Ohashi’s bass thump along, and Yurippe is spotlit singing “mou sugu kikoeru~”...
Am I being creepy getting excited about this already?
Then Ossan’s synth rings out high and clear during the chorus.
837
名無しのエリー ｜ 2008/07/26 09:14 ｜ ID:LqrozP+C0
Nana’s piano seems like it’ll be pretty understated at this live show.
It’ll be Oga leading, and we’ll see how hard Mochi comes in.
The drummer is probably David after all. That lightness is so pleasant to listen to.
838
名無しのエリー ｜ 2008/07/26 09:37 ｜ ID:i28h2j2Q0
What is this, the Premium Live?
839
名無しのエリー ｜ 2008/07/26 18:33 ｜ ID:MlokP5yAO
>835
Honestly, if you’re going to keep adding programmed hits and working so hard on the arrangement, why not just switch to live instruments?
It’s probably impossible to have David play that often, though.
840
名無しのエリー ｜ 2008/07/26 19:20 ｜ ID:LqrozP+C0
The Back Horn came up as a recommendation before, but:
http://jp.youtube.com/watch?v=rl71XFumXLo&feature=related
http://jp.youtube.com/watch?v=Aba04aZOlPI&feature=related
These are good.
The upper one in particular has an incredible message about life using matches.
841
名無しのエリー ｜ 2008/07/27 20:15 ｜ ID:0+X/vh6q0
Sorry for the late reply.
>809
I thought “WEEKEND” was about unrequited love for someone who’s physically close but inaccessible because of their position.
It hurts that you can never talk to them, yet they look like they’re suffering so much.
842
名無しのエリー ｜ 2008/07/28 00:36 ｜ ID:iJ6VvNXp0
The matches are good.
843
名無しのエリー ｜ 2008/07/28 02:10 ｜ ID:MLpHsXGsO
“Utsukushii Namae,” huh? Wasn’t that a recent song?
I like the round bass intro and the climactic guitar solo.
The lyrics feel a little too calculated, but they fit the song well, so I like them.
844
名無しのエリー ｜ 2008/07/29 16:54 ｜ ID:hO9t8yVQ0
Happy birthday, Nana. I won’t say how old you are.
>840
The “Grave of the Fireflies” MAD is great.
I like the song “Balloon.”
The clean-tone intro is beautiful.
845
名無しのエリー ｜ 2008/08/01 00:38 ｜ ID:5NGbHPh50
I know Yurippe’s age, but I don’t know Nana’s...
Her age is private, right?
Ossan’s arrangements are a little retro.
I don’t dislike them, though.
846
名無しのエリー ｜ 2008/08/02 08:51 ｜ ID:f5TK1oD70
Even the early stuff was “stylish” in the sense that it used neo-acoustic arrangements that had practically become hollowed-out clichés.
It’s even more retro now.
847
名無しのエリー ｜ 2008/08/03 22:03 ｜ ID:Zl6Eywrv0
Reading the explanation of Coldplay’s “Viva la Vida” made me think of Gane.
848
名無しのエリー ｜ 2008/08/03 23:00 ｜ ID:3tOrXExt0
I haven’t listened to Coldplay in ages.
A live show through the fan-club allocation, and I get a second-floor balcony seat? No way.
849
名無しのエリー ｜ 2008/08/05 00:06 ｜ ID:duv7AmN50
Coldplay’s covers draw me in, but I’ve never listened because they somehow feel intimidating.
What genre are they?
What Gane songs would suggest I might like them?
850
名無しのエリー ｜ 2008/08/05 01:06 ｜ ID:ktgJPnFf0
If you like Gane, I feel like you’d probably like them too.
I’m not knowledgeable enough about music to give a comparison, though...
I thought the album in >847 was a little close to Kula Shaker.
851
名無しのエリー ｜ 2008/08/05 01:12 ｜ ID:HqlSLk0g0
They’re a world-famous band. They’re not so intimidating that you need to feel hesitant.
If anything, Gane is more likely to trigger a rejection response.
They have a slightly damp, wistful standard UK sound.
There’s quite a lot of piano pushed to the front too, so they should be easy to listen to.
If you can listen to “Nogare no Machi” or “anywhere,” you’ve passed the entrance exam.
852
名無しのエリー ｜ 2008/08/06 01:23 ｜ ID:mkGPTLmm0
If the mix on the official site is the official version, it kind of sounds like DAI again...
Especially the strong guitar strumming.
853
名無しのエリー ｜ 2008/08/06 11:23 ｜ ID:1YuYHc2/0
“X&Y” was great.
The atmosphere of the whole album was amazing.
It’s available for rental too, so it’s worth trying.
I think Gane fans could like it.
854
名無しのエリー ｜ 2008/08/06 11:28 ｜ ID:1f8Zfm5x0
>852
I sometimes think it would be interesting to hear DAI’s noisy, grunge-like guitar from Ohwatari in Gane.
If it were fuzzed out that much, though, it wouldn’t let Yurippe’s songs shine lol.
855
名無しのエリー ｜ 2008/08/06 20:07 ｜ ID:Qft33i4H0
>851
“Nogare no Machi” and “anywhere” might be selective, but most of the others have melodies almost anyone can listen to.
Gane’s arrangements are elaborate, but still easy to listen to.
856
名無しのエリー ｜ 2008/08/07 10:32 ｜ ID:l37eNKJ10
Speaking of DAI, Van-chan is completely being frozen out, huh lol.
I wasn’t that interested in her solo work, though.
By DAI’s later period, “Yotaka no Yume” is about the only thing I remember.
857
名無しのエリー ｜ 2008/08/07 18:44 ｜ ID:kJLAEwOh0
By the way, I’m on the 3rd-floor balcony for the live show...
Is it really that bad?
858
名無しのエリー ｜ 2008/08/07 22:09 ｜ ID:l37eNKJ10
>857
It might actually be easy to see from there... lol
The B-side “Love Lone Star” sounds like it has sparkly synths, kind of like “Ameagari no Blue,” right?
It apparently uses Mellotron for the first time since “Yume Mita” (probably a sampler sound), so I’m looking forward to it.
Though my top pick is “Mijikai Natsu.”
859
名無しのエリー ｜ 2008/08/08 21:38 ｜ ID:Fs+Ky2p+0
I’m ridiculously happy that they actually say the word “Mellotron” outright.
860
名無しのエリー ｜ 2008/08/08 22:47 ｜ ID:CRIALXfB0
>859
Are you a fetishist?
More importantly, can someone do something about the completely deserted main thread...?
861
名無しのエリー ｜ 2008/08/09 01:02 ｜ ID:lLvEQdMU0
Yurippe’s makeup on GARNET TIME looks like the Kansai person stereotype in my head!
It’s weird compared with her live and PV looks. Shocking!
There must have been a makeup artist that day, but does she normally wear makeup like that...?
862
名無しのエリー ｜ 2008/08/09 04:30 ｜ ID:t4EFCXX10
That’s what happens when there’s no makeup artist.
863
名無しのエリー ｜ 2008/08/09 20:23 ｜ ID:wnucO7yj0
She looked kind of ugly there.
864
名無しのエリー ｜ 2008/08/09 22:23 ｜ ID:J+xlDQb20
She isn’t exceptionally beautiful, so makeup can make a pretty big difference.
For better or worse.
865
名無しのエリー ｜ 2008/08/10 17:08 ｜ ID:KdAvmQ4N0
>861
Apologize to me, a guy in love with a Kansai housewife.
Personally, I prefer Yurippe with lighter eyeshadow.
The jacket was pretty heavily made-up this time too...
Anyway, the falsetto in “Love Lone Star” is great!
The fact that she writes songs because she wants to sing falsetto is one of the fun things about being a singer-songwriter.
866
名無しのエリー ｜ 2008/08/10 18:13 ｜ ID:SlIQqsgd0
Yurippe is pretty strongly influenced by her favorites, isn’t she?
I stopped hearing much Evanescence influence, but what is her current favorite?
867
名無しのエリー ｜ 2008/08/10 23:43 ｜ ID:v5w4ozyN0
Changing the subject, about Mochi singing “Crystal Gauge”...
Why is Mochi playing the side part while Oga, who’s supposed to be the support player, plays the solo in the instrumental break?
Yurippe is cute during the “La la tu ru la la” part.
868
名無しのエリー ｜ 2008/08/10 23:52 ｜ ID:taoXAYbZ0
>866
Yurippe’s current favorite is someone with heavy eyeshadow.
869
名無しのエリー ｜ 2008/08/11 14:05 ｜ ID:VER1kci5O
>859
You said “Mellotron” outright and it made you so happy.
I read it as “melatonin.” orz
870
名無しのエリー ｜ 2008/08/12 00:16 ｜ ID:CSb/zIwX0
Funny, I actually liked the GARNET TIME makeup more than usual.
Was it really that unpopular? lol
871
名無しのエリー ｜ 2008/08/12 00:36 ｜ ID:ccdCFmmRO
>867
Was that phrase made by Ossan as usual, following the standard arrangement?
872
名無しのエリー ｜ 2008/08/12 10:14 ｜ ID:mzHOGST9O
I was more distracted by the way she held the fork.
873
名無しのエリー ｜ 2008/08/12 11:11 ｜ ID:1MiyKPV/0
Honestly, I thought Mochi had been heavily involved in the guitar arrangements, so when I heard the riff in “Nogare no Machi,” I really thought, “Mochi did a good job.”
874
名無しのエリー ｜ 2008/08/12 11:31 ｜ ID:24TvCXqT0
Past tense... lol
The guitar solo in “Mijikai Natsu” was composed by Yurippe, not Ossan, right?
875
名無しのエリー ｜ 2008/08/12 11:46 ｜ ID:24TvCXqT0
>874
Not “Mijikai Natsu”—I meant “Yume no Hitotsu.”
876
861 ｜ 2008/08/12 21:54 ｜ ID:UR9P3+mq0
>870
Really...? Maybe you’re from Osaka?
According to an Ossan interview, GARNET is made up of Ossan, who originally came from Tokyo on business and settled in Kansai, plus three people from Kansai.
That makes it funny how he’s the only one who stands out during their unfiltered conversations at Ninnaji and elsewhere.
877
名無しのエリー ｜ 2008/08/12 22:25 ｜ ID:1MiyKPV/0
>873
Mochi’s presence is getting fainter and fainter lol.
878
名無しのエリー ｜ 2008/08/12 22:27 ｜ ID:1MiyKPV/0
I forgot to buy it on release day.
I’m going to go hang myself.
879
名無しのエリー ｜ 2008/08/13 07:40 ｜ ID:Ffw6r01P0
The B-sides really do have no weak spots.
Some people say this should have been the title track, but there’s also something tasty about it being in this position.
880
名無しのエリー ｜ 2008/08/13 08:52 ｜ ID:09xrW2JSO
LLS reminds me of “Kimi to Iu Hikari.”
I’m not sure whether it’s “Monaco” or not lol, but these relaxed songs feel very Gane too.
The A-melody chords in “Mijikai Natsu” are god-tier!
Everyone did good work on “Yume no Hitotsu”...
The way the cymbals are used, for example.
Is the arrangement different between the first and second verses, or am I imagining it?
881
名無しのエリー ｜ 2008/08/13 21:25 ｜ ID:bJQEtN0F0
I had errands in Akihabara today, but I was too busy and forgot to buy it on release day!
I miss when YAMAGIWA SOFT was still there...
882
名無しのエリー ｜ 2008/08/13 22:44 ｜ ID:cseLfJmyO
Starting at #8 on the daily chart is a little rough sales-wise.
883
名無しのエリー ｜ 2008/08/14 01:45 ｜ ID:Jkwquzj30
It would be incredibly sad if the three LOCKS versions caused fans to leave.
884
名無しのエリー ｜ 2008/08/14 10:09 ｜ ID:Q90BnvBOO
I’m a winner because I never expected anything from the singles in the first place.
But I’m a loser because I still haven’t bought it.
I’m wondering if The Back Horn’s new release “Pulse” might be better this time.
By the way, LLS supposedly uses Mellotron. What’s the actual deal?
885
名無しのエリー ｜ 2008/08/14 10:15 ｜ ID:Q90BnvBOO
>883
Rather, the big-name releases are having an outsized impact in their second and third weeks.
It’s not necessarily that Gane itself has become weaker.
886
名無しのエリー ｜ 2008/08/14 10:29 ｜ ID:x4HcFvQT0
But losing to groups I’ve never even heard of is bad.
Especially since Gane is front-loaded and is already losing from day one.
887
名無しのエリー ｜ 2008/08/14 13:48 ｜ ID:uoEqTCw90
Losing to Tanimura probably comes down to the difference in boobs between her and Nana.
888
名無しのエリー ｜ 2008/08/14 14:03 ｜ ID:lwTjQri6O
As long as they sell enough to keep going, I’m happy.
889
名無しのエリー ｜ 2008/08/14 15:16 ｜ ID:Q90BnvBOO
>887
Those boobs are outrageous, huh? (´･ω･｀)
That “jiggle-jiggle” promotion is pretty cheap lol.
890
名無しのエリー ｜ 2008/08/14 18:45 ｜ ID:c+vlqx2W0
I still haven’t bought it, but the programming on “Yume no Hitotsu” is pretty intricate.
The sound cuts through well, and I like the way the fills come in.
At first it sounded almost live, and I thought, “Oh, nice.”
The melody is pretty ordinary, though.
It feels like a recent Gane trend.
Maybe the band is in a stagnant period right now.
891
名無しのエリー ｜ 2008/08/14 22:05 ｜ ID:V43CH9pd0
Warm, flat cola in one hand, limp fireworks♪
892
名無しのエリー ｜ 2008/08/14 23:48 ｜ ID:ViXdVt1N0
>883
I bought the Ninnaji version.
When the Ninnaji release was announced, Tower Records discounted it by 20%.
So I’m a loser for buying the LOCKS Ninnaji bonus, huh.
893
名無しのエリー ｜ 2008/08/15 00:04 ｜ ID:uoEqTCw90
>892
Why didn’t you buy it from Amazon?
894
名無しのエリー ｜ 2008/08/15 01:52 ｜ ID:9NlAH2zbO
I’m getting tired of ballads like this.
They add more notes, and the melody rises along with them.
It’s just a normal ballad.
And unlike “Yume Mita,” the melody is monotonous, so even as a normal ballad it feels kind of half-baked.
895
名無しのエリー ｜ 2008/08/15 07:35 ｜ ID:XBzPcD6wO
>893
He wanted the Tower Records access card. I did too.
It turned out you could access the special site without buying it. orz
896
名無しのエリー ｜ 2008/08/15 18:50 ｜ ID:WhmuT7ou0
They haven’t lost their way, but now that their direction is becoming clearer, I don’t expect a big surprise hit anymore.
I miss the 3rd-album era, when “Spiral” and “Crystal Gauge” appeared alongside “Nogare no Machi” and “Endless Desire.”
People complained back then too: the singles and albums had different temperatures, the singles-stuffed-together thing was awful, and “no more remixes.”
But still lol.
897
名無しのエリー ｜ 2008/08/16 01:00 ｜ ID:lcdXJPJrO
It’s finally live-show time, everyone.
898
名無しのエリー ｜ 2008/08/16 22:05 ｜ ID:lcdXJPJrO
I saw the live show, and Nana’s piano and Ossan’s synth were sadly left completely outside the circle lol.
The only good thing was that Yurippe’s singing, including her falsetto, was stable.
That was disappointing.
899
名無しのエリー ｜ 2008/08/16 23:24 ｜ ID:b9+Y9wDfO
The drums are too loud.
900
名無しのエリー ｜ 2008/08/16 23:46 ｜ ID:lcdXJPJrO
I’ll give them some leeway because it’s a live show, but it bothered me that Ossan’s synth only really had an effect on “Aichou” and “Endless Desire.”
It felt like Kurose’s drums swallowed everything.
Once the crash cymbals started going bash-bash, that was almost all you could hear.
901
名無しのエリー ｜ 2008/08/17 00:00 ｜ ID:Yhj/fR8H0
Kurose’s drums need to calm down lol.
Ikeda’s strings were crying too.
“Yume Mita” and “Aichou” came through well, though.
902
名無しのエリー ｜ 2008/08/17 00:14 ｜ ID:AwSWIsxbO
Yurippe sometimes had to push her voice so she wouldn’t lose out to Kurose’s Kaeruichi.
Just use programming...
903
名無しのエリー ｜ 2008/08/17 01:17 ｜ ID:QSzShFB5O
So Nana and Yurippe will beat Kurose to a pulp afterward. Got it.
They repeated the same mistake as the 5th tour.
At minimum, “Wasurezaki” needs strings, synth or live. It sounded way too lonely.
At least Yurippe and Nana were cute...
904
名無しのエリー ｜ 2008/08/17 01:25 ｜ ID:QSzShFB5O
There was a short movie at the beginning, and I’d love an instrumental using those strings and piano. (´･ω･｀)
Yurippe’s “Yay!” was so cute I couldn’t handle it. ( ´∀｀)
905
名無しのエリー ｜ 2008/08/17 18:39 ｜ ID:Yhj/fR8H0
It’s adorable how Yurippe, the sadist, makes people do something different from the plan even though she knows it’ll flop.
Also, when did they start introducing the members by surname only...?
They’ve gotten really good at hyping the crowd during uptempo songs and keeping things stable live.
The inertia is going to continue for a while...
906
名無しのエリー ｜ 2008/08/17 18:42 ｜ ID:av5vNafn0
Was there a sax player among the support members too?
907
名無しのエリー ｜ 2008/08/17 19:01 ｜ ID:Yhj/fR8H0
Was it Ryusho Yokomichi? I think he was there.
They brought in the instruments exactly as on the recordings.
He’s also credited on the 1st album.
You don’t hear his name much, but he fit the songs well as part of the live arrangements.
He joined in on “Aichou” too and really got the crowd going.
908
名無しのエリー ｜ 2008/08/17 19:25 ｜ ID:av5vNafn0
>907
Thanks.
909
名無しのエリー ｜ 2008/08/17 21:25 ｜ ID:H9M/XhDWO
Yeah, the drums were drowning out all kinds of things...
The sound balance was a real shame. I feel terrible for the string section.
Only “Ritou” benefited from that powerful sound, though.
Everyone’s gotten pretty steady as performers, and the regular segment somehow made for great listening.
And this is a spoiler:
I got really moved when Yurippe didn’t sing the “~na kibun” part.
910
名無しのエリー ｜ 2008/08/17 21:51 ｜ ID:QSzShFB5O
The otaku are going wild in the main thread. Nostalgia freaks or whatever. (´･ω･｀)
Listening to the instrumental of “Yume no Hitotsu” makes it obvious how much Kurose’s drums and the other guitars distort the arrangement.
The volume balance is way too bad.
How much of side characters are Nana and Ossan supposed to be?
At that point, they’re not even needed.
911
名無しのエリー ｜ 2008/08/17 21:55 ｜ ID:QSzShFB5O
>905
Exactly. They’ve gotten good at adding options that entertain the audience.
Though if Nana or Yurippe says anything, most otaku will latch onto it anyway.
912
名無しのエリー ｜ 2008/08/17 22:36 ｜ ID:S1g+3D4U0
It’s fair to criticize Kurose’s drums for ruining the synth.
Honestly, that was unacceptable.
913
名無しのエリー ｜ 2008/08/17 23:56 ｜ ID:HPqgpWev0
>912
That doesn’t mean we can declare “Kurose is at fault.”
The balance at the mixing desk could have been bad too.
JCB Hall is relatively new, so maybe they didn’t have the know-how yet.
I thought “Endless Desire” sounded good, though.
914
名無しのエリー ｜ 2008/08/18 00:03 ｜ ID:8FKCWO1pO
>913
Wrong:
Kurose is bad.
Right:
Kurose and GC don’t fit.
No doubt about it.
915
ゆきお。 ◆Zbsy2HGTwM ｜ 2008/08/18 00:32 ｜ ID:hYFAVQFw0
I only went to Saturday’s show, but Kurose’s drums stood out acoustically. ( ・∀・)y─┛~~
It was a shame because everyone’s talks and the vocals were in good shape.
I wanted to hear the soft synth pads in “Sekai...” burst out more.
They managed to bring out the synth’s appeal reasonably well in “Endless Desire,” maybe?
The programmed drums on the recording were weak, so Kurose’s drumming actually added something there.
916
ゆきお。 ◆Zbsy2HGTwM ｜ 2008/08/18 00:37 ｜ ID:hYFAVQFw0
>913
Right. Even at the fan event where Kamei joined on percussion, both Furui’s synth and Azuki-san’s piano were buried.
People have mentioned it above, but Kurose’s drums were weirdly loud during the “Towa Bare” era too, weren’t they?
917
名無しのエリー ｜ 2008/08/18 01:17 ｜ ID:8FKCWO1pO
Long time no see, Yukio. You came Saturday?
If they’d removed the drums and centered the show on Ossan’s programming like at Ninnaji, it would have been much better received.
They’ll probably make it listenable for the DVD release with a mixdown and compression, but Kurose just doesn’t fit.
918
名無しのエリー ｜ 2008/08/18 05:36 ｜ ID:VpBHKtjx0
Did they really reproduce that much of the piano in “Mizu no Nai...”?
It felt like Nana’s part had gotten harder—am I imagining it?
I thought the same at Ninnaji, but Nana-sama seems like the biggest growth story as a player.
919
名無しのエリー ｜ 2008/08/18 11:08 ｜ ID:8FKCWO1pO
>918
I couldn’t tell whether the difficulty had increased, but it didn’t have that “I practiced as hard as I could” feeling she used to give off.
In other words, she looked relaxed.
I think her touch has gotten softer.
Nana-san is growing both as a player and as a lyricist.
Maybe she’s growing because she’s young at heart lol.
920
名無しのエリー ｜ 2008/08/18 19:30 ｜ ID:P3iJLqEBO
As a lyricist, I’d call it less growth and more like she was fully formed from the start.
There hasn’t been a huge shift from being “middle-school syndrome” at first to becoming more adult in the lyrics.
Her direction may have changed a little.
Honestly, I can’t deny that around the 4th album may have been her peak.
921
ゆきお。 ◆Zbsy2HGTwM ｜ 2008/08/18 21:09 ｜ ID:hYFAVQFw0
>917
Hey, long time no see. I’m keeping up with things~
People have been complaining about the drum and guitar volume everywhere, so I wish they’d think more carefully about the venue acoustics and the balance.
If the synth and piano don’t come through in Gane songs, they can’t really make excuses about it being a live arrangement. ( ・∀・)y─┛~~
922
名無しのエリー ｜ 2008/08/19 01:28 ｜ ID:7X0qwB4SO
If they switched to Kamei, people would probably attack him before even discussing the acoustics.
He got beaten up pretty badly in the Pan Factory thread.
His fills were monotonous and boring, though...
The percussion with cajón mixed in seems pretty well-liked, at least.
923
名無しのエリー ｜ 2008/08/19 02:33 ｜ ID:Ax5wPqE40
Can I ask a dumb question? What are “fills”?
924
名無しのエリー ｜ 2008/08/19 02:42 ｜ ID:BuGf2PeH0
>923
Google “fill-in.”
925
名無しのエリー ｜ 2008/08/19 06:55 ｜ ID:7X0qwB4SO
>923
Don’t pull it out. (´･ω･｀)
Carutani is pull-out material, though.
926
名無しのエリー ｜ 2008/08/19 22:43 ｜ ID:5VHIYNvN0
The terrifying intensity of Carutani’s drumming at Pan Factory definitely has pull-out potential.
Wait, what are we even saying? lol
Anyway, Yurippe is barely able to stay stable for one live show.
That’s probably her limit.
I used to say I wanted them to do consecutive tour dates, but they should probably avoid it—not even because of ticket sales.
At older shows, she sometimes lost power during a single performance, probably from nerves or lack of stamina, so she’s improved enormously when you look at it that way.
927
名無しのエリー ｜ 2008/08/19 22:45 ｜ ID:5VHIYNvN0
>921
I was worried the guitars would dominate and get in the way at this show too, but thankfully that didn’t happen.
928
名無しのエリー ｜ 2008/08/20 01:34 ｜ ID:QVbIU7/8O
>920
Even so, it’s amazing that you can see a lyricist’s individuality after hearing just one song.
It’s distinctive without feeling like it’s trying too hard to be weird, and it’s well put together.
929
名無しのエリー ｜ 2008/08/20 14:53 ｜ ID:QVbIU7/8O
Still... why are Gane otaku becoming a topic in the Being thread and elsewhere?
930
名無しのエリー ｜ 2008/08/20 20:59 ｜ ID:7ebl60cO0
>929
What specifically?
931
ゆきお。 ◆Zbsy2HGTwM ｜ 2008/08/20 22:55 ｜ ID:xBg8KG6P0
>930
Just look at the state of the Being thread and the main thread and you’ll understand.
Since it’s 2ch, both the people being attacked and the people doing the attacking are showing their level of maturity~
Everyone, let’s get along. ( ・∀・)y─┛~~
932
名無しのエリー ｜ 2008/08/20 23:52 ｜ ID:GGJ4Fp9bO
>931
Yukio, you’re also a ZARD fan, right?
There are Gane fans who are ZARD fans, Kuraki fans, Takei fans, and Aina fans too.
Insulting Gane fans is like yelling abuse at yourself in a mirror.
They start weird threads and go troll other artists’ threads, but they don’t realize it.
933
名無しのエリー ｜ 2008/08/21 01:53 ｜ ID:PVW0e8fIO
Gane fans may include some immature people.
But the anti-fans who blow it out of proportion and keep attacking them should realize that they’re just as immature.
Basically, if you find someone creepy and childish, an anti who clings to them just to keep saying “you’re creepy and childish” looks several times crazier than the otaku from an outside perspective...＾＾
934
名無しのエリー ｜ 2008/08/21 12:46 ｜ ID:OvoiuhodO
Have the Osaka tickets sold out?
935
名無しのエリー ｜ 2008/08/21 15:36 ｜ ID:PVW0e8fIO
They should still be available somehow, I think.
I’m only going to the Tokyo show, not Osaka.
936
名無しのエリー ｜ 2008/08/22 19:29 ｜ ID:NqInTzvvO
Looks like the anti-fan discussion has ended.
Still, I’m glad they didn’t play LLS live.
We would’ve lost the synth lead and those beautiful strings.
937
名無しのエリー ｜ 2008/08/23 01:16 ｜ ID:g0IEYKiqO
The anti-fan discussion isn’t ending.
They aren’t looking for legitimacy.
They’ll show up again eventually.
Even when this life runs out, it won’t change.
That’s human nature.
It’s nothing important, especially not some meaningful dream—just a dream.
938
名無しのエリー ｜ 2008/08/23 13:11 ｜ ID:2iUFeNKvO
>936
Live shows can transform rock songs that feel like they’re one step short when programmed, like “Endless Desire” and “Argentina.”
But then the music that’s supposed to be their strength loses its appeal. How does that make any sense?
939
名無しのエリー ｜ 2008/08/23 19:26 ｜ ID:XyZJqI9l0
That’s already proven by “Spiral” being the final encore song.
It’s not fresh anymore, though.
With the live show happening at the same time, I got the impression that all the threads had fewer reactions to “Yume no Hitotsu” than usual.
Maybe the B-side didn’t get very high marks this time either?
940
名無しのエリー ｜ 2008/08/23 21:57 ｜ ID:n6y0w06Y0
I just feel like there are fewer fans now.
941
名無しのエリー ｜ 2008/08/23 22:01 ｜ ID:2iUFeNKvO
The B-side definitely left a weak impression.
The lyrics of the second song and its short length were fresh, though.
942
名無しのエリー ｜ 2008/08/24 01:37 ｜ ID:5hL0+fUHO
If the next release also has no multiple versions, we may have to brace for initial sales below 10,000 depending on the tie-in.
943
名無しのエリー ｜ 2008/08/24 02:02 ｜ ID:avivTG1l0
There’s no live show, so they’ll be fine.
944
名無しのエリー ｜ 2008/08/24 03:36 ｜ ID:me8FAD5aO
[sage]
2008/06/29 22:40:35
>In the end,
>
>it seems you keep sitting there even after being redirected, refusing to acknowledge that the redirection is a redirection;
>
>even when people explain the reasoning, you insist it’s meaningless based on who said it rather than addressing the content;
>
>and you have no intention whatsoever of learning anything on your own.
>
>If that’s not true, then all you have to do is show that you’ve learned from what other people have said so far.
>
>If it is true:
>
>goodbye. Take care.
[sage]
2008/06/30 01:04:17
>This person thinks they’re some kind of customer, huh?
>
>They seem to think kindness is something they’re entitled to.
This was written in a thread where the administrators’ ★ accounts gather.
I removed the host and name fields at my own discretion.
The “this person...” poster is someone who filed and organized most of the deletion requests for duplicate GARNET CROW threads and nearly all deletion requests on the J-pop groups board—the so-called guide.
There’s a good chance the guide will eventually become a moderator too.
Regardless of whether they’re new or longtime fans, I wish more GARNET fans would learn the various rules of 2ch.
945
名無しのエリー ｜ 2008/08/24 17:01 ｜ ID:2MxZIAUq0
What an arrogant asshole.
946
名無しのエリー ｜ 2008/08/24 18:51 ｜ ID:Hrw89UDx0
Now that it’s over, let’s drop the subject.
>941
As people pointed out, the fact that the title alone let you roughly predict what Nana’s lyrics would be like was a little disappointing.
Still, after hearing LLS and “Mijikai Natsu,” I thought Ossan’s arrangements still have plenty left in them.
The acoustic-guitar texture and enveloping strings are calming.
So, basically, Mochi: GJ!
947
名無しのエリー ｜ 2008/08/24 19:04 ｜ ID:gC3dxEyx0
>945
Agreed. “I hope you learn,” huh? What an idiot lol.
948
名無しのエリー ｜ 2008/08/24 19:17 ｜ ID:Hrw89UDx0
>947
And your ID is GC.
949
名無しのエリー ｜ 2008/08/24 19:41 ｜ ID:jmowgj+Z0
If you don’t understand, lurk.
You people keep making duplicate threads, and don’t come at us just because you don’t want them deleted.
The issue isn’t over, which is why I’m posting.
There’s a redirect post in the duplicate thread, right?
You probably don’t know because you didn’t read the logs, but the fact that people kept posting after that redirect is what the admins are treating as a problem.
So learn the rules of 2ch before posting.
You’re a nuisance.
950
名無しのエリー ｜ 2008/08/24 20:48 ｜ ID:ieI5kh5V0
Where’s the thread that’s supposedly a problem with the administrators?
I can’t say anything until I read it.
951
名無しのエリー ｜ 2008/08/24 21:03 ｜ ID:gm95bxe6O
Some people are mass-creating threads and trolling however they like, so what can you expect...
Anyway, take that up in the main thread where everyone gathers.
This is a place for quietly talking.
952
名無しのエリー ｜ 2008/08/24 23:33 ｜ ID:CgjzT4NjO
>946
What matters is who does the arrangement. As a complete amateur, I can’t tell much difference between the players.
953
名無しのエリー ｜ 2008/08/24 23:48 ｜ ID:ezx4v4zU0
If GARNET CROW’s guitarist had been Futoshi Abe instead of Hitoshi Okamoto...
It would be insanely cool.
Two beautiful women and two giant men in sunglasses and suits.
But that’d be too scary, so having the gentler-looking Mochi probably gives them a better balance.
954
名無しのエリー ｜ 2008/08/25 00:58 ｜ ID:dODEVnv2O
Gentler-looking lol. Mochi’s good, Mochi.
955
名無しのエリー ｜ 2008/08/25 02:02 ｜ ID:D3Cx4w2SO
>952
Even if Mochi only stood out a little, that’s still GJ lol.
The acoustic-guitar texture on LLS is delicious.
With the synth too, it’s stylish.
Futoshi Abe? From Thee Michelle Gun Elephant lol?
Besides his height, his guitar stands out too, right?
That band had way too many distinctive personalities, between Chiba and Abe.
956
名無しのエリー ｜ 2008/08/25 14:17 ｜ ID:Hq4NIHEbO
Among the other three’s looks, that tiny drummer is memorable too.
Like Mochi in Gane.
957
名無しのエリー ｜ 2008/08/25 16:09 ｜ ID:ZKhnNpC80
Following the flow of having chord sheets in Gekkayo, I was listening to a collection of only the single instrumentals.
The chorus in “flying” was so incredible it knocked me over.
I thought it was a pretty ordinary song, so I’m sorry.
Nakamura-san is a genius.
Is this old news?
It’s a shame they don’t include the choruses on recent instrumentals...
958
名無しのエリー ｜ 2008/08/25 16:28 ｜ ID:qDuVloZE0
The administrators’ ★ accounts are NEET ★ accounts.
959
名無しのエリー ｜ 2008/08/25 21:14 ｜ ID:D3Cx4w2SO
>957
So which one is the genius, Yurippe or Ossan?
Does Yurippe build the choruses?
Also, it sounds like they made room for a guitar solo in the new song.
960
名無しのエリー ｜ 2008/08/25 21:51 ｜ ID:gr4jBZIg0
They’re both geniuses.
Gane is the greatest band in Japanese music history.
961
名無しのエリー ｜ 2008/08/25 22:49 ｜ ID:Hq4NIHEbO
>959
Yurippe, obviously.
962
名無しのエリー ｜ 2008/08/25 23:03 ｜ ID:3sKXfmLh0
I can’t call them the greatest ever. There are plenty of other bands I like just as much, so it’s hard to choose.
Among the Rockin’on-type bands, I like The band apart, The Back Horn, and Grapevine.
963
名無しのエリー ｜ 2008/08/26 00:36 ｜ ID:E4bLY8qZ0
I thought the chorus work was Ossan’s job.
964
名無しのエリー ｜ 2008/08/26 00:50 ｜ ID:DVrAvLB50
Nana said, “I love Yurippe’s chorus work,” so it’s probably Yurippe?
965
名無しのエリー ｜ 2008/08/26 01:42 ｜ ID:2VKZpYC50
Maybe Yurippe came up with the idea of adding layered choruses, specified where they should go, and then arranged them freely, or maybe layered choruses were Ossan’s idea, Ossan specified all the locations, and Yurippe freely added the layers there.
Usually the arranger specifies the places where chorus work should happen, and the vocalist freely arranges the chorus in those spots during recording.
It’s a subtle question.
If the latter is true, Yurippe did the actual arrangement, but Ossan, who came up with the idea, also arranged it.
In a case like this, does “chorus arrangement” count as the work of the person who actually sang the choruses?
Pointless question, but it got me curious lol.
966
名無しのエリー ｜ 2008/08/26 21:10 ｜ ID:3UGyKJOhO
With Yurippe, I feel like she probably does the choruses already at the demo stage.
Apparently she handles even the chords and arrangement in the demos.
967
名無しのエリー ｜ 2008/08/26 23:55 ｜ ID:PCEi6n+3O
Yurippe does all kinds of things as a composer—putting rough distortion on programmed guitar tones, creating melody lines from drum loops, and so on.
She must understand exactly how arrangements affect a song, so maybe she handles the entire chorus arrangement too.
She probably has arrangements she likes, and the idea of choruses is pretty ordinary anyway.
968
名無しのエリー ｜ 2008/08/27 07:19 ｜ ID:rWVbbGssO
>962
The Back Horn’s new album comes out September 3.
You’re buying it, right?
969
名無しのエリー ｜ 2008/08/27 09:48 ｜ ID:fo+OJM6Y0
It’s also possible Yurippe listens to the finished arrangement and comes up with choruses in the heat of recording, while Ossan thinks, “Yuri-san’s voice would sound great on this part.”
970
名無しのエリー ｜ 2008/08/28 01:34 ｜ ID:GBZ2E1s9O
Whether the chorus work on the 1st album was Yurippe’s idea or Ossan’s, they were clearly as obsessed with it as Enya.
It has an overdubbed feel, but the 1st album really is great.
Chorus work is the tastiest kind of arrangement.
971
名無しのエリー ｜ 2008/08/28 12:29 ｜ ID:ymReaZNo0
Yurippe said:
>“Once I start adding choruses, all sorts of ideas keep bubbling up and I can’t stop laughing.”
972
名無しのエリー ｜ 2008/08/28 15:51 ｜ ID:GBZ2E1s9O
Maybe it was just around the time Ossan had also gotten hooked on chorus work?
Considering how weak the vocals were,
973
名無しのエリー ｜ 2008/08/28 15:54 ｜ ID:GBZ2E1s9O
I messed up.
Considering how weak the vocals were, it does sometimes feel like Ossan’s influence was stronger than Yurippe’s ideas.
974
名無しのエリー ｜ 2008/08/28 19:48 ｜ ID:3eE+5LuF0
The 1st album definitely has a lot of songs whose outlines are blurred by delay, reverb, and mixing.
The choruses also feel excessively layered.
That’s part of what people praised, though: the floating feeling, the dreamlike quality.
Back then, it felt like Yurippe was being pulled along by the surrounding sounds and audio processing.
975
名無しのエリー ｜ 2008/08/29 09:27 ｜ ID:Cn/EqDEuO
Out of ignorance, I convinced myself the chorus of “Yume no Hitotsu” went la-si-la-so.
So that’s what it means for it to descend chromatically—amazing.
Can you normally hear that kind of thing?
Also, maybe the break before the second chorus wasn’t necessary.
But it’s nice that they don’t do some conspicuous key change for the final chorus.
976
名無しのエリー ｜ 2008/08/29 11:30 ｜ ID:25bJqNrm0
I don’t know the details, but Yurippe’s weird key changes and developments surprise me every time.
Changing the subject, is DAI really coming back?
Are they doing a one-day reunion at a-nation and then a full comeback?
Probably not, lol.
977
名無しのエリー ｜ 2008/08/29 22:23 ｜ ID:j3wcnWRdO
>976
Apparently the only song they played was one melodic-hardcore track, “Summer days.”
978
名無しのエリー ｜ 2008/08/30 00:47 ｜ ID:kcxl8FQVO
>976
Seriously?!
Damn... I wanted to see it...
Sorry for the off-topic post, but “Heart” and “MyWish-MyLife” have elements that connect with Gane too.
I kind of want Gane to try songs like these.
The voices, sounds, and lyrics are different, but something about the melodic movement feels similar.
979
名無しのエリー ｜ 2008/08/30 09:02 ｜ ID:OFpvoeqR0
I’m not trying to bash them, but the quality of their lyrics is uneven.
Going by the credits, Kawamura’s lyrics are good, but Ohwatari’s are terrible lol.
He should stick to guitar like Oga does (ry
>977
No, I think it’s today.
The live show—is it at Ajinomoto Stadium?
Rain lol.
980
名無しのエリー ｜ 2008/08/30 09:46 ｜ ID:HjkK/Et90
Wait, Oga writes lyrics too?!
He’d write such annoying lyrics lol.
981
名無しのエリー ｜ 2008/08/30 09:53 ｜ ID:OFpvoeqR0
No, I mean he should just play guitar lol.
I like Ohwatari’s rough, full-bodied guitar.
The lyrics are embarrassing, though.
982
名無しのエリー ｜ 2008/08/30 12:38 ｜ ID:vIR0lKU4O
He wrote lyrics about something like turning the whole world against him.
And now I’m thinking that maybe the Mellotron on “Mijikai Natsu” is actually live.
Then I saw the Monthly Song magazine and it was confirmed lol.
Could this really be a live Mellotron?
983
名無しのエリー ｜ 2008/08/30 15:29 ｜ ID:1S0VAvGS0
>982
I think those are perfectly good lyrics. It probably wasn’t Ohwatari, was it?
There’s another one that’s more stupid-sounding—or maybe just lightly optimistic. Not bad, though lol.
Sorry for the newbie question, but which part has the Mellotron sound?
984
名無しのエリー ｜ 2008/08/30 18:41 ｜ ID:OFpvoeqR0
>983
It’s in the arrangement of the A and B melodies.
It’s harder to identify than on “Yume Mita.”
The soft, floaty tone is probably it.
>982
I’m no expert, but apparently there are plenty of software instruments with Mellotron tones built in, so live Mellotron probably isn’t a thing anymore.
It’s a Mellotron tone, and that’s enough.
985
名無しのエリー ｜ 2008/08/30 18:43 ｜ ID:OFpvoeqR0
http://schiphol.2ch.net/test/read.cgi/mnewsplus/1220087380/
I just found out, but apparently it’s a comeback.
DAI is back━━━━━━(ﾟ∀ﾟ)━━━━━━!!
986
名無しのエリー ｜ 2008/08/30 19:39 ｜ ID:vIR0lKU4O
>985
I wonder what it’ll be like with Nagao.
I only really remember DAI up through the early period...
The last phase felt half-baked aside from the live instruments.
I like “TAO,” though.
I’m hoping for a wistful sound rather than light arrangements with uptempo songs.
987
名無しのエリー ｜ 2008/08/31 00:09 ｜ ID:hwTy/6wk0
I only want to know the truth, but summer vacation is already over.
988
名無しのエリー ｜ 2008/08/31 01:23 ｜ ID:gMjMZU5r0
Could someone post an Osaka report if they can?
DAI is nostalgic, but I don’t think a reunion can carry over the atmosphere of the early-to-middle period.
989
名無しのエリー ｜ 2008/08/31 09:59 ｜ ID:9LTAriKhO
I’m going to my first GARNET CROW live show today (I’ve been a fan since their debut).
Is there anything special I should watch out for?
I looked up “cyalume” because I wondered what it was—is it the glowing stick?
Do people use those at Gane shows?
And what’s the audience like? I’m nervous...
990
名無しのエリー ｜ 2008/08/31 10:12 ｜ ID:oOba0EgOO
Relax, you’re fine.
991
名無しのエリー ｜ 2008/08/31 11:09 ｜ ID:gMjMZU5r0
>989
I’m only going to Tokyo this time, not Osaka, but I don’t think there’s anything special to worry about.
Live shows are basically free-form.
There are lots of men, and the age range is broad, from young people to fairly old fans.
Most people aren’t used to live shows, and there’s no unspoken rule about having to do anything.
If I had to mention one thing, it’s the cyalume.
They hand them out at the venue and everyone waves them during “Seichi,” but lots of people keep waving them afterward too.
Just follow the crowd and have fun waving it.
A cyalume lights up easily with a little force—you just snap it.
There should be instructions inside the bag they hand out, so don’t panic in the dark lol.
That’s all. Go enjoy yourself as much as possible.
The “Miss Holiday” dance is a little embarrassing, but it’ll make a memory.
992
名無しのエリー ｜ 2008/08/31 11:21 ｜ ID:9LTAriKhO
The thread is almost over.
>990 >991 Thanks.
I’m off.
I thought I had to buy something, and I didn’t realize there would be so many men.
But thanks—I’m going to have fun!
993
名無しのエリー ｜ 2008/08/31 11:29 ｜ ID:gMjMZU5r0
>992
The person next to me was a cute girl, though＾＾
Have fun and take care.
994
名無しのエリー ｜ 2008/08/31 12:32 ｜ ID:R+ISyBzZ0
>992
If we’re getting specific, there’s waving your hands during “wish★” and “Futari no Rocket,” but the live master, the god-hand Furui, demonstrates everything himself, so it’s easy to follow lol.
There were pairs of young women and mother-daughter pairs in Tokyo too~
Have fun! Say hi to Yuri-san, Nana-san, Mochi, and Ossan for us!
995
名無しのエリー ｜ 2008/08/31 13:04 ｜ ID:OIf3VgnJO
>989
I said this in the main thread too, but make sure you can get the cyalume out quickly.
It’s buried under the merch, and it’s dark and stressful, so not being able to find it is a tragedy I’ll leave to someone else.
996
名無しのエリー ｜ 2008/08/31 13:18 ｜ ID:wdBlhn6A0
Read the flow of the room before using the cyalume.
997
名無しのエリー ｜ 2008/08/31 13:33 ｜ ID:WWu8vquT0
Use it carefully.
【Yuri】GARNET CROW part 12【Nana】
http://mamono.2ch.net/test/read.cgi/musicj/1220156951/
998
さっきの奴 ｜ 2008/08/31 22:50 ｜ ID:9LTAriKhO
While helping bury the thread:
Thanks, everyone, for earlier. That was fun.
It was more relaxed than I expected—or maybe it was the crowd’s vibe.
I was surprised how many people were sitting down.
Yurippe was cute! Nana-san was beautiful! Furui-san was hilarious! Mochi was the best!
The playing and vocals were good too.
The drums bothered me, though... so intense.
I couldn’t hear the strings (＾ω＾#)
And Yurippe messed up the lyrics way too many times lol.
Anyway, it was absolutely amazing. Just a diary entry.
But I got groped on the way home.
999
名無しのエリー ｜ 2008/08/31 22:54 ｜ ID:g5c8q6CL0
Kuso-se’s learned nothing from Tokyo, apparently.
1000
名無しのエリー ｜ 2008/08/31 22:54 ｜ ID:wdBlhn6A0
>998
Was the groper a girl?